Edward Said
Edward Said
1. The Beirut Story: Said starts with a story about a French journalist in war-torn Beirut
(Lebanon). The journalist is sad because the city is destroyed, remembering it as a
romantic, exotic place like in old French adventure stories (Chateaubriand and Nerval
were writers who wrote about the "Orient").
o Said's Point: This journalist cares more about the European fantasy of the
"Orient" being lost than about the real people suffering in the war. For
Europeans, Said argues, the "Orient" (basically the Middle East and sometimes
Asia) was often less a real place and more like a dream world they invented –
full of mystery, strange customs, and adventure. It was a European idea,
important to their culture and history. The actual people living there
("Orientals") and their suffering were secondary in this view.
o Americans usually think of the "Far East" (China, Japan) when they hear
"Orient."
o Europeans, especially the British and French, have a much longer and
deeper history with the "Near East" (Middle East). They colonized large parts
of it, traded there for centuries, and saw it as the source of their own ancient
history (like the Bible).
o Crucially, it was Europe's main "Other." By defining what the "Orient" was
(mysterious, irrational, backward, exotic, etc.), Europe could define itself as
the opposite (rational, modern, normal, etc.). The Orient helped Europe shape
its own identity.
o Orientalism is the system Europe created to manage this connection. It's a way
of speaking, thinking, and writing about the Orient that establishes Western
authority over it.
o Historically, Britain and France were the main European powers deeply
involved in the Orient (especially the Middle East and India). Their colonial
empires were huge.
o After World War II, the United States largely took over this dominant role in
relation to the Middle East, often using similar ways of thinking.
In Simple Terms:
Said is arguing that the Western idea of the "Orient" (especially the Middle East) wasn't
neutral or objective. It was largely a European invention, a mix of fantasy and distorted
reality, shaped by centuries of power imbalance (especially colonialism). This way of
thinking, which he calls "Orientalism," became a powerful system used by the West (mainly
Britain and France, later the US) to:
Create knowledge (academic studies, literature, policies) that reinforced these ideas
and served Western interests.
Shape how everyone, including people from the Orient itself, thought and talked about
the region.
He sees it as a tool kit of ideas, stereotypes, and institutions that helped the West rule the East,
not just politically and militarily, but also intellectually and culturally.
II
1. The "Orient" and "West" Aren't Natural: Said starts by saying that concepts like
"The Orient" (the East) and "The Occident" (the West) aren't just naturally existing
places like mountains or rivers. People created these ideas. Just like people make
their own history, they also shape how we think about geography. The "Orient" is
an idea that the West developed, complete with its own history, images, and specific
words used to describe it. These two ideas, East and West, kind of prop each other up
and define each other.
o Said quickly adds: This doesn't mean the East isn't real! Obviously, real
cultures, nations, and people exist there with their own histories.
o His main point: He's not studying the actual East. He's studying
the Western system of ideas about the East (which he calls "Orientalism").
He's interested in how this system of Western ideas works, how consistent it
is within itself, and how influential it is in the West, regardless of whether it
accurately matches the reality of the East. Think of the phrase "The East as a
career" – he's focused on what the idea of the East meant to Westerners.
o Believing the West just "imagined" the Orient this way is naive. The
relationship between West and East has always been about power and
dominance.
o The West could "Orientalize" the East (define it, categorize it, stereotype it)
because it had the power to do so. The East was often in a position where it
had to submit to being defined this way.
o You can't just dismiss Orientalism as a bunch of simple lies or myths that will
disappear if you reveal the "truth."
o While Said thinks Orientalism tells us more about Western power than about
the actual Orient, he stresses its strength and durability. It's a deeply
ingrained system of thought, strongly connected to powerful institutions (like
universities, governments, colonial offices).
o It's lasted for generations because there has been a huge "material
investment" in it – people built careers, institutions, and whole fields of
knowledge around it. It became the accepted "filter" through which the West
viewed the East.
o Focusing only on the big picture risks being too general and crude. Focusing
only on details risks losing sight of the overall power structure that shaped
everything.
In simpler terms: Said is arguing that the Western way of thinking about the East
("Orientalism") is a powerful, man-made system, not just a neutral description. It grew out of
Western dominance and power. It's not just a collection of lies, but a strong, deeply rooted
structure of ideas and institutions that shaped how the West saw, studied, and controlled the
East, often reinforcing ideas of Western superiority. He wants to analyze this system
carefully, looking at both its general patterns and specific examples.
III
This section is about the first of three aspects of Said's own experience that shaped how he
approached writing Orientalism.
Common Belief: People usually think some kinds of knowledge are "pure" and have
nothing to do with politics. For example, studying Shakespeare seems academic and
neutral. Other kinds of knowledge, like studying modern China or the Soviet Union
during the Cold War, seem obviously political because governments are interested,
and the research might influence policy.
