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 Lecture 2: Basics of Quantum Mechanics
Scribed by: Vitaly Feldman

Department of Mathematics, MIT

September 9, 2003

In this lecture we will cover the basics of Quantum Mechanics which are required to under­
stand the process of quantum computation. To simplify the discussion we assume that all the
Hilbert spaces mentioned below are finite­dimensional. The process of quantum computation can
be abstracted via the following four postulates.

Postulate 1. Associated to any isolated physical system is a complex vector space with inner product
(that is, a Hilbert space) known as the state space of the system. The state of the system is
completely described by a unit vector in this space.

Qubits were the example of such system that we saw in the previous lecture. In its physical
realization as a polarization of a photon we have two basis vectors: |�� and |↔� representing the
vertical and the horizontal polarizations respectively. In this basis vector polarized at angle θ can
be expressed as cos θ |↔� − sin θ |��.
An important property of a quantum system is that multiplying a quantum state by a unit
complex factor (eiθ ) yields the same complex state. Therefore eiθ |�� and |�� represent essentially
the same state.

Notation 1. State χ is denoted by |χ� (often called a ket) is a column vector, e.g.,
⎛ ⎞
√1/2
⎝ i 3/2 ⎠
0

|χ�† = �χ| (often √

called a bra) denotes a conjugate transpose of |χ�. In the previous example we
would get (1/2, −i 3/2, 0). It is easy to verify that �χ|χ� = 1 and �x|y� ≤ 1.

Postulate 2. Evolution of a closed quantum system is described by a unitary transformation. If

|ψ� is the state at time t, and |ψ � � is the state at time t� , then |ψ � � = U |ψ� for some unitary operator
U which depends only on t and t� .

Definition 1. A unitary operator is a linear operator that takes unit vectors to unit vectors.

For every ψ, �ψ | U † U |ψ� = 1 and therefore U † U = I. Here by A† we denote the adjoint operator
†
of A, that is, the operator that satisfies (�x| A† ) = A |x� for every x.

Definition 2. A Hermitian operator is an operator that satisfies A† = A.

1
P. Shor – 18.435/2.111 Quantum Computation – Lecture 2 2

Commonly used operators on qubits are Pauli matrices I, σx , σy , σz and Hadamard transform
H described as follows.
� �
0 1 |0�+|1�
σx = Maps: |0� → |1� ; |1� → |0� ; √ �
� 1 0 �
2
0 −i
σy = Maps: |0� → i |1� ; |1� → −i |0�
� i 0 �
1 0
σz = Maps: |0� → |0� ; |1� → − |1�
0� −1 �
1 1 1 |0�+|1� |0�−|1�
H= 2 √ Maps: |0� → √ ; |1� → √
1 −1 2 2

Postulate 2 stems from Srödinger equation for physical systems, namely

d |ψ�
i� = H |ψ�
dt
where H is a fixed Hermitian operator known as the Hamiltonian of a closed system.

Postulate 3. Quantum measurements are described by a collection {Mm } of measurement opera­

tors. These are operators acting on a state space of the system being measured. The index m refers
to the measurement outcomes that may occur in the experiment. If the state of the quantum system
is |ψ� immediately before the measurement then the probability that result m occurs is given by

p(m) = �ψ | Mm † Mm |ψ� ,

and the state of the system after the measurement is

Mm |ψ�
� .
�ψ| Mm † Mm |ψ�

The measurement operators satisfy the completeness equation,

�
Mm † Mm = I .
m

The completeness equation expresses the fact that probabilities sum to one:
� �
1= p(m) = �ψ| Mm † Mm |ψ� .
m m

We will mostly see the following types of measurements. Suppose |v1 � , |v2 � , . . . , |vd � form an
orthonormal basis. Then {Mi = |vi � �vi |} is a quantum measurement. From state |ψ� in this
measurement we will obtain
|vi � �vi |ψ�
with probability |�vi |ψ�|2 .
|�vi |ψ�|

Definition 3. A projector is a Hermitian matrix with eigenvalues 0 and 1. The subspace with
eigenvalue 1 is the subspace associated with this operator.
P. Shor – 18.435/2.111 Quantum Computation – Lecture 2 3

Suppose S1 , S2 , . . . , Sk are orthogonal subspaces that span the state space. Then {Pi } is a
quantum measurement where Pi is the projector onto Si . We can write

|ψ� = α1 |ψ1 � + α2 |ψ2 � + · · · + αk |ψk � ,

where |ψi � ∈ Si . Then this measurement takes |ψ� to |ψi � with probability |αi |2 .

