Macbeth
Macbeth
William Shakespeare
Published: 1606
Categorie(s): Fiction, Drama
Source: http://shakespeare.mit.edu/
About Shakespeare:
William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was
an English poet and playwright, widely regarded as the greatest writer in the
English language and the world's pre-eminent dramatist. He is often called
England's national poet and the "Bard of Avon" (or simply "The Bard"). His
surviving works consist of 38 plays, 154 sonnets, two long narrative poems,
and several other poems. His plays have been translated into every major
living language, and are performed more often than those of any other
playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the
age of 18 he married Anne Hathaway, who bore him three children: Susanna,
and twins Hamnet and Judith. Between 1585 and 1592 he began a successful
career in London as an actor, writer, and part owner of the playing company
the Lord Chamberlain's Men, later known as the King's Men. He appears to
have retired to Stratford around 1613, where he died three years later. Few
records of Shakespeare's private life survive, and there has been
considerable speculation about such matters as his sexuality, religious
beliefs, and whether the works attributed to him were written by others.
Shakespeare produced most of his known work between 1590 and 1613. His
early plays were mainly comedies and histories, genres he raised to the peak
of sophistication and artistry by the end of the sixteenth century. Next he
wrote mainly tragedies until about 1608, including Hamlet, King Lear, and
Macbeth, considered some of the finest examples in the English language. In
his last phase, he wrote tragicomedies, also known as romances, and
collaborated with other playwrights. Many of his plays were published in
editions of varying quality and accuracy during his lifetime, and in 1623 two
of his former theatrical colleagues published the First Folio, a collected
edition of his dramatic works that included all but two of the plays now
recognised as Shakespeare's. Shakespeare was a respected poet and
playwright in his own day, but his reputation did not rise to its present
heights until the nineteenth century. The Romantics, in particular, acclaimed
Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with
a reverence that George Bernard Shaw called "bardolatry". In the twentieth
century, his work was repeatedly adopted and rediscovered by new
movements in scholarship and performance. His plays remain highly popular
today and are consistently performed and reinterpreted in diverse cultural
and political contexts throughout the world. Source: Wikipedia
Also available on Feedbooks Shakespeare:
First Witch
Second Witch
Third Witch
First Witch
Second Witch
Third Witch
First Witch
I come, Graymalkin!
Second Witch
Paddock calls.
Third Witch
Anon.
ALL
DUNCAN
MALCOLM
Sergeant
Doubtful it stood;
As two spent swimmers, that do cling together
And choke their art. The merciless Macdonwald—
Worthy to be a rebel, for to that
The multiplying villanies of nature
Do swarm upon him—from the western isles
Of kerns and gallowglasses is supplied;
And fortune, on his damned quarrel smiling,
Show'd like a rebel's whore: but all's too weak:
For brave Macbeth—well he deserves that name—
Disdaining fortune, with his brandish'd steel,
Which smoked with bloody execution,
Like valour's minion carved out his passage
Till he faced the slave;
Which ne'er shook hands, nor bade farewell to him,
Till he unseam'd him from the nave to the chaps,
And fix'd his head upon our battlements.
DUNCAN
Sergeant
DUNCAN
Sergeant
Yes;
As sparrows eagles, or the hare the lion.
If I say sooth, I must report they were
As cannons overcharged with double cracks, so they
Doubly redoubled strokes upon the foe:
Except they meant to bathe in reeking wounds,
Or memorise another Golgotha,
I cannot tell.
But I am faint, my gashes cry for help.
DUNCAN
So well thy words become thee as thy wounds;
They smack of honour both. Go get him surgeons.
Exit Sergeant, attended
Who comes here?
Enter ROSS
MALCOLM
LENNOX
ROSS
DUNCAN
ROSS
DUNCAN
Great happiness!
ROSS
That now
Sweno, the Norways' king, craves composition:
Nor would we deign him burial of his men
Till he disbursed at Saint Colme's inch
Ten thousand dollars to our general use.
DUNCAN
ROSS
DUNCAN
First Witch
Second Witch
Killing swine.
Third Witch
First Witch
Second Witch
First Witch
Thou'rt kind.
Third Witch
And I another.
