Ejercicio No.

9 José Ferrer
(1835-1916)
From Coleccion 12a de Ejercicios

     
2 4 2 3 4 1 4

3
   
             
     2

a m a
p i m a p m a m m p
p i i

V. III. I.
1 0 4 2 0 4

2 0 4
   
4

5

              
       
1 2
p
p

       
9

 

         
 3    

4 II. 4
3 Fine
 
13
      
3

      
       
1  
1
2 3

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1
 I. II. IV. II.


17 2 0 1 4 1 4 1 1 4 1 4 3 1

                      
 

p i p i p i 

 
I.

 
21 2 1 4 1 4 3 1 3 0 2 0

           
 
     
 1

 
0 1 2 3 0 4

       
25 1 2 4 3 3

        

 


 1 D.C. al Fine
29 3 0 2 0 1 0 0 0 4 2

               
 p i p i p i
 

Comments

- Bar 2 - Optional fingering: 3rd and 1st finger on the second beat and sliding the 4th finger down on the third beat.
This would allow more sustain into the next bar, however, it feels a bit out of the ordinary.

- Bars 21-31 - Some of the open G string notes could be played on the 4th string in 2nd postion.

- Due to conflicting sources the D.C. al Fine could also be a D.S. al Fine from bar 9.
Most editions D.S. al Fine to bar 9 but I don't mind the extra length. Both are acceptable.

© Bradford Werner, 2020. All Rights Reserved.

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2
 Lección No.11 Julio Sagreras
(1879-1942)
Las Segundas Lecciones de Guitarra

  
Tiempo de Vals

            
  
     
  
1
3
2 2

  
        
      
 

 

5 1
1
4
2
3 3

      4
     1     
BIV3 BV3

     
   
2 4 3

 
9 4

  
2
3


              
   
1 2 3 2 1


1


1

 
4

 
13 2 4 1


2
3
3 2 3 2

  
             
      

 
17


1 1
3 3
2 2

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   
   
BV4

            
   
2

 
4 BII4

  
21
0 1
4
2

  4
     
2     
     
   
4 4 2 1 1 3 2
25

 
0
3 1
3

   
   14     
BV3

      1 

      
29
2

  
1

© Bradford Werner, 2021. All Rights Reserved.

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 Lección No.5 Julio Sagreras
(1879-1942)
Las Segundas Lecciones de Guitarra


           1                
     
      

3
2 4 4
5 5
2 3 2 1 0
2 3


                        
       3       
4

   
 2 3
2

3 1 3

3 1 2

                1  1  1        
        1      4  2
3 
   
BIV4

     
7

2 
2 2
3

0 3 2 3

         1     1                     
 1         4  
     3                    3             
10

 
2 
2 2
2 2 4
1
3 0 4 4 2 0 34
2 5
2

         3   4         
 13       21        2   13          
   
14
1
4
2
2 2
0 2
1
1 3

© Bradford Werner, 2021. All Rights Reserved.

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 Lección No. 84 Julio Sagreras
(1879–1942)
from Las Primeras Lecciones de Guitarra


4 -4
 
4
       
2

           
 
3
            
 
   
3
3 3

a m i a m i
p
BV3

       
3 3 4

  
4
           
            
     
2
3


4 BIV4

-4

2 -2
    
4


7 -2

 
                        
1

   

             
4 -4 2

 1 2   
10 4 0 3
3

                 
 1 
1 

3

2

             
4 -4 4 -4
13
  
                    
 2  3 1
2
2

1
   
3

Notes
- Use a for all melody notes, p for bass notes, m-i for accompaniment, as indicated in first bar.
- Dash marks next to fingering indicate guide fingers (keeping fingers on the string but not necessarily glissando).

© Bradford Werner 2019. All Rights Reserved.

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 Lección No.3 Julio Sagreras
(1879-1942)
Las Segundas Lecciones de Guitarra

 42        
BV3

 
Tiempo de Zamba

   4     4         
4

   
    13  
4

 
2 3 1 2

  
3
2 3

       42      
      
BV3

  

  
           
5 2 4



3
2 3

  I.
          0     
     1          21    
4 2

 
4

 
9 4


4

3   

 4  12  43
              
BV3

      
BX3


4 3
3 2 4 BV3

 
1


3 2

 4 
13

  
4
1
3
0 3

5
harm.
XII.

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