Postulate 4. The state space of a composite quantum system is the tensor product of the state spaces
of the component physical systems. Moreover, if we have systems numbered 1 through n, and system
number i is prepared in the state |ψi �, then the joint state of the total system is |ψ1 �⊗|ψ2 �⊗· · ·⊗|ψn �.

Definition 4. Let S1 and S2 be Hilbert spaces with bases |e1 � , . . . , |ek � and |f1 � , . . . , |fl � respectively.
Then a tensor product of S1 and S2 denoted S1 ⊗ S2 is a kl­dimensional space consisting of all the
linear combinations of all the possible pairs of original bases elements, that is, of {|ei � ⊗ |fj �}i≤k,j≤l
(|v� ⊗ |w� is often contracted to |v� |w� or |vw�).

In a more concrete matrix representation the tensor product of two vectors is the Kronecker
product of vectors. For example,
⎛ 3
√
⎞
� � 5 2
√1 3 4
√
� � ⎜ ⎟
2 ⊗ 5 =⎜
⎜ 5 2 ⎟
−3
− √12 4 √
⎟
5 ⎝ 5 2
⎠
−4
√
5 2

The tensor product satisfies the property

� that the product
� of two unit vectors is a unit vector. This
is to verify as follows. Let |v1 � = ai |ei � and |v2 � = bj |fj � be two unit vectors. Then
� � �
|v1 � ⊗ |v2 � = ai |ei � ⊗ bj |fj � = ai bj |ei � |fj � .

Therefore, � � �
||v1 � ⊗ |v2 �|2 = |ai bj |2 = |ai |2 |bj |2 = ||v1 �|2 ||v2 �|2
Another important property of the tensor product space is that it contains vectors which are not
tensor product themselves. For example, it can be easily verified that the vector
1
√ (|e1 � |f2 � − |e2 � |f1 �)
2
is not a tensor product itself. Such vectors are called “entangled”.


   

  


  

    
   
     
       
  
       


       
        
  
    
    
  
  
 

 



            
      
  
 
