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Probability Theory An Analytic View Second Edition
Daniel W. Stroock Digital Instant Download
Author(s): Daniel W. Stroock
ISBN(s): 9781139005623, 1139005626
Edition: 2
File Details: PDF, 4.30 MB
Year: 2011
Language: english
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Probability Theory
An Analytic View, Second Edition
This second edition of Daniel W. Stroock’s text is suitable for first-year graduate
students with a good grasp of introductory undergraduate probability. It provides
a reasonably thorough introduction to modern probability theory with an empha-
sis on the mutually beneficial relationship between probability theory and analy-
sis. It includes more than 750 exercises and offers new material on Levy processes,
large deviations theory, Gaussian measures on a Banach space, and the relationship
between a Wiener measure and partial differential equations.
The first part of the book deals with independent random variables, Central Limit
phenomena, the general theory of weak convergence and several of its applications, as
well as elements of both the Gaussian and Markovian theories of measures on function
space. The introduction of conditional expectation values is postponed until the
second part of the book, where it is applied to the study of martingales. This part also
explores the connection between martingales and various aspects of classical analysis
and the connections between a Wiener measure and classical potential theory.
Daniel W. Stroock
Massachusetts Institute of Technology
cambridge university press
Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore,
São Paulo, Delhi, Dubai, Tokyo, Mexico City
c Daniel W. Stroock 1994, 2011
A catalog record for this publication is available from the British Library.
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for
external or third-party Internet Web sites referred to in this publication and does not guarantee
that any content on such Web sites is, or will remain, accurate or appropriate.
This book is dedicated to my teachers:
Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xiii
vii
viii Contents
2.4 An Application to Hermite Multipliers . . . . . . . . . . . . . 96
2.4.1. Hermite Multipliers . . . . . . . . . . . . . . . . . . . . 96
2.4.2. Beckner’s Theorem . . . . . . . . . . . . . . . . . . . . 101
2.4.3. Applications of Beckner’s Theorem . . . . . . . . . . . . . 105
Exercises for § 2.4 . . . . . . . . . . . . . . . . . . . . . . . . 110
Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521
Preface
xiii
xiv Preface
tell the reader enough so that he could understand the ideas and not so much
that he would become bored by them. In addition, they gave me an introduction
to a host of ideas and techniques (e.g., stopping times and the strong Markov
property), all of which Kac himself consigned to the category of overelaborated
measure theory. In fact, it would be reasonable to say that my thesis was simply
the application of techniques which I picked up from Dynkin to a problem that
I picked up by reading some notes by Kac. Of course, along the way I profited
immeasurably from continued contact with McKean, a large number of courses
at N.Y.U. (particularly ones taught by M. Donsker, F. John, and L. Nirenberg),
and my increasingly animated conversations with S.R.S. Varadhan.
As I trust the preceding description makes clear, my graduate education was
anything but deprived; I had ready access to some of the very best analysts
of the day. On the other hand, I never had a proper introduction to my field,
probability theory. The first time that I ever summed independent random
variables was when I was summing them in front of a class at N.Y.U. Thus,
although I now admire the magnificent body of mathematics created by A.N.
Kolmogorov, P. Lévy, and the other twentieth-century heroes of the field, I
am not a dyed-in-the-wool probabilist (i.e., what Donsker would have called a
true coin-tosser). In particular, I have never been able to develop sufficient
sensitivity to the distinction between a proof and a probabilistic proof. To me,
a proof is clearly probabilistic only if its punch-line comes down to an argument
like P (A) ≤ P (B) because A ⊆ B; and there are breathtaking examples of such
arguments. However, to base an entire book on these examples would require a
level of genius that I do not possess. In fact, I myself enjoy probability theory
best when it is inextricably interwoven with other branches of mathematics and
not when it is presented as an entity unto itself. For this reason, the reader
should not be surprised to discover that he finds some of the material presented
in this book does not belong here; but I hope that he will make an effort to figure
out why I disagree with him.
Summary
ring came from—and they didn’t believe her. Besides, if she tried to
answer them she’d cry, and she’d die rather than let them see her
do that! It was the same struggle she went through every night and
two matinées a week—sometimes with bravado, more often in
choking silence. Somehow they made her ashamed, those two, that
for her the apple still hung high on the tree. If they wanted to think
some man had given her the diamond, so much the better! It would
make her seem popular—less a little fool!
