EF4e_Adv_filetest_03b
EF4e_Adv_filetest_03b
GRAMMAR
2 Replace get with another verb so that the sentence has the same meaning.
1 I’m not sure if we’ll get an invitation to the wedding or not. ______________
2 Don’t let me forget that I need to make an appointment to get my hair cut.
_____________
3 It’s getting really cold. I’m going to put on another jumper. _____________
4 When do you think the bus will get to the airport? _____________
5 Could you get me a newspaper when you go to the shop? _____________
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Grammar, Vocabulary, and Pronunciation B
to get use get use get used
3 I don’t know how to fill in my tax forms. I think I’ll need ________ a professional to do it.
got get to get
4 Recent reports suggest that the conflict is ________.
got worse gets worse getting worse
5 Could you get Melanie ________ me a call, please?
giving to give give
6 Does your cousin often ________ himself into trouble?
get have got did get
6
Grammar total 20
VOCABULARY
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File Test 3
Grammar, Vocabulary, and Pronunciation B
6
Vocabulary total 20
PRONUNCIATION
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File Test 3
Grammar, Vocabulary, and Pronunciation B
8 Match the words to the same sound.
5
Pronunciation total 10
Grammar, Vocabulary, and Pronunciation total 50
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File Test 3
Reading and Writing B
READING
History repeated
As online video streaming has become mainstream, our obsession with historical drama
series has really taken off. Indeed, some of the most popular – Poldark and Outlander
among them – attract literally millions of viewers per episode. Obviously, it’s the gripping
storylines, breath-taking scenery, and good-looking actors in commanding roles that attract
most of the attention. But what goes on behind the scenes in order to make these award-
winning shows the huge success that they are? Here, TV researcher Joanne Lennox,
specialist in 18th-century British history, tells us more.
“Over the past decade, due to the rising popularity of historical drama, I’ve acted regularly as
a historical consultant for film, TV, and theatre productions, but it’s definitely the TV series
that are the most demanding. The vast audiences far exceed any of the other productions I
have previously contributed to. With around 10–12 episodes per series, the volume of
research required is far more substantial than what is needed for a film or play. Often the
characters are highly fictionalized, and the narratives can bear little resemblance to the
actual historical events they are based on. But despite this, it’s vital that the historical context
behind these dramas is carefully researched and respected during the production process.
I’m often asked what the work of a historical adviser involves. Generally, a new project
begins with reading the scripts prior to filming. The script is vitally important because it puts
the whole production, its events, the characters, and their relationships with each other into
context. I start by reading each episode in detail, checking the historical context from every
perspective, carefully considering factors such as character development, locations, scene,
costume, and prop details. I draw on my historical knowledge and research skills to ensure
every detail is taken into consideration. I visit libraries and museums to view ancient
historical documents, plans, manuscripts, and artefacts. I’ve referred to countless documents
including the seating plan for Anne Boleyn’s Coronation Banquet, and records related to the
1512 Procession of the House of Lords from the Bodleian Library. These help me envisage
how and where people would be seated and what sort of rituals they would have carried out
during ceremonies and official exchanges. I’ve studied weapons from the era of the Battle of
Culloden to help me visualize scenes and get a sense of how the characters would have felt
and behaved on the day. It’s also important to consider how people might have interacted on
the most ordinary of days – their motivations, words, greetings, gestures, and emotional
responses.
Once I’ve finished my initial historical analysis, I compose a detailed set of notes, a sort of
‘historical commentary’, which I send back to the production team. But the busiest part of my
job comes after the scripts are finished and the production team is preparing for filming –
questions start coming in from the various departments as they design costumes, make sets,
and prepare the locations. And once the cameras start rolling, I prepare to be besieged with
further questions: How would an educated gentleman sign a letter? How would a lady greet
an acquaintance on the street? What games would children be playing in the street?
The smallest details are then required, for the costumes and interior design especially. What
type of jewellery might a middle-class woman wear to a dinner party? What literature might
the main character have on his bookshelves? I use historic paintings where possible to find
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File Test 3
Reading and Writing B
clues regarding the interior style of the period: the pattern on a fabric, the design on a plate,
how letters were folded and sealed. Putting together these clues allows the art and costume
departments to recreate fine details, which contribute to the overall authenticity of the
production.
2 According to the writer, what has caused the popularity of historical drama series to
increase recently?
A The fact that the actors are chosen for their attractiveness.
B The widespread availability of internet services.
C The way the cinematography shows off stunning scenery.
3 In paragraph 2, what does Joanne Lennox describe as her most challenging role?
A Working on full-length films.
B Working on touring theatre productions.
C Working on TV productions.
5 Joanne initially determines the context for each new production by ________.
A interviewing the director
B reading the historical novels that a series is based on
C studying the script
6 What does Joanne say is the benefit of studying real historical documents?
A It allows her to indulge a passion.
B It enables her to picture situations in the scenes.
C It guarantees the quality of her work.
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Reading and Writing B
7 Joanne explains that an important part of her role is to establish ________.
A the best locations for filming
B they way in which characters might have interacted with each other
C whether the the main characters are being accurately portrayed in the series
10 Joanne admits to finding the historical productions she works on frustrating at times
________.
A however she accepts the production team has its own challenges
B as the production team can be difficult to deal with
C due to the length of time it can take the production team to prepare
Reading total 10
WRITING
Write an email to your friend telling him / her about something you have a love-
hate relationship with.
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Listening and Speaking B
LISTENING
1 Listen to five people talking about things that are happening, or have
happened recently. Match the speakers (1–5) to the phrase that best
describes the situation they mention (A–H).
Speaker 1
Speaker 2
Speaker 3
Speaker 4
Speaker 5
2 Listen to a scientist talking about what makes people like each other.
Tick () A, B, or C.
1 As a scientist, Marcus says he ________.
A is curious to understand the details of human relationships
B can’t understand why people like each other
C always tries to prove his own theories
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File Test 3
Listening and Speaking B
5 Research shows that the brain’s reward and motivation regions are activated when
________.
A you interact with someone you like
B you share information about yourself
C you listen to another person
5
Listening total 10
SPEAKING
3 Talk about one of these statements, saying if you agree or disagree. Give
reasons.
1 ‘Online dating is a good way of meeting new people.’
2 ‘Conflict can always be avoided if there is good communication between those
involved.’
3 ‘Historical films and TV drama series should always be factually accurate.’
Speaking total 20
Listening and Speaking total 30
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