Person-Centered Approach
Person-Centered Approach
THERAPY
Thynk Unlimited
Presentations are communication tools
that can be used as demonstrations.
IN THIS CHAPTER
01
INTRODUCTION
• Four Periods of Development of the Approach
• Existentialism and Humanism
• Abraham Maslow’s Contributions to Humanistic Psychology
02 KEY CONCEPTS
• View of Human Nature
03
• Therapeutic Goals
• Therapist’s Function and Role
• Client’s Experience in Therapy
• Relationship Between Therapist and Client
IN THIS CHAPTER
APPLICATION: THERAPEUTIC
TECHNIQUES AND PROCEDURES
04
• Early Emphasis on Reflection of Feelings
• Evolution of Person-Centered Methods
• The Role of Assessment
• Application of the Philosophy of the Person-Centered Approach
• Application to Crisis Intervention
• Application to Group Counseling
PERSON-CENTERED EXPRESSIVE
05
ARTS THERAPY
• Principles of Expressive Arts Therapy
• Creativity and Offering Stimulating Experiences
• Contributions of Natalie Rogers
IN THIS CHAPTER
MOTIVATIONAL INTERVIEWING
06 • The MI Spirit
• The Basic Principles of Motivational Interviewing
• The Stages of Change
07
PERSON-CENTERED THERAPY FROM
A MULTICULTURAL PERSPECTIVE
• Strengths From a Diversity Perspective
• Shortcomings From a Diversity Perspective
pay attention to and value their experiencing, view prior experiences in new ways, and
process their experience both cognitively increase their confidence in making choices
and bodily, and in pursuing a course of action (Cain, 2010).
CLARK (2010) DESCRIBES AN INTEGRAL MODEL OF EMPATHY IN THE COUNSELING
PROCESS THAT IS BASED ON THREE WAYS OF KNOWING:
Self-awareness, understanding, and insight are achieved by delving into our feelings of grief,
anger, pain, fear, joy, and ecstasy.
Our feelings and emotions are an energy source that can be channeled into the expressive arts
to be released and transformed.
Personal growth and higher states of consciousness are achieved through self-awareness, self-
understanding, and insight.
METHODS OF EXPRESSIVE ARTS THERAPY ARE BASED ON
HUMANISTIC PRINCIPLES BUT GIVING FULLER FORM TO CARL
ROGERS’S NOTIONS OF CREATIVITY. THESE PRINCIPLES
INCLUDE THE FOLLOWING (N. ROGERS, 1993):
The expressive arts lead us into the unconscious, thereby enabling us to express previously
unknown facets of ourselves and bring to light new information and awareness.
One art form stimulates and nurtures the other, bringing us to an inner core or essence that is
our life energy.
METHODS OF EXPRESSIVE ARTS THERAPY ARE BASED ON
HUMANISTIC PRINCIPLES BUT GIVING FULLER FORM TO CARL
ROGERS’S NOTIONS OF CREATIVITY. THESE PRINCIPLES
INCLUDE THE FOLLOWING (N. ROGERS, 1993):
A connection exists between our life force—our inner core, or soul—and the
essence of all beings.
Therapists practicing motivational interviewing strive to experience the world from the client’s
perspective without judgment or criticism. MI emphasizes reflective listening, which is a way
for practitioners to better understand the subjective world of clients.
MI is designed to evoke and explore both discrepancies and ambivalence. Counselors using MI
reflect discrepancies between the behaviors and values of clients to increase the motivation to
change.
THE BASIC PRINCIPLES OF MOTIVATIONAL INTERVIEWING
MILLER AND ROLLNICK (2002) FORMULATED FIVE BASIC
PRINCIPLES OF MI, WHICH ARE SUMMARIZED BELOW:
Reluctance to change is viewed as a normal and expected part of the therapeutic process.
Although individuals may see advantages to making life changes, they also may have many
concerns and fears about changing.