First Witch
Second Witch
First Witch
Third Witch
A drum, a drum!
Macbeth doth come.
ALL
MACBETH
BANQUO
MACBETH
First Witch
Second Witch
Third Witch
BANQUO
Good sir, why do you start; and seem to fear
Things that do sound so fair? I' the name of truth,
Are ye fantastical, or that indeed
Which outwardly ye show? My noble partner
You greet with present grace and great prediction
Of noble having and of royal hope,
That he seems rapt withal: to me you speak not.
If you can look into the seeds of time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear
Your favours nor your hate.
First Witch
Hail!
Second Witch
Hail!
Third Witch
Hail!
First Witch
Second Witch
Third Witch
First Witch
Banquo and Macbeth, all hail!
MACBETH
BANQUO
MACBETH
BANQUO
MACBETH
BANQUO
BANQUO
ROSS
ANGUS
We are sent
To give thee from our royal master thanks;
Only to herald thee into his sight,
Not pay thee.
ROSS
MACBETH
ANGUS
MACBETH
BANQUO
MACBETH
BANQUO
MACBETH
[Aside] If chance will have me king, why, chance may crown me,
Without my stir.
BANQUO
BANQUO
MACBETH
BANQUO
Very gladly.
MACBETH
DUNCAN
MALCOLM
My liege,
They are not yet come back. But I have spoke
With one that saw him die: who did report
That very frankly he confess'd his treasons,
Implored your highness' pardon and set forth
A deep repentance: nothing in his life
Became him like the leaving it; he died
As one that had been studied in his death
To throw away the dearest thing he owed,
As 'twere a careless trifle.
DUNCAN
There's no art
To find the mind's construction in the face:
He was a gentleman on whom I built
An absolute trust.
Enter MACBETH, BANQUO, ROSS, and ANGUS
O worthiest cousin!
The sin of my ingratitude even now
Was heavy on me: thou art so far before
That swiftest wing of recompense is slow
To overtake thee. Would thou hadst less deserved,
That the proportion both of thanks and payment
Might have been mine! only I have left to say,
More is thy due than more than all can pay.
MACBETH
DUNCAN
Welcome hither:
I have begun to plant thee, and will labour
To make thee full of growing. Noble Banquo,
That hast no less deserved, nor must be known
No less to have done so, let me enfold thee
And hold thee to my heart.
BANQUO
There if I grow,
The harvest is your own.
DUNCAN
My plenteous joys,
Wanton in fulness, seek to hide themselves
In drops of sorrow. Sons, kinsmen, thanes,
And you whose places are the nearest, know
We will establish our estate upon
Our eldest, Malcolm, whom we name hereafter
The Prince of Cumberland; which honour must
Not unaccompanied invest him only,
But signs of nobleness, like stars, shall shine
On all deservers. From hence to Inverness,
And bind us further to you.
MACBETH
DUNCAN
My worthy Cawdor!
MACBETH
DUNCAN
LADY MACBETH
Messenger
LADY MACBETH
Messenger
LADY MACBETH
MACBETH
My dearest love,
Duncan comes here to-night.
LADY MACBETH
MACBETH
To-morrow, as he purposes.
LADY MACBETH
O, never
Shall sun that morrow see!
Your face, my thane, is as a book where men
May read strange matters. To beguile the time,
Look like the time; bear welcome in your eye,
Your hand, your tongue: look like the innocent flower,
But be the serpent under't. He that's coming
Must be provided for: and you shall put
This night's great business into my dispatch;
Which shall to all our nights and days to come
Give solely sovereign sway and masterdom.
MACBETH
LADY MACBETH
DUNCAN
BANQUO
DUNCAN
LADY MACBETH
DUNCAN
LADY MACBETH
DUNCAN
Hautboys and torches. Enter a Sewer, and divers Servants with dishes
and service, and pass over the stage. Then enter MACBETH
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
Prithee, peace:
I dare do all that may become a man;
Who dares do more is none.
LADY MACBETH
MACBETH
If we should fail?
LADY MACBETH
We fail!
