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Reviewer 10

The document discusses various aspects of Afro-Latin music, highlighting its diverse origins and key genres such as Cumbia, Salsa, and Reggaeton. It emphasizes the cultural significance of music in Afro-Latin communities and mentions important figures like Celia Cruz and Tito Puente. Additionally, it clarifies misconceptions about certain musical styles and instruments associated with Afro-Latin music.

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8 views1 page

Reviewer 10

The document discusses various aspects of Afro-Latin music, highlighting its diverse origins and key genres such as Cumbia, Salsa, and Reggaeton. It emphasizes the cultural significance of music in Afro-Latin communities and mentions important figures like Celia Cruz and Tito Puente. Additionally, it clarifies misconceptions about certain musical styles and instruments associated with Afro-Latin music.

Uploaded by

mbo.dipaculao
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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Reviewer

Multiple choice
 Afro-Latin music is derived from multiple traditions, not solely African.
 Cumbia is known for blending African rhythms and Spanish melodies.  Celia Cruz was significant in Salsa music.
 Cumbia originated in Colombia.  The clave rhythm is important in both Afro-Cuban and Salsa music.
 The Conga is commonly used in Afro-Cuban music.  Hip-hop has connections to Afro-Latin music.
 Salsa music is closely linked to the Merengue dance.  The bongo is a traditional instrument used in Cumbia.
 Salsa primarily combines Cuban and North American traditions.  The dance known for fast-paced movements in Brazil is Samba.
 The clave is fundamental in Salsa music. True or false
 Celia Cruz is often referred to as the "Queen of Salsa."  Cumbia originated in Colombia.
 Carnival is famously celebrated in Brazil.  Samba is primarily associated with Argentina.
 The synthesizer is not typically associated with Afro-Latin music. False. (Samba is primarily associated with Brazil.)
 Afro-Latin music includes elements from all musical traditions.  The djembe is commonly used in Afro-Latin music.
 Merengue originated in the Dominican Republic.  Candomblé is a dance style.
 Jazz has roots in the Harlem Renaissance. False. (Candomblé is a religious practice.)
 Jazz is known for its improvisation.  Son Cubano blends African and Spanish melodies.
 Reggaeton is characterized by electronic influences and dance rhythms.  Afro-Brazilian music has no religious connections.
 Call-and-response is a common feature of traditional Afro-Latin music.  False. (It is influenced by various religious practices.
 New York City is a major center for Salsa music.  Mambo became popular in the U.S. in the 1950s.
 Music serves as a cultural expression in Afro-Latin communities.  Tito Puente contributed to salsa music.
 The Berimbau is used in Candomblé music.  Rumba originated in the Caribbean.
 Reggaeton is a blend of Caribbean rhythms and hip-hop.  Reggaeton dates back to the 19th century.
 The marimba is prominent in Latin jazz. False. (It emerged in the late 20th century.)
 The tango is primarily associated with Argentina, not Brazil.
 Call-and-response is common in Afro-Latin music.
 Reggaeton originated in Puerto Rico.
 Salsa dance has connections to jazz.
 The cha-cha originated in Cuba.

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