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© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 18
prints, 5Jun24; LU20281.
WHY I AM HERE. 1913. 1 reel.
Credits: Director, Ralph Ince.
© The Vitagraph Co. of America (James Oliver Curwood,
author); 17Jul13; LP1462.
WHY I WOULD NOT MARRY. 1918. 6 reels.
Credits: Director, Richard Stanton; scenario, Adrian Johnson.
© William Fox (Fox Film Corp., author); 24Nov18; LP13069.
WHY IS A PLUMBER. (Roach Star Comedies) 1929. 2 reels, sd.,
b&w.
Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard
Currier.
© Metro-Goldwyn-Mayer Distributing Corp.; 11Mar29; LP198.
WHY JONESVILLE WENT DRY. SEE When Women Go on the
Warpath.
WHY KIDS LEAVE HOME. (A Grantland Rice Sportlight) © 1925.
Credits: Producer, John L. Hawkinson.
© Pathe Exchange, Inc. (John L. Hawkinson, author); title,
descr. & 20 prints, 6Jul25; MU3092.
WHY LEAVE HOME. 1929. 6,388 ft.
Credits: Director, Raymond Cannon; play, Russell Medcraft,
Norma Mitchell; adaptation, Robert S. Carr; dialogue, Walter
Catlett; editor, Jack Murray.
© Fox Film Corp.; 22Aug29; LP626.
WHY LEE! (Star Comedy) 1920. 1 reel.
Credits: Written and directed by Eddie Lyons and Lee Moran.
 © Universal Film Mfg. Co., Inc.; 23Apr20; LP15045.
WHY LIFE INSURANCE. 1931. Filmstrip.
© The Northwestern Mutual Life Insurance Co. (Nelson D.
Phelps and Russell Thierbach, authors); 10Sep31; MP3077.
WHY LOVE IS BLIND. 1916. 3 reels.
Credits: Director, George Nicholls.
© Selig Polyscope Co. (William A. McGuire, author); 1Jan16;
LP7390.
WHY MEN FORGET. 1922. 5 reels. From the novel "Demos" by
George Gissing.
Credits: Scenario, Denison Clift.
© R-C Pictures Corp.; 14Jan22; LP17457.
WHY MEN LEAVE HOME. © 1913.
© Universal Film Mfg. Co. (Albert Glassmire, author); title, descr.
& 114 prints, 5May13; LU674.
WHY MEN LEAVE HOME. First National. 1924. 8 reels. Adapted
from the play by Avery Hopwood.
Credits: Producer and director, John M. Stahl; adaptation, A. P.
Younger.
© Louis B. Mayer; 12Mar24; LP19986.
WHY MEN LEAVE HOME. First National. Presented by Louis B.
Mayer. 1924. 8 reels. From the play by Avery Hopwood.
Credits: Director, John M. Stahl; adaptation, A. P. Younger.
© Louis B. Mayer Productions, Inc.; 12Mar24; LP20057.
WHY MEN WORK. (Hal Roach Comedy) © 1924.
© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 20
prints, 2Oct24; LU20631.
WHY MICE LEAVE HOME. © 1924.
 © Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 20
prints, 20Feb24; MU2444.
WHY MRS. JONES CHOOSES ICE. 1932. 1 reel.
© Guy L. Andre; 19Feb32; MP3252.
WHY MRS. KENTWORTH LIED. Imp. 1916. 3 reels. Adapted from
the story by Hugh Weir.
Credits: Producer, Matt Moore; adaptation, Norbert Lusk.
© Universal Film Mfg. Co., Inc.; 21Apr16; LP8132.
WHY MULES LEAVE HOME. Bluebird. 1927. 1 reel.
Credits: Director, Richard Smith.
© Universal Pictures Corp.; 21Feb27; LP23698.
WHY MULES LEAVE HOME. (Paul Terry-Toons) Educational.
Presented by E. W. Hammons. 1934. 516 ft., sd.
Credits: Frank Moser, Paul Terry; scored and conducted by Philip
A. Scheib.
© Moser & Terry, Inc.; 4Sep34; MP4960.
WHY NOT. SEE The Dream Lady.
WHY NOT NOW? (Eddie Lyons Comedy) 1922. 2 reels.
Credits: Director, Eddie Lyons, Eugene DeRue; scenario, Bob
McGowan.
© Arrow Film Corp.; 4Apr22; LP17724.
WHY PAY RENT? 1923. 2 reels.
Credits: Director, Jack Blystone.
© William Fox (Fox Film Corp., author); 26Aug23; LP19439.
WHY PAY RENT? 1935. 2 reels, sd.
Credits: Director, Lloyd French; story, Dolph Singer, Jack Henley.
