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Fig. 100.—Huyghenian Eye-piece.
The later form of the Huyghenian eye-piece is that of the late Sir George
Airy, the field-glass of which is a meniscus with the convex side turned
towards the objective, and the eye-lens a crossed convex with its flatter
side towards the eye. Another negative eye-piece is that known as the
Kellner, or orthoscopic eye-piece. It consists of a bi-convex field-glass and
an achromatic doublet eye-lens. This magnifies ten times, but it in no way
compares with the Huyghenian in value. Neither does it afford the same
flatness of field.
It was Mr. Lister who first proposed to place on the stage of the
microscope a divided scale of a certain value. Viewing the scale as a
microscopic object, he observed how many of the divisions on the scale
attached to the eye-piece corresponded with one or more of a magnified
image. If, for instance, ten of those in the eye-piece correspond with one
of those in the image, and if the divisions are known to be equal, then the
image is ten times larger than the object, and the dimensions of the object
ten times less than that indicated by the micrometer. If the divisions on the
micrometer and on the magnified scale are not equal, it becomes a mere
rule-of-three sum; but in general this trouble is taken by the maker of the
instrument, who furnishes a table showing the value of each division of the
micrometer for every object-glass with which it will be employed.
The positive eye-piece affords the best view of the micrometer, the
negative of the object. The former is quite free from distortion, even to the
edges of the field; but the object is slightly coloured. The latter is free from
colour, and is slightly distorted at the edges. In the centre of the field,
however, to the extent of half its diameter, there is no perceptible
distortion, and the clearness of the definition gives a precision to the
measurement which is very satisfactory.
Place a slip of ruled glass on the stage; and having turned the eye-piece so
that the lines on the two glasses are parallel, read off the number of
divisions in the eye-piece which cover one on the stage. Repeat this
process with different portions of the stage-micrometer, and if there be a
difference, take the mean. Suppose the hundredth of an inch on the stage
requires eighteen divisions in the eye-piece to cover it; it is plain that an
inch would require eighteen hundred, and an object which occupied nine of
these divisions would measure the two-hundredth of an inch. Take the
instance supposed, and let the microscope be furnished with a draw-tube,
marked on the side with inches and tenths. By drawing this out a short
distance, the image of the stage micrometer will be expanded until one
division is covered by twenty in the eye-piece. These will then have the
value of two-thousandths of an inch, and the object which before
measured nine will then measure ten; which, divided by 2,000, gives the
decimal fraction ·005.
Enter in a table the length to which the tube is drawn out, and the number
of divisions on the eye-piece micrometer equivalent to an inch on the
stage; and any measurements afterwards taken with the same micrometer
and object-glass may, by a short process of mental arithmetic, be reduced
to the decimal parts of an inch, if not actually observed in them.
The eye-lens above the micrometer should not be of shorter focus than
three-quarters of an inch, even with high-power objectives.
Micrometer
scale to drop
into Eye-
piece.
Zeiss’s compensating eye-pieces are so arranged that the lower focal points
of each series lie in the same plane when inserted in the body-tube of the
microscope; no alteration of focus is therefore required on changing one
eye-piece for another. This of itself is not only an advantage but also a
saving of time, while the distance between the upper focal point of the
objective and the lower one of the eye-piece, which is the determining
element of magnification, remains constant.
Messrs. Watson and Swift have adopted a new formula for their series of
achromatic eye-pieces, whereby their magnification and flatness of field
are improved. These also bear a constant ratio to the initial power of their
objectives.
The Achromatic Objective, of all the optical and mechanical adjuncts to the
microscope, is in every way the most necessary, as well as the most
important. The ideal of perfection aimed at by the optician is a combination
of lenses that shall produce a perfect image—that is, one absolutely perfect
in definition and almost free from colour. The method resorted to for the
elimination of spherical and chromatic aberration in the lens has been fully
explained in a former chapter. It will now be my endeavour to show the
progressive stages of achromatism and evolution of the microscope
throughout the present century.
Among the earlier workers in the first decade of this century will be found
the name of Bernardo Marzoni, who was curator of the Physical Laboratory
of the Lyceum of Brescia. He, an amateur optician, it has come to light, in
1808 constructed an achromatic objective, and exhibited it at Milan in
1811, when he obtained the award of a silver medal for its merits, under
the authority of the “Institute Reale delli Scienzo.” Through the good
offices of the late Mr. John Mayall one of Marzoni’s objectives, which had
been carefully preserved, was presented to the Royal Microscopical Society
of London in 1890.20 This objective is a cemented combination, with the
plane side of the flint-lens presented to the object. This was an
improvement of a practical kind, and of which Chevalier subsequently
availed himself. In 1823 Selligue, a French optician, is credited with having
first suggested the plan of combining two, three, or four plano-convex
achromatic doublets of similar foci, one above the other, to increase the
power and the aperture of the microscope. Fresnel, who reported upon this
invention, preferred on the whole Adam’s arrangement, because it gave a
larger field. Selligue subsequently improved his objective by placing a small
diaphragm between the mirror and the object.
