Murach's ASP.NET 4.

6 Web Programming with C#

2015 pdf download

https://ebookgrade.com/product/murachs-asp-net-4-6-web-
programming-with-c-2015/

Get Instant Ebook Downloads – Browse at https://ebookgrade.com

More products digital (pdf, epub, mobi) instant
download maybe you interests ...

ASP.NET MVC 5 Building a Website with Visual Studio 2015

and C Sharp The Tactical Guidebook Jonas Fagerberg

https://ebookgrade.com/product/asp-net-mvc-5-building-a-website-with-
visual-studio-2015-and-c-sharp-the-tactical-guidebook-jonas-fagerberg/

ebookgrade.com

Programming with Microsoft Visual Basic 2015

https://ebookgrade.com/product/programming-with-microsoft-visual-
basic-2015/

ebookgrade.com

Murach''s Python Programming Wei Zhi

https://ebookgrade.com/product/murachs-python-programming-wei-zhi/

ebookgrade.com

Web Programming with HTML5 CSS and JavaScript

https://ebookgrade.com/product/web-programming-with-html5-css-and-
javascript/

ebookgrade.com
Web Programming with HTML5 CSS and JavaScript

https://ebookgrade.com/product/web-programming-with-html5-css-and-
javascript-2/

ebookgrade.com

Blazor for ASP.NET Web Forms Developers Divimson Rennip

Publications

https://ebookgrade.com/product/blazor-for-asp-net-web-forms-
developers-divimson-rennip-publications/

ebookgrade.com

Beginning C# Programming with MonoGame

https://ebookgrade.com/product/beginning-c-programming-with-monogame/

ebookgrade.com

Matthew MacDonald 'Beginning ASP.NET 4.5 in C#'

https://ebookgrade.com/product/matthew-macdonald-beginning-asp-
net-4-5-in-c/

ebookgrade.com
Exploring the Variety of Random
Documents with Different Content
 Tiger Prince War Tiger
White Elephant

EDWARD S. ELLIS.
These books are considered the best works this well-
known writer ever produced. No better reading for bright
young Americans.
Arthur Helmuth Perils of the Jungle
Check No. 2134 On the Trail of Geronimo
From Tent to White House White Mustang

GEORGE MANVILLE FENN.

For the past fifty years Mr. Fenn has been writing books
for boys and popular fiction. His books are justly popular
throughout the English-speaking world. We publish the
following select list of his boys’ books, which we consider
the best he ever wrote.
Commodore Junk Golden Magnet
Dingo Boys Grand Chaco
Weathercock

ENSIGN CLARKE FITCH, U. S. N.

A graduate of the U. S. Naval Academy at Annapolis, and
thoroughly familiar with all naval matters. Mr. Fitch has
devoted himself to literature, and has written a series of
books for boys that every young American should read.
His stories are full of very interesting information about
the navy, training ships, etc.
Bound for Annapolis Cruise of the Training Ship
Clif, the Naval Cadet From Port to Port
Strange Cruise, A

WILLIAM MURRAY GRAYDON.

An author of world-wide popularity. Mr. Graydon is
essentially a friend of young people, and we offer
herewith ten of his best works, wherein he relates a great
diversity of interesting adventures in various parts of the
world, combined with accurate historical data.
Butcher of Cawnpore, The In Barracks and Wigwam
Camp in the Snow, The In Fort and Prison
Campaigning with Braddock Jungles and Traitors
Cryptogram, The Rajah’s Fortress, The
From Lake to Wilderness White King of Africa, The

LIEUT. FREDERICK GARRISON, U. S. A.

Every American boy takes a keen interest in the affairs of
West Point. No more capable writer on this popular
subject could be found than Lieut. Garrison, who vividly
describes the life, adventures and unique incidents that
have occurred in that great institution—in these famous
West Point stories.
Off for West Point On Guard
Cadet’s Honor, A West Point Treasure, The
West Point Rivals, The

HEADON HILL.
The hunt for gold has always been a popular subject for
consideration, and Mr. Hill has added a splendid story on
the subject in this romance of the Klondyke.
Spectre Gold

HENRY HARRISON LEWIS.

