Computer Organization and Architecture 10th Edition Stallings Test Bank instant download
Computer Organization and Architecture 10th Edition Stallings Test Bank instant download
https://testbankfan.com/product/computer-organization-and-
architecture-10th-edition-stallings-test-bank/
https://testbankfan.com/product/computer-organization-and-
architecture-10th-edition-stallings-solutions-manual/
https://testbankfan.com/product/computer-organization-and-
architecture-9th-edition-william-stallings-test-bank/
https://testbankfan.com/product/computer-organization-and-
architecture-9th-edition-william-stallings-solutions-manual/
https://testbankfan.com/product/principles-of-economics-australia-and-
new-zealand-6th-edition-gans-test-bank/
Public Relations Practices 8th Edition Center Solutions
Manual
https://testbankfan.com/product/public-relations-practices-8th-
edition-center-solutions-manual/
https://testbankfan.com/product/marketing-canadian-9th-edition-crane-
solutions-manual/
https://testbankfan.com/product/disce-an-introductory-latin-course-
volume-1-1st-edition-kitchell-test-bank/
https://testbankfan.com/product/introduction-to-finance-markets-
investments-and-financial-management-14th-edition-melicher-solutions-
manual/
https://testbankfan.com/product/marketing-research-8th-edition-burns-
solutions-manual/
Understanding Operating Systems 5th Edition McHoes
Solutions Manual
https://testbankfan.com/product/understanding-operating-systems-5th-
edition-mchoes-solutions-manual/
Computer Organization and Architecture, 10th Edition, by William Stallings
CHAPTER 7: INPUT/OUTPUT
TRUE OR FALSE
T F 8. With a daisy chain the processor just picks the interrupt line with
the highest priority.
T F 13. An I/O channel has the ability to execute I/O instructions, which
gives it complete control over I/O operations.
MULTIPLE CHOICE
A. keyboard/monitor B. mouse/printer
C. modem/printer D. monitor/printer
5. An I/O module that is quite primitive and requires detailed control is usually
referred to as an _________.
6. The _________ command causes the I/O module to take an item of data from
the data bus and subsequently transmit that data item to the peripheral.
A. control B. test
C. read D. write
7. The ________ command is used to activate a peripheral and tell it what to do.
A. control B. test
C. read D. write
8. ________ is when the DMA module must force the processor to suspend
operation temporarily.
A. Interrupt B. Thunderbolt
C. interrupt D. fly-by
10. ________ is a digital display interface standard now widely adopted for
computer monitors, laptop displays, and other graphics and video interfaces.
C. Thunderbolt D. InfiniBand
11. The ________ layer is the key to the operation of Thunderbolt and what makes
it attractive as a high-speed peripheral I/O technology.
A. cable B. application
12. The Thunderbolt protocol _________ layer is responsible for link maintenance
including hot-plug detection and data encoding to provide highly efficient
data transfer.
A. cable B. application
13. The ________ contains I/O protocols that are mapped on to the transport layer.
A. cable B. application
14. A ________ is used to connect storage systems, routers, and other peripheral
devices to an InfiniBand switch.
C. HCA D. router
SHORT ANSWER
1. Interface to the processor and memory via the system bus or central switch
and interface to one or more peripheral devices by tailored data links are two
major functions of an _____________.
5. The categories for the major functions or requirements for an I/O module
are: control and timing, device communication, data buffering, error
detection, and _________.
6. In __________ mode the I/O module and main memory exchange data directly,
without processor involvement.
7. There are four types of I/O commands that an I/O module may receive when
it is addressed by a processor: control, test, write, and _________.
8. When the processor, main memory, and I/O share a common bus, two modes
of addressing are possible: memory mapped and ________.
10. A ________ controls multiple high-speed devices and, at any one time, is
dedicated to the transfer of data with one of those devices.
11. In a _________ interface there are multiple lines connecting the I/O module
and the peripheral and multiple bits are transferred simultaneously.
12. In a ________ interface there is only one line used to transmit data and bits
must be transmitted one at a time.
13. The most recent, and fastest, peripheral connection technology to become
available for general-purpose use is __________, developed by Intel with
collaboration from Apple.
14. ________ enables servers, remote storage, and other network devices to be
attached in a central fabric of switches and links, connecting up to 64,000
servers, storage systems, and networking devices.
t. Olave’s Jewry, situated on the west side of the Old Jewry, in Coleman
street ward, was anciently denominated St. Olave’s Upwell, from its
dedication to the saint of that name, and probably from a well under the
east end, wherein a pump is now placed; but that gave way to the name
of Jewry, owing to this neighbourhood’s becoming the principal residence
of the Jews in this city.
Here was a parish church so early as the year 1181; the last sacred
edifice was destroyed by the fire of London, and the present finished in
1673. It consists of a well enlightened body, seventy-eight feet in length,
and twenty-four in breadth; the height to the roof is thirty-six feet, and
that of the tower and pinacles eighty-eight. The door is well proportioned,
and of the Doric order, covered with an arched pediment. On the upper
part of the tower, which is very plain, rises a cornice supported by scrolls;
and upon this plain attic course, on the pillars at the corners, are placed
the pinacles, standing on balls, and each terminated on the top by a ball.