But screw your courage to the sticking-place,
And we'll not fail. When Duncan is asleep—
Whereto the rather shall his day's hard journey
Soundly invite him—his two chamberlains
Will I with wine and wassail so convince
That memory, the warder of the brain,
Shall be a fume, and the receipt of reason
A limbeck only: when in swinish sleep
Their drenched natures lie as in a death,
What cannot you and I perform upon
The unguarded Duncan? what not put upon
His spongy officers, who shall bear the guilt
Of our great quell?
MACBETH
LADY MACBETH
MACBETH
BANQUO
FLEANCE
BANQUO
FLEANCE
BANQUO
MACBETH
A friend.
BANQUO
MACBETH
Being unprepared,
Our will became the servant to defect;
Which else should free have wrought.
BANQUO
All's well.
I dreamt last night of the three weird sisters:
To you they have show'd some truth.
MACBETH
BANQUO
MACBETH
BANQUO
So I lose none
In seeking to augment it, but still keep
My bosom franchised and allegiance clear,
I shall be counsell'd.
MACBETH
BANQUO
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
I heard the owl scream and the crickets cry.
Did not you speak?
MACBETH
When?
LADY MACBETH
Now.
MACBETH
As I descended?
LADY MACBETH
Ay.
MACBETH
Hark!
Who lies i' the second chamber?
LADY MACBETH
Donalbain.
MACBETH
LADY MACBETH
MACBETH
There's one did laugh in's sleep, and one cried
'Murder!'
That they did wake each other: I stood and heard them:
But they did say their prayers, and address'd them
Again to sleep.
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
I'll go no more:
I am afraid to think what I have done;
Look on't again I dare not.
LADY MACBETH
Infirm of purpose!
Give me the daggers: the sleeping and the dead
Are but as pictures: 'tis the eye of childhood
That fears a painted devil. If he do bleed,
I'll gild the faces of the grooms withal;
For it must seem their guilt.
Exit. Knocking within
MACBETH
LADY MACBETH
MACBETH
Porter
MACDUFF
Porter
MACDUFF
Porter
MACDUFF
MACDUFF
LENNOX
MACBETH
MACDUFF
MACBETH
Not yet.
MACDUFF
MACBETH
MACBETH
MACDUFF
LENNOX
MACBETH
LENNOX
MACBETH
MACDUFF
MACBETH LENNOX
MACDUFF
MACBETH
LENNOX
MACDUFF
LADY MACBETH
MACDUFF
O gentle lady,
'Tis not for you to hear what I can speak:
The repetition, in a woman's ear,
Would murder as it fell.
Enter BANQUO
O Banquo, Banquo,
Our royal master 's murder'd!
LADY MACBETH
Woe, alas!
What, in our house?
BANQUO
MACBETH
Had I but died an hour before this chance,
I had lived a blessed time; for, from this instant,
There 's nothing serious in mortality:
All is but toys: renown and grace is dead;
The wine of life is drawn, and the mere lees
Is left this vault to brag of.
Enter MALCOLM and DONALBAIN
DONALBAIN
What is amiss?
MACBETH
MACDUFF
MALCOLM
O, by whom?
LENNOX
MACBETH
O, yet I do repent me of my fury,
That I did kill them.
MACDUFF
MACBETH
LADY MACBETH
MACDUFF
MALCOLM
DONALBAIN
MALCOLM
BANQUO
MACDUFF
And so do I.
ALL
So all.
MACBETH
ALL
Well contented.
Exeunt all but Malcolm and Donalbain.
MALCOLM
DONALBAIN
MALCOLM
Old Man
ROSS
Old Man
'Tis unnatural,
Even like the deed that's done. On Tuesday last,
A falcon, towering in her pride of place,
Was by a mousing owl hawk'd at and kill'd.
ROSS
Old Man
'Tis said they eat each other.
ROSS
MACDUFF
ROSS
MACDUFF
ROSS
MACDUFF
ROSS
ROSS
MACDUFF
Carried to Colmekill,
The sacred storehouse of his predecessors,
And guardian of their bones.
ROSS
MACDUFF
ROSS
MACDUFF
ROSS
Farewell, father.
Old Man
God's benison go with you; and with those
That would make good of bad, and friends of foes!
