E Book 6 Playful Lesbian Girls As Portrayed in Classical Chinese Erotic Art
E Book 6 Playful Lesbian Girls As Portrayed in Classical Chinese Erotic Art
08-2021
Playful
Lesbian
Girls As
Portrayed
in Classical
Chinese
Erotic Art
Issue 06
08-2021
Playful
Lesbian
Playful
Girls As
Portrayed
Lesbian Girls
As Portrayed
in Classical
Chinese
Erotic Art
in Classical
Chinese
Erotic Art
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Issue 06
08-2021 Contents
Copyright © 2021
Source:
‘Concubines and Courtesans – Women in Chinese
Erotic Art ‘ by Ferdinand Bertholet On Shunga
‘Dreams of Spring’ by Ferdinand Bertholet Gallery you
can find many
other exciting
No part of this publication may be reproduced and/ articles on lesbian
or published by means of printing, photocopying, sensuality and
microfilm, scan, electronic copy or in any other way, Chinese erotic art.
without prior permission from the author and publisher.
Issue 06
08-2021 Playful Lesbian Girls As Portrayed in
Classical Chinese Erotic Art
Playful A long time ago (around 2006), when I first visited the collector Ferry
Lesbian Bertholet (1952) in Amsterdam, my eyes were drawn to a painting
Girls As
Portrayed
hanging in his hallway. It showed this explicit yet delicate private affair
in Classical of two young Chinese girls.
Chinese
Erotic Art
Figure 1
Painting of ‘Two lesbian Chinese girls’ (1996) by Ferdinand Bertholet, oil on canvas On Shunga
Gallery you
(Size: 19 2/3” x 25 1/2” inches) can find many
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7
Issue 06
08-2021 Fake Smiles
Playful The idea behind the painting was for Bertholet to offer a counterpart
Lesbian to Playboy and similar erotic magazines in which the bared women are
Girls As
Portrayed
only portrayed in exhibitionistic poses with fake smiles.
in Classical
Chinese Bertholet: “Western (explicit) erotic magazines often depict women
Erotic Art
with legs wide apart, while they look at the viewer with an empty look
or meaningless smile. There is no story or imagination behind it, there is
no love, refinement or romance.
Figure 2
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‘Giclee edition’ Gallery you
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9
Issue 06
08-2021 Lesbian Get-together
Secluded accommodation
At the time, the concubines were part of the harem of a rich lord or the
emperor and housed in a secluded accommodation, only accessible
to the eunuchs (see also fig. 5) and the master himself. Since there
were often long intervals where their services were not used, it was not
uncommon that reciprocal relationships prospered between the women.
On Shunga
Figure 3
Gallery you
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‘Detail of the giclee’ other exciting
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11
Issue 06
08-2021 Two Vaginas
Playful The following copy is labeled by the artist as a poorly executed painted
Lesbian reproduction (Bertholet: “They have ugly colors and weak faces..etc.” )
Girls As
Portrayed
of an earlier version of the painting depicting two vaginas:
in Classical
Chinese
Erotic Art
Not Shocked
Generally, people were not shocked by the portrayal of lesbian
love. Stories are known from literature about lesbian encounters, which
were, in fact, not restricted to the harems, but also took place between
Buddhist nuns, prostitutes in brothels and between concubines and
their female servants.
Figure 4
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(Source: dolorosa-reveries.blogspot.com) can find many
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13
Issue 06
08-2021 Dream of the Red Chamber
Playful The book Honglou meng, the ‘Dream of the Red Chamber’ by Cao
Lesbian Xueqin (c.1715-c.1763) describes the slow decline of a powerful
Girls As
Portrayed
family. In one of the passages there is a colorful reference to female
in Classical homosexuality. It tells how an actress specializing in female roles.
Chinese In real life both women love each other just as much as in the roles they
Erotic Art
play onstage.
Stoic Eunuch
Love between females was also a beloved theme in visual art. A nice
example is a painting depicting two completely nude girls making love
on a low couch (fig. 5). Their richly adorned hairstyles and brightly-
colored silk shoes emphasize their nakedness. This scene takes place
on a warm summer evening. A few items of clothing are draped across
a porcelain seat. Behind the playful girls stands a stoic eunuch, cooling
himself with a painted fan.
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Figure 5
articles on lesbian
sensuality and
Reverse glass painting of a ‘Lesbian encounter observed by an eunuch’ Chinese erotic art.
(Late 19th century) by an unknown Chinese artist
15
Issue 06
08-2021 Doggy-style
Playful Another painting shows a girl penetrating her partner doggy-style with
Lesbian the aid of a tied-on attachment (fig. 6). This painting on silk comes
Girls As
Portrayed
from a set of twelve lesbian scenes which are mounted on a roll.
in Classical You can find the ten other scenes at the end of the book.
Chinese
Erotic Art
Figure 6
On Shunga
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Painting on silk, detail of a horizontal scroll (second half 19th century) can find many
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17
Issue 06
08-2021 Outrageous
Playful Figure 7 depicts a painting in the more traditional style but from
Lesbian the Chinese point of view much more outrageous. In a refined
Girls As
Portrayed
setting two couples make love on planks covering their baths like a
in Classical bridge. The lesbian couple on the left uses an inventive construction
Chinese with a double-sided dildo that is attached to a rope and a pole.
