(Ebook) File for Divorce in New Jersey, 2E

(Legal Survival Guides) by DeSimone, Gibbons

ISBN 9781423767060, 9781572485129, 1423767063,
1572485124 download
https://ebooknice.com/product/file-for-divorce-in-new-
jersey-2e-legal-survival-guides-1758534

Explore and download more ebooks at ebooknice.com

Here are some recommended products that we believe you will be
interested in. You can click the link to download.

(Ebook) Biota Grow 2C gather 2C cook by Loucas, Jason; Viles, James

ISBN 9781459699816, 9781743365571, 9781925268492, 1459699815,
1743365578, 1925268497

https://ebooknice.com/product/biota-grow-2c-gather-2c-cook-6661374

(Ebook) Matematik 5000+ Kurs 2c Lärobok by Lena Alfredsson, Hans

Heikne, Sanna Bodemyr ISBN 9789127456600, 9127456609

https://ebooknice.com/product/matematik-5000-kurs-2c-larobok-23848312

(Ebook) SAT II Success MATH 1C and 2C 2002 (Peterson's SAT II Success)

by Peterson's ISBN 9780768906677, 0768906679

https://ebooknice.com/product/sat-ii-success-
math-1c-and-2c-2002-peterson-s-sat-ii-success-1722018

(Ebook) Master SAT II Math 1c and 2c 4th ed (Arco Master the SAT
Subject Test: Math Levels 1 & 2) by Arco ISBN 9780768923049,
0768923042

https://ebooknice.com/product/master-sat-ii-math-1c-and-2c-4th-ed-
arco-master-the-sat-subject-test-math-levels-1-2-2326094
(Ebook) Cambridge IGCSE and O Level History Workbook 2C - Depth Study:
the United States, 1919-41 2nd Edition by Benjamin Harrison ISBN
9781398375147, 9781398375048, 1398375144, 1398375047

https://ebooknice.com/product/cambridge-igcse-and-o-level-history-
workbook-2c-depth-study-the-united-states-1919-41-2nd-edition-53538044

(Ebook) How to Start a Business in New Jersey by F. Clifford Gibbons;

Rebecca A. DeSimone ISBN 9781281824776, 1281824771

https://ebooknice.com/product/how-to-start-a-business-in-new-
jersey-51370202

(Ebook) How to File for Divorce in Pennsylvania by Rebecca DeSimone;

Edward A. Haman ISBN 9781281824943, 1281824941

https://ebooknice.com/product/how-to-file-for-divorce-in-
pennsylvania-51370178

(Ebook) How to File for Divorce in Florida (Legal Survival Guides) by

Edward A. Haman ISBN 9781417555314, 9781572483965, 1417555319,
1572483962

https://ebooknice.com/product/how-to-file-for-divorce-in-florida-
legal-survival-guides-1979704

(Ebook) How to File for Divorce in Michigan (Legal Survival Guides) by

Edward A. Haman ISBN 9781572482159, 9781572482814, 157248215X,
1572482818

https://ebooknice.com/product/how-to-file-for-divorce-in-michigan-
legal-survival-guides-1743992
“Easy to understand guides—an
excellent source for readers.”
—Library Journal
SPHINX LEGAL
TA K I N G T H E M Y S T E R Y O U T O F T H E L A W ™

File for
Divorce in
New Jersey
A PLAIN ENGLISH GUIDE TO GETTING IT DONE NOW:
✔
❍
● M A X I M I Z E Yo u r S h a r e o f t h e P ro p e r t y
✔
❍
● P ro t e c t Yo u r C H I L D R E N ’ S F U T U R E
✔
❍
● End the Relationship with DIGNITY
✔
❍
● S AV E o n L e g a l F e e s

R E A D Y- T O - G O F O R M S
W I T H S T E P - B Y- S T E P I N S T R U C T I O N S

F. Clifford Gibbons and Rebecca A. DeSimone

Attorneys at Law

2nd edition
 File for
Divorce
in
New Jersey
Second Edition

F. Clifford Gibbons
Rebecca A DeSimone
Attorneys at Law

SPHINX PUBLISHING
®

AN IMPRINT OF SOURCEBOOKS, INC.®

NAPERVILLE, ILLINOIS
www.SphinxLegal.com
Copyright © 1993-1998, 2003, 2005 by F. Clifford Gibbons and Rebecca A. DeSimone
Cover and internal design © 2005 by Sourcebooks, Inc.®
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical
means including information storage and retrieval systems—except in the case of brief quotations embod-
ied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc.
Purchasers of the book are granted license to use the forms contained herein for their own personal use. No
claim of copyright is made to any government form reproduced herein. All brand names and product names
used in this book are trademarks, registered trademarks, or trade names of their respective holders.
Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.
Second Edition: 2005

Published by: Sphinx® Publishing, A Imprint of Sourcebooks, Inc.®

Naperville Office
P.O. Box 4410
Naperville, Illinois 60567-4410
(630) 961-3900
Fax: 630-961-2168
www.sourcebooks.com
www.SphinxLegal.com

This publication is designed to provide accurate and authoritative information in regard to the subject
matter covered. It is sold with the understanding that the publisher is not engaged in rendering legal,
accounting, or other professional service. If legal advice or other expert assistance is required, the serv-
ices of a competent professional person should be sought.

From a Declaration of Principles Jointly Adopted by a Committee of the

American Bar Association and a Committee of Publishers and Associations

This product is not a substitute for legal advice.

Disclaimer required by Texas statutes.

Library of Congress Cataloging-in-Publication Data

Gibbons, F. Clifford.
File for divorce in New Jersey / F. Clifford Gibbons, Rebecca A.
Desimone.-- 2nd ed.
p. cm.
Rev. ed. of: How to file for divorce in New Jersey. 2003.
Includes index.
ISBN 1-57248-512-4 (alk. paper)
1. Divorce suits--New Jersey--Popular works. I. DeSimone, Rebecca A.,
1963- II. Gibbons, F. Clifford. How to file for divorce in New Jersey. III.
Title.

KFN1900.Z9G53 2005
346.74901'66--dc22 2005014539

Printed and bound in the United States of America.

BG — 10 9 8 7 6 5 4 3 2 1
Contents

chapter
Using Self-Help Law Books . . . . . . . . . . . . . . . . . . . . . vii

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xi

Chapter 1: Marriage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
The Divorce Proceeding
Annulment
Legal Separation
How Divorce May Affect Your Life
Alternatives to Divorcing

Chapter 2: The Legal System . . . . . . . . . . . . . . . . . . . . 13

Fact Versus Fiction
The Court System in New Jersey
The Players
Divorce Law
Divorce Procedure
Legal Research
 file for divorce in new jersey iv

Chapter 3: Lawyers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Hiring a Lawyer
Selecting a Lawyer
Working with a Lawyer

Chapter 4: Preliminary Considerations. . . . . . . . . . . 31

Residency
Grounds for Divorce
Relating with Your Spouse
Gathering Financial Information
Negotiation

Chapter 5: Property, Debts, and Alimony . . . . . . . . . 39

Property
Debts
Alimony

Chapter 6: Child Custody, Visitation,

and Support . . . . . . . . . . . . . . . . . . . . . . . . . 49
Child Custody Overview
Custody by Parental Agreement
Mediation
Custody Battles within a Divorce
Child Support
Child Support Enforcement and Collection

Chapter 7: Legal Forms and

General Procedures . . . . . . . . . . . . . . . . . . 71
Filing with the Clerk of the Superior Court
Service of the Complaint Upon Your Spouse
Other Notice
Track Designation
Case Information Statements
Early Settlement Panel
Motions
Courtroom Decorum
 contents v

Chapter 8: Uncontested Divorce . . . . . . . . . . . . . . . . . 81

Negotiation
Uncontested Divorce Procedure
Verified Complaint for Divorce
Property Settlement Agreement
Wife’s Retaking of Prior Name
Final Hearing
Final Judgment of Divorce

Chapter 9: Contested Divorce . . . . . . . . . . . . . . . . . . . 95

Filing and Procedures
Prosecuting the Case
Your Spouse’s Response

Chapter 10: Special Circumstances . . . . . . . . . . . . . 101

When You Cannot Afford Court Costs
Alternative Dispute Resolution
Domestic Violence
Protecting Your Children
Spouse’s Removal of Property
Temporary Support and Custody
Taxes
Pension Plans
Social Security Issues and Benefit Eligibility
Conclusion

Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Appendix A: New Jersey Statutes and

Court Rules. . . . . . . . . . . . . . . . . . . . . . . 127

Appendix B: Local Courthouse Addresses . . . . . . . 145

Appendix C: Family Practice Division

Family Division Managers
and Telephone Numbers . . . . . . . . . . . 147
 file for divorce in new jersey vi

Appendix D: New Jersey Child Support Customer

Service Hotlines . . . . . . . . . . . . . . . . . . 149

Appendix E: New Jersey Child Support

Guidelines . . . . . . . . . . . . . . . . . . . . . . . . 151

Appendix F: Blank Forms . . . . . . . . . . . . . . . . . . . . . . 171

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
 Using Self-Help
Law Books

Before using a self-help law book, you should realize the advantages
and disadvantages of doing your own legal work and understand the
challenges and diligence that this requires.

The Growing Rest assured that you will not be the first or only person handling
Trend your own legal matter. For example, in some states, more than 75% of
the people in divorces and other cases represent themselves. Because
of the high cost of legal services, this is a major trend, and many
courts are struggling to make it easier for people to represent them-
selves. However, some courts are not happy with people who do not
use attorneys and refuse to help them in any way. For some, the atti-
tude is, “Go to the law library and figure it out for yourself.”

