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Temple Architecture

Temples Architecture of India

Hindu temple architecture has many varieties of style, though the basic nature of
the Hindu temple remains the same. Hindu temple architecture reflects a
synthesis of arts, the ideals of dharma, beliefs, values and the way of life
cherished under Hinduism.

Influenced by early Buddhist structures such as the stupa, the first Hindu temples
were built from rock-cut caves. Then, with the arrival of Gupta architecture in the
4th to 5th century CE, the first free-standing Hindu temples were constructed
with features such as towers and projecting niches.

The architectural principles of Hindu temples in India are described in Shilpa

Shastra. Shilpa Shastra mentions three main type of temple architecture – Nagara
or the Northern style, the Dravida or the Southern style and the Vesara or Mixed
style.

Basic features of Indian Temples

The form and meanings of architectural elements in a Hindu temple are designed
to function as the place where it is the link between man and the divine, to help
his progress to spiritual knowledge and truth, his liberation it calls moksha.

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Garbhagriha (Sanctum Sanctorum)

 It literally means ‘womb-house’ and is a cave like sanctum.

 In the earliest temples, it was a small cubical structure with a single entrance.

 Later it grew into larger chambers.

 The Garbhagriha is made to house the main icon (main deity) which is itself the
focus of much ritual attention.

Mandapa

 It is the entrance to the temple.

 It may be a portico or colonnaded (series of columns placed at regular intervals)

hall that incorporate space for a large number of worshippers.

 Some temples have multiple mandapas in different sizes named as

Ardhamandapa, Mandapa and Mahamandapa.

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Shikhara or Vimana

 They are mountain like spire of a free standing temple.

 Shikhara is found in North Indian temples and Vimana is found in South Indian
temples.

 Shikhara has a curving shape while Vimana has a pyramidal like structure.

Vahana

 It is the mount or vehicle of the temple’s main deity along with a standard pillar
or Dhvaj which is placed axially before the sanctum.

Amalaka

 It is a stone disc like structure crowning the top of the North Indian style
shikhara.

Kalasha

 Wide-mouthed pot or ornamental pot-design decorating the shikhara in North

Indian temples.

Antarala (vestibule)

 Antarala is a transition area between the Garbhagriha and the temple’s main
hall (mandapa).

Jagati

 It is a raised platform for sitting and praying and is common in North Indian
temples.

Types of Hindu temples

Temple architecture evolved slightly differently in a different region. Shilpa
Shastras mentions three main type of temple architecture. Three main styles of
temple architecture are the Nagara or the Northern style, the Dravida or the

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Southern style and the Vesara or Mixed style. But at the same time, there are also
some regional styles.

 Nagara (in North India) is associated with the land between the Himalayas and
Vindhyas.

 Dravida (in South India) is associated with the land between the Krishna and
Kaveri rivers.

 Vesara style as an independent style was created as a hybrid of Nagara and

Dravida styles. It is associated with the land between the Vindhyas and the river
Krishna.

Nagara style
The style of temple architecture that became popular in northern India is known
as Nagara. Nagara style was developed regionally – each region manifesting its
own particular qualities. For example, various sub-styles of Nagara architecture
are found vis-à-vis Odisha School, Solanki School, and Khajuraho School etc.

 In Nagara style, it is common for an entire temple to be built on a stone

platform with steps leading up to it.

 Unlike South Indian temples it does not usually have elaborate boundary walls
or gateways.

 The three main distinctive features of Nagar style is Shikhara (Curvilinear

tower), Garbhagriha (Sanctum Sanctorum), Mandapa (Entrance Hall)

 While the earliest temples had just one tower or shikhara, later temples had
multiple Shikharas.

 The garbhagriha is always located directly under the tallest tower.

 Examples – Dashavatara temple (Deogarh), Vishwanatha temple (Khajuraho),

Lakshman Temple (Khajuraho), Jagannath Temple (Puri)

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Subdivision of Nagara temples based on the type of Shikhara

There are many subdivisions of Nagara temples depending on the shape of the
shikhara.

Rekha-Prasada type or Latina type – This type of temple has square shikhara at
the base and its walls curve slowly inward towards the top. They are mainly used
to house the main garbhagriha.

Phamsana type – Phamsana buildings tend to be broader and shorter than Latina
ones. Their roofs are composed of several slabs that gently rise to a single point
over the centre of the building, unlike the Latina ones which look like sharply

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rising tall towers. Phamsana roofs do not curve inward. Instead, they slope
upwards on a straight incline. Phamsana design is used for the mandapas.

Valabhi type – These are rectangular buildings with a roof that rises into a vaulted
chamber. The edge of this vaulted chamber is rounded, like the bamboo or
wooden wagons that would have been drawn by bullocks in ancient times. They
are usually called ‘wagon vaulted buildings’.

Dravida Style
Dravida style of temple architecture became popular in South India. Dravida style
of temples was developed dynastically, however the major features of these
temples remained common across the dynasties.