This church, tho’ anciently a rectory, is now a vicarage in the gift of the
Crown; and the parish of St. Martin, Ironmonger lane, is now united to it,
by which the Incumbent’s profits are considerably increased; he receives
besides other profits, 120l. a year in lieu of tithes.
t. Olave’s Silver street, stood at the south west corner of Silver street, in
Aldersgate ward; but being consumed by the fire of London, and not
rebuilt, the parish is annexed to the neighbouring church of St. Alban’s
Wood street.
t. Olave’s Southwark, is situated in Tooley street, near the south end of
London bridge. Tho’ the time when a church was first erected in this
place cannot be discovered, yet it appears to be of considerable antiquity,
since it is mentioned so early as the year 1281. However, part of the old
church falling down in 1736, and the rest being in a ruinous condition, the
parishioners applied to parliament for a power to rebuild it, which being
granted, they were thereby enabled to raise the sum of 5000l. by a rate
of 6d. in the pound, to be levied out of the rents of all lands and
tenements within the parish; accordingly the church was taken down in
the summer of the year 1737, and the present structure finished in 1739.
It consists of a plain body strengthened with rustic quoins at the
corners; the door is well proportioned without ornament, and the
windows are placed in three series; the lowest is upright, but considerably
broad; those above them circular, and others on the roof are large and
semicircular. The tower consists of three stages; the uppermost of which
is considerably diminished; in this is the clock, and in the stages below
are large windows. The top of the tower is surrounded by a plain
substantial balustrade, and the whole has an air of plainness and
simplicity.
It is a rectory in the gift of the Crown, and the Incumbent’s profits are
said to amount to about 400l. per annum.
t. Olave’s School. See the article Queen Elizabeth’s School.
Old Artillery Ground, Artillery lane, Spitalfields. See the article Artillery
Ground.
Old Bailey, a street which extends from Ludgate hill to the top of Snow hill,
by Newgate. On the upper part near Fleet lane, the street is divided into
two by a middle row of buildings, whence that towards the west is called
Little Old Bailey, and the other to the eastward, is called Great Old Bailey.
This street from Ludgate hill to Fleet lane, is in the liberties of the Fleet.
In the upper part is Justice Hall commonly called the Sessions house, and
in the lower part Surgeons Hall. Maitland observes, that the Old Bailey
took its name from the Bale or Bailiff’s house, formerly standing there.
Old Barge House stairs, Glasshouse yard, near Angel street, Southwark.
Old Barge House stairs lane, near Angel street, and almost opposite the
Temple.
Old Bear Garden, Maid lane, Southwark; thus named from a bear garden
formerly there.
Old Bedlam, or Old Bethlem, Bishopsgate street. See the article Bethlem
Hospital.
Old Bedlam court, Old Bedlam.
Old Bedlam lane, Bishopsgate street, near Moorfields, where Bethlem
hospital formerly stood.
Old Belton street, Brownlow street.†
Old Bond street, Piccadilly.
Old Bosville court, Clement’s lane, Temple bar.†
Old Brewhouse yard, Chick lane, Smithfield.
Old Buildings, Lincoln’s Inn.
Old Burlington mews, Old Bond street.
Old Castle street, Wentworth street.
Old Change, extends from Cheapside to Old Fish street. Here was formerly
kept the King’s exchange for the receipt of bullion to be coined. Maitland.
Old Comber’s court, Blackman street, Southwark.†
Old Fish street, Knightrider’s street; so called from a fish market being
formerly kept there. Maitland.
Old Fish Street hill, Thames street, obtained its name also from a market.
Old Ford, in Stepney parish, near Stratford le Bow.
Old George street, Wentworth street.
Old Gravel lane, Ratcliff highway; so called from its being anciently a way
through which carts laden with gravel from the neighbouring fields, used
to pass to the river Thames, where it was employed in ballasting of ships,
before ballast was taken out of the river.
Old Gravel walk, Bunhill fields.
Old Hog yard, Peter lane, St. John’s street, Smithfield.
Old Horselydown lane, Horselydown, Tooley street.
Old Horseshoe wharf, Thames street.
Old Jewry in the Poultry. This street was originally called the Jewry, from its
being the residence of the Jews in this city; but the Jews being banished
by Edward I. they upon their readmission into England, settled in this city
near Aldgate, in a place from them called Poor Jewry lane, on which
occasion this, their ancient place of abode, was called the Old Jewry.
Maitland.
Old Market lane. Brook’s street, Ratcliff.†
Old Montague street, Spitalfields.†
Old Nicoll’s street, Spitalfields.†
Old North street, Red Lion square.
Old Packthread ground, Grange lane.