In this country, Tully was induced by Dr. Goring to work at the achromatic
objective, and his first efforts were attended with a success quite equal to
that of Chevalier’s. Lister on examining these lenses said:—“The French
optician knows nothing of the value of aperture, but he has shown us that
fine performance is not confined to triple objectives.” Amici, the amateur
optician of Modena, visited this country in 1827 and brought his achromatic
microscope and objectives, which were seen to give increase of aperture
by combining doublets with triplets. The most lasting improvement in the
achromatic objective was that of Joseph Jackson Lister, F.R.S., the father of
Lord Lister, and one of the founders of the Royal Microscopical Society of
London.
Lister’s discoveries at this period (1829) in the history of the optics of the
microscope were of greater importance than they have been represented
to be. That he was an enthusiast is manifest, for, being unable to find an
optician to carry out his formula for grinding lenses, he at once set to work
to grind his own, and in a short time was able to make a lens which was
said to be the best of the day.
Andrew Ross was not slow to perceive the value of Lister’s suggestions and
in 1831 he had constructed an object-glass on the lines laid down by Lister,
Fig. 112; a a′ representing the anterior pair, m the middle, and p the
posterior, the three sets combined forming the achromatic objective,
consisting of three pairs of lenses, a double-convex crown-glass, and a
plano-concave of flint.
The German glasses of to-day afford satisfactory evidence both of skill and
workmanship displayed in their production. Their cost is greater, then, for
the reason given, as will be seen on reference to Continental catalogues.
The dry series of objectives cost somewhat less, a ½-inch (numerical
aperture 0·30) can be had for £1 10s., and a 1⁄6-inch (numerical aperture
0·65) for £2. On the other hand, the apochromatic series rapidly increase
in price as the numerical aperture approaches the limit of numerical
aperture 0·40. The best of Zeiss’s series are the 12 mm. (½-inch) and the
3 mm. (1⁄8-inch), numerical aperture 1·4, both of which possess the optical
capacity assigned to them.
These objectives are
undoubtedly the finest to be met
with in the workshop of any
optician. Achromatic objectives
of Continental manufacture have
been as much improved as
those of English make by the
introduction of the newer
varieties of glass, as already
explained, while a new
nomenclature has sprung up in
consequence. We now have
semi-apochromatic and
Fig. 118.—The Continental 1⁄12-in. Oil-immersion parachromatic. The German
Combination (enlarged diagram). opticians have followed Zeiss’s
lead, since almost the same
series of objectives are given in the catalogues of Leitz, Reichert, and
Seibert, while the quality of both dry and immersion objectives is found to
be much the same. The low price of Reichert’s immersion objectives should
be noted, as their performance is quite perfect. A 1⁄12-inch (numerical
aperture 1·30) of Leitz’s, with which I have worked at bacteria, has given
me much satisfaction; supplied by Watson and Baker at £5. A 1⁄12-inch dry
objective by the same maker (numerical aperture 0·87) costs £3, and a
water immersion 1⁄12-inch (numerical aperture 1·10) £3 5s. Leitz reminds
me that it requires a good lens of from six to seven hundred magnifying
power for the examination of bacteria. For this reason he has constructed a
new form of lens, a 1⁄10-inch oil-immersion of 2·5 mm. focus, for the
purpose of adding to the resources of bacteriology. This lens necessarily
has a lower magnification than his former 1⁄12-inch oil-lens, but as it is less
costly to manufacture it is sold at a smaller price. The before-mentioned
1⁄12-inch, with a No. 3 compensating eye-piece, gives a magnification of
over seven hundred or eight hundred diameters. To secure the best results
in using the higher powers of Leitz’s, from No. 5 upwards, a cover-glass of
0·17 mm. in thickness should be used, and care taken to make the length
of the draw-tube equal to 170 mm. This length of tube should be adhered
to in the use of this optician’s oil-immersion lenses. If the microscope be
provided with a nose-piece, the draw-tube should be drawn out to 160
mm.; in its absence it should be set at 170 mm., a deviation of 10 mm. or
more from the correct tube-length deteriorates from the value of Leitz’s oil-
immersion objectives as of other opticians. It is suggested that the German
apochromatic combination of three cemented lenses is that adopted by
Steinheil long before, in the construction of his well-known hand-magnifier
(see page 77, Fig. 51). Zeiss’s 3 mm. objective has a triple front, balanced
by two triple backs—in all nine lenses—a somewhat amplified diagram of
which is represented in Fig. 118. The formula for this combination was
furnished by Tolles, of Boston, America, and it at once secured increase of
aperture (the value of this optician’s many contributions to microscopy has
since his death been generally acknowledged). The metrical equivalent
focus assigned by Zeiss to his series of dry achromatic objectives is given
in somewhat ambiguous terms, which tend to confuse rather than classify
them; for instance, two lenses of the same aperture—24 mm. and 16 mm.