© The Vitaphone Corp.; 1Jul35; LP5638.
WHY PAY YOUR RENT? 1924. 1 reel.
Credits: Director, William H. Watson.
© Universal Pictures Corp.; 3May24; LP20147.
WHY PEOPLE BUY LIFE INSURANCE. (Series for the Instruction of
Life Insurance Salesmen, v. 3) 1930. 1 reel.
Credits: W. H. Hoedt.
© The Life Insurance Sales Research Bureau (W. H. Hoedt
Studios, author); 4Jan30; MP1240.
WHY PICK ON ME? © 1918.
© Pathe Exchange, Inc. (Rolin Film Co., author); title, descr. &
36 prints, 10Aug18; LU12737.
WHY SAILORS GO WRONG. 1928. 6 reels, b&w, light amber
sequences.
Credits: Director, Henry Lehrman; story, William Conselman,
Frank O'Connor; scenario, Randall H. Faye.
© Fox Film Corp.; 16Mar28; LP25087.
WHY SMITH LEFT HOME. Paramount-Artcraft. Presented by Jesse
L. Lasky. 1919. 5 reels.
Credits: Director, Donald Crisp; story, George Broadhurst;
scenario, Elmer Harris.
© Famous Players-Lasky Corp.; 29Sep19; LP14227.
WHY THE KNIGHT ENGINE IMPROVES WITH USE. 1927. 1 reel.
© Willys-Overland, Inc. (Raymond J. Faller, author); 24Sep27;
MP4416.
WHY THE SHERIFF IS A BACHELOR. 1914. 1,000 ft.
Credits: Written and produced by Tom Mix.
© Selig Polyscope Co. (Tom Mix, author); 10Oct14; LP3505.
WHY THE SUPERIOR WHIPPET SIX IS A HIGH CLASS LOW PRICE
CAR. 1929. 1 reel.
© Willys-Overland, Inc. (Raymond J. Faller, author); 18Feb29;
MP5906.
WHY THE WHIPPET IS YOUR 1930 OPPORTUNITY. 1930. 1 reel.
© Willys-Overland, Inc. (Raymond J. Faller, author); 14Jul30;
MP1751.
WHY THE WHIPPET SIX IS A DISTINCTIVE SIX. 1928. 1 reel.
© Willys-Overland, Inc. (Raymond J. Faller, author); 31Aug28;
MP5368.
WHY THE WILLYS SIX WAS UNIVERSALLY ACCEPTED. 1930. 1
reel.
© Willys-Overland, Inc. (Raymond J. Faller, author); 28Feb30;
MP1286.
WHY THERE IS NO SUBSTITUTE FOR WILLYS KNIGHT
PERFORMANCE. 1929.
© Willys-Overland, Inc. (Raymond J. Faller, author); 24Apr29;
MP214.
WHY THEY LEFT HOME. Joker. 1917. 1 reel.
Credits: Director, W. W. Beaudine; scenario, C. B. Hoadley.
© Universal Film Mfg. Co., Inc.; 20Aug17; LP11274.
WHY TRUST YOUR HUSBAND. 1921. 5 reels.
Credits: Director, George E. Marshall; story, George E. Marshall,
Paul Cazeneuve; scenario, William M. Conselman.
© William Fox (Fox Film Corp., author); 16Jan21; LP16064.
WHY, UNCLE? Nestor. 1917. 1 reel.
Credits: Director, Louis William Chaudet; story, Bess Meredyth;
scenario, Charles J. Wilson, Jr.
 © Universal Film Mfg. Co., Inc.; 11Jan17; LP9972.
WHY WAIT? 1924. 1 reel.
Credits: Director, Slim Summerville.
© Universal Pictures Corp.; 4Jan24; LP19798.
WHY WATER TREATMENT IS NECESSARY IN THE MANUFACTURE
OF ICE. © 1926.
© Middle West Utilities Co. (A. J. Authenrieth, author); title & 2
prints, 28Oct26; MU3661.
WHY WOMEN DIVORCE. © 1929.
© American General Film Co. (James Vincent, author); title,
descr. & 150 prints, 3Sep29; LU654.
WHY WOMEN LOVE. Presented by Edwin Carewe. 1925. 7 reels.
Adapted from the play "The Sea Woman" by Willard Robertson.
Credits: Director, Edwin Carewe; scenario, Lois Leeson.
© First National Pictures, Inc.; 15Oct25; LP21909.
WHY WOMEN PAY. (A Life Cartoon Comedy) 1926. 1 reel.
© Sherwood-Wadsworth Pictures, Inc.; 16Dec26; LP23443.
WHY WOMEN RE-MARRY. 1923. 5 reels.
Credits: Director, John Gorman; story, Van A. James.
© Associated Photoplays, Inc.; 27Mar23; LP18822.
WHY WORRY? (Star Comedy) 1918. 1 reel.
Credits: Story, Lyons-Moran; scenario, Frank Howard Clark.
© Universal Film Mfg. Co., Inc.; 9Nov18; LP13030.
WHY WORRY. 1921. 2 reels.
