100% found this document useful (1 vote)
29 views

(eBook PDF) Project Management: Processes, Methodologies, and Economics 3rd Edition pdf download

The document is a promotional listing for various project management eBooks, including the third edition of 'Project Management: Processes, Methodologies, and Economics' by Avraham Shtub and Moshe Rosenwein. It provides links to download multiple titles related to project management, including metrics, scheduling, and procurement. The document also includes information about the authors and the structure of the book.

Uploaded by

genadynafe
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
29 views

(eBook PDF) Project Management: Processes, Methodologies, and Economics 3rd Edition pdf download

The document is a promotional listing for various project management eBooks, including the third edition of 'Project Management: Processes, Methodologies, and Economics' by Avraham Shtub and Moshe Rosenwein. It provides links to download multiple titles related to project management, including metrics, scheduling, and procurement. The document also includes information about the authors and the structure of the book.

Uploaded by

genadynafe
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 49

(eBook PDF) Project Management: Processes,

Methodologies, and Economics 3rd Edition pdf


download

https://ebooksecure.com/product/ebook-pdf-project-management-
processes-methodologies-and-economics-3rd-edition/

Download more ebook from https://ebooksecure.com


We believe these products will be a great fit for you. Click
the link to download now, or visit ebooksecure.com
to discover even more!

(eBook PDF) Contemporary Project Management 3rd Edition

http://ebooksecure.com/product/ebook-pdf-contemporary-project-
management-3rd-edition/

(eBook PDF) Project Management Metrics, KPIs, and


Dashboards: A Guide to Measuring and Monitoring Project
Performance 3rd Edition

http://ebooksecure.com/product/ebook-pdf-project-management-
metrics-kpis-and-dashboards-a-guide-to-measuring-and-monitoring-
project-performance-3rd-edition/

Hybrid and Combined Processes for Air Pollution


Control: Methodologies, Mechanisms and Effect of Key
Parameters 1st Edition - eBook PDF

https://ebooksecure.com/download/hybrid-and-combined-processes-
for-air-pollution-control-methodologies-mechanisms-and-effect-of-
key-parameters-ebook-pdf/

(eBook PDF) Procurement Project Management Success

http://ebooksecure.com/product/ebook-pdf-procurement-project-
management-success/
(eBook PDF) Construction Project Scheduling and Control
3rd Edition

http://ebooksecure.com/product/ebook-pdf-construction-project-
scheduling-and-control-3rd-edition/

(Original PDF) Successful Project Management 7th


Edition

http://ebooksecure.com/product/original-pdf-successful-project-
management-7th-edition/

(eBook PDF) Contemporary Project Management 4th Edition

http://ebooksecure.com/product/ebook-pdf-contemporary-project-
management-4th-edition/

(eBook PDF) Successful Project Management 6th Edition

http://ebooksecure.com/product/ebook-pdf-successful-project-
management-6th-edition/

(eBook PDF) Construction Project Management 4th Edition

http://ebooksecure.com/product/ebook-pdf-construction-project-
management-4th-edition/
Project Management
Processes, Methodologies, and Economics

Third Edition

Avraham Shtub

Faculty of Industrial Engineering and Management

The Technion–Israel Institute of Technology

Moshe Rosenwein

Department of Industrial Engineering and Operations Research

Columbia University

Boston Columbus San Francisco New York Hoboken


Indianapolis London Toronto Sydney Singapore Tokyo Montreal
Dubai Madrid Hong Kong Mexico City Munich Paris
Amsterdam Cape Town
Vice President and Editorial Director, Engineering and Computer Science:
Marcia J. Horton

