Unit-6 (1)
Unit-6 (1)
6.2 INTRODUCTION
In the previous two Units, you have learned about several correlates of the self,
namely attitude, personality, thinking, emotions and motivation. In the present
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Prof. Swati Patra, Faculty of Psychology, School of Social Sciences, IGNOU, New Delhi 97
Self and its Correlates Unit, you will learn about further correlates of self such as problem solving,
decision making, and creativity. All these aspects of our self play an important
role in influencing our way of functioning and interaction with others in our
surrounding. They reflect our ways of thinking. When we encounter any type of
problem, how do we think about it, analyze the problem, consider various
alternatives to solve the problem, choose among the alternatives, take a decision,
and also use creativity to gain new perspective and ways to solve problems.
Now, you take a pencil/pen and connect these two dots. How did you join it?
Most probably, you would have drawn a straight line between the dots to join it.
But, can you think of alternative ways to join the two dots? Try and see.
What is creativity? We all are creative to various extents. We have exhibited
creative thinking at some point or other when faced with life’s varied situations
and challenges. It can be called as a special kind of problem solving. But creativity
goes beyond the conventional ways of thinking and addresses the problem in a
novel way. It reflects uniqueness in the person and in the approaches used by
him/her. In the above task of joining the two dots, you can do so by drawing
zigzag lines, wavy lines, or even extended lines also.
Creativity can be described in reference to people, the inventive acts or products,
a new creation like a composition or an art/sculpture, or a scientific theory. In
other words, we mainly refer creativity to the person or to some tangible product
or new creation of that individual. We also describe the creative persons in terms
of various specific characteristics.
Creativity has been described and defined in various ways. It is the ability to
come up with or generate creative ideas and possibilities. It involves thinking
in new and original ways to reach a solution. Creativity thus entails originality,
but originality is not always creativity because having unusual and new
thoughts does not always make sense or are appropriate and relevant to the
society. Hence, novelty/originality must go alongwith relevance or usefulness
and practicality.
Other researchers (Runco & Jaeger, 2012) have also supported this when they
point out that originality is vital for creativity, but not sufficient. Creativity
requires both originality and effectiveness (in the form of usefulness, fit or
appropriateness).
Newell, Shaw and Simon (1963) have suggested four criteria for creativity.
One or more of these criteria must be satisfied for an answer to be considered
creative:
It has novelty and usefulness, either for the individual or the society
It demands that we reject ideas we had previously accepted
It results from intense motivation and persistence.
It comes from clarifying a problem that was originally vague.
Aspects of Creativity
What does creativity involve? Knowing the aspects of creativity can help to design
102 tests for measuring or assessing creativity in people. According to Guilford (1950),
creativity involves divergent thinking in contrast to convergent thinking. The Problem Solving, Decision
Making and Creativity
latter refers to thinking in conventional set pattern whereas divergent thinking
refers to thinking out of the box. Divergent thinking is having divergent ideas
and possibilities, e.g., think of how many ways you can use a brick. Our education
system usually encourages convergent thinking more than divergent thinking,
requiring students to provide “correct” rather than “unique” answers (Chamorro-
Premuzic, 2015).
The importance of divergent thinking can be exemplified by the ‘Nine-dots’
problem shown in Figure 6.1 below. It requires one to join all the nine dots with
the help of ‘four’ straight lines, the lines going through all the dots, without
lifting the pencil from the paper and without retracing?
As you would see, it requires divergent thinking to reach the solution for it.
Usually, we do not think beyond the instructions. The instructions have not
mentioned that one cannot extend beyond the dots. If one thinks in this line, it
can be solved. You can see the solution at the end of the Unit.
Thus, one of the key aspects of creativity is divergent thinking. It consists of four
processes/aspects such as,
Fluency: refers to how rapidly the person comes up with ideas. It can be
in respect of words, ideas, expression or associations. For example,
write words containing a specified letter like p, ‘pot’, ‘hop’, ‘option’ etc.
(word fluency); tell the fluids that will burn (ideational fluency); and
write words similar in meaning (associational fluency).
Flexibility: refers to the ability to produce a large variety of ideas such as
thinking of varied uses of a particular object, e.g., list the different ways
of using a rope or a newspaper. It also includes activities to make objects,
e.g., drawing specified objects using a set of given figures.
Originality: refers to the uniqueness or novelty of ideas. It is the ability
to produce ides that are unusual, statistically infrequent and not obvious.
Elaboration: involves the ability to develop and describe an idea, such
as, consequences of a hypothetical event, e.g., what would happen if no
sleep is required?
6.10 REFERENCES
Anderson, C.J. (2003). The psychology of doing nothing: Forms of decision
avoidance result from reason and emotion. Psychological Bulletin, 129, 139-
168.
Arieti, S. (1976).Creativity: The magic synthesis. New York: Basic Books.
Chamorro-Premuzic, T. (2015).Personality and Individual Differences. 3rded. The
British Psychological Society and John Wiley & Sons Ltd.
De Bono, E. (1985). Six Thinking Hats: An essential approach to business
management. Little, Brown and Company.
Gordon, W.J.J. (1961). Synectics: the development of creative capacity. New
York: Harper and Row.
Guilford, J. P. (1950). Creativity. American Psychologist, 5, 444-54.
Kirsh, S.J., Duffy, K.G., & Atwater, E. (2015). Psychology for living: Adjustment,
growth and behavior today. Pearson.
Mackinnon, D. W. (1963). The identification of creativity.Applied Psychology,
12 (1), 25-46. https://doi.org/10.1111/j.1464-0597.1963.tb00463.x
Mackworth, N. H. (1965). Originality. American Psychologist, 20 (1), 51-66.
http://dx.doi.org/10.1037/h0021900
Newell, A., Shaw, J. C., & Simon, H. A. (1963).The process of creative thinking.
In H. E. Gruber, G. Terrel& Wertheimer (Eds.). Contemporary Approaches to
Creative Thinking. New York: Atherton.
Osborn, A. F. (1948). Your creative power: How to use imagination, New York:
Charles Scribner’s Sons.
Runco, M.A., & Jaeger, G. J. (2012). The standard definition of
creativity.Creativity Research Journal, 24 (1), 92-96.
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