Credits: Director, Mark Goldaine; story, Kingsley Benedict.
© Goldwyn Pictures Corp. (National Film Corporation of America,
author); 7Jun21; LP16656.
WHY WORRY? © 1923.
© Pathe Exchange, Inc. (Sam Taylor, author); title, descr. & 118
prints, 11Aug23; LU19294.
WHY YOU ARE AND WHAT YOU ARE; nos. 1 & 2. © 1925.
© Marinello Co. (Edna Purdy Walsh, author); title, descr. & 2
prints each, 5Feb25; MU2900, MU2901.
WHYS AND OTHER WHYS. SEE Felix the Cat in Whys and Other
Whys.
WICKED. 1931. 5,200 ft., sd.
Credits: Associate producer, John W. Considine, Jr.; director, Allan
Dwan; editor, Jack Dennis.
© Fox Film Corp.; 1Sep31; LP2475.
THE WICKED CAT. © 1922.
© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 14
prints, 4Mar22; MU2121.
THE WICKED CITY. © 1926.
© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 18
prints, 23Jan26; MU3303.
THE WICKED DARLING. 1919. 6 reels.
Credits: Director, Tod Browning; story, Evelyn Campbell;
scenario, Harvey Gates.
© Universal Film Mfg. Co., Inc.; 3Feb19; LP13356.
THE WICKED KASIMIR. (U. F. A. Oddity) U. F. A. 1928. 1 reel,
b&w.
Credits: Edited and titled by Edward Bowes.
© Metro-Goldwyn-Mayer Distributing Corp.; 7Apr28; MP5031.
WICKED WEST. (Oswald Cartoon) Snappy. Winkler. 1929. 1 reel.
Credits: Isadore Freleng.
 © Universal Pictures Corp.; 27Apr29; LP340.
A WICKED WOMAN. 1934. 8 reels, sd., b&w. From the novel by
Anne Austin.
Credits: Director, Charles Brabin; screenplay, Florence Ryerson,
Zelda Sears; film editor, Ben Lewis; music score, William Axt.
© Metro-Goldwyn-Mayer Corp.; 1Dec34; LP5160.
WICKEDNESS PREFERRED. 1928. 6 reels, sd., b&w.
Credits: Producer and director, Hobart Henley; screenplay,
Florence Ryerson, Colin Clements; titles, Robert Hopkins; film
editor, William Hamilton.
© Metro-Goldwyn-Mayer Distributing Corp.; 28Jan28; LP25216.
WICKLOW GOLD. © 1927.
© George Crommey (John McDonagh, author); title, descr. & 76
prints, 9Jul27; LU24317.
WIDE AWAKE. (Mermaid Comedies) Educational. 1925. 2 reels.
Credits: Written and directed by Norman Taurog.
© White Productions, Inc.; 22Apr25; LP21395.
WIDE OPEN. Trailer. 1929. 1 reel, sd.
© The Vitaphone Corp.; 25Nov29; MP897.
WIDE OPEN. Vitaphone. 1930. 7 reels. From the novel "The
Narrow Street" by Edwin Bateman Morris.
Credits: Director, Archie Mayo; screenplay, James A. Starr, Arthur
Caesar.
© Warner Bros. Pictures, Inc.; 13Jan30; LP992.
WIDE OPEN FACES. © 1926.
© Pathe Exchange, Inc. (Mack Sennett, author); title, descr. &
40 prints, 23Jan26; LU22307.
WIDE OPEN FACES. Bluebird. 1926. 1 reel.
 Credits: Director, Richard Smith.
© Universal Pictures Corp.; 17Aug26; LP23040.
WIDE OPEN FACES. 1938. 7 reels, sd.
Credits: Associate producer, Edward Gross; director, Kurt
Neumann; original story, Richard Flournoy; screenplay, Earle
Snell, Clarence Marks, Joe Bigelow; additional dialogue, Pat C.
Flick; film editor, Jack Ogilvie.
© David L. Loew Productions, Inc.; 24Feb38; LP7852.
THE WIDE OPEN SPACES. © 1924.
© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 34
prints, 30Jun24; LU20348.
THE WIDE OPEN SPACES. Presented by the Masqueraders Club of
Hollywood. 1932. 2 reels, sd., b&w.
Credits: Director, Arthur Rosson; story, Walter Weems, Edward
Earle; film editor, Russell Schoengarth.
© RKO Pathe Pictures, Inc.; 25Jan32; LP3419.
A WIDE OPEN TOWN. 1922. 5 reels.
Credits: Producer, Ralph Ince; story, Earle Mitchell; scenario,
Edward J. Montagne.
© Selznick Pictures Corp.; 10Feb22; LP17564.