Editor in Chief: Julian Partridge

Executive Editor: Holly Stark

Editorial Assistant: Amanda Brands

Field Marketing Manager: Demetrius Hall

Marketing Assistant: Jon Bryant

Managing Producer: Scott Disanno

Content Producer: Erin Ault

Operations Specialist: Maura Zaldivar-Garcia

Manager, Rights and Permissions: Ben Ferrini

Cover Designer: Black Horse Designs

Cover Photo: Vladimir Liverts/Fotolia

Printer/Binder: RRD/Crawfordsville

Cover Printer: Phoenix Color/Hagerstown

Full-Service Project Management: SPi Global

Composition: SPi Global

Typeface: Times Ten LT Std Roman 10/12

Copyright © 2017, 2005, 1994 Pearson Education, Inc. Hoboken, NJ


07030. All rights reserved. Manufactured in the United States of America.
This publication is protected by copyright and permissions should be
obtained from the publisher prior to any prohibited reproduction, storage in a
retrieval system, or transmission in any form or by any means, electronic,
mechanical, photocopying, recording, or otherwise. For information
regarding permissions, request forms and the appropriate contacts within the
Pearson Education Global Rights & Permissions department, please visit
www.pearsoned.com/permissions/.

Many of the designations by manufacturers and seller to distinguish their


products are claimed as trademarks. Where those designations appear in this
book, and the publisher was aware of a trademark claim, the designations
have been printed in initial caps or all caps.

The author and publisher of this book have used their best efforts in preparing
this book. These efforts include the development, research, and testing of
theories and programs to determine their effectiveness. The author and
publisher make no warranty of any kind, expressed or implied, with regard to
these programs or the documentation contained in this book. The author and
publisher shall not be liable in any event for incidental or consequential
damages with, or arising out of, the furnishing, performance, or use of these
programs.

Library of Congress Cataloging-in-Publication Data

Names: Shtub, Avraham, author. | Rosenwein, Moshe, author.


Title: Project management : processes, methodologies, and economics /
Avraham Shtub, Faculty of Industrial Engineering and Management, The
Technion-Israel Institute of Technology, Moshe Rosenwein, Department of
Industrial Engineering and Operations Research, Columbia University.
Other titles: Project management (Boston, Mass.)
Description: 3E. | Pearson | Includes bibliographical references and index.
Identifiers: LCCN 2016030485 | ISBN 9780134478661 (pbk.)
Subjects: LCSH: Engineering—Management. | Project management.
Classification: LCC TA190 .S583 2017 | DDC 658.4/04—dc23 LC record
available at https://lccn.loc.gov/2016030485

10 9 8 7 6 5 4 3 2 1
ISBN-10: 0-13-447866-5

ISBN-13: 978-0-13-447866-1
This book is dedicated to my grandchildren Zoey, Danielle, Adam, and Noam
Shtub.

This book is dedicated to my wife, Debbie; my three children, David,


Hannah, and Benjamin; my late parents, Zvi and Blanche Rosenwein; and my
in-laws, Dr. Herman and Irma Kaplan.
Contents
1. Nomenclature xv