The Humanist: Said identifies himself as a "humanist" (studying literature, arts,
philosophy). People generally assume humanists aren't involved in politics through
their work. Their personal political beliefs (like being liberal or conservative) are seen
as separate from their scholarly work.
Said's Challenge: Said agrees that aiming for impartial, non-political knowledge is a
nice idea. But in reality, no scholar can ever be completely separate from their life
circumstances – their social class, their beliefs, their position in society. These
things always influence their work, consciously or unconsciously.
The Problem with "Non-Political" Ideal: The desire for knowledge to be "non-
political" often hides the real political influences that are always there. Labelling
work "political" is often just a way to dismiss it if it challenges the status quo or the
illusion of pure objectivity.
The Scholar's Identity: An Englishman studying India or Egypt in the 19th century
couldn't separate his interest from the fact that these were British colonies. His
knowledge wasn't "pure"; it was connected to Britain's imperial role.
Said's Core Argument: He is saying all Western knowledge about the Orient
(Orientalism) is inherently political because it was produced by people
(Europeans/Americans) belonging to dominant cultures with a history of power and
specific interests in the Orient.
Culture Creates Interest: He suggests that Western culture played a dynamic role
alongside politics, economics, and military power in creating the interest in the Orient
and shaping the field of Orientalism.
o A way political awareness gets distributed into cultural forms (art, scholarship,
etc.).
o An elaboration of the basic East/West division and the various "interests" the
West developed (through study, analysis, description).
Scholarly Reluctance: Said notes that many scholars (especially humanists) are okay
with seeing texts influenced by other texts or intellectual debates (like scientific
arguments influencing Balzac). But they resist seeing influence from political contexts
(like Balzac's reactionary politics, or Locke's views on race and slavery alongside his
philosophy). This is a way scholarship tries to keep itself "pure."
Focus on Detail within Context: He's fascinated by the details in the works of writers
like Lane or Flaubert, but understands these details were produced within the
overarching belief in Western superiority. The brilliance is in the detail, even if the
framework is biased. (Lane's book is a classic for its detailed observation, despite its
racist assumptions).
Key Questions: How did different fields contribute to the imperial project? How did
Orientalism change? How did it reproduce itself? How can we study this complex
cultural creation, acknowledging its connection to power and domination, without
being simplistic?
Conclusion: Studying the link between knowledge and politics must be done
carefully, looking at the specifics of each case (the subject, the historical context).
There isn't one simple formula.
In Simple Terms: Said argues that you can't separate knowledge (especially about other
cultures) from the political realities and power structures of the time. Western writing about
the East ("Orientalism") was deeply shaped by Western imperialism. Even seemingly "pure"
academic or literary work was influenced by the political fact that the West dominated the
East. He wants to study the details of this Orientalist writing while always remembering this
power dynamic, seeing Orientalism as a complex cultural system intertwined with political,
intellectual, and moral power, which ultimately tells us more about the West itself.
Said talks about the methodological challenges – basically, how he decided to structure his
study of such a huge topic.
Said says that starting any big research project is tricky. You can't just begin
anywhere; you have to carefully choose a starting point.
This involves an act of "delimitation": like cutting out a specific piece from a huge
block of material to focus on.
For Orientalism, the challenge was massive: What texts, authors, and time periods
should he include? Where should he draw the line?
He decided against trying to write a complete history of every European idea about
the Orient.
Why?
His Starting Point: He decided to focus on the British, French, and later American
experience of the Orient.
Why these three? They were the major colonial powers with the most sustained and
influential involvement in the Orient, especially the Middle East. Their role shaped
modern Orientalism. The US largely took over from Britain and France after WWII.
Further Focus: Within that, he concentrated mainly on the experience of the Arabs
and Islam.
Why? For centuries, the Islamic world (especially the Near East) was what Europeans
primarily meant when they said "the Orient."
Acknowledgement: He knows this leaves out important areas like India and China,
but argues that the Near East/Islamic focus can be studied somewhat distinctly, even
though there are historical connections (e.g., Britain's interest in Egypt was linked to
controlling routes to India).
But: German interest was different. It was mostly academic and classical, not tied to
large-scale, direct colonial rule like Britain and France had. The German "Orient" was
less of a real, political place for them and more an object of scholarly or literary
fascination. German scholars often worked on materials gathered by the British and
French empires.
Authority isn't natural: It's built, spread, and maintained. It sets standards, defines
what's considered "true," and is deeply connected to power.
Said's Goal: To analyze how this authority was constructed and worked in
Orientalism.
o Strategic Location: How does a writer position themselves within their text in
relation to the Orient? (What kind of voice do they use? How do they structure
their arguments? What images do they choose?) It's about how the writer tries
to "contain" or manage the vastness of the Orient.