Figure 7 Erotic Art
Painting on silk ‘Lesbian and heterosexual couple in the bath’ (late 19th century)
No Shoes
by an unknown Chinese master
Behind the couple on the right we see a zither in a silk case, incense
burners, and a garden gallery with a view of a hollowed rock with
flowering plants. All the girls have taken off their shoes and binding to
have their bath. These are lying with their clothes on a bench and on
the ground.
19
Issue 06
08-2021 ‘Silent’ Voyeur
Playful Another beloved subject for painters of erotic albums was the
Lesbian representation of a woman who pleasures herself in her loneliness by
Girls As
Portrayed
means of a dildo which is tied to her ankles and can put into operation
in Classical by simple movements of the lower leg (fig. 8). Such an aid called a da
Chinese xianggong, or ‘great master’. Often extra excitement was evoked by the
Erotic Art
addition to the picture of a ‘silent’ voyeur.
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Figure 8 can find many
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‘Girl playing with herself using a strap-on dildo watched by a young man’ (Late 19th sensuality and
century) Chinese erotic art.
21
Issue 06
08-2021 The Love of the Perfumed Partner
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Figure 9 articles on lesbian
sensuality and
Chinese erotic art.
‘Secret encounter of two concubines in the garden’ (Late 19th century)
23
Issue 06
08-2021 Moving Love Story
Playful The famous collection of short stories Liaozhai zhiyu (Strange Stories
Lesbian from the Willow Cottage) by the author Pu Songling (1630-1715) has
Girls As
Portrayed
a very moving story about the love of two women. Both are great
in Classical beauties, but one is the daughter of a rich family, whereas the other
Chinese is very poor, or at least pretends to be so. After an initial fortuitous
Erotic Art
meeting, the rich young woman, Miss Fan, falls ill from love-sickness, so
strong is her infatuation with the poor girl, Miss Feng. When they meet
again, Miss Fan hides her lover in her room, and so they stay together
and make love for four full months on end.
Ménage à Trois
When they are found out, Miss Feng thinks of a stratagem, her darling
Miss Fan should marry. Being not only extremely beautiful, but also
exceedingly clever, she finds a poor but brilliant and promising young
scholar. The marriage is concluded, and of course Miss Fan wants her
beloved Miss Feng to be part of a ménage à trois. The latter refuses
however. Then Miss Fan thinks of a scheme: she makes her lover drunk,
and then lets her husband make love to her. But alas! When Miss Feng
On Shunga comes to her senses, she is furious and disconsolate. In fact she is
Gallery you
can find many a fox-fairy, who, after hundreds of years of Taoist practice is due to
other exciting become a nature goddess. Now that she has been defiled by a man, her
articles on lesbian
sensuality and chance of her attaining immortality is gone. Thus the great love story
Chinese erotic art.
ends as a tragedy.
25
Issue 06
08-2021 Olisbos
Playful This rare silk scroll (see fig. 6, and fig. 10 to 18) is more the fruit of
Lesbian imagination than of realistic observation. The artist has exhausted
Girls As
Portrayed
his ingenuity by portraying some twelve couples making love with the
in Classical help of an olisbos, a type of dildo. That the use of this implement was
Chinese widespread has been documented by Van Gulik. Various medical texts
Erotic Art
describe how they were made (of ivory, or by bundling stalks of certain
plants, or also by making it out of silk, stuffed with cotton) and warned
against excessive use. According to Chinese doctors of yore, it could
Figure 10
endanger the health of those addicted to it, causing them to die an
early death.
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Figure 11
27
Issue 06
08-2021 Dildo to the Knee
Playful Lesbian love, of course, also had other ways and means of sexual
Lesbian satisfaction. In this scroll however, the olisbos is the thing: for one
Girls As
Portrayed
person alone (fig. 8), for two together, one for oneself and one for one’s
in Classical partner (fastened, for instance, to the knee - fig. 12 and 18), the ladies
Chinese display great virtuosity at the use of the dildo.
Erotic Art
Sweatshop
In fact, the whole scroll expresses a rather obsessive preoccupation
with it, so much that many of the young girls’ faces express serious
concentration on the job instead of merriment. There is hardly any
naughtiness, more the idea of hard work. They look like young women
laboring in a sweatshop, sewing with all their might. This scroll
may have been intended to be funny. It does not do justice to the
relationships of true love which could blossom in the woman’s quarters
Figure 12 Figure 13
of ancient China.
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29
Issue 06
08-2021 Passionate poem
Figure 15 31
Issue 06
08-2021
Figure 16 Figure 17
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33
Issue 06
08-2021
On Shunga
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can find many
other exciting
articles on lesbian
sensuality and * Taken from the book ‘Concubines and Courtesans -
Figure 18 Chinese erotic art. Women in Chinese Erotic Art ‘
35
Mission
At ShungaGallery it’s our explicit
purpose to offer a sensual oasis in
a desert of prudishness. Although
the internet has ensured that
there are enormous opportunities
for people to express themselves,
there is still a politically correct
moral that suppresses the more
bold expressions. This same
puritanism also still applies within
the art and museum world where
the so-called risky subjects
are avoided.