 Unlike the Nagara temple, the Dravida temple is enclosed within a compound
wall.

 The front wall has an entrance gateway in its centre, which is known as
a gopuram.

 The shape of the main temple tower known as Vimana is like a stepped pyramid
that rises up geometrically rather than the curving shikhara of North India.

 In the South Indian temples, the word “Shikhara” is used only for the crowning
element at the top of the temple which is equivalent to
the amalaka and kalasha of North Indian temples.

 In the Dravida style temples, one will generally find sculptures of

fierce dvarapalas or the door-keepers guarding the temple.

 It is common to find a large water reservoir, or a temple tank, enclosed within

the complex.

 Subsidiary shrines are either incorporated within the main temple tower or
located as distinct, separate small shrines beside the main temple.

 Unlike Nagara style, at some of the most sacred temples in South India, the
main temple in which the garbhagriha is situated has, in fact, one of the
smallest towers.

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 Examples – Shore temple (Mahabalipuram), Brihadesvara temple (Thanjavur),

Meenakshi Temple (Madurai)

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Sub-divisions of Dravida temples based on shapes

There are basically five different shapes:

 Square, usually called Kuta or caturasra

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 Rectangular or shala or ayatasra

 Elliptical or vrittayata also called gaja-prishta or elephantbacked

 Circular or vritta

 Octagonal or ashtasra

It must, however, be remembered that this is a simplistic differentiation of the

subdivisions. Several different shapes may be combined in specific periods and
places to create their own unique style.

Vesara Style
In the mid-seventh century, a distinct style of temple architecture grew in
Karnataka region under the patronage of Chalukya rulers. The temples in this
region follow a hybridised style which combines the features of both Nagara and
Dravida styles.

 Vesara is a distinct stylistic tradition of Indian Hindu temple

architecture primarily used in the Deccan and Central India, between
the Vindhyas and the river Krishna

 Vesara style does not have an independent origin of its own and said to be an
outgrowth of Dravida style.

 The Vesara style contains elements of both Dravida and Nagara styles. For
example, Nagara and Dravida temples are erected side by side in Badami.

 Historians agree that the Vesara style originated in what is today Karnataka.
According to some, the style was started by the Chalukyas of Badami.
Therefore, it is also known as “Chalukya style” or “Karnataka style” of temple
architecture. It was further improvised by Rashtrakuta and Hoysala dynasties.

 The height of these temples was reduced compared to its Nagara and Dravida
counterparts. The height of the temple tower over the sanctum is usually
shorter than the Vimanas in Dravida temples. They can be referred as miniature
Vimanas. The shape of these towers was pyramidal in profile.

 Vimana was crowned by a circular shikhara above the neck.

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 Examples – Badami temple, Durga Temple (Aihole), Virupaksha Temple

(Pattadkal), Keshava Temple (Somnathpur)

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A comparison of Nagara, Dravida and Vesara style

Nagara Dravida Vesara

Deccan region.
Between the
Northern region Southern region
Vindhyas and
Krishna river

Developed regionally – Admixture of two

each region manifesting its Developed dynastically styles – Hybrid style.
own particular qualities It was developed
both regionally and

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Nagara Dravida Vesara

dynastically.

Pyramidical Tower The shape of tower

Curvilinear tower (Shikhara
(Vimana) with several was Pyramidical but
built over garbhagriha)
stories in receding height was reduced
gradually curving inward
dimension (Miniature Vimanas)

Subsidiary shrines are

either incorporated within
the main temple tower, or Multiple shrines are
Multiple Shikharas
located as distinct, present side by side
separate small shrines
beside the main temple.

At some of the most sacred

temples in South India, the
Garbhagriha is generally
main temple in which the
situated below the tallest
garbhagriha is situated has,
tower (Shikhara)
in fact, one of the smallest
towers.

sculptures of fierce
Terracotta panels &
dvarapalas were built at
figurine on exterior walls
the front of the temple

Squared hall Squared hall Squared hall

Sanctum – Garbhagriha Sanctum – Garbhagriha Sanctum –

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Nagara Dravida Vesara

Garbhagriha

Gopurams may or
Gopurams are absent Gopurams are present
may not be present

A water tank is present at

A water tank may or may the front of temple from A water tank may or
not be present where water is drawn for may not be present
sacred purposes

Compound walls
Dravida temple is enclosed
Compound walls are absent may or may not be
within a compound wall
present

Examples - Dashavatara Examples - Badami

temple (Deogarh), Examples - Shore temple temple, Durga
Vishwanatha (Mahabalipuram), Temple (Aihole),
temple(Khajuraho), Brihadiswara temple Virupaksh Temple
Lakshman Temple (Thanjavur), Meenakshi (Pattadkal), Keshava
(Khajuraho), Jagannath Temple (Madurai) Temple
temple (Puri) (Somnathpur)

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