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v3.1
For my husband,
Richard Jed Wyatt
With deep love
and
For my brother,
Dean T. Jamison
Who kept the night at bay
Night falls fast.
Today is in the past.
Cover
Other Books by This Author
Title Page
Copyright
Dedication
Epigraph
Prologue
Epilogue
If it has ever been taken up as an option, however, the black knight has a
tendency to remain in play. And so it did. Many years later—Jack had long
since married and I had moved to Washington—I received a telephone call
from California: Jack had put a gun to his head, said a member of his
family. Jack had killed himself.
No week in Cape Cod, no chance to dissuade. A man who had been
inventive enough to earn a thousand patents for such wildly diverse
creations as the Hawk and Sparrow missile systems used by the U.S.
Department of Defense, toys played with by millions of children around the
world, and devices used in virtually every household in America; a Yale
graduate and lover of life; a successful businessman—this remarkably
imaginative man had not been inventive enough to find an alternative
solution to a violent, self-inflicted death.
Although shaken by Jack’s suicide, I was not surprised by it. Nor was I
surprised that he had not called me. I, after all, had been dangerously
suicidal myself on several occasions since our Bistro Gardens compact and
certainly had not called him. Nor had I even thought of calling. Suicide is
not beholden to an evening’s promises, nor does it always hearken to plans
drawn up in lucid moments and banked in good intentions.
I know this for an unfortunate fact. Suicide has been a professional
interest of mine for more than twenty years, and a very personal one for
considerably longer. I have a hard-earned respect for suicide’s ability to
undermine, overwhelm, outwit, devastate, and destroy. As a clinician,
researcher, and teacher I have known or consulted on patients who hanged,
shot, or asphyxiated themselves; jumped to their deaths from stairwells,
buildings, or overpasses; died from poisons, fumes, prescription drugs; or
slashed their wrists or cut their throats. Close friends, fellow students from
graduate school, colleagues, and children of colleagues have done similar
or the same. Most were young and suffered from mental illness; all left
behind a wake of unimaginable pain and unresolvable guilt.
Like many who have manic-depressive illness, I have also known suicide
in a more private, awful way, and I trace the loss of a fundamental
innocence to the day that I first considered suicide as the only solution
possible to an unendurable level of mental pain. Until that time I had taken
for granted, and loved more than I knew, a temperamental lightness of
mood and a fabulous expectation of life. I knew death only in the most
abstract of senses; I never imagined it would be something to arrange or
seek.
I was seventeen when, in the midst of my first depression, I became
knowledgeable about suicide in something other than an existential,
adolescent way. For much of each day during several months of my senior
year in high school, I thought about when, whether, where, and how to kill
myself. I learned to present to others a face at variance with my mind;
ferreted out the location of two or three nearby tall buildings with
unprotected stairwells; discovered the fastest flows of morning traffic; and
learned how to load my father’s gun.
The rest of my life at the time—sports, classes, writing, friends, planning
for college—fell fast into a black night. Everything seemed a ridiculous
charade to endure; a hollow existence to fake one’s way through as best one
could. But, gradually, layer by layer, the depression lifted, and by the time
my senior prom and graduation came around, I had been well for months.
Suicide had withdrawn to the back squares of the board and become, once
again, unthinkable.
Because the privacy of my nightmare had been of my own designing, no
one close to me had any real idea of the psychological company I had been
keeping. The gap between private experience and its public expression was
absolute; my persuasiveness to others was unimaginably frightening.
Over the years, my manic-depressive illness became much worse, and the
reality of dying young from suicide became a dangerous undertow in my
dealings with life. Then, when I was twenty-eight years old, after a
damaging and psychotic mania, followed by a particularly prolonged and
violent siege of depression, I took a massive overdose of lithium. I
unambivalently wanted to die and nearly did. Death from suicide had
become a possibility, if not a probability, in my life.
Under the circumstances—I was, during this, a young faculty member in
a department of academic psychiatry—it was not a very long walk from
personal experience to clinical and scientific investigation. I studied
everything I could about my disease and read all I could find about the
psychological and biological determinants of suicide. As a tiger tamer
learns about the minds and moves of his cats, and a pilot about the
dynamics of the wind and air, I learned about the illness I had and its
possible end point. I learned as best I could, and as much as I could, about
the moods of death.
I
—WILLIAM COWPER
English poet William Cowper (1731–1800) on several occasions tried to
poison, stab, or hang himself. The self-described “lines written during a
period of insanity” were composed after one of his suicide attempts.
CHAPTER 1
A tiny blade will sever the sutures of the neck, and when that
joint, which binds together head and neck, is cut, the body’s
mighty mass crumples in a heap. No deep retreat conceals the
soul, you need no knife at all to root it out, no deeply driven
wound to find the vital parts; death lies near at hand.…
Whether the throat is strangled by a knot, or water stops the
breathing, or the hard ground crushes in the skull of one falling
headlong to its surface, or flame inhaled cuts off the course of
respiration—be it what it may; the end is swift.