2. Preface xvii

3. What’s New in this Edition xxi

4. About the Authors xxiii

1. 1 Introduction 1

1. 1.1 Nature of Project Management 1

2. 1.2 Relationship Between Projects and Other Production Systems 2

3. 1.3 Characteristics of Projects 4

1. 1.3.1 Definitions and Issues 5

2. 1.3.2 Risk and Uncertainty 7

3. 1.3.3 Phases of a Project 9

4. 1.3.4 Organizing for a Project 11

4. 1.4 Project Manager 14

1. 1.4.1 Basic Functions 15

2. 1.4.2 Characteristics of Effective Project Managers 16

5. 1.5 Components, Concepts, and Terminology 16

6. 1.6 Movement to Project-Based Work 24

7. 1.7 Life Cycle of a Project: Strategic and Tactical Issues 26


8. 1.8 Factors that Affect the Success of a Project 29

9. 1.9 About the book: Purpose and Structure 31

1. Team Project 35

2. Discussion Questions 38

3. Exercises 39

4. Bibliography 41

5. Appendix 1A: Engineering Versus Management 43

6. 1A.1 Nature of Management 43

7. 1A.2 Differences between Engineering and Management 43

8. 1A.3 Transition from Engineer to Manager 45

9. Additional References 45

2. 2 Process Approach to Project Management 47

1. 2.1 Introduction 47

1. 2.1.1 Life-Cycle Models 48

2. 2.1.2 Example of a Project Life Cycle 51

3. 2.1.3 Application of the Waterfall Model for Software


Development 51

2. 2.2 Project Management Processes 53

1. 2.2.1 Process Design 53

2. 2.2.2 PMBOK and Processes in the Project Life Cycle 54

3. 2.3 Project Integration Management 54


1. 2.3.1 Accompanying Processes 54

2. 2.3.2 Description 56

4. 2.4 Project Scope Management 60

1. 2.4.1 Accompanying Processes 60

2. 2.4.2 Description 60

5. 2.5 Project Time Management 61

1. 2.5.1 Accompanying Processes 61

2. 2.5.2 Description 62

6. 2.6 Project Cost Management 63

1. 2.6.1 Accompanying Processes 63

2. 2.6.2 Description 64

7. 2.7 Project Quality Management 64

1. 2.7.1 Accompanying Processes 64

2. 2.7.2 Description 65

8. 2.8 Project Human Resource Management 66

1. 2.8.1 Accompanying Processes 66

2. 2.8.2 Description 66

9. 2.9 Project Communications Management 67

1. 2.9.1 Accompanying Processes 67

2. 2.9.2 Description 68
10. 2.10 Project Risk Management 69

1. 2.10.1 Accompanying Processes 69

2. 2.10.2 Description 70

11. 2.11 Project Procurement Management 71

1. 2.11.1 Accompanying Processes 71

2. 2.11.2 Description 72

12. 2.12 Project Stakeholders Management 74

1. 2.12.1 Accompanying Processes 74

2. 2.12.2 Description 75

13. 2.13 The Learning Organization and Continuous Improvement 76

1. 2.13.1 Individual and Organizational Learning 76

2. 2.13.2 Workflow and Process Design as the Basis of


Learning 76

1. Team Project 77

2. Discussion Questions 77

3. Exercises 78

4. Bibliography 78

3. 3 Engineering Economic Analysis 81

1. 3.1 Introduction 81

1. 3.1.1 Need for Economic Analysis 82

2. 3.1.2 Time Value of Money 82


3. 3.1.3 Discount Rate, Interest Rate, and Minimum Acceptable
Rate of Return 83

2. 3.2 Compound Interest Formulas 84

1. 3.2.1 Present Worth, Future Worth, Uniform Series, and


Gradient Series 86

2. 3.2.2 Nominal and Effective Interest Rates 89

3. 3.2.3 Inflation 90

4. 3.2.4 Treatment of Risk 92

3. 3.3 Comparison of Alternatives 92

1. 3.3.1 Defining Investment Alternatives 94

2. 3.3.2 Steps in the Analysis 96

4. 3.4 Equivalent Worth Methods 97

1. 3.4.1 Present Worth Method 97

2. 3.4.2 Annual Worth Method 98

3. 3.4.3 Future Worth Method 99

4. 3.4.4 Discussion of Present Worth, Annual Worth and Future


Worth Methods 101

5. 3.4.5 Internal Rate of Return Method 102

6. 3.4.6 Payback Period Method 109

5. 3.5 Sensitivity and Breakeven Analysis 111

6. 3.6 Effect of Tax and Depreciation on Investment Decisions 114


1. 3.6.1 Capital Expansion Decision 116

2. 3.6.2 Replacement Decision 118

3. 3.6.3 Make-or-Buy Decision 123

4. 3.6.4 Lease-or-Buy Decision 124

7. 3.7 Utility Theory 125

1. 3.7.1 Expected Utility Maximization 126

2. 3.7.2 Bernoulli’s Principle 128

3. 3.7.3 Constructing the Utility Function 129

4. 3.7.4 Evaluating Alternatives 133

5. 3.7.5 Characteristics of the Utility Function 135

1. Team Project 137

2. Discussion Questions 141

3. Exercises 142

4. Bibliography 152

4. 4 Life-Cycle Costing 155

1. 4.1 Need for Life-Cycle Cost Analysis 155

2. 4.2 Uncertainties in Life-Cycle Cost Models 158

3. 4.3 Classification of Cost Components 161

4. 4.4 Developing the LCC Model 168

5. 4.5 Using the Life-Cycle Cost Model 175


1. Team Project 176

2. Discussion Questions 176

3. Exercises 177