Old Palace yard, by St. Margaret’s lane, Westminster, was built by Edward
the Confessor, or, as others say, by William Rufus, and received the name
of Old on the building of New Palace yard. See New Palace yard.
Old Paradise street, Rotherhith.
Old Park yard, Queen street, Southwark.
Old Pav’d alley, Pallmall.
Old Pipe yard, Puddle dock.
Old Pye street, by New Pye street, Westminster.
Old Round court, in the Strand.
Old Shoe alley, Hoxton.
Old Soho street, near Leicester fields.
Old Square, Lincoln’s Inn.
Old Starch yard, Old Gravel lane.
Old street, a street of great length, beginning at Goswell street, and
extending east towards Shoreditch. It received its ancient name of Eald
street, or Old street, from the Saxons, as being situated along the Roman
Military Way, at a considerable distance north of London, though it is now
joined to this metropolis. Maitland.
Old Street square, Old street.
Old Swan lane, Thames street.*
Old Swan stairs, Ebbgate lane, Thames street.*
Old Swan yard, Rag street.*
Old Tailor street, King street, Golden square.
Oliphant’s lane, Rotherhith.†
Olive court, 1. Gravel lane. 2. St.Catharine’s lane, East Smithfield.
Oliver’s alley, in the Strand.†
Oliver’s court, Bowling alley, Westminster.†
Oliver’s mount, David street, Grosvenor square.
One Gun alley, Wapping.*
One Swan yard, 1. Bishopsgate street.* 2. Rag street, Hockley in the Hole.*
One Tun alley, Hungerford Market.*
One Tun yard, Whitecross street, Cripplegate.*
Onslow street, Vine street, Hatton wall.†
Oram’s court, Water lane, Tower street.†
Orange court, 1. Castle street, Leicester fields, 2. King’s street, Soho, 3.
Wapping.
Orange street, 1. Castle street, Leicester fields, 2. Lowman’s street, Gravel
lane. 3. Red Lion square, Holborn. 4. Swallow street. 5. Sun Tavern fields.
he Orchard, 1. Bread street, Ratcliff. 2. Butcher row. 3. Limehouse
causeway. 4. New street, Shadwell. 5. In Wapping. 6. Near Wapping.
Orchard street, 1. Near the Stable yard, Westminster, from the royal orchard
formerly there. 2. Windmill street.
ffice of Ordnance, in the Tower. This office is a modern building, a little to
the north east of the white tower; and to the officers belonging to it, all
other offices for supplying artillery, arms, ammunition, or other warlike
stores to any part of the British dominions, are accountable; and from this
office all orders for the disposition of warlike materials are issued. It is
therefore of very great importance, as it has under its care the
ammunition necessary for the defence of the kingdom, and the protection
of our allies.
In ancient times before the invention of guns, this office was supplied
by officers under the following names; the Bowyer, the Cross Bowyer, the
Galeator, or Purveyor of helmets, the Armourer, and the Keeper of the
tents; and in this state it continued till King Henry VIII. placed it under
the management of a Master, a Lieutenant, a Surveyor, &c. as it still
continues with some improvements.
The office of ordnance is now divided into two branches, the civil and
the military; the latter being subordinate and under the authority of the
former.
The principal officer in the civil branch of the office of ordnance is the
Master General, who has a salary of 1500l. per annum, and is invested
with a peculiar jurisdiction over all his Majesty’s engineers employed in
the several fortifications of this kingdom, to whom they are all
accountable, and from whom they receive their particular orders and
instructions, according to the directions and commands given by his
Majesty and council.
The Lieutenant General, who receives all orders and warrants signed by
the Master General, and from the other principal officers, and sees them
duly executed; issues orders, as the occasions of the state may require;
and gives directions for discharging the great guns, when required at
coronations, on birth days, festivals, signal victories, and other solemn
occasions. It is also his peculiar office to see the train of artillery, and all
its equipage fitted for motion, when ordered to be drawn into the field.
He has a salary of 1100l. per annum; and under him is a clerk in ordinary,
who has 150l. a year; an inferior clerk, and a clerk extraordinary, who
have each 40l. a year.
The Surveyor inspects the stores and provisions of war in the custody
of the Storekeeper, and sees that they are ranged and placed in such
order as is most proper for their preservation. He allows all bills of debt,
and keeps a check upon all artificers and labourers work; sees that the
stores received be good and serviceable, duly proved, and marked, if they
ought to be so, with the King’s mark, taking to his assistance the rest of
the officers and Proof Masters. His salary is 700l. per annum.
As his post necessarily makes some assistance necessary, he has under
him the Proof Master of England, who has 150l. a year. Two clerks of the
fortifications, who have 60l. a year each, and another of 40l. Besides, in
this time of war he has under him six extra clerks, who have each 40l. a
year; and another who has 4s. 6d. a day.