—SENECA
N O ONE KNOWS who the first was to slash his throat with a piece of flint,
take a handful of poison berries, or intentionally drop his spear to the
ground in battle. Nor do we know who first jumped impulsively, or after
thought, from a great cliff; walked without food into an ice storm; or
stepped into the sea with no intention of coming back. Death, as Seneca
states, has always lain close at hand; yet it is a mystery why the first to kill
himself did: Was it a sudden impulse, or prolonged disease? An inner voice,
commanding death? Perhaps shame or the threat of capture by an enemy
tribe? Despair? Exhaustion? Pressure from others to spare common
resources of food and land? No one knows.
It is unlikely that Homo sapiens was the first to think of suicide or act on
the thought of it; indeed, from an evolutionary perspective this would seem
rather arbitrary, given the sophistication of the hominids before us. The
Cro-Magnons, we believe, were skilled hunters, makers of blades and
spears, plaiters of rope, users of fire, and reflective, ingenious inventors of
remarkable art forms and elaborate burial rituals. And, there was Homo
neanderthalensis before them, and the hunting apes, such as chimpanzees,
known to be aggressive, social, and cognitively complex toolmakers. At
what point did self-awareness enter into the life of the brain? When did a
conscious, deliberate intent to die veer off from the borderlands of extreme
recklessness and impetuous, life-threatening taking of risks? Violence and
recklessness, profound social withdrawal, and self-mutilation are not, as we
shall see, unique to our species. But perhaps suicide is.
We will never know who or why or how the first to kill himself did (or
herself; we will never know that either). But it is very likely that once
suicide occurred and others were cognizant of it, the act was repeated—in
part because the reasons and means would remain integral to the
psychological and physical environment, and in part because animals and
humans learn, to considerable extent, through imitation. Suicide,
dangerously, has a contagious aspect; it has, as well, for the vulnerable, an
indisputable appeal as the solution of last resort.
Recorded observations about suicide are, of necessity, far more recent
than its first occurrences. Society’s attitudes, as captured in its literature,
laws, and religious sanctions, provide one window into our collective
reactions to self-murder. They give a historical perspective to the evolution
of our perceptions about suicide, perceptions that have varied from our
seeing it as an accepted and valued event to treating it as a sin or a crime, or
conceptualizing it as the consequence of adverse circumstances or
pathological mental states.
Jewish custom forbade funeral orations for anyone who committed suicide;
mourners’ clothes were not encouraged, and burial was generally limited to
an isolated section of the cemetery, so as “not to bury the wicked next to the
righteous.” The Semachot, the rabbinic text on death and mourning, states
that “He who destroys himself consciously (‘la-daat’), we do not engage
ourselves with his funeral in any way. We do not tear the garments and we
do not bare the shoulder in mourning and we do not say eulogies for him.”
Over time, a greater latitude and compassion was extended to suicides
committed while of an unsound mind. “The general rule,” states one scholar
of Jewish tradition, “is that on the death of the suicide you do everything in
honour of the surviving, such as visit and comfort and console them, but
you do nothing in honour of the dead apart from burying them.” In Islamic
law, suicide is a crime as grave as, or even graver than, homicide.
Strong religious and legal sanctions against suicide are scarcely
surprising; it would be odd indeed if society had no reaction to such a
dramatic, seemingly inexplicable, frightening, frequently violent, and
potentially infectious form of death. Dante, writing almost seven hundred
years ago in The Inferno, assigned a particularly grim fate to those who
committed suicide. Condemned to the seventh circle of Hell and
transformed into bleeding trees, the damned and eternally restless souls of
the suicides were subject to continuous agony and fed upon mercilessly by
the Harpies. They who in “mad violence” killed themselves were, unlike all
others who resided in Hell, also denied the use of their earthly human
forms.
The civil desecration of the corpses of suicides was common, as were
attempts to prevent untoward influence upon the living by physically
isolating and constraining the body and its potentially dangerous spirit. The
bodies of those who killed themselves were, in many countries, buried at
night and at a crossroads. The greater traffic over such crossroads was
thought to “keep the corpses down,” and the intersection of paths, it was
believed, would make it more difficult for the spirit to find its way home. In
early Massachusetts, cartloads of stones were unloaded at the crossroads
where a suicide had been buried. Not uncommonly, a stake was driven
through a suicide’s heart, a practice that has suggested to at least one
scholar its similarity to the fate of a fourteenth-century murderer whose
body was discovered years ago in the peat bogs of Sweden. The murderer’s
captors, in order to stop the dead man from “walking,” drove birch stakes
through his back, side, and heart; they then sank his body into a fen, at the
meeting point of four parishes, in the not altogether unreasonable belief that
he would be unlikely to escape.