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Ana Belen - Solo Le Pido A Dios-Guitarra - Acústica, - AcusGuit

The document appears to be a musical score or notation related to acoustic guitar, featuring various symbols and markings. It includes multiple sections and possibly indicates different parts or measures for performance. The content is heavily formatted with symbols, making it challenging to interpret without musical context.
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
11 views2 pages

Ana Belen - Solo Le Pido A Dios-Guitarra - Acústica, - AcusGuit

The document appears to be a musical score or notation related to acoustic guitar, featuring various symbols and markings. It includes multiple sections and possibly indicates different parts or measures for performance. The content is heavily formatted with symbols, making it challenging to interpret without musical context.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Guitarra acústica, AcusGuit

        
       
 = 1193
    
                        
        

    3     
     
                            
3

             
            
5


 
   
                                  
                                    
8

      
           
5


       
5

                     
11

   
  
                                  
 
  5         
14

  
                              
                    
17

  5   5    

   
                 
                    
   
20

         

          
                                    
23

   

                                
2

    
27

                                
                 
 
30

                                
3

          
34

                                
                  
38


 

                               
 
3

             
42


            
                                    
 
3

    
46

     
          
                     
        
            
50

       
         
                                   
      
      
54

     
     3      
                                 
          
58

      
          
         
                
62

      

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