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Charles Tennyson Turner, On Finding A Small Fly Crushed in A Book

In 'On Finding a Small Fly Crushed in a Book,' Charles Tennyson Turner reflects on the inevitability of death through the metaphor of a fly crushed between book pages. The poem contrasts the beauty of the fly's wings, which leave a lasting impression, with the notion that human death lacks such elegance. Ultimately, Turner suggests that while death is a universal fate, it may not leave behind a beautiful legacy like that of the fly.
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0% found this document useful (0 votes)
30 views6 pages

Charles Tennyson Turner, On Finding A Small Fly Crushed in A Book

In 'On Finding a Small Fly Crushed in a Book,' Charles Tennyson Turner reflects on the inevitability of death through the metaphor of a fly crushed between book pages. The poem contrasts the beauty of the fly's wings, which leave a lasting impression, with the notion that human death lacks such elegance. Ultimately, Turner suggests that while death is a universal fate, it may not leave behind a beautiful legacy like that of the fly.
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Charles Tennyson Turner, ‘On Finding a Small Fly

Crushed in a Book
Charles Tennyson Turner was the lesser-known brother of Alfred Lord Tennyson. In ‘On Finding
a Small Fly Crushed in a Book,’ Turner displays his own skill and understanding of the poetic
verse. This particular poem focuses on the inevitability of death and how, like a book closing on
a fly, death will come and close on everyone. He doesn’t speak about it mournfully or fearfully
but simply as something that’s going to happen no matter what one does.
On Finding a Small Fly Crushed in a Book
Charles Tennyson Turner

Some hand, that never meant to doe thee hurt,


Has crushed thee here between these pages pent;
But thou hast left thine own fair monument,
Thy wings gleam out and tell me what thou wert:
Oh! that the memories, that survive us here,
Were half as lovely as these wings of thine.
Pure relics of a blameless life, that shine
Now thou art gone: Our doom is ever near:
The peril is beside us day by day;
The book will close upon us, it may be,
Just as we lift ourselves to soar away
Upon the summer airs. But, unlike thee,
The closing book may stop our vital breath,
Yet leave no lustre on our page of death.

Summary
‘On Finding a Small Fly Crushed in a Book’ by Charles Tennyson Turner is a straightforward
poem that compares a fly’s death to human death.
In the first lines of the poem, the speaker talks to a deceased fly that he’s found crushed in a
book. He interprets its death as accidental, as though someone closed the book on it without
meaning to. Despite this, he marvels over the fly’s wings and the imprint it left on its life.

As the poem progresses, he turns to talk about human life and death and how everyone is
going to get crushed in the book of death eventually. But, unlike the fly, humanity won’t leave
behind something as beautiful as the shimmer of the fly’s wings on the book pages.

Themes
In ‘On Finding a Small Fly Crushed in a Book,’ Turner primarily addresses the theme of the
inevitability of death. He spends the first part of the poem admiring the fly, its untimely death,
and what is left behind. Then, he transitions into a description of death as a feature of
everyone’s life. The book is expanded and used as a metaphor for death as something that can
come out of nowhere and take someone’s life. It can close at any moment as it did on the fly.
It’s also clear by the end of the poem that the speaker doesn’t believe that human death could
ever be as beautiful as the fly’s death. The shimmer of its wings proves that.

Structure and Form


‘On Finding a Small Fly Crushed in a Book’ by Charles Tennyson Turner is a fourteen-line poem
that follows a rhyme scheme of ABABCDDCEFEFGG, which can be interpreted as an alternative
sonnet form. Turner plays with the rhyme schemes, blending elements of both Italian sonnets
and English sonnets. Initially adopting the ABBA pattern reminiscent of Italian sonnets, Turner
diverges with a CDDC rhyme scheme before concluding with the traditional EFEF and closing GG
couplet. This interesting approach perhaps mirrors the poem’s themes of mortality, suggesting
that death knows no boundaries of rhyme or tradition.
As most sonnets do, ‘On Finding a Small Fly Crushed in a Book’ makes use of iambic
pentameter. This means that the lines, mostly, contain five sets of two beats. The first of which
is unstressed and the second stressed.