We write and publish self-help law books to give people an alternative

to the often complicated and confusing legal books found in most law
libraries. We have made the explanations of the law as simple and
easy to understand as possible. Of course, unlike an attorney advis-
ing an individual client, we cannot cover every conceivable possibility.
 file for divorce in new jersey viii

Cost/Value Whenever you shop for a product or service, you are faced with vari-
Analysis ous levels of quality and price. In deciding what product or service to
buy, you make a cost/value analysis on the basis of your willingness
to pay and the quality you desire.

When buying a car, you decide whether you want transportation, com-
fort, status, or sex appeal. Accordingly, you decide among choices such
as a Neon, a Lincoln, a Rolls Royce, or a Porsche. Before making a
decision, you usually weigh the merits of each option against the cost.

When you get a headache, you can take a pain reliever (such as
aspirin) or visit a medical specialist for a neurological examination.
Given this choice, most people, of course, take a pain reliever, since it
costs only pennies; whereas a medical examination costs hundreds of
dollars and takes a lot of time. This is usually a logical choice because
it is rare to need anything more than a pain reliever for a headache.
But in some cases, a headache may indicate a brain tumor, and fail-
ing to see a specialist right away can result in complications. Should
everyone with a headache go to a specialist? Of course not, but people
treating their own illnesses must realize that they are betting on the
basis of their cost/value analysis of the situation. They are taking the
most logical option.

The same cost/value analysis must be made when deciding to do one’s

own legal work. Many legal situations are very straightforward,
requiring a simple form and no complicated analysis. Anyone with a
little intelligence and a book of instructions can handle the matter
without outside help.

But there is always the chance that complications are involved that
only an attorney would notice. To simplify the law into a book like
this, several legal cases often must be condensed into a single sen-
tence or paragraph. Otherwise, the book would be several hundred
pages long and too complicated for most people. However, this simpli-
fication necessarily leaves out many details and nuances that would
apply to special or unusual situations. Also, there are many ways to
interpret most legal questions. Your case may come before a judge
who disagrees with the analysis of our authors.
 using self-help law books ix

Therefore, in deciding to use a self-help law book and to do your own

legal work, you must realize that you are making a cost/value analy-
sis. You have decided that the money you will save in doing it yourself
outweighs the chance that your case will not turn out to your satis-
faction. Most people handling their own simple legal matters never
have a problem, but occasionally people find that it ended up costing
them more to have an attorney straighten out the situation than it
would have if they had hired an attorney in the beginning. Keep this
in mind while handling your case, and be sure to consult an attorney
if you feel you might need further guidance.

Local Rules The next thing to remember is that a book which covers the law for
the entire nation, or even for an entire state, cannot possibly include
every procedural difference of every jurisdiction. Whenever possible,
we provide the exact form needed; however, in some areas, each
county, or even each judge, may require unique forms and procedures.
In our state books, our forms usually cover the majority of counties in
the state or provide examples of the type of form that will be required.
In our national books, our forms are sometimes even more general in
nature but are designed to give a good idea of the type of form that
will be needed in most locations. Nonetheless, keep in mind that your
state, county, or judge may have a requirement, or use a form, that is
not included in this book.

You should not necessarily expect to be able to get all of the informa-
tion and resources you need solely from within the pages of this book.
This book will serve as your guide, giving you specific information
whenever possible and helping you to find out what else you will need
to know. This is just like if you decided to build your own backyard
deck. You might purchase a book on how to build decks. However, such
a book would not include the building codes and permit requirements
of every city, town, county, and township in the nation; nor would it
include the lumber, nails, saws, hammers, and other materials and
tools you would need to actually build the deck. You would use the
book as your guide, and then do some work and research involving
such matters as whether you need a permit of some kind, what type
and grade of wood is available in your area, whether to use hand tools
or power tools, and how to use those tools.
 file for divorce in new jersey x

Before using the forms in a book like this, you should check with your
court clerk to see if there are any local rules of which you should be
aware or local forms you will need to use. Often, such forms will
require the same information as the forms in the book but are merely
laid out differently or use slightly different language. They will some-
times require additional information.

Changes in Besides being subject to local rules and practices, the law is subject to
the Law change at any time. The courts and the legislatures of all fifty states
are constantly revising the laws. It is possible that while you are
reading this book, some aspect of the law is being changed.

In most cases, the change will be of minimal significance. A form will

be redesigned, additional information will be required, or a waiting
period will be extended. As a result, you might need to revise a form,
file an extra form, or wait out a longer time period. These types of
changes will not usually affect the outcome of your case. On the other
hand, sometimes a major part of the law is changed, the entire law in
a particular area is rewritten, or a case that was the basis of a cen-
tral legal point is overruled. In such instances, your entire ability to
pursue your case may be impaired.
Introduction

Divorce is a difficult, emotional, and uprooting event. For many,

divorce can be one of the most devastating events imaginable.

There are as many reasons for couples to divorce as there are to

marry, so the fact that divorces are on the rise in the United States is
not surprising. Certainly, when one observes the vast numbers of
marriages breaking up, it causes one to wonder if it is possible in this
present day for couples to last throughout the seemingly all-encom-
passing pledge and commitment of an enduring marriage.

With approximately fifty percent of all marriages ending in divorce, it

is not surprising why you are about to read this self-help book. It also
seems relevant to indicate that over one million children each year
are affected by divorce. Marriage dissolutions create hotly disputed
issues and thorny problems, which cause lifestyle changes, financial
divisions, property allocations, and countless other complexities.

The objective of this book is to assist you in considering your options

in deciding various divorce issues and strategies. This book provides
a broad outline of the factors that courts examine when determining
divorce-related issues. In addition, you will learn the way a divorce
 file for divorce in new jersey xii

proceeding progresses. The required information to allow you to file

your own divorce action, should you choose to do so, is also presented.

Understanding the legal process in a divorce action and possessing a

general knowledge of the laws in the domestic relations area can help
reduce the rancor involved in your case. This basic understanding can
ultimately enhance the willingness of both parties to make the
process easier.

As you read this book, it is critical to keep in mind that no book can
address every factual situation possible. It is wise to gather various
sources of information to assist you in your understanding of this
topic and to be certain that you are interpreting the law correctly
based upon your particular situation. This book is designed and gen-
erally written for uncontested divorces. An uncontested divorce is one
that will not involve complex issues of financial distribution, custody,
support, and, most importantly, hostility on the part of your spouse.
Even if your assets and backgrounds are complex, if there are no
hotly contested issues creating an impasse between you and your
spouse, you may still wish to handle the matter on your own.

Critical to the advancement of your divorce matter is understanding

the fact that divorce significantly depletes the parties’ overall accu-
mulated wealth. The divorce causes the entire asset base viewed as a
whole to be divided between two individuals. Certainly, the resulting
outcome is that each individual has less than the whole. Functioning
with reduced means becomes a new way of life for divorcing couples.

Retaining the legal services of a divorce or matrimonial attorney is

expensive. In a divorce situation that becomes contested, it is quite
routine for an individual to incur legal fees in the $15,000–$25,000
range. Despite all of the monies paid out, it is not unusual for an indi-
vidual to observe little advancement or result in his or her case.

Although this book is designed to enable you to proceed through the

divorce maze without the need to hire an attorney, it is recommended
that you consider the complexities of this process. It is generally
unlikely that a layperson could not proceed with ease through the
intricacies of most divorce cases and thus we suggest using this book
as a reference guide and a line of support in your particular situation.
 introduction xiii

Should you choose to retain the services of an attorney, be aware of

what is taking place in your case. You will have the knowledge to
engage in meaningful discussions with your attorney. You will not
waste time in having your lawyer repeatedly explaining the basic
aspects of the divorce process, since you will have gained a compre-
hensive understanding and working knowledge of the basics in your
thorough review of this book.

You will find that in certain instances, specific requirements exist

that are peculiar and unique to your locale. In such circumstances, it
is best to prepare the general forms as supplied in this book and sub-
sequently make needed changes or alterations when so instructed.
Given the number of counties in New Jersey, it would be burdensome
to the format of this book to include the assortment of idiosyncrasies
particular to each and every county filing office. However, a list of
New Jersey county filing offices is provided in Appendix B.

This book is a convenient guide to move you through the complexities

of the legal system in the most understandable and simple manner
possible. For the most part, confusing legal terminology has been
removed. Be alert to the fact that the term spouse will refer to your
husband or wife (as applicable), and the terms child and children are
used interchangeably.

In New Jersey, divorce cases are generally filed with the Clerk of the
New Jersey Superior Court, Chancery Division, Family Part for the
county in which the parties live. Throughout this book, we will use the
term “Superior Court Clerk” or “clerk” to identify this court official.
Please keep in mind that different judges and courts in different coun-
ties may have their own unique procedures, forms, and ways of
handling matters. The office of the Superior Court Clerk can often
inform you if they have any special forms or particular requirements,
or direct you to the Family Division Manager in your county, who can
provide further information. You should be aware that in all cases per-
sonnel at the clerk’s office are not permitted to provide legal advice.

The first two chapters of this book give you an overview of the law
and the legal system. Chapter 3 helps you decide whether you want
to hire an attorney. Chapters 4 and 5 help you evaluate your situation
and provide you with an idea of what you may expect if you decide to
 file for divorce in new jersey xiv

proceed with divorce. The remaining chapters show you the forms
that you need, the manner in which they must be completed, and the
procedures to follow. A chapter is also included that discusses special
circumstances that may affect the handling of your divorce.

In addition, there are several appendices. Appendix A contains

selected New Jersey Statutes and Rules of Court dealing with divorce,
property division, alimony, child support, child custody, and domestic
violence. (Although these provisions are discussed in the book, it is
sometimes helpful to read the law exactly as it is written.) Appendix B
contains the addresses of the twenty-one county courthouses in New
Jersey. Appendix C lists the names and telephone numbers of the
family division manager in each county. Appendix D provides the hot-
lines for county customer service bureaus for assistance in child
support matters. Appendix E contains New Jersey child support
guidelines. Appendix F contains forms you may need to prepare and
file in various types of divorce procedures.