Exeunt
Act III
Enter BANQUO
BANQUO
MACBETH
LADY MACBETH
MACBETH
BANQUO
Let your highness
Command upon me; to the which my duties
Are with a most indissoluble tie
For ever knit.
MACBETH
BANQUO
MACBETH
BANQUO
MACBETH
BANQUO
MACBETH
BANQUO
MACBETH
ATTENDANT
MACBETH
First Murderer
MACBETH
First Murderer
MACBETH
First Murderer
MACBETH
Second Murderer
I am one, my liege,
Whom the vile blows and buffets of the world
Have so incensed that I am reckless what
I do to spite the world.
First Murderer
And I another
So weary with disasters, tugg'd with fortune,
That I would set my lie on any chance,
To mend it, or be rid on't.
MACBETH
Both of you
Know Banquo was your enemy.
Both Murderers
True, my lord.
MACBETH
Second Murderer
We shall, my lord,
Perform what you command us.
First Murderer
MACBETH
Both Murderers
MACBETH
LADY MACBETH
Servant
LADY MACBETH
Servant
Madam, I will.
Exit
LADY MACBETH
MACBETH
We have scotch'd the snake, not kill'd it:
She'll close and be herself, whilst our poor malice
Remains in danger of her former tooth.
But let the frame of things disjoint, both the
worlds suffer,
Ere we will eat our meal in fear and sleep
In the affliction of these terrible dreams
That shake us nightly: better be with the dead,
Whom we, to gain our peace, have sent to peace,
Than on the torture of the mind to lie
In restless ecstasy. Duncan is in his grave;
After life's fitful fever he sleeps well;
Treason has done his worst: nor steel, nor poison,
Malice domestic, foreign levy, nothing,
Can touch him further.
LADY MACBETH
Come on;
Gentle my lord, sleek o'er your rugged looks;
Be bright and jovial among your guests to-night.
MACBETH
LADY MACBETH
MACBETH
O, full of scorpions is my mind, dear wife!
Thou know'st that Banquo, and his Fleance, lives.
LADY MACBETH
MACBETH
LADY MACBETH
What's to be done?
MACBETH
First Murderer
Third Murderer
Macbeth.
Second Murderer
First Murderer
Third Murderer
BANQUO
Second Murderer
Then 'tis he: the rest
That are within the note of expectation
Already are i' the court.
First Murderer
Third Murderer
Second Murderer
A light, a light!
Enter BANQUO, and FLEANCE with a torch
Third Murderer
'Tis he.
First Murderer
Stand to't.
BANQUO
First Murderer
BANQUO
O, treachery! Fly, good Fleance, fly, fly, fly!
Thou mayst revenge. O slave!
Dies. FLEANCE escapes
Third Murderer
First Murderer
Third Murderer
Second Murderer
We have lost
Best half of our affair.
First Murderer
MACBETH
Lords
MACBETH
LADY MACBETH
MACBETH
First Murderer
'Tis Banquo's then.
MACBETH
First Murderer
MACBETH
Thou art the best o' the cut-throats: yet he's good
That did the like for Fleance: if thou didst it,
Thou art the nonpareil.
First Murderer
MACBETH
First Murderer
MACBETH
Thanks for that:
There the grown serpent lies; the worm that's fled
Hath nature that in time will venom breed,
No teeth for the present. Get thee gone: to-morrow
We'll hear, ourselves, again.
Exit Murderer
LADY MACBETH
My royal lord,
You do not give the cheer: the feast is sold
That is not often vouch'd, while 'tis a-making,
'Tis given with welcome: to feed were best at home;
From thence the sauce to meat is ceremony;
Meeting were bare without it.
MACBETH
Sweet remembrancer!
Now, good digestion wait on appetite,
And health on both!
LENNOX
MACBETH
ROSS
MACBETH
LENNOX
MACBETH
Where?
LENNOX
MACBETH
Lords
MACBETH
ROSS
LADY MACBETH
MACBETH
LADY MACBETH
O proper stuff!
This is the very painting of your fear:
This is the air-drawn dagger which, you said,
Led you to Duncan. O, these flaws and starts,
Impostors to true fear, would well become
A woman's story at a winter's fire,
Authorized by her grandam. Shame itself!
Why do you make such faces? When all's done,
You look but on a stool.