—corresponding to the English 1-inch and 2⁄3-inch, each have assigned to
them an aperture of 0·30; a 12 mm. and 8 mm., corresponding to the
English ½-inch and 1⁄3-inch, have an aperture of 0·65; while a 6 mm. =
¼-inch, and a 4 mm. = ¼-inch and 1⁄6-inch, have each an aperture of
0·95.
It is necessary, to make the fact perfectly clear, that dry and immersion
lenses having the same angular aperture have also a similar defining
power. The pencil of rays, however, differs in intensity and density as the
rays emerging from the cover-glass of the object into air are very
considerably deflected, and the cone suffers a corresponding loss of
brightness. On this important point, then, I believe it will prove of value to
interpolate a clear and full exposition of the change brought about by the
cover-glass.
Figs. 119 and 119a will doubtless make this clearer. If the objective of 140°
works with water (Fig. 119), there would be a cone of rays extending up to
70° on both sides of the axis, and this large cone would be submitted to
spherical aberration at the front surface a. But with homogeneous
immersion Fig. 119a) the whole cone of 112° is admitted to the front lens
without any aberration, there being no refraction at the plane surface; and
as the spherical surface of the front lens is without notable spherical
aberration, the incident pencil is brought from the focus F to the conjugate
focus F′, and contracted to an angle of divergence of 70°-90° without
having undergone any spherical aberration at all.
Abbe’s Test-plate.
Abbe designed the test-plate (Fig. 120) for testing the spherical and
chromatic aberrations of objectives, and estimating the thickness of cover-
glasses corresponding to the most perfect correction: six glasses, having
the exact thickness marked on each, 0·09 to 0·24 mm., cemented in
succession on a slip, their lower surface silvered and engraved with parallel
lines, the contours of which form the test. These being coarsely ruled are
easily resolved by the lowest powers; yet, from the extreme thinness of the
silver, they form also a delicate test for objectives of the highest power and
widest aperture. The test-plate in its original size is seen in Fig. 120, with
one of the circles enlarged.
If an objective fulfils these conditions with any one of the discs, it is free
from spherical aberration when used with cover-glasses of that thickness.
On the other hand, if every disc shows nebulous doubling, or an indistinct
appearance of the edges of the line with oblique illumination, or, if the
objective requires a different focal adjustment to get equal sharpness with
central as with oblique light, the spherical correction of the objective is
more or less imperfect.
COVER-GLASS GAUGE.
Zeiss has gone a step further to lay the microscopist’s ghost of the cover-
glass. He invented a measurer (Fig. 121) whereby the precise
determination of thickness of glass-covers can be obtained. This
measurement is effected by a clip projecting from a circular box; the
reading is given by an indicator moving over a divided circle on the lid of
the box. The divisions seen cut round the circumference show 1⁄100ths of a
millimeter. This ingenious gauge measures upwards of 5 mm.
This necessary and important digression has led me away from the
consideration of the achromatic objective, and to which I shall now return.
In the accompanying diagram the lenses are drawn on too large a scale,
and therefore the distance between the two combinations should be much
greater.
Among the more useful of Watson’s series, the 1-inch, the ½-inch, and the
1⁄6-inch, together with the 1⁄8-inch dry-objective, and a 1⁄9-inch, will be
found the most serviceable.
Messrs. Baker have their own series of
objectives, most of which are so very
nearly allied to those of the
continental opticians; and what has
been said of Zeiss’s and Leitz’s
objectives may be taken to apply also
to Baker’s, who have an established
reputation for their histological series,
all of which are well suited for
students’ and class-room work.
Huyghenian Eye-pieces.
Name A B C D E F
of Maker. 0 or No. 1 2 3 4 5 6
Baker 6 8 12 15 — — Diameters.