You will not need to use all of the forms. This book tells you which
forms you need, depending upon your situation, and guides you in fill-
ing in the necessary information. Be sure to read Chapter 7 “Legal
Forms and General Procedures” before you use any of the forms in
this book.
Marriage

chapter 1
This chapter addresses what marriage actually is. It explains the
obligations and rights you have in the marriage, addresses the option
to terminate the marriage, and examines if divorce is the actual direc-
tion in which you wish to proceed.

Commonly, marriage or the bonds of matrimony are considered a con-

tractual relationship. It is a legal agreement in one aspect, and for the
majority of married couples, it engenders some aspect of a religious
pact. Only the legal aspects are addressed in this guide.

The vows uttered in the wedding ceremony and documents signed in

advance of that ceremony (marriage license and a marriage certifi-
cate) create a binding pledge about the way the marriage will endure.
Definitive rights and obligations exist for the husband and wife.
Despite the focus that a wedding centers upon various ceremonial
aspects of the marital union, the reality is that certain legal monetary
and property rights are created as a direct result of the marriage.
Thus, these monetary and property rights cannot be terminated with-
out a legal proceeding.
 file for divorce in new jersey 2

The marital bond creates certain rights and obligations in finances

and in property. It establishes particular requirements with regard to
support and care of any children produced by the parties. Sadly, most
couples fail to understand that these rights and obligations have been
formed until divorce proceedings begin.

THE DIVORCE PROCEEDING

Usually, breaking the marriage contract is undertaken by the divorce
proceeding. In such a proceeding, a court makes findings of fact and
conclusions of law that result in the breaking of the marital union.
The couple’s assets and debts are also divided according to either
agreement or law. Decisions regarding support, custody, visitation
with respect to any of the couple’s children, alimony, and other issues
are addressed.

Grounds Divorce is granted under specific circumstances. Following are the

grounds for divorce in New Jersey.

Adultery. Engaging in sexual relations with someone other than

your spouse.

Willful and continued desertion. For the term of twelve or more

months, a person has been absent from his or her spouse by choice
and has not returned at any point.

Extreme cruelty. Physical or mental suffering inflicted on a person,

which endangers the safety or health of the victim spouse. It makes
it improper or unreasonable to expect the victim to continue to live
with his or her spouse.

Separation. When a couple lives apart for a period of eighteen

months with no reasonable prospect of reconciliation.

Voluntarily induced addiction. Repeatedly using any narcotic

drug or being habitually drunk.

Institutionalization for mental illness. When a spouse is put into

an in-patient program for psychiatric reasons, and stays for a period
 marriage 3

of twenty-four or more consecutive months after the beginning of the

marriage and preceding the filing of the divorce complaint.

Imprisonment. When a spouse is put in prison for eighteen or more

consecutive months after a marriage.

Deviant sexual conduct. An act or acts voluntarily performed by

one of the spouses without the consent of the other spouse.

In reviewing these grounds, it is important to consider the differences

between those that are legally based in fault and no-fault. Those that
are fault-based are:

✪ adultery;

✪ desertion;

✪ extreme cruelty;

✪ addiction;

✪ institutionalization;

✪ imprisonment; and,

✪ deviant sexual conduct.

The only no-fault ground for divorce in New Jersey is separation. This
ground is most commonly used, because it provides a basis for a
straightforward dissolution of a marriage. For example, in New
Jersey, using separation as grounds, the process can be completed in
a period of eighteen months, provided that you and your spouse live
separate and apart during that period.

Obtaining a divorce on fault grounds is much more difficult, expensive,

and time consuming. This process entails proof of very specific events
such as adultery, barbarous treatment, fraud, incapacity of the mind, or
abandonment. Because proof of these elements is required, most fault
divorces should not be attempted without an attorney. (Fault divorces
are beyond the scope of this book and are not extensively covered.)
 file for divorce in new jersey 4

Separation Two questions often arise when a divorce is filed on the basis of
separation.

1. What does it mean to live separate and apart?

2. When does the eighteen-month period begin to run?

Living separate and apart means that you and your spouse are living
separate lives, with no intention of ever getting back together. To
make it clear that you are living separate and apart, most divorce
lawyers would advise you to move out of your home, or direct your
spouse to leave the marital home. Clearly tell your spouse (in front of
a friend or relative who can witness) that you never intend to live
with him or her again.

The required eighteen-month period begins to run when you and your
spouse separate with the intention to end your marriage. If your
spouse does not object to the date of separation that you select, that
date will usually be accepted by the court. However, if your spouse
does not agree as to the date of your separation, you will need to prove
that you separated on that date. If you cannot prove that date, the
court will typically go by the date you filed a Verified Complaint for
Divorce. (see form 4, page 187.) The following sample case shows the
type of problems that can arise if it is not made clear the date you and
your spouse began living separate and apart.

Example:
John moves out and ten months later, Mary files for divorce, expect-
ing that she will get her divorce decree in about eight months when
the eighteen-month separation period is done. However, John files a
response saying that he only moved out because he was exploring
business or employment opportunities in another city and always
intended to move back in with Mary.

Likely result: the court rules that there is no evidence that the par-
ties intended to separate at the time John moved out; therefore, the
separation period must be calculated from the date when Mary filed
her Verified Complaint for Divorce. She will have to wait almost
eighteen months before she can get a divorce decree.
 marriage 5

In rare cases, a couple has been considered to live separate and apart
while continuing to live in the same house. In such instances, the cou-
ple went to great trouble to separate their lives, such as sleeping in
separate bedrooms and keeping separate food supplies. There are
also many cases where a couple did this and a court determined that
they were not living separate and apart.

In any event, such arrangements are not recommended, as they pro-

vide your spouse with an opportunity to deny the separation, which
may greatly delay finalizing a divorce. In such instances, it is also
more difficult to establish the date when the separation began.

ANNULMENT
The basic difference between a divorce and an annulment is that a
divorce says, “this marriage is broken,” while an annulment says, “a
marriage never existed.” As annulments are more difficult and com-
plicated to prove, they are not used very often. Annulments are only
possible in a few circumstances, usually when one party deceived the
other. If you decide that you want an annulment, you should consult
an attorney. If you are seeking an annulment for religious reasons
and need to go through a church procedure (rather than, or in addi-
tion to, a legal procedure), you should consult your clergyperson.
Generally, a divorce is easier to obtain than an annulment.

However, in order to get an annulment, you will need to prove,

through the use of documents and sworn testimony, that one of the
following circumstances exists.

✪ One of the parties has another wife or husband living at the

time of the other marriage.

✪ The marriage is incestuous, with one or both of the parties

being within the degrees of consanguinity (family relationship)
prohibited by law.

✪ One or both parties were physically and incurably impotent,

with the nonimpotent spouse not knowing of such impotency
at the time of the marriage.
Exploring the Variety of Random
Documents with Different Content
WATER BUGS. Loew's Inc., c1941. Presented by Metro-Goldwyn-
Mayer. 917 ft., sd., b&w. (A Pete Smith Specialty)
Credits: Director, Will Jason; original story and screenplay, E.
Maurice Adler; film editor, Philip Anderson.
© Loew's Inc.: 28Aug41; LP10743.

THE WATER CYCLE. Encyclopaedia Britannica Films, Inc., in

collaboration with S. Ralph Powers, c1947. 1 reel, sd., b&w,
16mm.
© Encyclopaedia Britannica Films, Inc.; 3Feb47; MP1671.

WATER CYCLE. SEE Le Cycle de l'Eau.

WATER—FRIEND OR ENEMY. Walt Disney Productions, c1943. 1

reel, sd.
© Walt Disney Productions; 6Apr43; MP13620.

WATER IN THE AIR. Radford Pictures Inc., c1949. 11 min., sd.,

b&w, 16mm.
Summary: A city boy visits the farm and discovers how water is
drawn up from the earth. Simple kitchen experiments explain
evaporation, condensation, and what causes water in the air to
return to the earth as rain. An elementary science film.
© Radford Pictures Inc.; 1Mar49; MP4834.

WATER POWER. Encyclopaedia Britannica Films, Inc., in

collaboration with George T. Renner, Jr., c1946. 1 reel, sd., b&w.
16mm. Afrikaans version. Title on script: "Waterkrag."
© Encyclopaedia Britannica Films, Inc.; 20Jul46; MP1871.

WATER SPEED. Paramount Pictures Inc., c1949. 10 min., sd.,

b&w, 35mm. (Grantland Rice Sportlight)
 Summary: Presents outstanding men and women swimmers—
Jackie Levine and Walter Riss, free style champions; Nancy
Merki Lees, Keith Carter, and Joe Verdeur, butterfly breast
stroke champions; and Maureen O'Brien and Alan Stack, back
stroke champions.
Credits: Producer, Jack Eaton; narrator, Ted Husing; music,
Harry D. Glass.
© Paramount Pictures Inc.; 21Oct49; MP4659.

WATER SPORTS. Warner Bros. Pictures, Inc., c1941. 10 min., sd.,

color. (Sports Parade)
Credits: Director, Del Frazier; commentator, Knox Manning.
Technicolor.
© Warner Bros. Pictures, Inc.; 15Nov41; MP11745.

WATER TRIX. Loew's Inc., c1949. 9 min., sd., b&w, 35mm. (Pete
Smith Specialty) An MGM picture.
Summary: Charles T. Trego photographs daring water sports
from his helicopter.
Credits: Producer and narrator, Pete Smith; director and
photographer, Charles T. Trego; film editor, Joseph Dietrick.
© Loew's Inc.; 26Oct49 (in notice: 1948); MP4709.