MACBETH
LADY MACBETH
MACBETH
If I stand here, I saw him.
LADY MACBETH
MACBETH
Blood hath been shed ere now, i' the olden time,
Ere human statute purged the gentle weal;
Ay, and since too, murders have been perform'd
Too terrible for the ear: the times have been,
That, when the brains were out, the man would die,
And there an end; but now they rise again,
With twenty mortal murders on their crowns,
And push us from our stools: this is more strange
Than such a murder is.
LADY MACBETH
My worthy lord,
Your noble friends do lack you.
MACBETH
I do forget.
Do not muse at me, my most worthy friends,
I have a strange infirmity, which is nothing
To those that know me. Come, love and health to all;
Then I'll sit down. Give me some wine; fill full.
I drink to the general joy o' the whole table,
And to our dear friend Banquo, whom we miss;
Would he were here! to all, and him, we thirst,
And all to all.
Lords
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
Can such things be,
And overcome us like a summer's cloud,
Without our special wonder? You make me strange
Even to the disposition that I owe,
When now I think you can behold such sights,
And keep the natural ruby of your cheeks,
When mine is blanched with fear.
ROSS
LADY MACBETH
LENNOX
LADY MACBETH
MACBETH
LADY MACBETH
Almost at odds with morning, which is which.
MACBETH
LADY MACBETH
MACBETH
LADY MACBETH
MACBETH
First Witch
HECATE
First Witch
LENNOX
Lord
The son of Duncan,
From whom this tyrant holds the due of birth
Lives in the English court, and is received
Of the most pious Edward with such grace
That the malevolence of fortune nothing
Takes from his high respect: thither Macduff
Is gone to pray the holy king, upon his aid
To wake Northumberland and warlike Siward:
That, by the help of these—with Him above
To ratify the work—we may again
Give to our tables meat, sleep to our nights,
Free from our feasts and banquets bloody knives,
Do faithful homage and receive free honours:
All which we pine for now: and this report
Hath so exasperate the king that he
Prepares for some attempt of war.
LENNOX
Sent he to Macduff?
Lord
LENNOX
First Witch
Second Witch
Third Witch
First Witch
ALL
Second Witch
ALL
Third Witch
ALL
Second Witch
Second Witch
MACBETH
ALL
MACBETH
First Witch
Speak.
Second Witch
Demand.
Third Witch
We'll answer.
First Witch
MACBETH
First Witch
ALL
MACBETH
Tell me, thou unknown power,—
First Witch
First Apparition
MACBETH
First Witch
Second Apparition
MACBETH
Second Apparition
ALL
Third Apparition
MACBETH
MACBETH
First Witch
Show!
Second Witch
Show!
Third Witch
Show!
ALL
MACBETH
First Witch
MACBETH
LENNOX
MACBETH
LENNOX
No, my lord.
MACBETH
LENNOX
MACBETH
LENNOX
MACBETH
Fled to England!
LENNOX
MACBETH
LADY MACDUFF
ROSS
LADY MACDUFF
He had none:
His flight was madness: when our actions do not,
Our fears do make us traitors.
ROSS
LADY MACDUFF
ROSS
My dearest coz,
I pray you, school yourself: but for your husband,
He is noble, wise, judicious, and best knows
The fits o' the season. I dare not speak
much further;
But cruel are the times, when we are traitors
And do not know ourselves, when we hold rumour
From what we fear, yet know not what we fear,
But float upon a wild and violent sea
Each way and move. I take my leave of you:
Shall not be long but I'll be here again:
Things at the worst will cease, or else climb upward
To what they were before. My pretty cousin,
Blessing upon you!
LADY MACDUFF
ROSS
LADY MACDUFF
Son
LADY MACDUFF
LADY MACDUFF
Son
Why should I, mother? Poor birds they are not set for.
My father is not dead, for all your saying.
LADY MACDUFF
Son
LADY MACDUFF
Son
LADY MACDUFF
Thou speak'st with all thy wit: and yet, i' faith,
With wit enough for thee.
Son
Son
What is a traitor?
LADY MACDUFF
Son
LADY MACDUFF
Son
LADY MACDUFF
Every one.
