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M
icrosoft Excel is a powerful spreadsheet program; in fact, it’s the most widely used
spreadsheet program worldwide, but Excel is a lot more than just a spreadsheet pro-
gram. Unknown to many users, Excel is also a sophisticated platform for develop-
ment of custom applications. Lurking behind its mild-mannered spreadsheet disguise is a
powerful and full-featured programming language called Visual Basic for Applications (VBA).
If you have recorded and played back an Excel macro, you have used VBA — perhaps with-
out being aware of it.
There’s much more to VBA programming than recording macros, however. Nearly any user
can write VBA programs to perform a wide variety of tasks in Excel, ranging from the sim-
ple, such as automating financial calculations, to the complex, such as creating a data entry
system with custom forms and data validation. Unfortunately, many users shy away from
taking advantage of Excel’s programmability because it seems too complicated, and they
cannot find a good source of information to guide them through the learning process. Excel
programming can be somewhat complicated, which is unavoidable for such a powerful tool,
but the truth is that almost any reasonably computer-literate person can learn how to pro-
gram in Excel. That’s where this book comes in handy.
to provide a convenient breaking point to help you in pacing your progress. At the end of
each part, you’ll find additional questions related to that part’s session topics. The answers
for the part review questions are provided in Appendix A.
Features
As I have mentioned, each session is designed to take about 30 minutes. It’s not a race,
however, so don’t worry if it takes you a bit longer. It’s what you learn that’s important.
The following time-status icons let you know how much progress you’ve made throughout
each session.
The following icons identify bits of information that are set apart from the text:
Note
Never
This icon points you to other sessions where related material can be found.
Cross-Ref
viii Preface
Menu selections are indicated using the ➪ symbol. Thus, File ➪ Save means to open the
File menu and then select the Save command.
Code and VBA keywords in the text are indicated by a special font like this. Code list-
ings that are separate from the text are also in this font. Italics are used to indicate place-
holders in code. Here’s an example:
SaveAs filename
When you enter this code, you do not actually type filename. Rather, you replace file-
name with a specific filename as explained in the text.
Acknowledgments
I appreciate the efforts of all the people at Wiley who have helped make this book happen,
in particular Acquisitions Editor, Jim Minatel and Project Editor, Mark Enochs. My thanks
also go to Technical Editor, Ken Slovak, and the Copy Editor, Susan Hobbs.
Contents at a Glance
FRIDAY.......................................................................................................2
PART I—Friday Evening ..........................................................................4
SESSION 1–Microsoft Excel Programming — Why and How ...................................5
SESSION 2–The VBA Code Editor ....................................................................17
SESSION 3–The Excel Object Model .................................................................31
SESSION 4–Syntax and Data in VBA ...............................................................47
SATURDAY ...............................................................................................66
PART II–Saturday Morning ...................................................................68
SESSION 5–Operators ....................................................................................69
SESSION 6–Control Constructs .......................................................................77
SESSION 7–Procedures and Modules ...............................................................87
SESSION 8–Working with Dates and Times ......................................................97
SESSION 9–Working with Text ......................................................................107
SESSION 10–Using Ranges and Selections ......................................................121
SUNDAY .................................................................................................268
PART V–Sunday Morning ....................................................................270
SESSION 21–Advanced User Form Techniques .................................................271
SESSION 22–A User Form Example ................................................................283
SESSION 23–Working with Events .................................................................295
SESSION 24–Security Considerations .............................................................311
SESSION 25–Debugging and Distributing an Application .................................321
SESSION 26–Defining and Using Custom Classes .............................................329
Index .......................................................................................................399
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No occultist could insist on the subordinate character of matter
more vehemently than Emerson—he writes:
“Nature is a mutable cloud, which is always and never the same. Through
the bruteness and toughness of matter, a subtle spirit bends all things to its
own will. The world proceeds from the same spirit as the body of man. It is a
remoter and inferior incarnation of God, a projection of God into the
unconscious.”
The Occultist sees in this world of spirit the home of that true
joy of which all earthly happiness is the shadow, and whispered
intimation. There all ideals find their realization, all highest hopes
their fulfilment; there flow abundant fountains of celestial bliss,
whose least presence makes earthly things radiant.
Of spirit, Emerson writes:
“But when following the invisible steps of thought, we come to enquire,
Whence is matter? and where to? Many truths arise to us out of the recesses
of consciousness. We learn that the highest is present to the soul of man, that
the dread universal essence which is not wisdom, or love, or beauty, or
power; but all in one, and each entirely, is that for which all things exist, and
that by which they are; that spirit creates; that behind nature, throughout
nature spirit is present. As a plant upon the earth, so a man rests upon the
bosom of God; he is nourished by unfailing fountains, and draws, at his need,
inexhaustible power.”
The life of one is the life of all. The good of one re-acts on all.
The walls by which selfishness conceives itself enclosed and
isolated, are unreal, have no existence. Spirit is fluid and all-
pervading; its beneficent power flows unchecked from soul to
soul, energising, harmonising, purifying. To resist all discordant
tendencies which check this salutary flow, this all-permeating
love, is to come under the reign of Universal Brotherhood; and to
the honour of Occultism be it said, that Universal Brotherhood is
blazoned highest on its standard.
“Thus,” writes Emerson—
—“Are we put in training for a love which knows not sex nor person, nor
partiality, but which seeks virtue and wisdom everywhere. One day all men
will be lovers, and every calamity will be dissolved in universal sunshine. An
acceptance of the sentiment of love throughout Christendom for a season
would bring the felon and the outcast to our side in tears, with the devotion of
his faculties to our service.”
(Continued.)
By Mabel Collins,
Scribe of “The Idyll of the White Lotus,” and “Through the Gates of Gold.”
[Some of the readers of Lucifer have taken great exception to the love
passages between Fleta and Hilary, saying that they are not up to the
standard of Theosophic thought, and are out of place in the magazine. The
author can only beg that time may be given for the story to develope. None of
us that is born dies without experiencing human passion; it is the base on
which an edifice must rise at last, after many incarnations have purified it; “it
is the blossom which has in it the fruit.” Hilary is still only a man, he has not
yet learned to the full the lesson of human life and human passion. Fleta
promises him all that he can take and that plainly is only what she can give—
the deep love of the disciple. But she cannot instantly free his eyes from the
illusions caused by his own passionate heart; till he has suffered and
conquered, he cannot recognise her for what she is, the pledged servant of a
great master, of necessity more white-souled than any nun need be.
Another strange criticism is made, condemning portions of the story as
though expressive of the author’s feelings and sentiments; whereas they are
simply descriptive of the states through which Hilary is passing. They no more
express the author’s feelings than do those later parts which refer to the
ordeals of Fleta, the accepted disciple, express the author’s feelings. The two
characters of the struggling aspirant and the advanced disciple, are studies
from life. The stumbling-block of human passion which stands in Hilary’s way,
is the same which lost Zanoni his high estate; in the coming chapters of “The
Blossom and the Fruit,” we shall see Fleta flung back from the high estate she
aims at, by this same stumbling-block, in an idealised and subtle form. She
has not yet learned the bitter truth that the Occultist must stand absolutely
alone, without even companionship of thought, or sympathy of feeling, at the
times of the Initiations and the trials which precede them.—M. C.]
CHAPTER VI.—(Continued.)
K. D. K.
THE SPIRIT OF HEALING.
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