She downed the tears by vigorous motion.... She sprang up—a kick
of her heel sent her chair spinning—and ripping open her one-piece
serge dress, she tossed it on the hook in the wall where hung a plain
brown ulster and imitation seal turban—alley cat caught in the rain,
Miss Mariette had christened it. Then she gritted her teeth, pulled
the chair back into place and slashed on make-up.
Sallie MacMahon, listed in chorus annals as Zara May, was one of
those who merited the splashing announcement of the red posters.
Perhaps it was her long mermaid hair with its glisten of sunset on
the sea; perhaps the fact that the lashes shading her deep blue eyes
were the same gold; perhaps the transparent quality of her skin with
the swift play of young blood under the surface; but whatever it
was, Sallie’s beauty held a luminous quality Sallie herself did not
possess. Sallie was just a girl, with a facility for doing what she was
told. The daughter of a Scotch father with somber eyes and an Irish
mother
253 with laughing ones, both of whom had sailed the misty river
into unknown lands after a stormy sojourn together in this one, she
had been left at fifteen to take care of herself, with a love of the
beautiful on one hand warring against a sense of economy on the
other.
Sallie loved soft furs and clinging silks such as swept into the chorus
dressing-room nightly. But she had no desire to follow the tortuous
path by which such luxuries are achieved. However, the fact that the
Mallard girl and Grace assumed she had done so, did not at all
disturb her. It was their ridicule she feared, their jibes at her clothes.
Speeding across the stone floor under the Summer Garden stage she
tried to bring a smile to her lips. They merely trembled.
There came the march of a military air and the girls filed up the
wobbly wooden steps and through a trap door. Sallie fluffed up her
abbreviated skirt, brought the smile to her lips, fixed it as if it had
been glued there. Her young, elastic body rippled through the
number under the changing lights. She loved the jazz, loved the stir
of rhythm, and had it not been for the ache in her heart whenever
she set foot in the theater, she would have loved the work. She was
nineteen. Music was in her blood.
She danced through the varying scenes with swift changes of
costume, hurried dabs of powder, and little time to nurse her woes.
A number toward the end of Act II was her favorite. It was the one
in which the girls trooped down the runway and trilled to some not
always embarrassed male occupant of an aisle seat:—
254 “Oh-oh-oh-oh-h-h-h-h—
Won’t you—smile at me?”
Often as she swayed through it, it never failed to give her a thrill.
Likewise she never failed to get what she demanded.
To-night, as she syncopated down the aisle, a light like blue fire
darted from her deep eyes. Kindled by the smouldering defiance of
earlier evening it was utterly unconscious of seeking an object. But
the gentleman in the particular seat that was her territory could
scarcely have been expected to know that. To him it constituted
challenge.
“Oh-oh-oh-oh-h-h-h-h—
Won’t you—smile at me?”
urged Sallie.
The man’s lips parted. “You just bet I will!” came in a flash of white
teeth.
Sallie’s mind was not photographic. It registered no definite
impression of the individuals occupying her particular aisle seat.
They came and went, vague as shadows. But this man’s response
and his quick flashing smile with its personal note, made her
suddenly realize that she had been singing to the same pleasant grin
every night that week.
She was still wondering about him as Miss Mariette, at the close of
the performance, stepped into a short-waisted chiffon dress and,
pulling it over slender hips, slipped her arms through the spangled
shoulder straps. She and Grace were booked for a party, and the
latter
255 emerged like a full-blown rose, black eyes dancing above a
gown of American beauty satin. Then both sat down and took some
of the make-up off their faces.
Sallie was in the act of pinning on the alley cat.
“Do show him to us, my deah!” persiflaged Miss Mallard. “Don’t be
so-er-close, even if he is.”
Sallie jabbed the pin into her head, winced in pain and, with chin
trembling and eyes hot with starting tears, hurried into the corridor
followed by the familiar titter. Blindly she made her way up the stairs
to the stage entrance.
Outside, a blaze of changing lights proclaimed that Broadway was
rubbing the sleep from her eyes and preparing to dance. A gold haze
lined the sky, veiling the night even to the silver-white buildings that
reared their heads high into the heavens. Lined up at the curb was a
row of taxis. The modern stage door Johnny no longer stands,
bouquet in hand. He remains discreetly in his cab or car and only
when the lady of his choice emerges does he do likewise.