This means the Western writer (scholar, poet, etc.) is always outside the Orient,
looking in. They speak for the Orient, describe it, explain it to the West.
Said's Focus: He analyzes how these representations are constructed (style, structure,
imagery) rather than judging their "accuracy." The important thing is that
they are representations made by an outsider.
Underlying Assumption: The West represents the Orient because the Orient is seen
as unable to represent itself. (He quotes Marx: "They cannot represent themselves;
they must be represented.")
A written statement about the Orient gets its meaning and power from Western
culture, institutions, and agreed-upon ways of understanding – not from the actual
Orient itself. The text replaces the real Orient for the Western reader.
Modern Orientalism (from the late 18th century) didn't necessarily get closer to the
"real" Orient, but it developed much more sophisticated Western techniques for
representing it (like new sciences, new artistic styles).
Orientalism is shaped more by the culture producing it (the West) than by its supposed
subject (the East). It has its own internal logic and connections to dominant Western
ideas (Darwinism, Freudianism, etc.).
Certain authors (like Lane, Sacy, Renan) became key authorities whose specific works
were widely cited and shaped the field.
He admits his book is not a complete history but hopes it's a start and encourages
others to study related topics (like other European Orientalisms, or alternatives to
Orientalism).
He wrote the book for several audiences (literary students, scholars of the Orient,
general readers, people in the "Third World"), hoping to show the deep connections
between culture, knowledge, and power, and the lasting influence of Western cultural
dominance.
In Simple Terms: Said explains how he tackled studying Orientalism. He decided to focus on
the powerful British, French, and American traditions, particularly concerning the
Arab/Islamic world, because of their imperial links. His main method is to analyze Orientalist
writings not as accurate descriptions of the East, but as Western representations created by
outsiders who held positions of power and authority. He looks at how writers positioned
themselves ("strategic location") and how texts built on each other to create an authoritative
system ("strategic formation"). He stresses that this whole system tells us more about Western
culture and its assumptions than about the Orient itself. While acknowledging the system's
power, he also emphasizes the importance of reading individual authors closely.
o Said quotes the thinker Gramsci: To think critically, you first need to
understand who you really are, recognizing yourself as a product of history.
This history has left countless "traces" on you. Gramsci believed it's essential
to make an "inventory" or list of these traces.
o Although his entire education was Western (in the colonies and the US), that
early awareness of being defined as "Oriental" by a dominant Western culture
never left him.
o His Motivation: The book is his effort to understand the impact of this
powerful Western culture ("whose domination has been so powerful") on
himself and other "Orientals." This personal connection is why the Islamic
Orient is his main focus.
o Living in the West (especially the US) since the 1950s meant living through
intense East-West conflict (Cold War, etc.). The "East" was often portrayed as
dangerous.
o Universities created "area studies" programs, linking the study of the Orient
directly to government policy and national interests.
o Media (TV, films) made the world seem smaller but often reinforced
stereotypes about the Orient, updating old 19th-century myths ("mysterious
Orient") for the modern age.
o Said identifies three factors that made understanding the Arab world
particularly difficult and politically charged in the West:
o Said states that being an Arab Palestinian in the West, especially America, is
deeply "disheartening."
o He notes that even academic experts on the Near East ("Orientalists") in the
US rarely identified politically with the Arabs in a way considered mainstream
or acceptable.
o For Said, the way knowledge (Orientalism) connects with power to define
and control the "Oriental," essentially erasing their humanity, is not just
an academic theory. It's a lived reality directly affecting him and his
community.
o He used his personal and political experiences as motivation for his scholarly
analysis.
o To encourage a new, less biased way of engaging with the regions and peoples
formerly labeled "the Orient."
In Simple Terms: Said explains that he wrote Orientalism partly out of a deep personal need
to understand how his identity as an "Oriental" (specifically, a Palestinian Arab) was shaped
by centuries of Western domination and representation. His own experiences of prejudice,
stereotyping, and political marginalization in the West, especially concerning the Arab-Israeli
conflict, made the connection between biased knowledge (Orientalism) and real-world power
painfully clear. He argues that Orientalism works much like anti-Semitism and hopes his book
will help people see how cultural power operates and ultimately move beyond the divisive
concepts of "East" and "West."
Said uses this specific historical example to show Orientalism in action at the highest levels
of political power.
1. The Scene: It's 1910. Arthur Balfour, a very important and respected British politician
with vast experience in governing the Empire, gives a speech in Parliament about
Britain's role in Egypt.
3. The Problem: Some people in Britain are starting to question why Britain is still
occupying Egypt, especially since Egyptians are demanding more independence.