Mr. Lewis is a graduate of the Naval Academy at
Annapolis, and has written a great many books for boys.
Among his best works are the following titles—the
subjects include a vast series of adventures in all parts of
the world. The historical data is correct, and they should
be read by all boys, for the excellent information they
contain.
Centreboard Jim Ensign Merrill
King of the Island Sword and Pen
Midshipman Merrill Valley of Mystery, The
 Yankee Boys in Japan

LIEUT. LIONEL LOUNSBERRY.

A series of books embracing many adventures under our
famous naval commanders, and with our army during the
War of 1812 and the Civil War. Founded on sound history,
these books are written for boys, with the idea of
combining pleasure with profit; to cultivate a fondness for
study—especially of what has been accomplished by our
army and navy.
Cadet Kit Carey Randy, the Pilot
Tom Truxton’s School
Captain Carey
Days
Kit Carey’s Protégé Tom Truxton’s Ocean Trip
Treasure of the Golden
Lieut. Carey’s Luck
Crater
Out With Commodore Decatur
Won at West Point

BROOKS McCORMICK.
Four splendid books of adventure on sea and land, by this
well-known writer for boys.
Giant Islanders, The Nature’s Young Nobleman
How He Won Rival Battalions
 WALTER MORRIS.
This charming story contains thirty-two chapters of just
the sort of school life that charms the boy readers.
Bob Porter at Lakeview Academy

STANLEY NORRIS.
Mr. Norris is without a rival as a writer of “Circus Stories”
for boys. These four books are full of thrilling adventures,
but good, wholsome reading for young Americans.
Young Showman’s Pluck,
Phil, the Showman
The
Young Showman’s Rivals, The Young Showman’s
Triumph

LIEUT. JAMES K. ORTON.

When a boy has read one of Lieut. Orton’s books, it
requires no urging to induce him to read the others. Not a
dull page in any of them.
Beach Boy Joe Secret Chart, The
Last Chance Mine Tom Havens with the White
Squadron
 JAMES OTIS.
Mr. Otis is known by nearly every American boy, and
needs no introduction here. The following copyrights are
among his best:
Chased Through Norway Unprovoked Mutiny
Inland Waterways Wheeling for Fortune
Reuben Green’s Adventures at Yale

GILBERT PATTEN.
Mr. Patten has had the distinction of having his books
adopted by the U. S. Government for all naval libraries on
board our war ships. While aiming to avoid the
extravagant and sensational, the stories contain enough
thrilling incidents to please the lad who loves action and
adventure. In the Rockspur stories the description of their
Baseball and Football Games and other contests with rival
clubs and teams make very exciting and absorbing
reading; and few boys with warm blood in their veins,
having once begun the perusal of one of these books, will
willingly lay it down till it is finished.
Boy Boomers Jud and Joe
Boy Cattle King Rockspur Nine, The
Boy from the West Rockspur Eleven, The
Don Kirke’s Mine Rockspur Rivals, The
 ST. GEORGE RATHBORNE.
Mr. Rathborne’s stories for boys have the peculiar charm
of dealing with localities and conditions with which he is
thoroughly familiar. The scenes of these excellent stories
are along the Florida coast and on the western prairies.
Canoe and Camp Fire Chums of the Prairie
Paddling Under Palmettos Young Range Riders
Rival Canoe Boys Gulf Cruisers
Sunset Ranch Shifting Winds

ARTHUR SEWELL.
An American story by an American author. It relates how a
Yankee boy overcame many obstacles in school and out.
Thoroughly interesting from start to finish.
Gay Dashleigh’s Academy Days

CAPT. DAVID SOUTHWICK.