As Sallie started to cross the street someone called “Good-evening.”
But that being a familiar method of address, she passed on without
a glance.
“I say,” pleaded the voice, “won’t you smile at me again?”
Sallie turned then. Descending from a big yellow car which, had she
known more of auto aristocracy, would have stamped itself as of
prohibitive peerage, was the man of the aisle seat.
He came nearer.
Sallie turned flutteringly on her heel.
“Wait,
256 please,” he begged and his teeth gleamed as they had in the
theater. They were nice teeth in a boyish mouth, and upon Sallie
they had a disarming effect. In spite of an instinctive impulse to run,
she hesitated. The talon scratches inflicted in the chorus dressing-
room were still bleeding and the smile of the man who had ceased
to be a shadow was balm.
He reached her, lifted his hat.
Sallie shifted uncertainly from one foot to the other.
“Come for a ride, won’t you?” he asked.
“Oh, I couldn’t,” she answered promptly.
“Why not?”
“I—I just couldn’t, that’s all.”
He gave her a curious, somewhat puzzled look. “Round the park—
once?”
“I—I—no, thank you, I couldn’t.”
“Then let me drive you home.”
“I—I don’t live very far. I always walk it.”
“Well, ride it to-night. Please!” Again that disarming gleam.
Sallie looked up with eyes clouded and a tremor on her lips. “It’s
nice of you to want to take me, but—”
“But I’ve been coming here every night this week trying to make a
hit with you, and until to-night you never even knew I was alive.
Don’t you think you ought to be a little kind to a fellow who’s as
devoted as that?”
“I—I’d like to, awfully—but—”
“Then what’s to prevent?”
She looked down, tracing a pattern with the toe of her boot.
“Please—I—thanks
257 just the same,” she brought out finally.
She took a step toward the curb, away from him.
And just then came one of those feathery gusts that send whirling
the wheel of fate. Miss Mariette Mallard and Grace issued from the
stage door, their exchange of glances telling too plainly that they
were still enjoying the laugh at her expense. At the curb waited a
limousine quite overshadowed by the gorgeousness of the big yellow
touring car. They drew near, still giggling.
Swift as a bird, Sallie veered back to him. Instantly he was at her
side.
“You can take me home”—it was breathless—“I’ll let you do that.”
Eagerly he helped her in, took his place at the wheel. Sallie turned
with the air of royalty. With the sweetest of smiles, her head inclined
in the direction of the two girls. As the car sped round the corner
she saw them halt abruptly and, like Lot’s wife, stand rooted where
they stopped.
258 CHAPTER II
“Montgomery’s laid up, Jimmie. And the new lead’s made a big hit.”
“Has he?”
Silence—a long one.
“Jimmie—I—I don’t want any supper.”
“Why?”
“I—I think I want to go home.”
“Just as you say.”
“Jimmie—what—what’s wrong?”
His eyes scanned the beauty of her, steel buckles, silken dress, rose-
laden hat. They ended on the glossy pearls and his lips which had
opened for speech snapped shut.
He drove her home, without a word lifted his cap.
“Jimmie—please—please don’t act that way.”
“What way?”
“So—so queer.”
He gave a short laugh.
She clapped a hand over her mouth, stared at him, eyes swimming,
then fled up the steps.
The following night Mr. Patterson was late for the first time. He
swung round the corner just as Sallie appeared. She was wearing a
violet suit, fluffy lace collar and cuffs, and a hat of violets. They
made her eyes the same color. During a night of tearful and
bewildered groping she had arrived at a conclusion. Jimmie hadn’t
liked the way she looked! He wasn’t pleased with her dress or hat or
something. Maybe he didn’t think they were becoming and hadn’t
wanted to hurt her feelings. A lighter color, perhaps, something
gayer!
273 After which she rolled over with relief, stole a few hours’
sleep, and later embarked on another shopping tour.
But the violet, apparently, made no more satisfactory impression
than the blue. He handed her almost roughly into the car. They shot
like a cannon ball into the darkness.
There were no stars. The moon had reached the full, dwindled and
slipped round to smile upon the other side of the world.
Sallie gulped, groped for a fitting subject and finally burst out:
“Jimmie, tell me about yourself. You never have told me much.”