4. Bibliography 179

5. 5 Portfolio Management—Project Screening and Selection 181

1. 5.1 Components of the Evaluation Process 181

2. 5.2 Dynamics of Project Selection 183

3. 5.3 Checklists and Scoring Models 184

4. 5.4 Benefit-Cost Analysis 187

1. 5.4.1 Step-By-Step Approach 193

2. 5.4.2 Using the Methodology 193

3. 5.4.3 Classes of Benefits and Costs 193

4. 5.4.4 Shortcomings of the Benefit-Cost Methodology 194

5. 5.5 Cost-Effectiveness Analysis 195

6. 5.6 Issues Related to Risk 198

1. 5.6.1 Accepting and Managing Risk 200

2. 5.6.2 Coping with Uncertainty 201

3. 5.6.3 Non-Probabilistic Evaluation Methods when


Uncertainty Is Present 202

4. 5.6.4 Risk-Benefit Analysis 207

5. 5.6.5 Limits of Risk Analysis 210


7. 5.7 Decision Trees 210

1. 5.7.1 Decision Tree Steps 217

2. 5.7.2 Basic Principles of Diagramming 218

3. 5.7.3 Use of Statistics to Determine the Value of More


Information 219

4. 5.7.4 Discussion and Assessment 222

8. 5.8 Real Options 223

1. 5.8.1 Drivers of Value 223

2. 5.8.2 Relationship to Portfolio Management 224

1. Team Project 225

2. Discussion Questions 228

3. Exercises 229

4. Bibliography 237

5. Appendix 5A: Bayes’ Theorem for Discrete Outcomes 239

6. 6 Multiple-Criteria Methods for Evaluation and Group Decision


Making 241

1. 6.1 Introduction 241

2. 6.2 Framework for Evaluation and Selection 242

1. 6.2.1 Objectives and Attributes 242

2. 6.2.2 Aggregating Objectives Into a Value Model 244

3. 6.3 Multiattribute Utility Theory 244


1. 6.3.1 Violations of Multiattribute Utility Theory 249

4. 6.4 Analytic Hierarchy Process 254

1. 6.4.1 Determining Local Priorities 255

2. 6.4.2 Checking for Consistency 260

3. 6.4.3 Determining Global Priorities 261

5. 6.5 Group Decision Making 262

1. 6.5.1 Group Composition 263

2. 6.5.2 Running the Decision-Making Session 264

3. 6.5.3 Implementing the Results 265

4. 6.5.4 Group Decision Support Systems 265

1. Team Project 267

2. Discussion Questions 267

3. Exercises 268

4. Bibliography 271

5. Appendix 6A: Comparison of Multiattribute Utility Theory with


the AHP: Case Study 275

6. 6A.1 Introduction and Background 275

7. 6A.2 The Cargo Handling Problem 276

1. 6A.2.1 System Objectives 276

2. 6A.2.2 Possibility of Commercial Procurement 277

3. 6A.2.3 Alternative Approaches 277


8. 6A.3 Analytic Hierarchy Process 279

1. 6A.3.1 Definition of Attributes 280

2. 6A.3.2 Analytic Hierarchy Process Computations 281

3. 6A.3.3 Data Collection and Results for AHP 283

4. 6A.3.4 Discussion of Analytic Hierarchy Process and Results


284

9. 6A.4 Multiattribute Utility Theory 286

1. 6A.4.1 Data Collection and Results for Multiattribute Utility


Theory 286

2. 6A.4.2 Discussion of Multiattribute Utility Theory and


Results 290

10. 6A.5 Additional Observations 290

11. 6A.6 Conclusions for the Case Study 291

12. References 291

7. 7 Scope and Organizational Structure of a Project 293

1. 7.1 Introduction 293

2. 7.2 Organizational Structures 294

1. 7.2.1 Functional Organization 295

2. 7.2.2 Project Organization 297

3. 7.2.3 Product Organization 298

4. 7.2.4 Customer Organization 298


5. 7.2.5 Territorial Organization 299

6. 7.2.6 The Matrix Organization 299

7. 7.2.7 Criteria for Selecting an Organizational Structure 302

3. 7.3 Organizational Breakdown Structure of Projects 303

1. 7.3.1 Factors in Selecting a Structure 304

2. 7.3.2 The Project Manager 305

3. 7.3.3 Project Office 309

4. 7.4 Project Scope 312

1. 7.4.1 Work Breakdown Structure 313

2. 7.4.2 Work Package Design 320

5. 7.5 Combining the Organizational and Work Breakdown Structures


322

1. 7.5.1 Linear Responsibility Chart 323

6. 7.6 Management of Human Resources 324

1. 7.6.1 Developing and Managing the Team 325

2. 7.6.2 Encouraging Creativity and Innovation 329

3. 7.6.3 Leadership, Authority, and Responsibility 331

4. 7.6.4 Ethical and Legal Aspects of Project Management 334

1. Team Project 335

2. Discussion Questions 336

3. Exercises 336
4. Bibliography 338

8. 8 Management of Product, Process, and Support Design 341

1. 8.1 Design of Products, Services, and Systems 341

1. 8.1.1 Principles of Good Design 342

2. 8.1.2 Management of Technology and Design in Projects 344

2. 8.2 Project Manager’s Role 345

3. 8.3 Importance of Time and the Use of Teams 346

1. 8.3.1 Concurrent Engineering and Time-Based Competition


347

2. 8.3.2 Time Management 349

3. 8.3.3 Guideposts for Success 352

4. 8.3.4 Industrial Experience 354

