Vision, Reality and Complex Jung, Politics and Culture 1st Edition Optimized DOCX Download
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The Jung, Politics and Culture series showcases the “political turn” in
Jungian and Post-Jungian psychology. Established and emerging authors
offer unique perspectives and new insights as they explore the connections
between Jungian psychology and key topics—including national and inter-
national politics, gender, race and human rights.
For a full list of titles in this series, please visit www.routledge.com/
Focus-on-Jung-Politics-and-Culture/book-series/FJPC
Thomas Singer
vi
Contents
List of figures x
Acknowledgments xii
Introduction 1
Index 108
x
Figures
Figures xi
were taken from the internet. From top left: atomic bomb
exploding; American bomb exploding in Iraq, 2003; bin
Laden; Bush; 9/11 twin towers; Iraqi mosque; Gadsden
rattlesnake; candles and flags placed in spontaneous
memorial 9/11; Jihadists pose on internet video prior
to beheading; US soldier threatens prisoner with dog at
Abu Ghraib prison; medieval painting showing European
Christians attacking a Muslim walled city.) 58
4.1 Jung’s diagram of the psyche 64
4.2 Muslim vs. European expansion, 1000–1700 CE 73
4.3 The rise of Islam to 750 CE 74
5.1 Rene Cox’s Yo Mamas Last Supper: A rather tricksterish
playing of the race card, designed perhaps to trigger a
cultural complex of white Christians 82
6.1 A. Paul Weber, The Rumor92
6.2 Obama as the Fourth Stooge, an image that speaks to the
racism motivating groups 92
6.3 The relationship between income inequality and “ill health” 93
6.4 Chester Arnold, Thy Kingdom Come II, 72" × 94", 1999.
(Courtesy of the artist. In the collection of the DiRosa
Preserve, Napa.) 95
6.5 Diagram of the Obamacare cultural complex by Thomas
Singer, MD 96
6.6 A coelacanth closely resembles the ancestral fish that first
emerged from the water to walk on land some 400 million
years ago 100
7.1 The beast in Yeats’ “The Second Coming” 105
7.2 Trump with a lion’s body: The Rapture Is Imminent! 105
7.3 The Doomsday Clock pictured at its most recent setting of
“two and half minutes to midnight” 105
xi
Acknowledgments
LeeAnn Pickrell’s care in fitting all the pieces of this book together goes
way beyond professionalism. She is an artist in her way of knowing how
to bring a complicated project to fruition—from the smallest detail to the
broadest concept. And she is a joy to work with …
1
Introduction
2 Introduction
in this book reflect my effort to work out the basic principles of this theory
in various national and international contexts. I have always tried to ground
the theory in practical examples such as race and healthcare in the United
States or in specific historical and international conflicts between groups,
whether they be ethnic, racial, gender, local, national, or global. In add-
ition to my own essays on the cultural complex theory, I have sought to test
the hypothesis in the past decades by editing six books on the topic with
some ninety different authors making contributions from Australia, Latin
America, Europe, North America, and Far East Asia. The goal of the series
has been to tease out how the cultural complex theory applies in specific
contexts while simultaneously having cross-cultural relevance.
This volume documents my exploration of the cultural complex theory
as I have wondered about how psyche, politics, and mythology get so mired
in our minds, hearts, and spirits. Perhaps the final chapter of this book is
fittingly placed as it takes this exploration to the edge of the precipice in
the emergence of extinction anxiety as a contemporary global phenomenon,
reflecting the age-old crucible of psyche, politics, and culture in the difficult
effort to tease out what is vision, what is reality, and what is complex.
Dear readers
Because there is a limitation on the number of images that can be included
in a print text, I have created a special arrangement with ARAS (the Archive
for Research in Archetypal Symbolism) that permits me to link the reader
to more images that add greatly to the written text. ARAS has graciously set
up a special place on their website for readers to access these images, which
can be reached simply by typing on a computer the URL link indicated at
the appropriate places in the text: https://aras.org/vision-reality-complex.
Once readers arrive at the ARAS file hosting this feature, they will be able
to view the specific image according to chapter location.
3
From The Vision Thing: Myth, Politics and Psyche in the World, edited by
Thomas Singer, Routledge, 2000.1
There are times when politicians stumble into the need to link the polit-
ical and mythological. They are propelled by a peculiar mix of dire neces-
sity, conscious intention, and a deep unconscious sense of collective need.
The title of this book is taken from a phrase born out of just such a situ-
ation. Although George H. W. Bush had recently “won” the Gulf War and
conventional wisdom had it that he was unbeatable in 1992, the president
was having trouble communicating with the American people—especially
around domestic policy, as so poignantly revealed when he went shopping
at a supermarket and didn’t know what a bar code was at the check-out
counter. The president had lost touch with everyday life and people in his
own country. His reelection campaign began to implode. Bush himself
identified part of his problem connecting with a restless electorate as “The
Vision Thing.”
The Vision Thing—a phrase that Bush had inadvertently coined early in
his administration as a self-acknowledged problem of articulating a clear
vision—had been haunting him for four years. He often joked about it in his
speeches in an attempt to defuse the implicit criticism that, in fact, he had
little or no intuition as to where the country was or ought to be headed. In
4
Origin of idea
The idea for this “vision thing” book grew out of a conversation I had with
Senator Bill Bradley in 1989. Over dinner one night Senator Bradley asked
about Joseph Campbell’s life-long study of mythology. Public interest in
Campbell was peaking at the time, and Senator Bradley was curious both
about Campbell’s work itself and the increasing public attention given to
mythological themes. He wanted to understand more about the importance
of myth in human affairs and, specifically, what was currently capturing the
public imagination about the study and insights of mythology. Our talk was
not about myth in its popular use as “inaccurate fiction” but about how in some
mysterious way a living myth establishes a meaningful link between humans,
nature, and spirit. In this use of the word myth is the central story a people
tells about itself to understand its beginnings, its purposes, and its place in a
broader historical and cosmic order. At the heart of Senator Bradley’s inquiry
were the pragmatic American political questions: “What myth, now? What
stories are people telling about themselves and our world now?”
Initial dream
The conversation with Senator Bradley stirred me deeply, and that night
I had what C. G. Jung called a “big dream.” It seemed to be a comment on
the relationship between collective consciousness, as expressed in political
reality, and collective unconsciousness, as expressed in myth, vision, and