Balfour's speech is meant to justify the continued British presence.
o He tackles the accusation that Britain is acting superior. He claims it's not
about superiority, but about facing facts.
o Fact 1: Britain knows Egypt. Balfour boasts that Britain knows Egyptian
civilization better than anyone, stretching back further than British history
itself.
o Said's Analysis: For Balfour, this deep knowledge isn't just academic; it's a
form of power and dominance. To know something so thoroughly, from its
origins to its decline, is to have authority over it. British
knowledge defines what Egypt is for Balfour. Egypt doesn't have its own
independent reality in his view; it exists as Britain understands it.
o Since Orientals can't rule themselves, British rule is actually good for them.
He claims they have better government under Britain than ever before.
o He dismisses the idea that Egyptians might not appreciate this, suggesting
anyone who complains is just an "agitator." The voices of the Egyptians
themselves are completely ignored.
o Balfour argues that British administrators in Egypt need full support from
home. If Egyptians sense any doubt in British authority, the whole system
(which he claims is the basis of their civilization now) will collapse.
o Said's Analysis: Balfour creates a circular logic: Britain knows Egypt needs
ruling -> Britain rules -> British rule becomes the basis of Egyptian life ->
Therefore, Egypt requires British rule.
8. Balfour as Representative: Said points out how Balfour speaks for everyone
important: Britain, the West, the administrators, and even implicitly for the Egyptians,
assuming he knows what's best for them better than they do. The Egyptians are
presented as a subject race, rehabilitated by the Empire.
o He believed Westerners knew best what was good for the subject races (who
were like children, in statu pupillari - in the status of a pupil/ward).
o Said quotes Cromer's list of supposed essential traits of the "Oriental mind,"
based on his "experience":
Inaccurate / Untruthful
Gullible
Cruel to animals
Liars
In Simple Terms:
Said uses Balfour's speech and Cromer's writings/actions to show how Orientalism worked in
practice. Powerful Western figures genuinely believed:
1. They knew the "Orient" and "Orientals" completely.
2. This knowledge gave them the right and the duty to rule.
4. Western rule, therefore, was not oppression but a benefit for the Orientals themselves
and for the world.
This system of "knowledge" justified political domination and silenced the voices of the
people being ruled. It presented stereotypes as objective facts and imperial control as a moral
obligation.
Said explains how Orientalism worked, using Cromer as a prime example, and connects it to
broader historical and intellectual trends.
o He flatly states that Orientals act, speak, and think the exact opposite of
Europeans.
o The power imbalance shaped the relationship. Orientals were seen as irrational,
childlike, different; Europeans as rational, mature, normal.
o The West defined the Orient's identity. The Oriental world seemed
coherent only because the West organized and explained it through its
"knowledge."
o Key Formula: Knowledge born from strength creates the object it describes.
Western knowledge, backed by power, essentially invented the "Oriental" and
"his world" as manageable concepts.
o Oriental as Object: The Oriental was treated like something to be judged (in
court), studied (in class), disciplined (in prison), or categorized (like an animal
in a manual). They were contained by these dominant Western frameworks.
o Definition: Orientalism is the knowledge system that puts the Orient into these
frameworks (class, court, prison, manual) for control and governance.
o Britain and France were the biggest players, often rivals but also partners in
ruling the Orient, especially the Near East (Islamic world).
o They "shared" not just territory but the intellectual power of Orientalism.
6. Orientalism as an Archive and Constraint:
o It's best seen as a system that limited and constrained thought, rather than just
a positive set of beliefs.
o Core Logic: West = Superior, East = Inferior. This gap widened over time.
o Inherited Literature: A vast body of past European writing about the East.
o Cromer saw the empire as a machine. Local agents (specialists on the ground)
fed raw material (people, resources, data) from the East into the central
authority (London).
o The center processed this, turning it into useful knowledge and power. The
Orientalist specialist translated "mere Oriental matter" into categories useful
for rule ("subject race," "Oriental mentality").
o Can humanity survive the consequences of dividing itself into rigid categories
like "East" and "West" without hostility?
o Using these labels tends to polarize the groups ("Orientals become more
Oriental, Westerners more Western") and limits real human connection.
o Kissinger: Divides the world into "developed" (West) and "developing." West
= post-Newtonian, empirical, rational. Developing world = pre-Newtonian,
internal reality, didn't discover empiricism. This is the exact same logic as
classic Orientalism, justifying Western containment/control.
In Simple Terms: Said shows how figures like Cromer used a pre-existing system of thought
(Orientalism) – built on Western power and supposed knowledge – to justify ruling Orientals.
This system treated Orientals as fundamentally different, inferior, and predictable objects to
be managed. Orientalism became institutionalized alongside massive colonial expansion. It
acted like a shared database of stereotypes that limited how everyone thought, hardening the
"us vs. them" divide. Said argues this harmful way of thinking persists today, seen in figures
like Kissinger and "experts" like Glidden who continue to use similar biased frameworks to
describe non-Western peoples, justifying Western control. He asks: what allows this system to
endure?