5. 8.3.5 Unresolved Issues 355

4. 8.4 Supporting Tools 355

1. 8.4.1 Quality Function Deployment 355

2. 8.4.2 Configuration Selection 358

3. 8.4.3 Configuration Management 361

4. 8.4.4 Risk Management 365

5. 8.5 Quality Management 370

1. 8.5.1 Philosophy and Methods 371

2. 8.5.2 Importance of Quality in Design 382


3. 8.5.3 Quality Planning 383

4. 8.5.4 Quality Assurance 383

5. 8.5.5 Quality Control 384

6. 8.5.6 Cost of Quality 385

1. Team Project 387

2. Discussion Questions 388

3. Exercises 389

4. Bibliography 389

9. 9 Project Scheduling 395

1. 9.1 Introduction 395

1. 9.1.1 Key Milestones 398

2. 9.1.2 Network Techniques 399

2. 9.2 Estimating the Duration of Project Activities 401

1. 9.2.1 Stochastic Approach 402

2. 9.2.2 Deterministic Approach 406

3. 9.2.3 Modular Technique 406

4. 9.2.4 Benchmark Job Technique 407

5. 9.2.5 Parametric Technique 407

3. 9.3 Effect of Learning 412

4. 9.4 Precedence Relations Among Activities 414


5. 9.5 Gantt Chart 416

6. 9.6 Activity-On-Arrow Network Approach for CPM Analysis 420

1. 9.6.1 Calculating Event Times and Critical Path 428

2. 9.6.2 Calculating Activity Start and Finish Times 431

3. 9.6.3 Calculating Slacks 432

7. 9.7 Activity-On-Node Network Approach for CPM Analysis 433

1. 9.7.1 Calculating Early Start and Early Finish Times of


Activities 434

2. 9.7.2 Calculating Late Start and Late Finish Times of


Activities 434

8. 9.8 Precedence Diagramming with Lead–Lag Relationships 436

9. 9.9 Linear Programming Approach for CPM Analysis 442

10. 9.10 Aggregating Activities in the Network 443

1. 9.10.1 Hammock Activities 443

2. 9.10.2 Milestones 444

11. 9.11 Dealing with Uncertainty 445

1. 9.11.1 Simulation Approach 445

2. 9.11.2 Pert and Extensions 447

12. 9.12 Critique of Pert and CPM Assumptions 454

13. 9.13 Critical Chain Process 455

14. 9.14 Scheduling Conflicts 457


1. Team Project 458

2. Discussion Questions 459

3. Exercises 460

4. Bibliography 467

5. Appendix 9A: Least-Squares Regression Analysis 471

6. Appendix 9B: Learning Curve Tables 473

7. Appendix 9C: Normal Distribution Function 476

10. 10 Resource Management 477

1. 10.1 Effect of Resources on Project Planning 477

2. 10.2 Classification of Resources Used in Projects 478

3. 10.3 Resource Leveling Subject to Project Due-Date Constraints


481

4. 10.4 Resource Allocation Subject to Resource Availability


Constraints 487

5. 10.5 Priority Rules for Resource Allocation 491

6. 10.6 Critical Chain: Project Management by Constraints 496

7. 10.7 Mathematical Models for Resource Allocation 496

8. 10.8 Projects Performed in Parallel 499

1. Team Project 500

2. Discussion Questions 500

3. Exercises 501
4. Bibliography 506

11. 11 Project Budget 509

1. 11.1 Introduction 509

2. 11.2 Project Budget and Organizational Goals 511

3. 11.3 Preparing the Budget 513

1. 11.3.1 Top-Down Budgeting 514

2. 11.3.2 Bottom-Up Budgeting 514

3. 11.3.3 Iterative Budgeting 515

4. 11.4 Techniques for Managing the Project Budget 516

1. 11.4.1 Slack Management 516

2. 11.4.2 Crashing 520

5. 11.5 Presenting the Budget 527

6. 11.6 Project Execution: Consuming the Budget 529

7. 11.7 The Budgeting Process: Concluding Remarks 530

1. Team Project 531

2. Discussion Questions 531

3. Exercises 532

4. Bibliography 537

5. Appendix 11A: Time–Cost Tradeoff with Excel 539

12. 12 Project Control 545


1. 12.1 Introduction 545

2. 12.2 Common Forms of Project Control 548

3. 12.3 Integrating the OBS and WBS with Cost and Schedule Control
551

1. 12.3.1 Hierarchical Structures 552

2. 12.3.2 Earned Value Approach 556

4. 12.4 Reporting Progress 565

5. 12.5 Updating Cost and Schedule Estimates 566

6. 12.6 Technological Control: Quality and Configuration 569

7. 12.7 Line of Balance 569

8. 12.8 Overhead Control 574

1. Team Project 576

2. Discussion Questions 577

3. Exercises 577

4. Bibliography 580

13. Appendix 12A: Example of a Work Breakdown Structure 581

14. Appendix 12B: Department of Energy Cost/Schedule Control Systems


Criteria 583

15. 13 Research and Development Projects 587

1. 13.1 Introduction 587

2. 13.2 New Product Development 589


1. 13.2.1 Evaluation and Assessment of Innovations 589

2. 13.2.2 Changing Expectations 593

3. 13.2.3 Technology Leapfrogging 593

4. 13.2.4 Standards 594

5. 13.2.5 Cost and Time Overruns 595

3. 13.3 Managing Technology 595

1. 13.3.1 Classification of Technologies 596

2. 13.3.2 Exploiting Mature Technologies 597