WATER WISDOM. Loew's Inc., c1943. Presented by Metro-

Goldwyn-Mayer. 826 ft., sd., b&w. (A Pete Smith Specialty)
Credit: Film editor, Philip Anderson.
© Loew's Inc.; 2Dec43; MP14420.

WATER WIZARDS. Vitaphone Corp., c1949. 10 min., sd., color,

35mm. (The Sports Parade) Warner Bros.
Summary: Underwater formation swimming and other water
sports are shown at Wickiwachee Springs, Florida.
 Credits: Written by Saul Elkins; narrator, Art Gilmore; editor,
Rex Steele.
© Vitaphone Corp.; 3Aug49; MP4380.

WATER WONDERLAND. Vitaphone Corp., c1949. 10 min., sd.,

color, 35mm. (Sports Parade) Warner Bros.
Summary: Famous resorts in Southern California provide the
settings for the water sports that are highlighted in this film.
Credits: Director, Virgil E. Ellsworth; written by Charles
Tedford; narrator, Art Gilmore.
© The Vitaphone Corp.; 4Mar49; MP3964.

WATER WORKS FOR US. Young America Films, Inc., c1949. 10

min., sd., b&w, 16mm.
Summary: Explains the basic principle of water pressure and
shows the many ways in which water works for us. For
elementary school science classes.
Credits: Advisers, Gerald S. Craig, Helen Warrin.
Appl. author: Leonard Peck.
© Leonard Peck Productions; 15Mar49; MP4063.

WATERCOLOR TECHNIQUE. c1939. 1 reel, si., b&w, 16mm.

Appl. author: Eliot O'Hara.
© Indiana University, Bureau of Visual Instruction; 15Dec39;
MP10474.

WATERFRONT. c1944. Presented by P.R.C. Pictures, Inc. 7 reels,

sd. An Alexander-Stern production.
Credits: Producer, Arthur Alexander; director, Steve Sekely;
original screenplay, Martin Mooney, Irwin R. Franklyn; music
director, Lee Zahler; film editor, Charles Henkel, Jr.
© P.R.C. Pictures, Inc.; 27May44; LP12668.
WATERFRONT AT MIDNIGHT. Paramount Pictures Inc., c1948.
65 min., sd., b&w, 35mm.
Summary: A melodrama in which a New York police officer
brings to justice the leader of a gang of waterfront thieves.
Credits: Producers, William H. Pine, William C. Thomas;
director, William Berke; original screenplay, Bernard Girard;
music score, Harry Lubin; film editor, Howard Smith.
Cast: William Gargan, Mary Beth Hughes, Richard Travis,
Richard Crane, Cheryl Walker.
© Paramount Pictures Inc.; 25Jun48; LP1693.

WATERKRAG. SEE Water Power.

WATERLOO BRIDGE. Loew's Inc., c1940. Presented by Metro-

Goldwyn-Mayer. 11 reels, sd., b&w. A Mervyn LeRoy production.
Based on the play by Robert E. Sherwood.
Credits: Producer, Sidney Franklin; director, Mervyn LeRoy;
screenplay, S. N. Behrman, Hans Rameau, George Froeschel;
music score, Herbert Stothart; film editor, George Boemler.
© Loew's Inc.; 15May40; LP9661.

WATERLOO ROAD. Gainsborough Pictures, Ltd., London., c1945.

Released in the U. S. by Eagle Lion Films, Inc., 1949. A J. Arthur
Rank presentation. 77 min., sd., b&w, 35mm.
Summary: A semi-documentary drama which probes the
domestic problems that arise in wartime as a result of loneliness
and difficult living conditions. Setting, London during World
War II.
Credits: Producer, Edward Black; directed and written by
Sidney Gilliat; story, Val Valentine; music director, Louis Levy;
editor, Alfred Roome.
Cast: John Mills, Stewart Granger, Alastair Sim, Joy Shelton,
Alison Leggatt.
© General Film Distributors, Ltd.; 7Feb45; LP2249.
WATTS EXPLOSION TESTS.
Appl. author: Wendell M. Dillon.
© Watts Regulator Co.; title, descr., & 6 prints, 29Apr40;
MU10164.

THE WATUSSI OF AFRICA. Erpi Classroom Films, Inc., c1939. 1

reel.
Appl. author: George Herzog.
© Erpi Classroom Films, Inc.; 21Nov39; MP9870.

DIE WATUSSI VAN AFRIKA. SEE A Giant People.

WAVE-A-STICK BLUES. Soundies Distributing Corp. of America,

Inc., c1942. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 15Jun42;
MP12668.

A WAVE, A WAC AND A MARINE. Biltmore Productions, c1944. 8

reels, sd. An Edward Sherman production.
Credits: Producer, Sebastian Cristillo; director, Phil Karlstein;
original story, Lillian Planer, Dick Hyland; screenplay, Hal
Fimberg; music director, Freddie Rich; photography, Maury
Gertsman; film editor, William Zeigler.
© Monogram Pictures Corp., 26Aug44; LP12837.

WAY BACK WHEN A NAG WAS ONLY A HORSE. Paramount

Pictures Inc., c1940. 1 reel, sd.
Credits: Director, Dave Fleischer; story, Joseph Stultz;
animation, Myron Waldman, George Moreno.
© Paramount Pictures Inc.; 8Mar40; LP9475.
WAY BACK WHEN A NIGHT CLUB WAS A STICK. Paramount
Pictures Inc., c1940. 1 reel, sd.
Credits: Director, Dave Fleischer; story, William Turner;
animation, David Tendlar, Edwain Rehberg.
© Paramount Pictures Inc.; 15Mar40; LP9628.

WAY BACK WHEN A RAZZBERRY WAS A FRUIT. Paramount

Pictures Inc., c1940. 1 reel, sd.
Credits: Director, Dave Fleischer; story, Dan Gordan;
animation, James Culhane, Alfred Eugster.
© Paramount Pictures Inc.; 26Jul40; LP9808.

WAY BACK WHEN A TRIANGLE HAD ITS POINTS. Paramount

Pictures Inc., c1940. 1 reel, sd.
Credits: Director, Dave Fleischer; story, William Turner;
animation, David Tendlar, Thomas Golden.
© Paramount Pictures Inc.; 26Jan40; LP9566.

WAY BACK WHEN WOMEN HAD THEIR WEIGH; Paramount

Pictures Inc., c1940. 1 reel.
Credits: Director, Dave Fleischer; story, Ted Pierce; animation,
Thomas Johnson, Harold Walker.
© Paramount Pictures Inc.; 27Sep40; LP9979.

WAY DOWN YONDER IN NEW ORLEANS. Soundies Distributing

Corp. of America, Inc., c1941. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 1Dec41;
MP11870.

WAY DOWN YONDER IN THE CORN. c1943. Presented by

Columbia. 659 ft., sd., color. (A Fox and Crow)
 Credits: Producer, Dave Fleischer; director, Bob Wickersham;
story, Sam Cobean; animation, Phil Duncan, Basil Davidovich;
music, Eddie Kilfeather. Technicolor.
© Screen Gems, Inc.; 25Nov43; LP12766.

A WAY IN THE WILDERNESS. Loew's Inc., c1940. Presented by

Metro-Goldwyn-Mayer. 950 ft., sd., sepia. (John Nesbitt's
Passing Parade)
Credits: Director, Fred Zinnemann; screenplay, Herman
Boxer; music score, David Snell; film editor, Albert Akst.
© Loew's Inc.; 25Jun40; LP9845.

THE WAY OF ALL FLESH. Paramount Pictures Inc., c1940. 9

reels, sd. Based on a story by Lajos Biro and Jules Furthman.
Credits: Associate producer, Eugene Zukor; director, Louis
King; screenplay, Lenore Coffee; photography, Theodor
Sparkuhl; film editor, Stuart Gilmore.
© Paramount Pictures Inc.; 5Jul40; LP9760.

THE WAY OF ALL PESTS. Released by Columbia Pictures Corp.,

c1941. 655 ft., sd., color. (Color Rhapsody, no. 74)
Credits: Direction, Art Davis; animation, Sid Marcus; music,
Joe De Nat. Technicolor.
© Screen Gems, Inc.; 1May41; LP10516.

THE WAY OF PEACE. East-West Studio for the Wartburg Press,

c1947. 18 min., sd., color, 16mm.
Credits: Written and directed by Frank Tashlin; narration, Lew
Ayres.
Appl. authors: H. K. Rasbach, Frank Tashlin.
© Wartburg Press; 23Apr47; MP1980.
WAY OF THE PADRES. Twentieth Century-Fox Film Corp., c1948.
8 min., sd., color, 35mm. (Movietone Adventures)
Summary: Shows the present day appearance of the country
traversed by the friars of the old missions: Mt. Whitney and its
mountain trails, Death Valley, Imperial Valley, and Palm Springs
with its rodeo grounds and western pageantry. The municipal
buildings of Los Angeles and Hollywood, the homes of the stars,
the 20th Century-Fox lot, the radio studios, and Grauman's
Chinese Theatre, are viewed from a blimp. In the heart of the
mission country, the Rancheros Visitadores, in traditional
costumes, line up for the blessing of the Franciscan friars.
Credits: Producer, Edmund Reek; music score, L. De
Francesco; film editor, Valeska Weidig.
© Twentieth Century-Fox Film Corp.; 15Sep48; MP3657.

THE WAY TO HEAVEN. C. O. Baptista Films, c1946. 700 ft., sd.,

b&w, 16mm.
© C.O. Baptista Films, sole owner of Scriptures Visualized
Institute; 1Nov46; MP1320.

WAYS TO GOOD HABITS. Coronet, c1949. 10 min., sd., b&w,

16mm.
Summary: Illustrates that recognition of bad habits and
continued effort to correct them is necessary in building good
habits.
Credits: Educational collaborator, William E. Young.
© David A. Smart; 15Feb49; MP4235.