The Clerk of the ordnance records all orders and instructions given for
the government of the office; all patents and grants; the names of all
officers, clerks, artificers, attendants, gunners, labourers, &c. who enjoy
those grants, or any other fee for the same; draws all estimates for
provisions and supplies to be made, and all letters, instructions,
commissions, deputations, and contracts for his Majesty’s service; makes
all bills of imprest, and debentures, for the payment and satisfaction for
work done, and provisions received in the said office; all quarter books for
the salaries and allowances of all officers, clerks, &c. belonging to the
office; and keeps journals and ledgers of the receipts and returns of his
Majesty’s stores, to serve as a check between the two accomptants of the
office, the one for money, and the other for stores. His salary is 500l. per
annum, and 100l. a year for being a check on the Storekeeper.
The great business of this officer is managed, under him, by six clerks
in ordinary, one of whom has 180l. a year, another 150l. two 60l. a year,
one 50l. and one 4s. a day: and he has at present thirteen clerks
extraordinary, who have 40l. a year each. There are besides under him a
ledger keeper to the out ports, and a home ledger keeper, who have 60l.
a year.
The Storekeeper takes into his custody all his Majesty’s ordnance,
munitions and stores belonging thereto, and indents and puts them in
legal security, after they have been surveyed of by the Surveyor: any part
of which he must not deliver, without a warrant signed by the proper
officers; nor must he receive back any stores formerly issued, till they
have been reviewed by the Surveyor, and registered by the Clerk of the
ordnance in the book of remains: and he must take care that whatever is
under his custody be kept safe, and in such readiness as to be fit for
service upon the most peremptory command. His salary is 400l. per
annum.
The Storekeeper has under his command three clerks in ordinary, one
of whom has 150l. and another 60l. per annum, and also three extra
clerks, each at 40l. a year.
The Clerk of the deliveries draws all orders for delivery of any stores,
and sees them duly executed: he also charges by indenture the particular
receiver of the stores delivered; and, in order to discharge the
Storekeeper, he registers the copies of all warrants for the deliveries, as
well as the proportions delivered. His salary is 400l. a year.
The above officer has under him two clerks in ordinary, one who has
150l. and another who has 70l. per annum, and also four clerks
extraordinary who have each 40l. a year.
The Treasurer and Paymaster receives and pays all monies, both
salaries and debentures in and belonging to this office. His salary is 500l.
a year.
The above officer is assisted in his double employment of receiving and
paying by three clerks in ordinary, one of whom has 150l. another 60l.
and another 50l. per annum, and by three clerks extraordinary, each of
whom has 40l. a year.
In this office there are likewise two Proof Masters, who have 20l. a year
each; a Clerk of the works, who has 120l. a year; a Purveyor for the land,
who has 100l. a year; a Purveyor for the sea, who has 40l. a year; an
Architect, who has 120l. a year; an Astronomical Observator, who has
100l. a year, and some other officers.
In the other part of this office termed the Military Branch of the
Ordnance, is a Chief Engineer, who has 501l. 17s. 4d. a year; a Director,
who has 365l. per annum; eight engineers in ordinary, who have 10s. a
day; eight engineers extraordinary at 6s. a day; eleven sub-engineers, at
73l. a year each; and sixteen pract. engineers, at 3s. a day.——See an
account of the arms belonging to this office under the article Tower.
Ormond’s mews, 1. Duke street, Piccadilly. 2. Great Ormond street, Red Lion
street, Holborn.
Ormond street, Red Lion street, Holborn.
A catalogue of the pictures of Charles Jennens, Esq; in Ormond street.
The nativity, after Pietro di Cortona.
The Magi offering, Carlo Maratti.
A holy family, after Raphael.
A holy family, by Fr. Mazzuoli Parmegiano.
A piece of fruit, &c. by De Heem.
A landscape, by Cl. Lorraine, allowed capital.
A landscape, with St. Jerom and the lion, by Nic. Poussin.
Cattle and fowls, by Bened. Castiglione.
The finding of Moses, by Lucatelli.
A land storm, by Gasp. Poussin.
A bagpiper, by Spagnolet.
A landscape, by Nic. Poussin.
A view of the Rhine, by Sachtleven.
Ruins, by Harvey, with Christ and the woman of Canaan, by J. Vanderbank,
sky and trees by Wotton.
A man with a straw hat eating porridge, by Annibal Caracci.
A view of the castle of St. Angelo, by Marco Ricci.
A miracle, by Seb. Concha.
A boy’s or girl’s head, by Guido.
The crucifixion, by Vandyke.
t. John the Baptist baptizing Christ, by Rottenhammer.
Three boys, viz. Christ, John the Baptist, and an angel, of the school of
Rubens or Vandyke.
A holy family.
t. Paul and King Agrippa, after Le Sueur.
hilosopher mending a pen, A. le Pape.
t. Cecilia in a circle of flowers, by Philippo Laura, in the manner of
Domenichino, the flowers by Mario di Fiori.
A landscape, by Both.
utler the poet, by Zoust.
A holy family (small) by Seb. Bourdon.