THE WIDE WRONG WAY. (Is Marriage Scared?) 1917. 28 min.
Credits: Charles Mortimer Peck; director, E. H. Calvert.
© Essanay Film Mfg. Co.; 10Jan17; LP9962.
THE WIDOW. © 1914.
© American Film Mfg. Co. (Theodosia Harris, author); title &
descr., 14Aug14; 45 prints, 15Aug14; LU3193.
WIDOW BY PROXY. 1919. 5 reels. From the play by Catherine
Chisholm Cushing.
 Credits: Director, Walter Edwards; scenario, Julia Crawford Ivers.
© Famous Players-Lasky Corp.; 9Aug19; LP14074.
THE WIDOW DANGEROUS. 1918. 2 reels.
Credits: Director, Allen Watt; story, Alfred Henry Lewis;
adaptation, George H. Plympton.
© Broadway Star Features Co., Inc.; 19Aug18; LP12762.
THE WIDOW FROM CHICAGO. First National and Vitaphone. 1930.
64 min., sd.
Credits: Director, Edward Cline; screen version and dialogue, Earl
Baldwin.
© First National Pictures, Inc.; 29Nov30; LP1778.
THE WIDOW FROM CHICAGO. Trailer. 1930. 1 reel.
© The Vitaphone Corp.; 6Oct30; MP1956.
THE WIDOW FROM MONTE CARLO. Presented by Warner Bros.
Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels, sd. Based
on the play by Ian Hay [pseud. of John Hay Beith] and A. E. W.
Mason.
Credits: Director, Arthur Greville Collins; screenplay, F. Hugh
Herbert, Charles Belden, George Bricker.
© Warner Bros. Pictures, Inc.; 20Jan36; LP6064.
WIDOW MUGGIN'S WEDDING. © 1914.
© Biograph Co.; title, descr. & 63 prints, 23May14; LU2750.
THE WIDOW OF RED ROCK. 1914. 1 reel.
Credits: Director, Wallie Van [pseud. of Wally Van Nostrand].
© Vitagraph Co. of America (Elizabeth R. Carpenter, author);
20May14; LP2747.
THE WIDOW'S BREEZY SUIT. 1915. 1,000 ft.
Credits: Sally Spotswood; director, Will Louis.
 © Thomas A. Edison, Inc.; 1Oct15; LP6547.
A WIDOW'S CAMOUFLAGE. © 1918.
Credits: Director, Allen Curtis.
© National Film Corp. (Tom Gibson, author); title & descr.,
25Apr18; 11 prints, 12Apr18; LU12331.
THE WIDOW'S INVESTMENT. © 1914.
© American Film Mfg. Co. (Jessie F. Calif, author); title, descr. &
62 prints, 23Apr14; LU2555.
THE WIDOW'S KIDS. © 1913.
© Biograph Co. (Anita Loos, author); title, descr. & 26 prints,
31Jul13; LU1046.
THE WIDOW'S MIGHT. 1917. 5 reels.
Credits: Director, William C. De Mille; story, Marion Fairfax.
© Jesse L. Lasky Feature Play Co.; 26Dec17; LP11880.
WIDOW'S MIGHT. SEE Careless Lady.
THE WIDOW'S SECOND MARRIAGE. 1912. 650 ft.
© Thomas A. Edison, Inc.; 26Sep12; LP9.
THE WIDOW'S SECRET. Victor. 1915. 2 reels.
Credits: Producer, J. Warren Kerrigan; scenario, Neil Shipman.
© Universal Film Mfg. Co., Inc.; 8Dec15; LP7173.
THE WIDOW'S SUITORS. 1913. 1 reel.
Credits: Charles H. France.
© Thomas A. Edison, Inc.; 27Sep13; LP1314.
THE WIFE. © 1914.
© American Film Mfg. Co. (Harry Pollard, author); title, descr. &
63 prints, 24Feb14; LU2201.
WIFE. © 1914.
© Eclair Film Co., Inc.; title, & 29 prints, 4Jun14; descr.,
23May14; LU2810.
WIFE. © 1914.
© Société Française des Films et Cinématographes Éclair; title,
descr. & 26 prints, 24Apr14; LU2566.
THE WIFE. 1914.
© Klaw & Erlanger (Protective Amusement Co., author);
28May14; LP3032.
WIFE AGAINST WIFE. Presented by Whitman Bennett. 1921. 6
reels. From the play "The Price" by George Broadhurst.
Credits: Director, Whitman Bennett; screenplay, Dorothy Farnum.
© Whitman Bennett; 29Aug21; LP16919.
WIFE AGAINST WIFE. Presented by Whitman Bennett. 1921. 6
reels. From the play "The Price" by George Broadhurst.
Credits: Director, Whitman Bennett; adaptation, Dorothy Farnum.
** © Whitman Bennett; 28Sep21; LP17015.
WIFE AND AUTO TROUBLE. © 1916.
