CAPE-Communication-Studies-Paper-02-2022-Sample-Essays-and-Notes
CAPE-Communication-Studies-Paper-02-2022-Sample-Essays-and-Notes
MODULE 1
MAIN IDEA:
The main point of the article is that, due to the emergence of photo-editing software, the
acceptance and use of cosmetic manipulations have increased drastically over the years.
WRITER’S PURPOSE:
The author’s purpose is to provide insight into the shift that occurred with the introduction of
photo-manipulating software and filters.
ORGANISATION STRATEGIES
When trying to figure out the organisational strategies, it i important to consider the overall text-
structure. The five most common are: Sequenced, Descriptive, Argumentative, Problem-Solution
and Cause-Effect.
❌ Sequenced
❌ Descriptive
❌ Argumentative
❌ Problem-Solution
✅ Cause-Effect
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LANGUAGE TECHNIQUES
Language Techniques are usually figurative devices. So, look out for those in the text.
The author directly quotes the research included in the article to add
Use of Direct
credibility.
Quotations
-
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The main point of the article is that, due to the emergence of photo-editing software, the
acceptance and use of cosmetic manipulations have increased drastically over the years. These
changes have transcended from our virtual screens to the physical environment. The author’s
purpose is to provide insight into the shift that occurred with the introduction of photo-
manipulating software and filters.
To drive this purpose, the author uses comparison and contrast as an organisational strategy. The
overall text employs a cause-and-effect structure. However, comparison and contrast are used
throughout the article to support the text structure and highlight the difference between traditional
use of cosmetic procedures and how it has changed since the introduction of photo-editing
software and filters available in apps like Snapchat. The first paragraph introduces this concept,
stating, “People historically came to plastic surgeons with photos of celebrities…now they’re
coming with edited selfies.” This statement compares traditional behaviour with the modern way
of thinking about self-enhancement procedures. Furthermore, comparison and contrast appear
again in the fourth paragraph, where the author writes, “…colossal distance between stars and
everyday people…”. This further drives the concept of cause and effect. Now, due to the
introduction of software and apps, “everyday people” are able to be celebrities in their own right.
This metaphor suggests that photo-editing is a driving force, influencing cosmetic surgery clients’
behaviours. It supports the idea that the “shift” cosmetic surgeons are seeing is, in fact, due to the
introduction of new technology, which makes it easier to change one’s self into an idealised
Although this article is broadly applicable, it could be more relevant to the Caribbean context by
considering factors such as cultural influences that shape regional beauty standards and how
social media use in the region impacts perceptions of beauty. For example, Caribbean society’s
perception of beauty is heavily influenced by Eurocentric and indigenous aesthetics. This is evident
in the term “coolie,” loosely used in Caribbean society is readily tagged to “pretty”. This is how
filters on apps like Instagram, TikTok, and Snapchat predominantly cater to the Eurocentric
aesthetic. This creates significant issues related to colourism in Caribbean society, leaving those
who do not align with the Eurocentric features portrayed in filters feeling underserved and
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In conclusion, the author raises the issue of how photo-editing apps and software have
contributed to the rise of cosmetic procedures in society. The author uses a cause-and-effect
language technique, to raise awareness about this issue. However, the article could be made
more relevant to the Caribbean context by addressing how culture and social media influence the
region’s beauty standards.
MODULE 2
LANGUAGE REGISTER:
The language registers used are: Formal and Informal Registers. DSP Richards uses the formal
register, while Princess uses the informal register.
DSP Richard speaks using Standard Princess uses idioms in her speech, e.g., “...throwing
English him into the van like meet...”
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Contradiction to Princess’ Claims: The police officer, DSP Richards points out inconsistencies in
Princess’ argument. Princess strongly opposes DSP Richards’s explanations with dismissive
statements like "Nothing no go so.
Emotionally charged language: The protesters and even Princess uses emotionally charged
language throughout the extract.
Implied Tone: Exclamation marks in the text imply that the protesters were loud and
perhaps shouting.
Princess’ speech rate: Princess speaks “rapidly and breathlessy” to defend her stance,
which indicates high emotional tension.
Proxemics: (how the protesters used space to communicate their anger)
aggression.
they have no intention of unblocking the road, so it is placed instead of the Standard English
Th-stopping: There are multiple instances where the dental fricative (th-sound) is written as
simply a dental (d-sound) in the extract. E.g., “dem” instead of “them”.
