Graffiti
Graffiti
Graffiti, often seen on city walls and buildings, is a form of art that sparks both admiration and debate.
Some view it as a unique way for artists to express themselves, while others consider it a form of
vandalism.
Firstly, graffiti is a means of artistic expression. Talented individuals use walls as canvases to share their
creativity with the world. Colors, shapes, and messages blend to form a visual language that can convey
emotions, thoughts, and cultural perspectives. It transforms ordinary spaces into vibrant and dynamic
art galleries.
On the flip side, graffiti is often criticized for causing damage to public and private property. Some argue
that it creates an unsightly appearance, leading to increased maintenance costs for cleaning and
repainting. Additionally, when done without permission, it can be seen as an infringement on the rights
of property owners.
Despite the controversy, some cities have embraced graffiti as a legitimate art form. Special areas,
known as graffiti walls or street art zones, provide a space for artists to showcase their work without
causing harm to other surfaces. This compromise allows for the appreciation of graffiti as a legitimate art
form while addressing concerns about property damage.
In conclusion, the debate over graffiti continues. While some see it as a beautiful and expressive art
form, others view it as an act of vandalism. Finding a balance that respects artistic expression while
minimizing property damage remains a challenge for communities worldwide.
a) Graffiti tools
b) Graffiti history
c) Graffiti controversies
d) Graffiti artists
e) Graffiti colors
a) Street artists
b) Vandalizers
c) Graffiti critics
d) Wall painters
e) Spray artists
a) Through dance
b) Through music
e) Through cooking
a) It lacks creativity
b) It damages property
c) It is too simple
d) It is too vibrant
e) It is too hidden
c) Embracing it as art
a) Art zones
b) Vandal spots
c) Graffiti walls
d) Property zones
e) Painting corners
b) It is too simple
e) It damages property
10. What remains a challenge for communities in relation to graffiti, according to the text?
c) Addressing controversies