A storm, by Vandervelde.
A oval of flowers, with the wise men offering, by father Seegers.
A piece of architecture, with the landing of Æsculapius at Rome, by P.
Panini.
A madona, &c. by Carlo Maratti.
A landscape, by Moucheron, with figures by Berchem.
The two Maries at the sepulchre, by Pietro di Cortona.
ishop Ken, by Riley.
David and Saul, by Jordans of Antwerp, or Van Harp.
A sun-set, by Vanderneer.
Abraham and Melchisedech, by Castiglione.
A nativity, after Giuseppe Chiari.
A landscape, by Vandiest.
A carpet, &c. by Malteese.
A landscape, by Claude, first manner.
A landscape, by Rowland Savory, with Cain and Abel.
Two pieces of fish and fowl, by Rysbrack.
Nativity, by Albani.
An old man’s head, by Rembrandt.
A landscape, by Retork, in the manner of Elsheimer.
Christ going to be crucified, a sketch, by Annibal Caracci.
Tobias and the angel, by Mich. Angelo de Caravaggio.
Celebration of Twelfth-night, by David Rykart.
Moon-light, by Vandiest.
igures and cattle, by Van Bloom.
A landscape and a sea view, by Vandiest.
A sleeping boy, by Simon Vouet.
The wise men offering, by Aug. Caracci.
A nativity, by Le Sueur.
A landscape with the flight into Egypt, by Antonio (called Gobbo) Caracci,
figures by Domenichino.
A conversation, by Teniers.
A sea piece, by Vandervelde.
The inside of a church, by De Neef.
A landscape with Balaam and the angel.
A landscape and ruins, by Gasp. Poussin.
hakespear, in crayons, by Vandergucht, from the only original picture,
which is in the possession of Lady Carnarvon.
Christ praying in the garden, by Ludovico Caracci, a capital piece.
Abraham and Melchisedech, after Raphael, by Nic. Poussin.
Dead game, by De Koning, with a man, by Luca Jordano; but some are of
opinion the whole piece is by L. Jordano.
Two door pieces, by Tempesta and Crescentio.
A landscape with cattle and figures, by Berchem.
The raising of Lazarus, by Paulo Lozza.
A Magdalen, by Giuseppe Cari.
A small picture of P. Charles and his brother.
King James II. when Duke of York, after Sir Peter Lely.
Robert Devereux, Earl of Essex.
The head of a female saint.
A head, after Titian.
Christ preaching on the mount, by Van Rhyschoot.
David playing on the harp to cure Saul, by Hayman.
A landscape with a view of Hampstead and Highgate, by Lambert.
The resurrection of Christ, by Hayman.
A landscape, by Gainsborough.
ir John Falstaff, &c. by Hayman.
An angel sleeping, after Guido.
A small head, by Frank Hals.
Two sea pieces, by Vandervelde.
A flower piece, by O. Baptist.
Moses striking the rock, by Le Brun.
King Charles I. after Vandyke.
King Charles II. and his Queen, by Sir P. Lely.
Duke of Ormond, by Dahl.
A statuary, by Spagnolet.
An old man reading, by Guercino.
A landscape and figures, by Paul Brill.
Ruins and figures, by Viviano and J. Miel.
A landscape and figures, by Fr. Bolognese.
Titian and Aretine, after Titian.
A view of Pliny’s villa, by Lucatelli.
r. Rupert, half length, by Greenhill.
A sea piece, by Vandiest.
A flower piece, by O. Baptist.
Gustavus Adolphus, by Mirevelt.
A conversation, by Bamboccio.
mptation of St. Anthony, by Brower, the landscape, Paul Brill.
A landscape, Gasp. Poussin, the figures by Philippo Laura.
A dead Christ, &c. of the school of Caracci.
A landscape and figures, Fr. Miel.
Gen. Monk, when young, 3 qrs.
A man singing, by Brower.
A landscape, by Claude Lorraine.
A landscape with high rocks, by Salvator Rosa.
A view of St. Mark’s Place at Venice in carnival time, Canaletti.
A view of the great canal at Venice, by Canaletti.
A landscape, by Rembrandt.
A lutanist, by Fr. Hals.
A moon-light, by Vanderneer.
The Chevalier de St. George in miniature.
A musician’s head, by Rembrandt.
A circle of flowers, by Baptist; with Christ and the woman of Samaria, by
Cheron.
A madona, of the school of Carlo Maratti.
A half length of General Monk, copied from Sir Peter Lely.
A landscape, by Tillemans.
A sea piece, a squall, by Vandervelde.
A night storm, by De Vlieger.
The virgin, with the child asleep.
A view of a water mill.
A cobler.
An ascension, by Gius. Chiari.
Two landscapes, by Houseman.
Two pictures of the Chevalier and the Princess Louisa his sister.
King James the 2d’s Queen, by Sir Godfrey Kneller.
The burning of Troy, by Van Hiel.
A view in Holland, by Van Goen.