3. 13.3.3 Relationship Between Technology and Projects 598

4. 13.4 Strategic R&D Planning 600

1. 13.4.1 Role of R&D Manager 600

2. 13.4.2 Planning Team 601

5. 13.5 Parallel Funding: Dealing with Uncertainty 603

1. 13.5.1 Categorizing Strategies 604

2. 13.5.2 Analytic Framework 605

3. 13.5.3 Q-Gert 606

6. 13.6 Managing the R&D Portfolio 607

1. 13.6.1 Evaluating an Ongoing Project 609

2. 13.6.2 Analytic Methodology 612

1. Team Project 617


Discovering Diverse Content Through
Random Scribd Documents
It was a cold December day in the year 188-, when the snow
whirled without rest from morning chapel till the end of the day was
signified by the first splutter of gas-jets. Among the hills where I was
born that office was left to the sunsets and twilights, who had a
manner of doing it, a certain broad nobility, a courtesy and grace.
“One of God's days is over. This is our sister, the night.” The gas-jets
were fretful, coquettish, affected. “It is an outrage! One is simply
turned on and turned off!” Horatius Flaccus was social and intimate
with me that day. “Exegi monumentum,” he remarked. “You will find
it not easy to forget me.”
Monuments! At the University we lived among commemorative
buildings; many a silent dusty room was dim with accumulation of
thought; and there men labored for what but to make a name?
The statue outside represented one who took life seriously in his
day, now with the whirling snow about it, the gas-jet in front
snapping petulantly. “One is simply turned on and turned off!”
“Exegi monumentum,” continued Horatius Flac-cus. “This is my
work, and it is good. I shall not all die, non omnis moriar.” It seemed
natural to feel so. But how honorably the sunsets and twilights used
to go their ways among the hills, contented and leaving not a wrack
behind.
It was a better attitude and conduct, that serene security of
clouds in their absolute death. “Non omnis moriar” was not only a
boast, but a complaint and a protest.
Still, as to monuments, one would rather be memorialized by one's
own work than by the words of other men, or the indifferent labor of
their chisels.
“M'las ca-andy!”
“Come in, Tobin!”
He opened the door and said, tentatively, “Peanuts.”
He always spoke in a more confident tone of the candy than of the
peanuts. There was no good reason for his confidence in either.
“Tobin,” I said, “you don't want a monument?”
He kicked his feet together and murmured again, “Peanuts.”
His shoes were cracked at the sides. The cracks were full of snow.
The remark seemed to imply that he did not expect a monument,
having no confidence in his peanuts. As a rule they were soggy and
half-baked.
Tobin's life, I thought, was too full of the flux of things; candy
melted, peanuts decayed, complexion changed from day to day, his
private wars were but momentary matters. I understood him to have
no artificial desires. Death would be too simple an affair for
comment. He would think of no comment to make. Sunsets and
twilights went out in silence; Tobin's half of humanity nearly as
dumb. It was the other half that was fussy on the subject.
“Your feet are wet, Tobin. Warm them. Your shoes are no good.”
Tobin picked the easiest chair with good judgment, and balanced
his feet over the coals of the open stove, making no comment.
“I won't buy your peanuts. They're sloppy. I might buy you
another pair of shoes. What do you think?”
He looked at me, at the shoes, at the wet basket on his knees, but
nothing elaborate seemed to occur to him. He said:
“A'right.” He had great mental directness. I had reached that point
in the progress of young philosophy where the avoidance of
fussiness takes the character of a broad doctrine: a certain Doric
attitude was desired. Tobin seemed to me to have that attitude.
“If I give you the money, will you buy shoes or cigarettes?”
“Shoes.”
“Here, then. Got anything to say?”
He put the bill into his pocket, and said:
“Yep, I'll buy 'em.”
His attitude was better than mine. The common wish to be
thanked was pure fussiness.
“Well, look here. You bring me back the old ones.”
Even that did not disturb him. The Doric attitude never questions
other men's indifferent whims.
“A'right.”
I heard him presently on the lower floor, crying, “M'las ca-andy!
Peanuts.”
“I shall be spoken of,” continued Horatius Flaccus, calmly, “by that
wild southern river, the Aufidus, and in many other places. I shall be
called a pioneer in my own line, princeps Æolium carmen deduxisse.”
The night was closing down. The gas-light flickered on the half-