An exceptionally good story of frontier life among the
Indians in the far West, during the early settlement
period.
Jack Wheeler
 The Famous Frank Merriwell Stories.

BURT L. STANDISH.
No modern series of tales for boys and youths has met
with anything like the cordial reception and popularity
accorded to the Frank Merriwell Stories. There must be a
reason for this and there is. Frank Merriwell, as portrayed
by the author, is a jolly whole-souled, honest, courageous
American lad, who appeals to the hearts of the boys. He
has no bad habits, and his manliness inculcates the idea
that it is not necessary for a boy to indulge in petty vices
to be a hero. Frank Merriwell’s example is a shining light
for every ambitious lad to follow. Ten volumes now ready:
Frank Merriwell’s School
Frank Merriwell’s Bravery
Days
Frank Merriwell’s Hunting
Frank Merriwell’s Chums
Tour
Frank Merriwell’s Foes Frank Merriwell’s Races
Frank Merriwell’s Sports
Frank Merriwell’s Trip West
Afield
Frank Merriwell Down South Frank Merriwell at Yale

VICTOR ST. CLAIR.

These books are full of good, clean adventure, thrilling
enough to please the full-blooded wide-awake boy, yet
containing nothing to which there can be any objection
from those who are careful as to the kind of books they
put into the hands of the young.
 Cast Away in the Jungle From Switch to Lever
Comrades Under Castro Little Snap, the Post Boy
For Home and Honor Zig-Zag, the Boy Conjurer
Zip, the Acrobat

MATTHEW WHITE, JR.

Good, healthy, strong books for the American lad. No
more interesting books for the young appear on our lists.
Adventures of a Young Athlete My Mysterious
Fortune
Eric Dane Tour of a Private Car
Guy Hammersley Young Editor, The

ARTHUR M. WINFIELD.
One of the most popular authors of boys’ books. Here are
three of his best.
Mark Dale’s Stage Venture Young Bank Clerk, The
Young Bridge Tender, The

GAYLE WINTERTON.
 This very interesting story relates the trials and triumphs
of a Young American Actor, including the solution of a very
puzzling mystery.
Young Actor, The

ERNEST A. YOUNG.
This book is not a treatise on sports, as the title would
indicate, but relates a series of thrilling adventures among
boy campers in the woods of Maine.
Boats, Bats and Bicycles

DAVID McKAY, Publisher, Philadelphia.

 TRANSCRIBER’S NOTE:
Obvious typographical errors have been corrected.
Inconsistencies in hyphenation have been
standardized.
Alternate or archaic spelling has been retained from
the original.
 *** END OF THE PROJECT GUTENBERG EBOOK JESSICA TRENT'S
INHERITANCE ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.

copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of
Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything
for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
 PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free

distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and

Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund
from the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be

used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law
in the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached
full Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the
terms of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other

immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears,
or with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
 This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived

from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted

with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning
of this work.

1.E.4. Do not unlink or detach or remove the full Project

Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this

electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or
a means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must
include the full Project Gutenberg™ License as specified in
paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,

performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing

access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
 about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who

notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of

any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™

electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend

considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for

the “Right of Replacement or Refund” described in paragraph 1.F.3,
the Project Gutenberg Literary Archive Foundation, the owner of the
Project Gutenberg™ trademark, and any other party distributing a
Project Gutenberg™ electronic work under this agreement, disclaim
all liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR
NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR
BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK
OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL
NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT,
CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you

discover a defect in this electronic work within 90 days of receiving
it, you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or
entity that provided you with the defective work may elect to provide
a replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied

warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation,

the trademark owner, any agent or employee of the Foundation,
anyone providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with
the production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of the
following which you do or cause to occur: (a) distribution of this or
any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission

of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the

assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project

Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,

Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to

the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many
small donations ($1 to $5,000) are particularly important to
maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating

charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where

we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make

any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About

Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,

including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.