Son
LADY MACDUFF
Son
Then the liars and swearers are fools,
for there are liars and swearers enow to beat
the honest men and hang up them.
LADY MACDUFF
Son
LADY MACDUFF
Messenger
LADY MACDUFF
First Murderer
LADY MACDUFF
First Murderer
He's a traitor.
Son
First Murderer
Son
MALCOLM
MACDUFF
Let us rather
Hold fast the mortal sword, and like good men
Bestride our down-fall'n birthdom: each new morn
New widows howl, new orphans cry, new sorrows
Strike heaven on the face, that it resounds
As if it felt with Scotland and yell'd out
Like syllable of dolour.
MALCOLM
MACDUFF
I am not treacherous.
MALCOLM
MACDUFF
MALCOLM
MACDUFF
MALCOLM
Be not offended:
I speak not as in absolute fear of you.
I think our country sinks beneath the yoke;
It weeps, it bleeds; and each new day a gash
Is added to her wounds: I think withal
There would be hands uplifted in my right;
And here from gracious England have I offer
Of goodly thousands: but, for all this,
When I shall tread upon the tyrant's head,
Or wear it on my sword, yet my poor country
Shall have more vices than it had before,
More suffer and more sundry ways than ever,
By him that shall succeed.
MACDUFF
MALCOLM
MACDUFF
MALCOLM
MACDUFF
Boundless intemperance
In nature is a tyranny; it hath been
The untimely emptying of the happy throne
And fall of many kings. But fear not yet
To take upon you what is yours: you may
Convey your pleasures in a spacious plenty,
And yet seem cold, the time you may so hoodwink.
We have willing dames enough: there cannot be
That vulture in you, to devour so many
As will to greatness dedicate themselves,
Finding it so inclined.
MALCOLM
MACDUFF
This avarice
Sticks deeper, grows with more pernicious root
Than summer-seeming lust, and it hath been
The sword of our slain kings: yet do not fear;
Scotland hath foisons to fill up your will.
Of your mere own: all these are portable,
With other graces weigh'd.
MALCOLM
MACDUFF
O Scotland, Scotland!
MALCOLM
MACDUFF
Fit to govern!
No, not to live. O nation miserable,
With an untitled tyrant bloody-scepter'd,
When shalt thou see thy wholesome days again,
Since that the truest issue of thy throne
By his own interdiction stands accursed,
And does blaspheme his breed? Thy royal father
Was a most sainted king: the queen that bore thee,
Oftener upon her knees than on her feet,
Died every day she lived. Fare thee well!
These evils thou repeat'st upon thyself
Have banish'd me from Scotland. O my breast,
Thy hope ends here!
MALCOLM
MACDUFF
Doctor
MALCOLM
MACDUFF
MALCOLM
MALCOLM
MACDUFF
MALCOLM
ROSS
Sir, amen.
MACDUFF
ROSS
MACDUFF
O, relation
Too nice, and yet too true!
MALCOLM
ROSS
MACDUFF
ROSS
Why, well.
MACDUFF
ROSS
Well too.
MACDUFF
ROSS
MACDUFF
MALCOLM
ROSS
MACDUFF
ROSS
If it be mine,
Keep it not from me, quickly let me have it.
ROSS
MACDUFF
ROSS
MALCOLM
Merciful heaven!
What, man! ne'er pull your hat upon your brows;
Give sorrow words: the grief that does not speak
Whispers the o'er-fraught heart and bids it break.
MACDUFF
My children too?
ROSS
MACDUFF
And I must be from thence!
My wife kill'd too?
ROSS
I have said.
MALCOLM
Be comforted:
Let's make us medicines of our great revenge,
To cure this deadly grief.
MACDUFF
MALCOLM
MACDUFF
I shall do so;
But I must also feel it as a man:
I cannot but remember such things were,
That were most precious to me. Did heaven look on,
And would not take their part? Sinful Macduff,
They were all struck for thee! naught that I am,
Not for their own demerits, but for mine,
Fell slaughter on their souls. Heaven rest them now!
MALCOLM
Be this the whetstone of your sword: let grief
Convert to anger; blunt not the heart, enrage it.