hidden face of the statue, so that its grave dignity seemed changed
to a shifty, mocking smile.
I heard no more of Tobin for a month, and probably did not think
of him. There were Christmas holidays about, and that week which
is called of the Promenade, when one opens Horatius Flaccus only to
wonder what might have been the color of Lydia's hair, and to
introduce comparisons that are unfair to Lydia.
It was late in January. Some one came and thumped on the
cracked panel. It was not Tobin, but a stout woman carrying Tobin's
basket, who said in an expressionless voice:
“Oi! Them shoes.”
“What?”
“You give 'im some shoes.”
“Tobin. That's so.”
“I'm Missus Tobin.”
She was dull-looking, round-eyed, gray-haired. She fumbled in the
basket, dropped something in wet paper on a chair, and seemed
placidly preparing to say more. It seemed to me that she had much
of Tobin's mental directness, the Doric attitude, the neglect of
comment. I asked: “How's Tobin?”
“Oi! He's dead.”
“I am very sorry, Mrs. Tobin. May I—”
“Oi! Funeral's this afternoon. He could'n' be round. He was sick.
Five weeks three days.”
She went out and down the stair, bumping back and forth
between the wall and the banister.
On the misty afternoon of that day I stood on that corner where
more than elsewhere the city and the University meet; where
hackmen and newsboys congregate; where a gray brick hotel looks
askance at the pillared and vaulted entry of a recitation hall. The
front of that hall is a vainglorious thing. Those who understand,
looking dimly with halfshut eyes, may see it change to a mist, and in
the mist appear a worn fence, a grassless, trodden space, and four
tall trees.
The steps of the hall were deserted, except for newsboys playing
tag among the pillars. I asked one if he knew where Tobin lived.
“He's havin' a funeral,” he said.
“Where?”
“10 Clark Street.”
“Did you know him?”
The others had gathered around. One of them said:
“Tobin licked him.”
The first seemed to think more than ordinary justice should be
done a person with a funeral, and admitted that Tobin had licked
him.
No. 10 Clark Street was a door between a clothing shop and a
livery stable. The stairway led up into darkness. On the third landing
a door stood open, showing a low room. A painted coffin rested on
two chairs. Three or four women sat about with their hands on their
knees. One of them was Mrs. Tobin.
“Funeral's over,” she said, placidly.
The clergyman from the mission had come and gone. They were
waiting for the city undertaker. But they seemed glad of an
interruption and looked at me with silent interest.
“I want to ask you to tell me something about him, Mrs. Tobin.”
Mrs. Tobin reflected. “There ain't nothin'.”
“He never ate no candy,” said one of the women, after a pause.
Mrs. Tobin sat stolidly. Two large tears appeared at length and
rolled slowly down.
“It made him dreadful sick when he was little. That's why.”
The third woman nodded thoughtfully.
“He said folks was fools to eat candy. It was his stomach.”
“Oi!” said Mrs. Tobin.
I went no nearer the coffin than to see the common grayish pallor
of the face, and went home in the misty dusk.
The forgotten wet bundle had fallen to the floor and become
undone.
By the cracks in the sides, the down-trodden heels, the marks of
keen experience, they were Tobin's old shoes, round-toed, leather-
thonged, stoical, severe.
Mrs. Tobin had not commented. She had brought them merely,
Tobin having stated that they were mine.
They remained with me six months, and were known to most
men, who came to idle or labor, as “Tobin's Monument.” They stood
on a book-shelf, with other monuments thought to be aere
perennius, more enduring than brass, and disappeared at the end of
the year, when the janitor reigned supreme. There seemed to be
some far-off and final idea in the title, some thesis which never got
itself rightly stated. Horatius Flaccus was kept on the shelf beside
them in the notion that the statement should somehow be worked
out between them. And there was no definite result; but I thought
he grew more diffident with that companionship.
“Exegi monumentum. I suppose there is no doubt about that,” he
would remark. “Ære perennius. It seems a trifle pushing, so to
trespass on the attention of posterity. I would rather talk of my
Sabine farm.”
THE CONCLUSION BY THE
WAYFARERS
All honest things in the world we greet
With welcome fair and free;
A little love by the way is sweet,
A friend, or two, or three;

