EE_Outline__Sources__Rough_Copy (6)
EE_Outline__Sources__Rough_Copy (6)
Thesis Statement: Hitchcock’s films, Psycho and Rear Window, stand out to a significant
extent compared to other films during this time period with innovative film techniques involving
plot, cinematography, camera angles, and mise en scene.
Topic Sentence 1: Hitchcock utilizes camera angles through experimentation with subjective
angles which creates the sense of voyeurism.
Topic Sentence 2: Hitchcock constructs his plot through a general use of resonating themes,
especially for the time period, such as fear of authority and misogyny or feminine sexuality.
Topic Sentence 3: Hitchcock takes advantage of mise en scene through his level of detail
within his set design to depict themes and instill suspense.
https://www.jstor.org/stable/43796293?searchText=alfred%20hitchcock%20film%20techniques%
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r-window/comment-page-1/
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on%252C%2BJohn.%2B%25E2%2580%259CThe%2BSpace%2Bof%2BRear%2BWindow.%25
E2%2580%259D%26so%3Drel&ab_segments=0%2Fbasic_phrase_search%2Fcontrol&refreqid
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he%20Representation%20of%20Violence%20to%20Women%3A%20Hitchcock%27s%20%27F
renzy.%27&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DAllen%252C%2BJeanne%
2BThomas.%2B%25E2%2580%259CThe%2BRepresentation%2Bof%2BViolence%2Bto%2BW
omen%253A%2BHitchcock%25E2%2580%2599s%2B%25E2%2580%2598Frenzy.%25E2%25
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RATIVE%20AS%20A%20WAY%20OF%20KNOWING%3A%20THE%20EXAMPLE%20OF%20
ALFRED%20HITCHCOCK.%22&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DLeitc
h%252C%2BThomas%2BM.%2B%25E2%2580%259CNARRATIVE%2BAS%2BA%2BWAY%2
BOF%2BKNOWING%253A%2BTHE%2BEXAMPLE%2BOF%2BALFRED%2BHITCHCOCK.%2
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r-window/comment-page-1/
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%20by%20Alfred%20Hitchcock.%22&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3D
Cox%252C%2BHelen%252C%2Band%2BDavid%2BNeumeyer.%2B%25E2%2580%259CThe
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ntrol&refreqid=fastly-default%3A5b0a7f09b52d9678dabfee898f107a94
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chcock's%20films%20are,of%20authority%20and%20feminine%20sexuality.
https://nofilmschool.com/alfred-hitchcock-cinematography
https://nofilmschool.com/rear-window-cinematography