© Triangle Film Corp. (Mack Sennett, author); title, descr. & 356
prints, 28Mar16; LU7935.
WIFE AND AUTO TROUBLE. 1916. 2 reels.
Credits: Supervision, Mack Sennett; director, Del Henderson.
© Triangle Film Corp. (Mack Sennett, author); 28Feb16; LP8837.
A WIFE AT BAY. Rex. 1916. 2 reels.
Credits: J. Grubb Alexander; producer, Ben Wilson.
© Universal Film Mfg. Co., Inc.; 10May16; LP8260.
THE WIFE BREAKERS. (Lyons-Moran Star Comedy) 1919. 1 reel.
 Credits: Story and direction, Eddie Lyons, Lee Moran.
© Universal Film Mfg. Co., Inc.; 19Mar19; LP13511.
A WIFE BY PROXY. 1917. 5 reels.
Credits: John B. Clymer, Charles A. Logue; director, John F.
Collins; scenario, June Mathis.
© Columbia Pictures Corp.; 9Jan17; LP9935.
A WIFE BY PURCHASE. SEE God's Law and Man's.
WIFE, DOCTOR, AND NURSE. 1937. 7,700 ft., sd.
Credits: Director, Walter Lang; screenplay, Kathryn Scola, Darrell
Ware, Lamar Trotti; music, Arthur Lange.
© Twentieth Century-Fox Film Corp.; 17Sep37; LP7780.
A WIFE FOR A RANSOM. Joker. 1916. 1 reel.
Credits: Written and produced by Allen Curtis.
© Universal Film Mfg. Co., Inc.; 5May16; LP8232.
THE WIFE HE BOUGHT. 1918. 5 reels.
Credits: Director, Harry L. Solter; scenario, Harvey Gates.
© Bluebird Photoplays, Inc.; 15Jan18; LP11952.
WIFE, HUSBAND, AND FRIEND. 1939. 7,280 ft., sd. Based on a
novel by James M. Cain.
Credits: Director, Gregory Ratoff; screenplay, Nunnally Johnson;
music director, David Buttolph.
© Twentieth Century-Fox Film Corp.; 3Mar39; LP8967.
WIFE IN DEATH ONLY. © 1915.
© Lucien Muratore; title, descr. & 37 prints, 17Dec15; LU7232.
WIFE IN NAME ONLY. 1923. 5 reels. Adapted from the novel by
Bertha M. Clay [pseud. of Charlotte Mary Brame].
Credits: Director, George W. Terwilliger.
 © Pyramid Pictures, Inc.; 23Aug23; LP19343.
WIFE IN SUNSHINE. (Is Marriage Sacred?) 1916. 31 min.
Credits: Charles Mortimer Peck; director, E. H. Calvert.
© Essanay Film Mfg. Co.; 27Dec16; LP9841.
WIFE INSURANCE. (Superba, no. 4) 1937. 2 reels, sd.
Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story,
Jean W. Yarbrough, Jack Townley; film editor, John Lockert.
© RKO Radio Pictures, Inc.; 9Jul37; LP7296.
WIFE NUMBER TWO. 1917. For Fox Film Corp. 5 reels.
Credits: Adapted and directed by William Nigh.
© William Fox (William Nigh, author); 29Jul17; LP11149.
THE WIFE O' RILEY. 1931. 2 reels.
Credits: Producer, Lou Brock; director, Mark Sandrich; story and
dialogue, Eddie Moran, Charles Lamont, Mark Sandrich; film
editor, Ted Cheesman.
© RKO Radio Pictures, Inc.; 2Mar31; LP2057.
THE WIFE OF GENERAL LING. 1938. 8 reels, sd.
Credits: Producer, John Stafford; director, Ladislaus Vajda;
original story, Dorothy Hope, Peter Cheyney; screen story, Akos
Tolnay; scenario and dialogue, Reginald Long; editor, R. Thomas;
music director, Jack Beaver.
© Gaumont British Picture Corp. of America (Premier Stafford
Productions, Ltd., England, author); 10Jan38; LP8220.
THE WIFE OF STEPHAN TROMBOLT. SEE Wonder of Women.
WIFE OF THE CENTAUR. Presented by Louis B. Mayer. 1924. 7
reels. Based on the novel by Cyril Hume.
Credits: Director, King Vidor; scenario, Douglas Doty; film editor,
Hugh Wynn.
 © Metro-Goldwyn Pictures Corp.; 12Dec24; LP20909.
THE WIFE OF THE PARTY. 1936. 2 reels, sd.
Credits: Director, Lloyd French; story, Burnet Hershey, Jack
Henley.
© The Vitaphone Corp.; 18Sep36; LP6602.
THE WIFE OF THE PARTY. SEE Gold Dust Gertie.
A WIFE ON TRIAL. Butterfly. 1917. 5 reels. From the novel "The