Literary Devices
In ‘On Finding a Small Fly Crushed in a Book’ Turner makes use of several literary devices. These
include but are not limited to alliteration, caesura, and metaphor. The first of these, alliteration,
is a common literary device that’s concerned with the use and reuse of the same consonant
sound at the beginning of multiple words. For example, “thou” and “thine” in line three and
“hand” and “hurt” in line one.

There are examples of caesurae in ‘On Finding a Small Fly Crushed in a Book.’ One of the best is
in line eight. It reads: “Now thou art gone. Our doom is ever near.” Caesurae occurs when the
poet inserts a pause into the middle of a line. This might be with punctuation or with a natural
pause in the meter. In the second half of the poem, the speaker uses the book that crushed the
fly as a metaphor for death. It could come and close on anyone at any time.

Detailed Analysis

Lines 1-4
Some hand, that never meant to do thee hurt,

Has crush’d thee here between these pages pent;

But thou hast left thine own fair monument,


Thy wings gleam out and tell me what thou wert:

In the first lines of ‘On Finding a Small Fly Crushed in a Book,’ the speaker begins by addressing
the fly. This is a technique known as an apostrophe. The fly cannot understand the speaker, and
even if it could, it can’t respond (because it’s a fly but also because it’s dead). He tells the fly
that “Some hand” has done “thee hurt.” He believes that whoever crushed the fly in the book
didn’t mean to do so, but it happened nonetheless. Although this is a terrible and unimpressive
death, the fly has created a monument to its own life with its body. Its wings still “gleam out”
and tell the speaker, who has come upon it, that “thou wert.” The fly was once alive, and now
its presence in the book reminds everyone that comes upon it of that.

Lines 5-8
Oh! that the memories, which survive us here,

Where half as lovely as these wings of thine!

Pure relics of a blameless life, that shine

Now thou art gone. Our doom is ever near:

In the second stanza, the poet begins with the exclamation, “Oh!” He connects the fly’s
monument, its tiny body in the book, to another kind of memory, those of life. He wishes that
life’s memories were as beautiful, or “half as lovely,” as the vision of the fly in the book. Its
wings are striking and connected with the speaker at that moment.

He continues to speak about the fly’s wings, telling it that the wings appear to him as “Pure
relics of a blameless life.” The fly lived as a pure, sinless creature, doing what it was supposed
to do every day without any misstep. Now, they continue to shin when “thou art is gone.” This
reminds the speaker of his own mortality and that of everyone he knows and has ever known.
In the second half of the eighth line, after the caesura, the speaker says that “Our doom is ever
near.” This leads into the final six lines, or sestet, of the poem.

Lines 9-14
The peril is beside us day by day;

The book will close upon us, it may be,

Just as we lift ourselves to soar away

Upon the summer-airs. But, unlike thee,

The closing book may stop our vital breath,

Yet leave no lustre on our page of death.

In the ninth line of ‘‘On Finding a Small Fly Crushed in a Book,’ the speaker, now directing his
words out more broadly to whoever is reading or listening, says that “peril is beside us day.”
Death and danger are companions throughout life. Eventually, the same book that closed on
the fly is going to “close upon us.” It’s clear that he’s interpreted the death of the fly as a
broader metaphor for the death that’s going to come for everyone. It can take come just as we
try to fly away into the summer air.

In the final two lines, the speaker draws a comparison between what humanity leaves behind
compared to what the fly has left. “We,” he says, are not going to leave the “lustre” of our lives
on “our page of death.” This is an allusion back to the shine of the fly’s wings in the previous
line. It’s a marker of the fly’s life, something that humanity, the speaker says, is not going to
have.

Charles Tennyson Turner


This poem by Charles Tennyson Turner unfolds as a Victorian contemplation of mortality and
memory as fleeting states of existence. Upon observing the perfectly preserved wings of a fly
crushed between the pages of a book, the speaker launches into a poignant but impassioned
soliloquy. Oscillating between somber grief and celebratory admiration, they praise the insect
for its unintentionally splendid appearance, confessing that most people could only hope to
achieve such a memorial. Most humans cling to memories or deeds, yet the fly is ignorant of
such ephemeral things, and because of that represents a far purer form of death.

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