WE ARE AMERICANS TOO; Soundies Distributing Corp. of

America, Inc., c1943. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 29Oct43;
MP14082.
WE CAN LIVE ON LOVE. Soundies Distributing Corp. of America,
Inc., c1941. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 4Aug41;
MP11375.

WE CAN MAKE SUCH BEAUTIFUL MUSIC TOGETHER.

Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 9Mar41;
MP10908.

WE DID IT. 16 mm.

Appl. author: W. D. Mattison.
© General Cable Corp.; title, descr., & 3 prints; 21Sep46;
MU1106.

WE DID IT BEFORE AND WE'LL DO IT AGAIN. Soundies

Distributing Corp. of America, Inc., c1942. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 23Mar42;
MP12350.

WE DISCOVER FRACTIONS. Coronet, c1948. 11 min., sd., color,

16mm.
Summary: Introduces the idea of dividing a unit into equal
parts, equips the student with appropriate symbols for the idea,
and by example shows the division of concrete units (e.g. boards,
apples, and pies) into fractions. For the intermediate grades.
Credits: Educational collaborator, Harold P. Fawcett.
© Coronet Instructional Films, a division of Esquire, Inc.;
2Jan48; MP3689.

WE DISCOVER THE DICTIONARY. Coronet in collaboration with

Viola Theman, c1946. 1 reel, sd., color, 16mm.
 © Coronet Instructional Films, a division of Esquire, Inc.;
22Mar46; MP2025.

WE DO IT BECAUSE-. Loew's Inc., c1942. Presented by Metro-

Goldwyn-Mayer. 918 ft., sd., sepia. (John Nesbitt's Passing
Parade)
Credits: Director, Basil Wrangell; original story, Harry Poppe,
Jr.; screenplay, Douglas Foster, Harry Poppe, Jr.; film editor,
Leon Bourgeau.
© Loew's Inc.; 5Feb42; MP12545.

WE GO FAST. Twentieth Century-Fox Film Corp., c1941. 5,790 ft.,

sd. Based on the story by Doug Welch.
Credits: Director, William McGann; screen story, Thomas
Lennon, Adrian Scott; music director, Emil Newman.
© Twentieth Century-Fox Film Corp.; 19Sep41; LP10733.

WE GO TO SCHOOL. Coronet, c1948. 10 min., sd., b&w, 16mm.

Summary: Shows the activities of typical seven-year-old school
children in the classroom and on the playground.
Credits: Educational collaborator, Frederick G. Neel.
© David A. Smart; 3Aug48; MP3718.

WE GO TOGETHER. Soundies Distributing Corp. of America, Inc.,

c1941. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 16Jun41;
MP11238.

WE MAKE A FIRE. Radford Pictures Inc., c1948. 11 min., sd., b&w,

16mm.
Summary: A father and his three children go on a picnic and
learn how to build a fire, how to make it burn, and how to
extinguish it. An elementary science film.
 © Radford Pictures Inc.; 15Dec48; MP4833.

WE MAKE BUTTER. Scenograph Film Co., Inc., c1949. 15 min.,

sd., color, 16mm.
Summary: Two small children join their mother in the milk-
room and learn how to make butter. For primary grades.
Appl. author: Grace Peticlere.
© Seenograph Film Co., Inc.; 3Feb49; MP4629.

WE MAKE MUSIC. SEE Wir Machen Musik.

WE MUST HAVE MUSIC. Loew's Inc., c1941. Presented by Metro-

Goldwyn-Mayer. 995 ft., sd., b&w. (A Romance of Celluloid)
© Loew's Inc.; 2Dec41; LP10954.

WE PITCHED A BOOGIE WOOGIE. Soundies Distributing Corp.

of America, Inc., c1946. 1 reel, sd.
Credits: Director, William Forest Crouch.
© Soundies Distributing Corp. of America, Inc.; 18Mar46;
MP353.

WE REFUSE TO DIE. Paramount Pictures Inc., c1942. 2 reels, sd.

Credits: Producer, William C. Thomas; director, William H.
Pine; screenplay, Maxwell Shane; music score, Daniele
Amfitheatrof; editor, Howard A. Smith.
© Paramount Pictures Inc.; 13Oct42; LP11661.

WE THE CATS SHALL HEP YA. Soundies Distributing Corp. of

America, Inc., c1945. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 10Dec45;
MP16589.
WE VISIT THE SEASHORE. Young America Films, Inc., c1948. 1
reel, sd., b&w, 16mm.
Summary: This educational film for primary school children
shows the activities of a young boy and girl during a typical day
at the beach.
© Young America Films, Inc.; 30Dec48; MP3743.

WE WERE DANCING. Loew's Inc., c1942. Presented by Metro-

Goldwyn-Mayer. 9 reels, sd., b&w. Based in part on "Tonight at
8:30" by Noel Coward.
Credits: Producers, Robert Z. Leonard, Orville O. Dull;
director, Robert Z. Leonard; screenplay, Claudine West, Hans
Rameau, George Froeschel; music score, Bronislau Kaper; film
editor, George Boemler.
© Loew's Inc.; 5Feb42; LP11370.

WE WERE STRANGERS. Horizon Pictures. Released by Columbia

Pictures Corp., c1949. 106 min., sd., b&w, 35mm. Based on an
episode in the novel "Rough Sketch," by Robert Sylvester.
Summary: A group of underground revolutionists organize in
order to overthrow the tyrannical leaders of the Machado
government in Cuba in the early 1930's.
Credits: Producer, S. P. Eagle; director, John Huston;
screenplay, Peter Viertel, John Huston; music director, M. W.
Stoloff; music score, George Antheil; film editor, Al Clark.
Cast: Jennifer Jones, John Garfield, Pedro Armendariz, Gilbert
Roland, Ramon Novarro.
© Columbia Pictures Corp.; 2May49; LP2310.

WE WHO ARE YOUNG. Loew's Inc., c1940. Presented by Metro-

Goldwyn-Mayer. 8 reels, sd., b&w.
Credits: Producer, Seymour Nebenzahl; director, Harold S.
Bucquet; original screenplay, Dalton Trumbo; music score,
Bronislau Kaper; film editor, Howard O'Neill.
 © Loew's Inc.; 16Jul40; LP9811.

WE WORK FOR VICTORY AND WE PLAN FOR PEACE. Allis

Chalmers. 2 reels.
Appl. author: Jam Handy Picture Service, Inc.
© Allis Chalmers Co.; title & descr., 10Oct42; 161 prints,
9Oct42; MU12907.

THE WEAKLY REPORTER. Released by Warner Bros., c1944. 7

min., sd., color. (Looney Tunes)
Credits: Producer, Leon Schlesinger; story, Tedd Pierce;
animation, Ben Washam. Technicolor.
© The Vitaphone Corp.; 24May44; MP14647.

WEAPONS FOR VICTORY. Twentieth Century-Fox Film Corp.,

c1943. 1 reel, sd. (The World Today)
Credits: Producer, Edmund Reek; music score, L. deFrancesco;
film editor, Russ Sheilds.
© Twentieth Century-Fox Film Corp.; 7May43; MP14907.

THE WEATHER. Erpi Classroom Films, Inc., c1941. 1 reel, sd.

With a guide.
© Erpi Classroom Films, Inc.; 22Dec41; MP14205.

THE WEATHER. SEE Le Temps.

WEATHER AND RADAR—A TEAM FOR ACTION. Presented by

U. S. Office of Scientific Research and Development. 25 min., sd.,
b&w.
© The Jam Handy Organization, Inc.; title & descr., 20Apr46;
14 prints, 22Apr46; MU479.
WEATHER AT A GLANCE. 47 feet, b&w, 8mm.
Summary: Varying weather conditions in Maryland and in
other states. A map giving comparative temperatures in different
cities of the United States is shown.
© John Schneider III, title & descr., 4Jan49; 1c, 14Dec48;
MU3642.

THE WEATHER GIRL. Edward C. Gruber. 200 ft., 16mm.

Summary: A television commercial, with twelve different
weather forecasts to be used with advertisements of the sponsor's
products.
© Edward C. Gruber; title, descr., & 4 prints, 28Feb49;
MU3821.

WEAVING HOMESPUN. Flory Films, Inc., c1948. 11 min., sd.,

b&w, 16mm. (American Folkway Series)
Summary: Traces the steps in cloth-making—shearing of
sheep, washing and carding of wool, spinning the thread,
winding the skeins, dressing the loom, and weaving a piece of
cloth.
© Flory Films, Inc.; 1Dec48; MP4557.

THE WEB. Universal Pictures Co., Inc., c1947. 91 min., sd., b&w,
35mm. Based on a story by Harry Kurnitz.
Credits: Producer, Jerry Bresler; director, Michael Gordon;
screenplay, William Bowers, Bertram Millhauser; music, Hans J.
Salter; orchestral arrangements, David Tamkin; film editor,
Russell Schoengarth.
Cast: Ella Raines, Edmond O'Brien, William Bendix, Vincent
Price.
© Universal Pictures Co., Inc.; 9Jun47; LP1085.
WEB OF DANGER. Republic Productions, Inc., c1947. 58 min., sd.,
b&w, 35mm.
Credits: Associate producer, Donald H. Brown; director, Philip
Ford; original screenplay, David Lang, Milton M. Raison; music
director, Mort Glickman; film editor, William Thompson.
Cast: Adele Mara, Bill Kennedy, Damian O'Flynn, Richard Loo.
© Republic Pictures Corp.; 17Mar47; LP974.

WEDDED BLISS. Columbia Pictures Corp., c1944. 1,529 ft., sd.