A landscape, in Van Goen’s manner.
A landscape and figure, by Van Goen.
The Marquis of Hamilton, after Vandyke.
A small round landscape.
A large landscape, by Lucas Van Uden.
alvator Mundi, by Vandyke.
A sea piece and landscape, by Vander Cabel.
ord Clarendon, by Dobson.
A small round landscape, in the manner of Bourgognone.
A sea piece, by De Man.
King James I. half length, by Mytons.
Two landscapes, by Ruysdale.
The conversion of St. Paul, by P. Snayer.
A small head on silver, supposed the Marq. of Montrose, by Ferd. Laithe.
. Miel, the painter, by himself.
Two small pictures, by Horizonti.
Two ditto, by Lucatelli.
rince Henry, by P. Oliver.
Ruins of the Temple of Minerva, by Viviano, or Salvius.
A landscape, by Rubens.
A landscape, by Fauquier.
A frost piece, by Ostade.
A landscape, by Gasp. de Wit, figures by Ferg.
Ruins and figures, by Marco and Seb. Ricci.
A sea view, by Vandervelde.
A landscape, in the manner of Van Uden.
hilippo Laura, by himself.
Two small views, by Cocoranti.
A sea calm, by Woodcock.
David and Abigail, by Brughel.
A sea view, by Bonaventure Peters.
A landscape, by Martin Rykaert.
Two small landscapes, by Artois.
The finding of Moses, by Romanelli.
Dead birds, by Ferguson.
Two landscapes, by Ruysdale.
t. John led by his disciples, by Blanchet.
A landscape, by Rembrandt.
A landscape, by Ruysdale, the figures by Wovermans.
A lady’s head, by Cornelius Johnson.
ord Carnarvon, by Sir P. Lely.
A Dutch watchmaker, by Fr. Hals.
A landscape, by Van Huysum.
A landscape, by J. Asselyn.
A landscape, by Swanevelt.
A landscape, by Francisco Mille.
The marriage of St. Catharine, after Giorgione.
A landscape, by Swanevelt.
A landscape, with Argus and Hermes.
The last supper, by Vandyke or Dieperbeck.
The flight into Egypt, by Polembergh.
. D’Honat’s Eden.
A calm, by Vandervelde, best manner.
The good Samaritan.
A landscape, by Tempesta.
t. Peter walking on the sea, by Paul Brill.
owls, by Cradock.
A storm (small) by Vandervelde.
Ruins, by Viviano.
The transfiguration, after Raphael.
A landscape and figures, by Bourgognone.
A winter piece, by Molinaer.
t. Jerom, by Teniers.
A landscape, by Rousseau.
Ruins, by Panini.
A sun-rising, by Courtois.
A landscape, by Old Patell.
A church, by De Neef, the priest carrying the host; the figures by Teniers.
t. Sebastian, after Domenichino.
t. Peter delivered out of prison, by De Neef, the figures by O. Teniers.
A head (supposed of an apostle) by Vandyke.
The flight into Egypt, a sketch, by Gius. Passeri.
art of Titian’s Comari, copied by Dahl.
A head of Christ crowned with thorns, by Guido.
Christ crowned with thorns, with the reed in his hand, of the school of
Caracci.
ot going out of Sodom, and Abraham with three Angels, two drawings, by
Cheron.
t. Jerom in a cave, by Teniers.
The murder of the innocents, a drawing after Raphael.
A drawing after Nic. Poussin, by Cheron, of the passage thro’ the red sea.
A Roman sacrifice, a drawing from the antique, by Cheron.
A land storm, by Peters, or Teniers.
Christ driving the buyers and sellers out of the temple, by Jac. Bassano.
Two conversations in water colours, by Fergue.
A boy and girl, heads.
A landscape and sea piece in water colours, by Tillemans.
Two landscapes in the manner of Brughel, by Old Grissier.
A landscape, by Fergue.
A view of Scheveling, by De Vleiger.
A sea piece, by Vandervelde.
A front piece, by Bonaventure Peters.
Two landscapes, by Polembergh.
A landscape, by Sachtleven.
A landscape, by Van Maas.
A gale and view, by Backhuysen.
Two sea pieces, by Vandervelde.
A landscape, by Hobbima.
A head of Seb. Bourdon, by Netschar.
liezer and Rebecca, by Vander Cabel.
Christ sleeping, of the school of Carlo Maratti.
A view in Rome, by Gaspar D’Ochiale.
A landscape and cattle, by Cuyp.
A brisk gale, by Vandervelde.
A boy’s head, by Dubois.
Christ and the two Disciples at Emmaus, by Teniers.
A head of Richard Penderith.
A landscape, by Molyn.
A sea piece, by Vandervelde.
A landscape, by Vanderheyden.
A landscape, by Van Balen, with a holy family.
A sea piece, by Backhuysen.
A sea piece, by De Vlieger.
Two landscapes, by Both.
Chickens, a study, by Hondicooter.