Beck, R. & J. 4 8 15 20 25 not made. "
Leitz 5 6 7 8 10 12 "
Powell & Lealand 5 7·5 10 20 40 " "
24
Reichert 2·5 3·5 4 5 6·5 " "
25
Ross 3 8 12½ 20 25 40 "
Swift & Son 6 9 12 15 18 21 "
Watson & Sons 4 6 8 10 12 15 "
Zeiss 3 4 5·5 7 9 not made. "
Zeiss 2 4 8 12 18 27 Diameters.
Focus-
4 3 2 1½ 1 2⁄3 ½ 4⁄10 ¼ 1⁄5 1⁄6 1⁄8 1⁄12
inches
Initial
magnifying 2·5 3·3 5 7·5 10 15 20 25 40 50 60 80 120 diameters.
power
A reference to the above table will at once show that the nomenclature of
objectives expresses at once the initial magnifying powers, but as makers
have great difficulty in so calculating their formulæ so as to obtain the
exact power, these figures must be taken as approximate. Thus a ¼-inch,
which should magnify 40 diameters if true to its description, might actually
magnify a little more or less.
The above calculations are all for a 10-inch tube-length. Should, however, a
shorter or longer length of body be employed, the magnification can at
once be ascertained by a proportion sum. If the magnification be 180 with
10-inch tube-length, what would it be with a 6-inch body—10 : 6 :: 180 =
108 diameters.
Achromatic Condensers.
The Achromatic Condenser can no longer be classed among the
accessories of the microscope, since it is an absolutely indispensable part
of its optical arrangements. Its value, then, cannot be overrated, and the
corrections of the lenses which enter into the construction of the
condenser should be made as perfect as they can be made—in fact, as
nearly approaching that of the objective as it is possible to make them. It
may therefore be of interest to know something of the rise and progress of
the achromatic condenser. In my first chapter I have noticed the earlier
attempts made by Dr. Wollaston, whose experiments led him to fit to the
underside of the stage of his microscope a short tube, in which a plano-
convex lens of about three-quarters of an inch focal length was made to
slide up and down (afterwards moved up and down by two knobs); to
improve definition he placed a stop between the mirror and the lens. The
stop was found to act better when placed between the lens and the object.
From this improvement Dr. Wollaston enunciated that “the intensity of
illumination will depend upon the diameter of the illuminating lens and the
proportion of the image to the perforation, and may be regulated according
to the wish of the observer.” Dujardin in France and Tully in England were
at work in the same direction. The former a year or two later on contrived
an instrument, which he termed an eclairage, to remedy the defects of
Wollaston’s, and for illuminating objects with achromatic light. This was
submitted for approval to Sir David Brewster, who, when the use of the
achromatic condenser was first broached, used these encouraging words:
—“I have no hesitation in saying that the apparatus for illumination
requires to be as perfect as the apparatus for vision, and on this account I
would recommend that the illuminating lens should be perfectly free from
chromatic and spherical aberration, and that the greatest care be taken to
exclude all extraneous light both from the object and eye of the observer.”
This far-seeing observer in optical science has borne good fruit, and the
outcome of his views is seen in the great development and improvement of
the achromatic condenser. In 1839 Andrew Ross made his first useful form
of condenser, and gave rules for the illumination of objects in an article
written for the “Penny Cyclopædia.” These, epitomised, read as follows: 1.
That the illuminating cone should equal the aperture of the objective, and
no more. 2. With daylight, a white cloud being in focus, the object has to
be placed nearly at the apex of the cone. The object is seen better
sometimes above and sometimes below the apex of the cone. 3. With
lamplight a bull’s-eye lens is to be used, to parallelise the rays, so that they
may be similar to those coming from the white cloud. It has been seen that
Mr. Lister foreshadowed the sub-stage condenser.
The early form of Ross’s condenser consists of two small brass tubes made
to slide one in the other. To the outer one is attached a flat brass plate
which slides underneath the stage of the microscope, and by means of a
screw the adjustment of the axis of the illuminator is effected. The upper
portion of the apparatus carries the achromatic combination, which by a
rack and pinion movement is brought nearer to, or removed further from
the object on the stage. The several parts of the illuminator unscrew, so
that the lenses may be used either combined for high powers, or separated
for low powers.
Andrew Ross constructed the first condenser on Gillett’s principle, and this
proved to be one of the most successful pieces of apparatus contrived.
Gillett’s Condenser consists of an achromatic lens c, about equal to an
object-glass of one quarter of an inch focal length, with an aperture of 80°.
This lens is screwed into the top of a brass tube, and intersecting which, at
an angle of about 25°, is a circular rotating brass plate a b, provided with a
conical diaphragm, having a series of circular apertures of different sizes h
g, each of which in succession, as the diaphragm is rotated, proportionally
limits the light transmitted through the illuminating lens. The circular plate
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