Credits: Director, Harry Edwards; story and screenplay, Harry
Edwards, Elwood Ullman.
© Columbia Pictures Corp.; 11Sep44; LP12819.

WEDDED BLITZ. RKO Radio Pictures, Inc., c1942. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Henry James; story,
Lew Lipton, Arthur Ripley; film editor, Les Millbrook.
© RKO Radio Pictures, Inc.; 13Mar42; LP11422.

WEDDING BELLE. Columbia Pictures Corp., c1947. 17 min., sd.,

b&w, 35mm.
Credits: Director, Edward Bernds; story and screenplay,
Elwood Ullman.
Cast: Gus Schilling, Richard Lane.
© Columbia Pictures Corp., 9Oct47; LP1301.

WEDDING BELTS. Paramount Pictures Inc., c1940. 1 reel, sd.

Credits: Director, Dave Fleischer; story, George Manuell;
animation, David Tendlar, Stephen Muffati.
© Paramount Pictures Inc.; 5Jul40; LP9761.

WEDDING BILLS. Loew's Inc., c1940. Presented by Metro-

Goldwyn-Mayer. 885 ft., sd., b&w. (A Pete Smith Specialty)
 Credits: Director, Roy Mack; original story and screenplay, E.
Maurice Adler.
© Loew's Inc.; 3Dec40; LP10116.

A WEDDING IN BIKANER. Twentieth Century-Fox Film Corp.

c1942. 1 reel, sd., color. (Lowell Thomas' Magic Carpet of
Movietone)
Credits: Producer, Edmund Reek; photography, John W.
Boyle; film editor, Russ Sheilds. Cinecolor.
© Twentieth Century-Fox Film Corp.; 28Aug42; MP13298.

WEDDING WORRIES. Loew's Inc., c1941. Presented by Metro-

Goldwyn-Mayer. 995 ft., sd., b&w.
Credits: Director, Edward Cahn; screenplay, Hal Law, Robert
McGowan; film editor, Leon Bourgeau.
© Loew's Inc.; 22Dec41; LP11345.

WEDDING YELLS. Warner Bros. Pictures, Inc., c1942. 20 min., sd.

(Broadway Brevities) Adapted from a Mack Sennett comedy.
Credits: Narrator, Knox Manning.
© Warner Bros. Pictures, Inc.; 18Apr42; LP11209.

WEDLOCK DEADLOCK. Columbia Pictures Corp., c1947. 2 reels,

sd., b&w, 35mm.
Summary: A young couple's honeymoon is interrupted by an
unwelcome visit from the bride's relatives.
Credits: Director, Edward Bernds; story, Clyde Bruckman;
screenplay, Elwood Ullman.
© Columbia Pictures Corp.; 18Dec47; LP1404.

WEDLOCK DEADLOCK. Columbia Pictures Corp., c1947. 16 min.,

sd., b&w, 35mm.
 Summary: In this comedy, a honeymooning couple find their
bliss threatened by the intrusions of greedy relatives. Friends
posing as maniacs drive out the unwelcome group.
Credits: Producer, Hugh McCollum; director, Edward Bernds;
screenplay, Elwood Ullman; film editor, Henry DeMond.
Cast: Joe DeRita.
© Columbia Pictures Corp.; 18Dec47; LP1724.

WEDNESDAY'S CHILD. SEE Child of Divorce.

WEDTIME STORIES. RKO Radio Pictures, Inc., c1943. 17 min., sd.

Credits: Producer, Bert Gilroy; director, Ben Holmes; story,
Jean Yarbrough, Jack Townley; film editor, Robert Swink.
© RKO Radio Pictures, Inc.; 24Dec43; LP12793.

A WEE BIT OF SCOTCH. Techniprocess & Special Effects Corp.,

c1941. 1 reel, sd.
Credits: Producer, Mario Castegnaro; written and directed by
Roy Mack; music director, Lud Gluskin; photography, Ralph
Hammeras.
© Techniprocess & Special Effects Corp.; 26Oct41; MP12010.

A WEE BIT OF SCOTLAND. Loew's Inc., c1949. 10 min., sd., color,

35mm. (James A. FitzPatrick Traveltalk) An MGM picture.
Summary: Shows many points of interest in Scotland,
including scenes of the City of Perth, Inverness, Loch Ness, the
Battlefield of Culloden, Glencoe, fields of heather, and the town
of Saint Andrews.
Credits: Producer and narrator, James A. FitzPatrick; music
score, Nat Finston; photographers, Virgil Miller, S. D. Onions.
© Loew's Inc.; 25Nov49 (in notice: 1947); MP4756.
THE WEE COOPER O'FIFE. Bil Baird's Marionettes, sd.
Appl. author: William Britton Baird.
Credits: Writer, William Britton Baird; scored by George
Steiner.
© Bil Baird's Marionettes; title, descr., & 2 prints, 4Jun47;
MU2090.

THE WEE MEN. Paramount Pictures Inc., c1947. 10 min., sd.,

color, 35mm. (Noveltoon)
Credits: Director, Bill Tytle; story, Ewald Ludwig, I. Klein, Jack
Ward.
© Paramount Pictures Inc.; 8Aug47; LP1149.

WEEK-END AT THE WALDORF. Loew's Inc., c1945. Presented by

Metro-Goldwyn-Mayer. 13 reels, sd., b&w. A Robert Z. Leonard
production. Suggested by a play by Vicki Baum.
Credits: Producer, Arthur Hornblow, Jr.; director, Robert Z.
Leonard; screenplay, Sam and Bella Spewack; adaptation, Guy
Bolton; music direction and incidental score, Johnny Green;
orchestration, Ted Duncan; film editor, Robert J. Kern.
© Loew's Inc.; 12Jul45; LP13442.

A WEEKEND AT WHITE SULPHUR. Time, Inc., c1948. 1 reel, sd.,

b&w, 16mm.
Summary: Sketches the historical background of the
Greenbrier Hotel at White Sulphur Springs, West Virginia, and
includes scenes of guests spending a week-end at the hotel in
1948.
© Time, Inc.; 3Sep48; MP3846.

WEEKEND FOR THREE. RKO Radio Pictures, Inc., c1941. 66

min., sd.
 Credits: Producer, Tay Garnett; director, Irving Reis; story,
Budd Schulberg; screenplay, Dorothy Parker, Alan Campbell;
music, Roy Webb; music director, A. Bakaleinikoff; editor,
Desmond Marquette.
© RKO Radio Pictures, Inc,; 23Oct41; LP10868.

WEEKEND IN BERMUDA. sd., color, 16mm.

Appl. author: Archer Winsten.
© Pan American World Airways; title, descr., & 2 prints,
20Oct45; MU16435.

WEEK-END IN HAVANA. Twentieth Century-Fox Film Corp.,

c1941. 7,461 ft., sd.
Credits: Director, Walter Lang; original screenplay, Karl
Tunberg, Darrell Ware; music, Alfred Newman.
© Twentieth Century-Fox Film Corp.; 17Oct41; LP10792.

WEEK-END PASS. Universal Pictures Co., Inc., c1944. 7 reels, sd.

Credits: Associate producer, Warren Wilson; director, Jean
Yarbrough; original story, Warren Wilson; screenplay, Clyde
Bruckman; music director, Don George.
© Universal Pictures Co., Inc.; 7Feb44; LP12506.

WEIGHT EVENTS; shot, discus, javelin and hammer.

Encyclopaedia Britannica Films, Inc., in collaboration with
Amateur Athletic Union, Lawson Robertson, Dean Cromwell,
and Brutus Hamilton, c1946. 1 reel, sd., b&w, 16mm. Afrikaans
version. Title on script: "Gewigstoot."
© Encyclopaedia Britannica Films, Inc.; 24Jun46; MP1672.

WEIGHT EVENTS. SEE Pesas: Tiro, Disco, Jabalina, Martillo.

WEIRD WOMAN. Universal Pictures Co., Inc., c1944. 7 reels, sd.
(An Inner Sanctum Mystery) From the novel by Fritz Leiber, Jr.
Credits: Associate producer, Oliver Drake; director, Reginald
Le Borg; screenplay, Brenda Weisberg; adaptation, W. Scott
Darling; music director, Paul Sawtell; film editor, Milton
Carruth.
© Universal Pictures Co., Inc.; 10Mar44; LP12575.

WEISSE TRAUME (WHITE DREAMS) b&w, 16mm.

Appl. author: Wien Film.
© Levinson-Finney Enterprises, Inc.; title, descr., & 10 prints,
22Dec46; LU725.

WELCOME DANGER. Harold Lloyd Corp., c1929. 12 reels.

Credits: Director, Clyde Bruckman; story, Felix Adler, Lex
Neal, Clyde Bruckman; dialogue, Paul Gerard Smith.
© Harold Lloyd Corp.; 20Oct29; LP13476. (See also Welcome
Danger; 20Oct29; LP777)

WELCOME DANGER. Paramount Famous Lasky Corp., c1929. 12

reels, sd.
Credits: Director, Clyde Bruckman; story, Felix Adler, Lex
Neal, Clyde Bruckman; dialogue, Paul Gerard Smith.
© Paramount Famous Lasky Corp.; 20Oct29; LP777. (See also
Welcome Danger; 20Oct29; LP13476)

WELCOME LITTLE STRANGER. Released by Twentieth Century-

Fox, c1941. Presented by Terry-Toons. 1 reel, sd., color. (A Terry-
Toon)
Credits: Producer, Paul Terry; director, Connie Rasinski; story,
John Foster. Technicolor.
© Terry-Toons, Inc.; 3Oct41; MP12518.
WELCOME STRANGER. Paramount Pictures Inc., c1947. 107
min., sd., b&w, 35mm.
Credits: Producer, Sol C. Siegel; director, Elliott Nugent; story,
Frank Butler; adaptation, Arthur Sheekman, N. Richard Nash;
screenplay, Arthur Sheekman; editor, Everett Douglas; music
score, Robert Emmett Dolan.
Cast: Bing Crosby, Joan Caulfield, Barry Fitzgerald.
© Paramount Pictures Inc.; 9May47; LP1172.