MACDUFF
MALCOLM
Doctor
Gentlewoman
Doctor
Gentlewoman
Doctor
Gentlewoman
Neither to you nor any one; having no witness to
confirm my speech.
Enter LADY MACBETH, with a taper
Lo you, here she comes! This is her very guise;
and, upon my life, fast asleep. Observe her; stand close.
Doctor
Gentlewoman
Doctor
Gentlewoman
Doctor
What is it she does now? Look, how she rubs her hands.
Gentlewoman
LADY MACBETH
Doctor
Hark! she speaks: I will set down what comes from
her, to satisfy my remembrance the more strongly.
LADY MACBETH
Doctor
LADY MACBETH
Doctor
Gentlewoman
LADY MACBETH
Gentlewoman
Doctor
Gentlewoman
Doctor
LADY MACBETH
Doctor
Even so?
LADY MACBETH
Gentlewoman
Directly.
Doctor
Gentlewoman
MENTEITH
ANGUS
CAITHNESS
LENNOX
MENTEITH
CAITHNESS
ANGUS
MENTEITH
CAITHNESS
LENNOX
Or so much as it needs,
To dew the sovereign flower and drown the weeds.
Make we our march towards Birnam.
Exeunt, marching
SCENE III. Dunsinane. A room in the castle.
MACBETH
Servant
MACBETH
Geese, villain!
Servant
Soldiers, sir.
MACBETH
Servant
MACBETH
SEYTON
MACBETH
SEYTON
MACBETH
I'll fight till from my bones my flesh be hack'd.
Give me my armour.
SEYTON
MACBETH
Doctor
MACBETH
Doctor
MACBETH
Throw physic to the dogs; I'll none of it.
Come, put mine armour on; give me my staff.
Seyton, send out. Doctor, the thanes fly from me.
Come, sir, dispatch. If thou couldst, doctor, cast
The water of my land, find her disease,
And purge it to a sound and pristine health,
I would applaud thee to the very echo,
That should applaud again.—Pull't off, I say.—
What rhubarb, cyme, or what purgative drug,
Would scour these English hence? Hear'st thou of them?
Doctor
MACBETH
Doctor
MALCOLM
MENTEITH
We doubt it nothing.
SIWARD
MENTEITH
MALCOLM
Soldiers
It shall be done.
SIWARD
We learn no other but the confident tyrant
Keeps still in Dunsinane, and will endure
Our setting down before 't.
MALCOLM
MACDUFF
SIWARD
MACBETH
SEYTON
MACBETH
SEYTON
Messenger
Gracious my lord,
I should report that which I say I saw,
But know not how to do it.
MACBETH
Messenger
MACBETH
Messenger
Let me endure your wrath, if't be not so:
Within this three mile may you see it coming;
I say, a moving grove.
MACBETH
MALCOLM
SIWARD
MACDUFF
MACBETH
YOUNG SIWARD
MACBETH
YOUNG SIWARD
MACBETH
My name's Macbeth.
YOUNG SIWARD
MACBETH
YOUNG SIWARD
MACBETH
MACDUFF
SIWARD
MALCOLM
SIWARD
Enter MACBETH
MACBETH
MACDUFF
MACBETH
MACDUFF
I have no words:
My voice is in my sword: thou bloodier villain
Than terms can give thee out!
They fight
MACBETH
MACBETH
MACDUFF
MACBETH
SIWARD
MALCOLM
ROSS
SIWARD
Then he is dead?
ROSS
SIWARD
ROSS
MALCOLM
SIWARD
MACDUFF
ALL
MALCOLM
William Shakespeare
Hamlet
Hamlet is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601.
The play, set in Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has
murdered Hamlet's father, the King, and then taken the throne and married Hamlet's mother. The play
vividly charts the course of real and feigned madness—from overwhelming grief to seething rage—and
explores themes of treachery, revenge, incest, and moral corruption.
William Shakespeare
Romeo and Juliet
Romeo and Juliet is a tragic play written early in the career of William Shakespeare about two teenage
"star-cross'd lovers" whose untimely deaths ultimately unite their feuding households. It was among
Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most
frequently performed plays. Today, the title characters are regarded as archetypal "young lovers". (From
Wikipedia)
William Shakespeare
Othello
Othello, The Moor of Venice is a tragedy by William Shakespeare based on the short story "Moor of
Venice" by Cinthio, believed to have been written in approximately 1603. The work revolves around four
central characters: Othello, his wife Desdemona, his lieutenant Cassio, and his trusted advisor Iago.