A sea piece, by Vangoen.
A sea piece, by Ruysdale.
A frost piece, by Adr. Vandevelde.
A landscape, by Wovermans.
An inn yard, copy from Wovermans.
A moon-light, by Vanderneer.
A frost piece, by Molenaer.
A landscape, by Housemans.
Two Dutch views, Flemish.
udith with Holofernes’s head, by Bronzino.
erome Cardan.
A hermit contemplating eternity, by Salvator Rosa.
t. Jerome, by Guido.
A landscape, with the flight into Egypt, by Domenichino.
A landscape, by Courtois.
Two landscapes, by Godfrey.
Tobias curing his father’s eyes, by Rembrandt.
Morning and Evening, by Berghem.
A landscape, by Old Patelle.
The wise men offering, by Rotenhamer.
A landscape, by Wovermans.
Ruins, by Viviano.
View of the Colisæum, by Paulo Panini.
Dead game, by Baltazar Caro.
Architecture, by Ghisolfi.
A landscape, by Swanevelt.
A landscape with rocks, by Teniers, or P. Snayer.
A landscape, by Van Zwierin.
A landscape with others, by Teniers.
Two landscapes, by Vincaboon.
A landscape, by Fr. Miel.
A view of Willybos, by T. Molinaer.
A landscape, by Both and Bodwyn.
phigenia, after Bourdon.
A landscape, by P. Brill, or Vincaboon.
A white fox or racoon, by Hondicooter.
A small gale, by Vandervelde.
A landscape, by Both.
A landscape, by De Vries.
The fable of the Satyr and clown, by Sorgue.
A landscape, by Ruysdale.
Ditto, by Both.
A philosopher’s head, by Pietro da Pietri.
A battle, by Tillemans.
Ruins, by Ghisolfi.
A landscape, by Fauquier.
Ditto, perhaps Artois.
A sketch of a sea fight, by Vandervelde.
A landscape, with Elijah and the ravens, by R. Savory.
Two pictures of lions and tygers, by J. Vanderbank.
Christ and the Samaritan woman, and Mary Magdalen in the garden, by
Columbell.
Head of Annibal Caracci, by himself.
A view of the Rhine, by Vosterman.
The nativity, a sketch, by Rubens.
A sea piece, by Monamy.
Two landscapes, by Vandiest.
An emblematical picture of Justice, by Solimeni.
Virgin and child, and St. Francis with angels, by Seb. Concha.
t. Francis asleep, an angel fiddling, after Philippo Laura.
A storm, by Vandervelde.
A landscape, by Kierings.
A landscape, by De la Hire.
A copy, from Claude.
A view, with ruins and figures, by Marco and Sebastian Ricci.
A fresh gale, by Vandervelde.
Hagar and Ishmael, by Val. Castelli.
t. Jerome, by Guido.
Riposo, by L. Caracci, or Carlo Cignani.
Two landscapes, by Vorsterman.
eter in prison, by Stenwick.
Destruction of Sodom, by ditto.
The deluge, by Polemburgh.
Corps de Guard and its companion, by Bamboccio.
A landscape, by Mat. Brill.
A landscape, in imitation of Ruysdale.
A landscape, with a Magdalen, by Teniers.
A landscape, by Ruysdale.
The head of Isaiah, on paper, by Raphael.
A conversation, by Ostade.
A battle, by Bourgognone.
oldier and boors fighting, Molinaer.
A landscape, Swanevelt.
elshazzar’s feast, after Rembrandt, by Tillemans.
till life, Edema.
A hen and chickens, Cradock.
A battle, by Vander Mulen.
The mocking of Christ, by Cheron.
ncendio del Borgo, after Raphael.
Christ and St. Thomas, Cavedone.
Two portraits of P. Cha. and his mother.
A fruit piece, by Mich. Angelo Campidoglio, o da Pace.
David and Solomon, Rubens.
Two landscapes, Annib. Caracci.
A conversation, Seb. Bourdon.
A conversation, with dancing, Annib. Caracci.
A masquerade, Gobbo Caracci.
enjamin accused of stealing the cup, by J. De Wit.
Two landscapes, by Mola.
The battle of Amazons, after Jul. Romano.
Two landscapes, Vincaboon.
Mr. Handel’s picture, by Hudson.
owls, &c. Y. Wenix.
The passage of the red sea, by De Wit.
A concert of music, by Pasqualini.
Hero and Leander, by Elsheimer.
Two heads of Lodov. and Aug. Caracci.
A sea port, by Storck.
A pieta, Trevisani.
Christ, Simon the Pharisee, and M. Magdalen, by Lappi.
A view of Scheveling, a storm coming on, by Ruysdale.
A battle, by Mich. Angelo delle Battaglie.
t. Sebastian, by Guercino.
ened. Castiglione, by himself.
A landscape, with cattle, by Cuyp.
The inside of the Jesuits church at Antwerp, by De Neef.
A landscape with cattle, by Rosa of Tivoli.