WELL ALL RIGHT! Soundies Distributing Corp. of America, Inc.,

c1942. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 14Sep42;
MP12985.

THE WELL GROOMED BRIDE. Paramount Pictures Inc., c1946.

75 min., sd., 35mm. Based on a story by Robert Russell.
Credits: Producer, Fred Kohlmar; director, Sidney Lanfield;
screenplay, Claude Binyon, Robert Russell; music score, Roy
Webb; editor, William Shea.
© Paramount Pictures Inc.; 7Feb46; LP327.

WELL OILED. Walter Lantz Productions, c1947. 7 min., sd., color,

35mm. (Walter Lantz Cartune) A Universal picture.
Credits: Director, Dick Lundy; story, Ben Hardaway, Milt
Schaffer; animators, Les Kline, Pat Mathews; music, Darrell
Calker.
© Walter Lantz Productions and Universal Pictures Co., Inc.;
19Jun47; MP2217.

WE'LL REST AT THE END OF THE TRAIL. Soundies Distributing

Corp. of America, Inc., c1943. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 6Sep43;
MP13929.
WELL-ROWED HARVARD. Twentieth Century-Fox Film Corp.,
c1942. 1 reel, sd. (Ed Thorgersen's Sports Review)
Credits: Producer, Edmund Reek; director, Tom Cummiskey;
music score, L. De Francesco; photography, William Storz; film
editor, Russ Sheilds.
© Twentieth Century-Fox Film Corp.; 14Aug42; MP13301.

WE'LL SLAP THE JAPS (RIGHT INTO THE LAPS OF THE

NAZIS). Soundies Distributing Corp. of America, Inc., c1942. 1
reel, sd.
© Soundies Distributing Corp. of America, Inc.; 5Jan42;
MP11988.

WELLS FARGO DAYS. Warner Bros. Pictures, Inc., c1944. 20

min., sd., color. (Santa Fe Trail Western)
Credits: Director, Mack V. Wright; story and dialogue, Stuart
N. Lake; commentator, Art Baker. Cinecolor.
© Warner Bros. Pictures, Inc.; 23Apr44; LP12621.

WEN DIE GOTTER LIEBEN (WHOM THE GODS LOVE). A Wien

Film presented by Austria Film, Vienna. c1942. 12 reels, b&w,
35mm. A film relating to the life of Wolfgang Amadeus Mozart,
from a novel by R. Billinger and Ed Strzygowski.
Credits: Director, Karl Hartl; scenario, Eduard von Borsody.
© Casino Film Exchange, Inc.; 15Sep42; LP1081.

THE WENCH (LA BAGARRE) Georges Legrand Productions,

France. c1948. Released in the U. S. through Spalter
International Pictures, Inc., 1949. 90 min., sd., b&w, 35mm.
Summary: The voluptuous affairs of a young cocotte who
bedevils a wealthy farmer into making her his heiress.
Credits: Producer, Georges Legrand; director, Henri Calef;
music, Joseph Kosma.
 Cast: Maria Casares, Roger Piguat, Jean Murat, Jean
Brochard, Orane Demazis.
© Spalter International Pictures, Inc.; 6Nov48; LP2238.

WE'RE ALL AMERICANS. Soundies Distributing Corp. of

America, Inc., c1941. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 21Jul41;
MP11352.

WE'RE IN THE HONEY. Paramount Pictures Inc., c1948. 8 min.,

sd., color, 35mm. (Noveltoon)
© Paramount Pictures Inc.; 19Mar48; LP1517.

WE'RE ON OUR WAY TO RIO. Paramount Pictures Inc., c1944. 1

reel, sd.
Credits: Director, I. Sparber; story. Jack Mercer, Jack Ward.
© Paramount Pictures Inc.; 20Apr44; LP12681.

WE'RE STEPPING OUT TONIGHT. Soundies Distributing Corp. of

America, Inc., c1945. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 10Sep45;
MP16302.

WE'RE THE COUPLE IN THE CASTLE. Soundies Distributing

Corp. of America, Inc., c1942. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 2Feb42;
MP12170.

HET WERK VAN DE ATMOSFEER. Encyclopaedia Britannica

Films, Inc., c1946. 1 reel, sd., 16mm.
© Encyclopaedia Britannica Films, Inc.; 11Jun46; MP799.
DIE WERK VAN DIE NIERE. SEE The Work of the Kidneys.

THE WEST INDIES. Encyclopaedia Britannica Films, Inc., c1944.

1 reel. (Caribbean Region, 1)
© Encyclopaedia Britannica Films, Inc.; 28Jun44; MP15912.

WEST INDIES. SEE Las Antillas.

WEST OF ABILENE. Columbia Pictures Corp., c1940. 6 reels, sd.

Credits: Director, Ralph Ceder; original screenplay, Paul
Franklin; film editor, Charles Nelson.
© Columbia Pictures Corp.; 29Jun40; LP9754.

WEST OF DODGE CITY. Columbia Pictures Corp., c1947. 57 min.,

sd., b&w, 35mm.
Credits: Producer, Colbert Clark; director, Ray Nazarro;
original screenplay, Bert Horswell; film editor, Paul Borofsky.
Cast: Charles Starrett, Smiley Burnette, Nancy Saunders,
Mustard and Gravy.
© Columbia Pictures Corp.; 27Mar47; LP930.

WEST OF ELDORADO. Monogram Pictures Corp., c1949. 58 min.,

sd., b&w, 35mm.
Summary: A Western in which a bandit is killed when he robs
a stagecoach, and his henchmen captured when they search for
the stolen money.
Credits: Producer, Barney Sarecky; director, Ray Taylor;
original screenplay, Adele Buffington; music director, Edward
Kay; film editor, John C. Fuller.
Cast: Johnny Mack Brown, Max Terhune, Reno Browne, Teddy
Infuhr, Milburn Moranti.
© Monogram Pictures Corp.; 5Jun49; LP2415.
WEST OF LARAMIE. Universal Pictures Co., Inc., c1949. 23 min.,
sd., b&w, 35mm.
Summary: A musical Western about homesteading in
Wyoming.
Credits: Producer and director, Will Cowan; adapted from the
screenplay by Bennett Cohn; music arrangement, Milton
Schwarzwald; film editor, E. Curtis.
Cast: "Tex" Williams, "Smokey" Rogers, Patricia Alphin,
"Deuce" Spriggens, Patricia Hall.
© Universal Pictures Co., Inc.; 15Mar49; LP2364.

WEST OF PINTO BASIN. Phoenix Productions, Inc., c1940, 6

reels, sd. (The Range Busters, no. 3)
Credits: Producer, George W. Weeks; director, S. Roy Luby;
original story, Elmer Clifton; screen adaptation, Earl Snell; music
director, Frank Sanucci; photography, Ed Linden; film editor,
Roy Claire.
© Phoenix Productions, Inc.; 1Oct40; LP10158.

WEST OF SONORA. Columbia Pictures Corp., c1948. 55 min., sd.,

b&w, 35mm.
Summary: A musical Western in which the Durango Kid brings
to a happy conclusion the feud between the grandfathers of an
eight-year-old orphan girl.
Credits: Producer, Colbert Clark; director, Ray Nazarro;
original screenplay, Barry Shipman; film editor, Jerome Thoms.
Cast: Charles Starrett, Smiley Burnette, Steve Darrell, George
Chesebro, Anita Castle.
© Columbia Picture Corp.; 25Mar48; LP1530.

WEST OF TEXAS. Producers Releasing Corp., c1943. 6 reels, sd.

Credits: Producers, Alfred Stern, Arthur Alexander; direction
and original screenplay, Oliver Drake; music director, Lee
 Zahler; photographer, Ira Morgan; film editor, Charles Henkel,
Jr.
© Producers Releasing Corp.; 16May43; LP12060.

WEST OF THE ALAMO. Monogram Pictures Corp., c1946. 6 reels,

sd., 35mm.
Credits: Associate producer, Glenn Cook; director, Oliver
Drake; original screenplay, Louise Rousseau; music director,
Frank Sanucci; photographer, Harry Neumann; film editor,
William Austin.
© Monogram Pictures Corp.; 27Mar46; LP238.

WEST OF THE LAW. Monogram Pictures Corp., c1942. 6 reels, sd.

Credits: Producer, Scott R. Dunlap; director, Howard P.
Bretherton; original screenplay, Jess Bowers; photography,
Harry Neumann; film editor, Carl Pierson.
© Monogram Pictures Corp.; 2Oct42; LP11656.

WEST OF THE PECOS. RKO Radio Pictures, Inc., c1945. 66 min.,

sd. From the novel by Zane Grey.
Credits: Producer, Herman Schlom; director, Edward Killy;
screenplay, Norman Houston; music, Paul Sawtell; music
director, C. Bakleinikoff; editor, Roland Gross.
© RKO Radio Pictures, Inc.; 8Jun45; LP13341.

WEST OF THE RIO GRANDE. Monogram Pictures Corp., c1944. 6

reels, sd.
Credits: Director, Lambert Hillyer; story and screenplay, Betty
Burbridge; music director, Edward Kay; photographer, Arthur
Martinelli; film editor, John C. Fuller.
© Monogram Pictures Corp.; 24Jun44; LP12719.
WEST OF THE ROCKIES. Warner Bros. Pictures, Inc., c1941. 20
min., sd. (Broadway Brevity)
Credits: Director, Bobby Connolly; screenplay, Hal Yates.
© Warner Bros. Pictures, Inc.; 29Nov41; LP10852.