Attesting to its enduring popularity, the play appeared in 7 editions between 1622 and 1705. Because of
its varied themes — racism, love, jealousy and betrayal — it remains relevant to the present day and is
often performed in professional and community theatres alike. The play has also been the basis for
numerous operatic, film and literary adaptations. (From Wikipedia)
William Shakespeare
Julius Caesar
Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It portrays the
conspiracy against the Roman dictator of the same name, his assassination and its aftermath. It is one of
several Roman plays that he wrote, based on true events from Roman history, which also include
Coriolanus and Antony and Cleopatra.
Although the title of the play is Julius Caesar, Caesar is not the central character in its action; he
appears in only three scenes, and is killed at the beginning of the third act. The protagonist of the play is
Marcus Brutus, and the central psychological drama is his struggle between the conflicting demands of
honour, patriotism, and friendship.
William Shakespeare
A Midsummer Night's Dream
A Midsummer Night's Dream is a romantic comedy by William Shakespeare, suggested by "The
Knight's Tale" from Geoffrey Chaucer's The Canterbury Tales, written around 1594 to 1596. It portrays
the adventures of four young Athenian lovers and a group of amateur actors, their interactions with the
Duke and Duchess of Athens, Theseus and Hippolyta, and with the fairies who inhabit a moonlit forest.
The play is one of Shakespeare's most popular works for the stage and is widely performed across the
world.
William Shakespeare
King Lear
King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606,
and is considered one of his greatest works. The play is based on the legend of King Leir of Britain. It
has been widely adapted for stage and screen, with the part of Lear being played by many of the
world's most accomplished actors. (From Wikipedia)
William Shakespeare
The Merchant of Venice
The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596
and 1598. Although classified as a comedy in the First Folio, and while it shares certain aspects with
Shakespeare's other romantic comedies, the play is perhaps more remembered for its dramatic scenes,
and is best known for the character of Shylock.
The title character is the merchant Antonio, not the Jewish moneylender Shylock, who is the play's most
prominent and more famous villain. Though Shylock is a tormented character, he is also a tormentor, so
whether he is to be viewed with disdain or sympathy is up to the audience (as influenced by the
interpretation of the play's director and lead actors). As a result, The Merchant of Venice is often
classified as one of Shakespeare's problem plays.
William Shakespeare
Much Ado About Nothing
Much Ado About Nothing is a comedy by William Shakespeare. First published in 1600, it is likely to
have been first performed in the autumn or winter of 1598-1599, and it remains one of Shakespeare's
most enduring and exhilarating plays on stage. Stylistically, it shares numerous characteristics with
modern romantic comedies including the two pairs of lovers, in this case the romantic leads, Claudio and
Hero, and their comic counterparts, Benedick and Beatrice.
William Shakespeare
Antony and Cleopatra
Antony and Cleopatra is a tragedy by William Shakespeare. It was first printed in the First Folio of
1623.
The plot is based on Thomas North's translation of Plutarch's Life of Markus Antonius and follows the
relationship between Cleopatra and Mark Antony from the time of the Parthian War to Cleopatra's
suicide. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs and the future first
emperor of Rome. The tragedy is a Roman play characterized by swift, panoramic shifts in geographical
locations and in registers, alternating between sensual, imaginative Alexandria and the more pragmatic,
austere Rome. Many consider the role of Cleopatra in this play one of the most complex female roles in
Shakespeare's work. She is frequently vain and histrionic, provoking an audience almost to scorn; at the
same time, Shakespeare's efforts invest both her and Antony with tragic grandeur. These contradictory
features have led to famously divided critical responses.
William Shakespeare
The Tempest
The Tempest is a comedy written by William Shakespeare. It is generally dated to 1610-11 and accepted
as the last play written solely by him, although some scholars have argued for an earlier dating. While
listed as a comedy in its initial publication in the First Folio of 1623, many modern editors have relabelled
the play a romance.
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