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The extract is taken from Stories My Father Told Me and Other Tales. It covers the interaction
between a protestor, Princess, and a police officer, DSP Richards. Princess claims to be an indirect
victim of police brutality, as she recently lost a friend, Billy, at the hands of the police, which she
believes was unjust. Tension rises between the two when DSP Richards challenges the logic of her
claims. This essay explores: (1) the language registers used by the characters; (2) the verbal and
non-verbal communicative behaviours they employ, which reveal social tension; and (3) a feature
of Caribbean Creole seen in the dialogue between Princess and DSP Richards.
Firstly, the extract features the use of formal and informal registers by DSP Richards and Princess,
respectively. DSP Richards uses the formal register to maintain authority and respect. This is
evident in his speech, as he predominantly speaks in complete sentences and uses Standard
English. He also avoids contractions, which contrasts with the register used by Princess. In contrast
to DSP Richards, Princess and the protestors use the informal register. This is seen in her frequent
use of contractions, as well as idioms such as “…throwing him into the van like meat…”. Moreover, in
direct quotes from the extract, there are instances of exclamations, such as “Murder!”. The use of
Furthermore, the article highlights various aspects of verbal and non-verbal behaviour that
communicate social tension between the characters. The verbal interactions include accusations
made by the protestor, which are then countered by the police. Non-verbal behaviours that
indicate tension are also present, such as Princess’ reaction to DSP Richards’ counter. In terms of
verbal behaviour, Princess repeatedly accuses the police of wrongdoing, as evident in the
statement, "A shoot de police shoot it up demself. Damn lie.” DSP Richards counters the
accusation, increasing the social tension, as neither party is willing to accept fault. Both believe
they are right, meaning there is no progress towards resolving the issue. This tension is further
supported by instances of kinesics, such as when Princess sneers at the officer, suggesting disdain
and aggression.
in several instances. This is seen in words such as “de”, “dem”, and “demself” instead of the
standard English alternatives, “the”, “them”, and “themselves”. This is noticeable in the
conversation between DSP Richards and Princess and highlights a prominent feature of Creole
expression.
In conclusion, the extract shows social tension through the use of formal and informal registers
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The protestors claim that their friend was a victim of police brutality, a claim which the police
vehemently deny. This tension is evident through verbal accusations from the protestors and
direct denials from DSP Richards. These denials are met with non-verbal behaviours such as
Princess’ sneering. Finally, the instance of “th-stopping” is evident throughout the dialogue,
MODULE 3
Using testimonials and peer-to-peer interactions to establish similitude. In other words, make
the audience feel like you are all the same.
Using established credibility by associating with an already reputable organisation, e.g., the
Ministry of Education.
advise when you find any question like this is to make your response reasonable. Here’s a
suggestion if you don’t know where to start:
Email Campaigns
SMS Text Campaigns
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Having gained the opportunity to be shortlisted to become a peer instructor, it brings me great
pleasure to propose how I intend to implement the National Youth Corps programme for high
school leavers. This programme offers the chance for us, as young people entering the world of
work, to gain valuable experience and essential life skills.
Firstly, I would implement the use of an ethos appeal through peer-to-peer interactions,
emphasising that this initiative is driven in partnership with the Ministry of Education. Peer-to-peer
interactions would include testimonials from past students who have participated in the
programme. These students would share where they are now and how the programme helped
them get there. This approach fosters a sense of similarity among us as students. Furthermore,
highlighting the fact that this is a partnership with a government body enhances the programme’s
credibility, making it more likely that school leavers will be motivated to participate.
In addition, a timetable of activities would help support our credibility by providing a clear outline
of what participants can expect. A brief introduction and orientation in Week 1 would set a positive
and solid foundation for the programme overall. Week 2 could focus on theory and life-skills
training, Week 3 on community outreach, and Week 4 on certification. Offering a certificate at the
end could provide an incentive to join, as it would be a valuable addition to students’ CVs.
Finally, to target school leavers, we could introduce this initiative during College and University
fairs, hosted as webinars and online information sessions. These events are ideal for reaching our
target audience, as students are often exploring their next steps, whether in higher education or
the workforce. Presenting this programme as an alternative option is sure to have its merits.
partnership with the Ministry of Education will likely make school leavers more inclined to
participate. Additionally, targeting our audience where they are—through webinars and online
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