“Nothing to tell.”
“How does it feel to have so much money?” she proceeded for want
of something better to say.
The effect was electric. He turned on her. The car jerked to the other
side of the road. “You ought to know!”
“I? Stop kidding!”
“Yes, you!”
“But—”
“Look as if you’d come into a Rockefeller income!”
“Well, I haven’t.”
“No?”
“You know it.”
“I don’t know anything about women.”
“Well, you ought to know all about me.”
“Yes—I ought to.” He gave the same ugly laugh of the night before
but in his eyes was real pain. “But who knows what to expect of a
chorus queen.”
“Jimmie!”
274
“Oh, what’s the use?” came in husky desperation. “Let’s be merry!”
Sallie stared, choked and bewildered, into the darkness. She didn’t
know how to answer, how to act. This new Jimmie, this—this nasty
one! He was a stranger. Small teeth settled into her lower lip. She
felt like slipping to the floor of the car and crying her eyes out.
For three nights they followed the same program—Sallie bewitching
in a new costume chosen tearfully to conciliate the mysterious male
—he taciturn, unresponsive, answering her labored conversation
with husky monosyllables or hard cynicism that hurt without
enlightening. Twice during those three days it drizzled and, instead
of suggesting supper in the neighborhood as was their habit in bad
weather, he drove the short ten blocks to the weary brownstone
house and left her there.
“As if he was anxious to get rid of me,” sobbed Sallie into her pillow.
To dust and ashes in her mouth turned the sweets of her triumph
over the girls. Though she continued to weave stories for their
benefit, to elaborate on gifts in the past and the car in the future, to
flash her diamond and twirl her pearls, the tang had gone out of it.
By Friday she felt she couldn’t stand it another minute. What had
she done? Under the glimmering stars she gazed up first in mute
pleading, then—
“Jimmie,” she choked, “take me home. I—I—guess I’d better—”
The roadster snarled at the tug that sent it round the corner.
“Oh—another
275 date!”
“Maybe!” His tone had brought defiance into hers.
“H’m! Thought so!”
“You—you’re horrid!”
“And he’s all to the good—what?”
“Who?”
“Well—can’t blame you! What chance has a mean little bracelet
against a string of oyster tears like that?” The volcano which had
been rumbling all week sent up a sudden blinding glare. “Gad, what
an ass I’ve been!” it spat out.
“Don’t talk like that—don’t!”
“I mean it,—a saphead! Swallowed that diamond yarn whole—hook,
line and sinker.”
“It wasn’t a yarn.”
“You’ll tell me next your mother bought the pearls, too.”
“No—I did.”
The volcano roared a warning. “God!” A pause while his breath
caught.
“It’s true, I tell you! I bought them myself—they’re imitation.”
He flung back his head. His laugh frightened her.
“Oh—won’t you believe me?”
“No!”
“Won’t you—please?”
“And I put you above them—way on top.” The volcano erupted with
thunderous crash. “But you’re like the rest of them! Price—a string of
pearls—a diamond! Rotten—that’s what—! Sit down! Sit down, I
say!! I’ll get you home quick enough!”
White
276 and terrified, she subsided. Words rushed to her lips, clung
there.
He crashed on.
“But you did put it over! Had me going so that I’d have staked my
life on you. Got me with the baby stare stuff. ‘Baby’—huh! It’s a
lesson—I won’t be such a damn fool next time!”
“Jimmie,” the voice struggled to keep steady—“I swear to you—!”
“I wouldn’t believe you on a stack of Bibles! Down on your luck—
thought you had an easy mark! Then something better—pearls!—
came along—”
“I—I’ll never forgive—you!”
“That’s right! Injured innocence—”
“I—I could die this minute!”
“It’s tough, though, when the first time a man really—cares—more
than he ever thought—” The words halted painfully.
“Oh, won’t you listen? Jimmie—you—you had so much—”
“But the other fellow’s got more! Like all the rest—”
They stopped with a jump that made the roadster snort in protest.
“You—you don’t understand.” The sobs clamored to her lips. “To-
morrow—please—please listen—”
She sprang out of the car and up the steps, clinging to the iron rail.
But to-morrow when she hurried out of the stage entrance, eyes
darting to the curb, Mr. James Fowler Patterson was not there.
277 CHAPTER IV
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