Rose-Garden Husband" by Margaret Widdemer.
Credits: Director, Ruth Ann Baldwin; scenario, Leo O. Pierson.
© Universal Film Mfg. Co., Inc.; 21Jul17; LP11123.
WIFE SAVERS. Presented by Adolph Zukor and Jesse L. Lasky.
1928. 5,434 ft. Based on the production by Florenz Ziegfeld of
the play "Louie the Fourteenth" by Arthur Wimperis; from the
German of Paul Frank and Julius Wilhelm.
Credits: Producer, James Cruze; associate producer, B. P.
Schulberg; director, Ralph Ceder; screenplay, Tom J. Geraghty,
Grover Jones.
© Paramount Famous Lasky Corp.; 7Jan28; LP24839.
WIFE SHY. (Bobby Vernon Comedies) Educational Film Exchanges,
Inc. 1926. 2 reels.
Credits: Director, William Watson; story, Frank Roland Conklin.
© Christie Film Co., Inc.; 5Oct26; LP23190.
WIFE TAMERS. © 1926.
© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 38
prints, 15Mar26; LU22489.
THE WIFE TRAP. Paramount. UFA. Presented by Hamilton
Theatrical Corp. 1922. 6 reels. From the play "The Confession"
by Ernst Vajda.
 Credits: Director, Robert Wullner; adaptation, Joe May, William
Auspitzer.
© Famous Players-Lasky Corp.; 7May22; LP17910.
WIFE TROUBLE. (Cameo Comedy) 1928. 1 reel.
Credits: Director, Wallace McDonald.
© Educational Film Exchanges, Inc.; 26Sep28; LP25756.
WIFE VS. SECRETARY. 1936. 85 min., sd., b&w. From the story by
Faith Baldwin.
Credits: Producer, Hunt Stromberg; director, Clarence Brown;
screenplay, Norman Krasna, John Lee Mahin, Alice Duer Miller;
film editor, Frank E. Hull; music score, Herbert Stothart, Edward
Ward.
© Metro-Goldwyn-Mayer Corp.; 26Feb36; LP6177.
WIFE WANTED. 1914. 2 reels.
Credits: Director, Ralph Ince.
© Vitagraph Co. of America (Joseph Allen & Marguerite Bertsch,
authors); 12Jun14; LP2862.
THE WIFE WHO WASN'T WANTED. 1925. 7 reels. From the novel
by Gertie de S. Wentworth-James.
Credits: Director, James Flood; adaptation, Bess Meredyth.
© Warner Bros. Pictures, Inc.; 14Jul25; LP21650.
THE WIFELESS HUSBAND. (Is Marriage Sacred?) 1917. 30 min.
Credits: Charles Mortimer Peck; director, E. H. Calvert.
© Essanay Film Mfg. Co.; 17Mar17; LP10405.
A WIFE'S AWAKENING. 1921. 6 reels.
Credits: Jack Cunningham; director, Gasnier; scenario, Joseph
Dubray.
© Robertson-Cole; 16Sep21; LP16963.
THE WIFE'S BIRTHDAY. 1929. 2 reels, sd.
Credits: Director, Monte Brice.
© Paramount Famous Lasky Corp.; 25Oct29; LP791.
A WIFE'S FOLLY. Big U. 1917. 2 reels.
Credits: James R. Garey; director, Ben Wilson.
© Universal Film Mfg. Co., Inc.; 8Jan17; LP9942.
A WIFE'S INNOCENCE. Special Laemmle. 1916. 1 reel.
© Universal Film Mfg. Co., Inc.; 13Sep16; LP9104.
THE WIFE'S RELATIONS. 1928. 6 reels.
Credits: Producer, Harry Cohn; director, Maurice Marshall; story,
Adolph Unger; story and adaptation, Stephen Cooper; film editor,
Arthur Roberts.
© Columbia Pictures Corp.; 14Feb28; LP24991.
A WIFE'S ROMANCE. 1923. 6 reels.
Credits: Direction, Thomas Heffron; adaptation, W. H. Roberts.
© Metro Pictures Corp.; 9Oct23; LP19488.
A WIFE'S SACRIFICE. 1916. For Fox Film Corp. 5 reels.
Credits: Written and produced by J. Gordon Edwards.
© William Fox (J. Gordon Edwards, author); 26Mar16; LP7933.
THE WIFE'S STRATAGEM. 1914. 1 reel.
© Biograph Co.; 22Oct14; LP3582.
A WIFE'S SUSPICION. Gold Seal. 1917. 3 reels.
Credits: Director, George Sargent; story, Willard Mack.
© Universal Film Mfg. Co., Inc.; 3Aug17; LP11193.
WIFEY'S CHARMS. SEE Wir Lassen Uns Scheiden.
WIFEY'S VISIT HOME. © 1914.
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