WEST OF TOMBSTONE. Columbia Pictures Corp., c1942. 6 reels,

sd.
Credits: Producer, William Berke; director, Howard
Bretherton; original screenplay, Maurice Geraghty; film editor,
Mel Thorsen.
© Columbia Pictures Corp.; 15Jan42; LP11351.
WEST POINT ON THE HUDSON. c1942. Presented by Metro-
Goldwyn-Mayer. 811 ft., sd., color. (James A. FitzPatrick's
Traveltalks)
Credits: Narrator, James A. FitzPatrick; photography, William
Steiner. Technicolor.
© Loew's Inc.; 21Jan42; MP12488.

WEST POINT WIDOW. Paramount Pictures Inc., c1941. 7 reels, sd.

Based on story by Anne Wormser.
Credits: Producer, Sol C. Siegel; director, Robert Siodmak;
screenplay, F. Hugh Herbert, Hans Kraly; editor, Archie
Marshek.
© Paramount Pictures Inc.; 20Jun41; LP10549.

THE WEST SIDE KID. c1943. Presented by Republic Pictures. 6

reels, sd.
Credits: Director, George Sherman; screenplay, Albert Beich,
Anthony Coldeway; music director, Morton Scott; photographer.
Jack Marta; film editor, Ernest Nims.
Appl. author: Republic Productions, Inc.
© Republic Pictures Corp.; 5Aug43; LP12257.

WEST TO GLORY. PRC Pictures, Inc., c1947. 61 min., sd., b&w,

35mm.
Credits: Producer, Jerry Thomas; director, Ray Taylor; original
screenplay, Elmer Clifton, Robert B. Churchill; orchestration,
Walter Greene; film editor, Joseph Gluck.
Cast: Eddie Dean, Flash, Roscoe Ates, Dolores Castle, Gregg
Barton.
© Pathe Industries, Inc.; 22Apr47; LP951.
WESTBOUND STAGE. Monogram Pictures Corp., c1940. 6 reels,
sd.
Credits: Producer, Edward Finney; director, Spencer Gordon
Bennett; story, John Foster; screenplay, Robert Emmett; music
score and direction, Frank Sanucci; photographer, Marcel
LePicard; film editor, Fred Bain.
© Monogram Pictures Corp.; 2Jan40; LP9312.

WESTERN APPROACHES. English Films, Inc., c1945. 7 reels. Title

subsequently changed to "The Raider."
Credits: Direction and script, Pat Jackson; continuity, Phil
Ross.
© English Films, Inc.; 1Mar45; LP157.

WESTERN COWGIRL. Universal Pictures Co., Inc., c1943. 1 reel,

sd. (Person-Oddity, no. 123)
Credits: Producers, Joseph O'Brien, Thomas Mead; narrator,
Bill Hightower.
© Universal Pictures, Co., Inc.; 25Jun43; MP13707.

WESTERN CYCLONE. Producers Releasing Corp., c1943. 6 reels,

sd.
Credits: Producer, Sigmund Neufeld; director, Sam Newfield;
original screenplay, Patricia Harper; music, Leo Erdody; film
editor, Holbrook N. Todd.
© Producers Releasing Corp.; 10May43; LP12055.

WESTERN DAZE. Paramount Pictures Inc., c1941. 1 reel, sd.

(Madcap Models UO–1)
Credits: Story, Vic McLeod, Norm Blackburn.
© Paramount Pictures Inc.; 17Jan41; LP10189.
WESTERN HERITAGE. RKO Radio Pictures, Inc., c1948. 61 min.,
sd., b&w, 35mm.
Summary: A band of outlaws makes use of a forged Spanish
land grant in an effort to deprive ranchers of their land.
Credits: Producer, Herman Schlom; director, Wallace A.
Grissell; screenplay, Norman Houston; music, Paul Sawtell;
music director, C. Bakaleinikoff; film editor, Desmond
Marquette.
Cast: Tim Holt, Nan Leslie, Richard Martin.
© RKO Radio Pictures, Inc.; 11Feb48; LP1495.

WESTERN MAIL. Monogram Pictures Corp., c1942. 6 reels, sd.

Credits: Producer and director, Robert Tansey; original story,
Robert Emmett, Frances Kavanaugh; music director, Frank
Sanucci; photographer, Marcel Le Picard; film editor, Fred Bain.
© Monogram Pictures Corp.; 13Feb42; LP11265.

WESTERN MELODIES. Soundies Distributing Corp. of America,

Inc., c1943. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 21Jun43;
MP13677.

WESTERN RENEGADES. Monogram Pictures Corp., c1949. 56

min., sd., b&w, 35mm.
Summary: The U. S. marshal upsets the Laren gang's plot to
acquire a rich rancher's estate.
Credits: Director, Wallace Fox; screenplay, Adele Buffington;
music director, Edward J. Kay; film editor, Johnny Fuller.
Cast: Johnny Mack Brown, Max Terhune, Riley Hill, Jane
Adams, Steve Clark.
© Monogram Pictures Corp.; 2Oct49; LP2645.
WESTERN RHYTHMS. Soundies Distributing Corp. of America,
Inc., c1943. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc; 3May43;
MP13535.

WESTERN UNION. Twentieth Century-Fox Film Corp., c1941.

8,450 ft., sd. By Zane Grey.
Credits: Director, Fritz Lang; screenplay, Robert Carson; music
director, David Buttolph.
© Twentieth Century-Fox Film Corp.; 21Feb41; LP10385.

WESTERN WHOOPEE. Universal Pictures Co., Inc., c1948. 15

min., sd., b&w, 35mm.
Summary: A musical short.
Credits: Producer and director, Will Cowan; film editor, Otto
Ludwig.
Cast: Tex Williams and his orchestra. Patricia Alphin, Smokey
Rogers, Judy Clark, Jimmie Dodd.
© Universal Pictures Co., Inc.; 23Jun48; MP3491.

WESTERN WHOOPEE. SEE Variety Views, no. 113.

WESTERN WONDERLAND. Columbia Pictures Corp., c1941. 831

ft., sd. (Columbia Tour, series 4, no. 8)
Credits: Producer, André De La Varre; music director, Jack
Schaindlin.
© Columbia Pictures Corp.; 28Feb41; MP11167.

THE WESTERNER. Released thru United Artists, c1940.

Presented by Samuel Goldwyn. 10 reels, sd. From the story by
Stuart N. Lake.
 Credits: Producer, Samuel Goldwyn; director, William Wyler;
screenplay, Jo Swerling, Niven Busch; music score, Dimitri
Tiomkin; cinematography, Gregg Toland; film editor, Daniel
Mandell.
© Samuel Goldwyn; 7Oct40; LP9962.

WESTWARD BOUND. Monogram Pictures Corp., c1943. 6 reels,

sd.
Credits: Producer and director, Robert Tansey; original story,
Robert Emmett, Frances Kavanaugh; screenplay, Elizabeth
Beecher, Frances Kavanaugh; music director, Frank Sanucci;
photography, Marcel Le Picard; film editor, John C. Fuller.
© Monogram Pictures Corp.; 3Dec43; LP12402.

WESTWARD HO. c1942. Presented by Republic Pictures. 6 reels,

sd. Based on the characters "The Three Mesquiteers" created by
William Colt MacDonald.
Credits: Associate producer, Louis Gray; director, John
English; original story, Morton Grant; screenplay, Morton Grant,
Doris Schroeder; music score, Cy Feuer; photographer, Reggie
Lanning; film editor, William Thompson.
Appl. author: Republic Productions, Inc.
© Republic Pictures Corp.; 24Apr42; LP11318.

WESTWARD HO-HUM. RKO Radio Pictures, Inc., c1941. 16 min.,

sd.
Credits: Producer, Bert Gilroy; director, Clem Beauchamp;
story, Clem Beauchamp, George Jeske; film editor, Les
Millbrook.
© RKO Radio Pictures, Inc.; 5Sep41; LP10750.

THE WESTWARD MOVEMENT. Erpi Classroom Films, Inc.,

c1941. 1 reel, sd. With teacher's handbook.
 © Erpi Classroom Films, Inc.; 22Oct41. MP14197.

THE WESTWARD TRAIL. Producers Releasing Corp., Inc., c1947.

58 min., sd., b&w, 35mm.
Summary: A musical Western in which Eddie Dean, as a
representative of the U. S. Marshal, prevents a band of outlaws
from stealing a young girl's ranch.
Credits: Producer, Jerry Thomas; director, Ray Taylor; original
screenplay, Arthur Allan Miller; music, Walter Greene; film
editor, Hugh Winn.
Cast: Eddie Dean, Copper, Roscoe Ates, Phyllis Planchard,
Eileen Hardin.
© Pathe Industries, Inc.; 25Oct47; LP1526.

WET BLANKET POLICY. Walter Lantz Productions, Inc. Released

by United Artists, c1948. 7 min., sd., color, 35mm. (Walter Lantz
Cartune)
Credits: Director, Dick Lundy; story, Ben Hardaway, Heck
Allen; animation, Les Kline, Ken O'Brien.
© Walter Lantz Productions, Inc.; 20Aug48; MP3475.

WET PAINT. Walt Disney Productions, c1946. 7 min., sd., color,

35mm.
Credits: Director, Jack King; story, Roy Williams; animation,
Don Towsley, Bill Justice, Hal King, Sandy Strother; music,
Oliver Wallace.
© Walt Disney Productions; 18Mar46; LP1125.

WE'VE NEVER BEEN LICKED. Universal Pictures Co., Inc.,

c1943. 10 reels, sd.
Credits: Director, John Rawlins; original story, Norman Reilly
Raine; screenplay, Norman Reilly Raine, Nick Grinde.
© Universal Pictures Co., Inc.; 18Aug43; LP12198.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and

personal growth!

ebooknice.com