Æolus and the four winds, by Carlo Maratti.
Two heads of St. Peter and St. Paul, by Guercino.
Christ asleep, with two angels looking on, by Murillo.
A wounded stag swimming across a brook.
t. Jerome and the Angel with a trumpet, by Guercino.
A view of Sulftara, by Berchem and Both.
A battle of the bridge, by Bourgognone.
A landscape, with a Magdalen in it, by Albani, or Bartolom. Breenberg in
imitation of him.
A sketch of martyrdom, by Vandyke.
A horse watering, by Wovermans.
A landscape, by Adr. Vandervelde.
A copy of Raphael’s Heliodorus.
A sketch, by Rubens, of binding of Samson.
A sea port, by J. Miel.
A landscape, by Paul Brill.
A landscape, by Tillemans, or Houseman.
A sea piece, by Dubbels.
A chalk kiln, by Ruysdale.
A landscape, by Hobbima.
A moon-light, by Vanderneer.
A landscape, by Wynantz.
Hector and Achilles, by Nic. Poussin, or Pietro Testa.
Two landscapes, by Claude Lorraine.
t. Peter dictating the gospel to St. Mark, by Pietro di Cortona.
A landscape, by Verboom, the figures, &c. by Adr. Vandervelde.
Decollation of St. John the Baptist, by Mich. Angelo da Carravagio, or
Valentini.
A man’s head, by Ant. Moore.
A view of the Doge’s palace, after Canaletti.
A landscape, by F. Miel.
A calm, by Vandiest.
A battle, by Tillemans.
A Court de Guard, by Le Duc.
The holy child Jesus in the arms of Joseph, by Giuseppe del Solo, a disciple
of Carlo Cignani.
A landscape, by Solomon Ruysdale.
An ascension, the finished sketch for the King’s chapel at Versailles, by
Jouvenet.
A holy family, by Erasm. Quiline.
A landscape, by Croose.
A bag piper, by Albert Durer.
Two sketches, after Tintoret, one the trial of Christ, the other leading him
away.
A sea piece, by Van Cappel.
A landscape, by Sol. Ruysdale.
Dead game, with a dog and cat, by Fyte.
Two landscapes, by Mola.
A landscape, by Pynas.
A landscape and architecture, by Le Maire, with figures, by Phil. Laura.
A landscape, by Fauquier.
A village carnival, by P. Wovermans.
A holy family, by Carlo Maratti.
Two landscapes, by Bellin.
Christ healing the sick, a sketch, by Tintoret.
owls, by Cradock.
A landscape, by Nic. Poussin.
Riposo, F. Vanni.
A cartoon head, by Raphael.
Christ disputing with the doctors, a sketch, by Titian.
A holy family, by Schidoni.
A battle, by Salvator Rosa.
Two views of the Clitumnus and Avernus, by Wilson.
A storm, by Annib. Caracci.
A landscape, with the baptism of Christ, by Nic. Poussin.
amson slaying the Philistines with the jaw bone of an ass, Val. Castelli.
red. Zuccaro’s picture, by himself.
Hercules and Antæus, by Rubens.
Hagar and Ishmael, by Le Sueur.
A woman making lace, by Scalken.
The fall of Simon Magus, a sketch, by Pompeio.
A shepherd and shepherdess with cattle, by C. du Jardin.
A landscape, by Dekker.
A girl sewing, by Ostade.
An ox, by Potter, the landscape by Vanderhyde.
The flight into Egypt, by Dominic. Antolini.
Hercules and Cerberus, a sketch, by Rubens.
A landscape and cattle, by Carree.
A landscape, by Brughel, the figures Rotenhamer.
Moses on the mount, by Jac. Bassan.
A landscape, by Dekker.
A copy of Guido’s Aurora, by Carlo Maratti, or Gius. Cari.
A landscape, by Mr. Wotton.
ot and his daughters, by Elsheimer.
Christ in the garden, by P. Veronese.
A moon-light, by O. Giffier.
A landscape, by Berkheyde.
A landscape, by De Heusch.
A landscape, by Wynantz, the figures by Wovermans.
Christ’s agony in the garden, by Ant. Balestra.
ohn Baptist pointing him out to two disciples, ditto.
A landscape, by Vanderneer.
A landscape, by Fauquier, with figures, by Teniers.
A witch and devils, by Hellish Brughel.
A battle, by Wotton.
An old man’s head, by Rembrandt.
A landscape, by Borsam.
Venus coming to Vulcan to beg armour for Æneas, by Goltzius.
A landscape, by Gaspar Poussin.
A landscape, by Nicola Poussin.
Two heads, of an old man and an old woman, by Denier.
King Ahasuerus and Q. Esther, by Gabiani.
The sick man healed at the pool of Bethesda, by Erasmus Quillinius.
The last supper, by Jouvenet.
Head of a madona, with a book, by Elisabetti Sirani.
A landscape, by Studio.
testbankfan.com