Of the sun and moon and stars are glad,


Of the waters of river and sea;
We thank thee, Lord, for the years we've had,
For the years that yet shall be.

These are our brothers, the winds of the airs;


These are our sisters, the flowers.
Be near us at evening and hear our.prayers.,
O God, in the late gray hours.
*** END OF THE PROJECT GUTENBERG EBOOK THE DELECTABLE
MOUNTAINS ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of
Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything
for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund
from the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law
in the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached
full Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the
terms of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears,
or with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the
United States and most other parts of the world at no
cost and with almost no restrictions whatsoever. You
may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not
located in the United States, you will have to check the
laws of the country where you are located before using
this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning
of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or
a means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must
include the full Project Gutenberg™ License as specified in
paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for


the “Right of Replacement or Refund” described in paragraph 1.F.3,
the Project Gutenberg Literary Archive Foundation, the owner of the
Project Gutenberg™ trademark, and any other party distributing a
Project Gutenberg™ electronic work under this agreement, disclaim
all liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR
NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR
BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK
OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL
NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT,
CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving
it, you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or
entity that provided you with the defective work may elect to provide
a replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation,


the trademark owner, any agent or employee of the Foundation,
anyone providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with
the production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of the
following which you do or cause to occur: (a) distribution of this or
any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many
small donations ($1 to $5,000) are particularly important to
maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.

You might also like