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0-07-234764-3
9 780072 347647
Selected Descriptive Statistics Application Location
Frequency distribution Categorizes numerical responses based on a scale Chapter 3
Proportion Reflects a frequency's relationship to a sample's N Chapter 3
Percent A number representing the proportion of a score Chapter 3
per hundred
Relative frequency Percent or proportion of raw scores for X Chapter 3
di tribution
Grouped frequency Places raw scores (X) into preset value intervals Chapter 3
di tribution
True limits Range of values between which a variable lies Chapters 1, 3
Cumulative freq uency Number of interval values added to the total values Chapter 3
falling below an interval
Cumulative perce ntage Percentage of interval values added to the total Chapter 3
perce ntage falling below an interval
Quartile Divides a distribution into four equal portions Chapter 3
Mode Most freq uently occu rring score(s) in data set Chapter 4
Range Difference betwee n the high and low scores in a distribution Chapter 4
Interquartile range Range of scores falling between the 75th and 25th Chapter 4
percentiles (m iddle) of a di stribution
emi-interquartile range Nu merical index of half the distance between the first Chapter 4
and third quartiles in a distribution
Variance Average of the squared deviations from the mean of a Chapter 4
distribution
tandard deviation Average deviation between a given score and a Chapter 4
distribution's mean
z ore Indicates the distance between a given score and a Chapter 5
distribution's mean in standard deviation units
(also known as a standard sco re)
Nonparametric
("assumption free") Statistics Application Location
Chi-square "goodness- Examines whether categorical data conform to Chapter 14
of-fit" test proportions specified by a null hypothesis
Chi-square test of Determines whether frequencies associated with two Chapter 14
independence nominal variables are independent
Phi coefficient (1)) Assesses association between two dichotomous variables Chapter 14
Cramer's V Assesses association between two dichotomous variables Chapter 14
when one or both are more than two levels
Mann-Whitney Identifies differences between two independent samples Chapter 14
U test of ordinal data
Wilcoxon matched-pairs Identifies differences between two dependent Chapter 14
signed-ranks test samples of ordinal data
Spearman rank-order Assesses strength of association between ordinal Chapter 14
correlation coefficient (rs) data
Selected
Statistical
Symbols Description First appears on page
DANA S. DUNN
Moravian College
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outside the United States.
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ISBN 0-07-234764-3
Photo credit
Figure 1.5; ©CorbislBettmann
/
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The credits section for this book begins on page C-1 and is considered an extension of the
copyright page. /
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Library of Congress Cataloging-in-Publication Data I
Dunn, Dana.
Statistics and data analysis for the behavioral sciences / Dana S. Dunn. -1st ed.
p. cm.
Includes bibliographical references and index.
!)
ISBN 0-07-234764-3
r
1. Psychometrics. 2. Psychology-Research-Methodology. I. Title. I
(
BF39.D825 2001
150' .l'5195-dc21 00-030546
CIP
www.mhhe.com
;
/
To the memory of my father and grandfather,
James L. Dunn and Foster E. Kennedy.
"WHAT'S PAST IS PROLOGUE" - THE TEMPEST (ACT II, SC. I)
ABOUT THE AUTHOR
Dana S. Dunn is currently an Associate Professor and the Chair of the Depart-
ment of Psychology at Moravian College, a liberal arts and sciences college in
Bethlehem, Pennsylvania. Dunn received his Ph.D. in
experimental social psychology from the University of
Virginia in 1987, having previously graduated with a BA
in psychology from Carnegie Mellon University in 1982.
DANA S. DUNN He has taught statistics and data analysis for over 12 years.
Dunn has published numerous articles and chapters in the
areas of social cognition, rehabilitation psychology, the
teaching of psychology, and liberal education. He is
the author of a research methods book, The Practical
Researcher: A Student Guide to Conducting Psychological Research (McGraw-Hill,
1999). Dunn lives in Bethlehem with his wife and two children.
)
i
vi
J
CONTrNTS IN 5Rlri
Preface
Acknowledgments
1 INTRODUCTION: STATISTICS AND DATA ANALYSIS AS TOOLS
FOR RESEARCHERS 3
/'
2 PROCESS OF RESEARCH IN PSYCHOLOGY AND RELATED
1
.; FIELDS 45
3 FREQUENCY DISTRIBUTIONS, GRAPHING, AND DATA
DISPLAY 85
4 DESCRIPTIVE STATISTICS: CENTRAL TENDENCY AND
VARIABILITY 133
5 STANDARD SCORES AND THE NORMAL DISTRIBUTION 177
6 CORRELATION 205
7 LINEAR REGRESSION 241
8 PROBABILITY 273
9 INFERENTIAL STATISTICS: SAMPLING DISTRIBUTIONS AND
HYPOTHESIS TESTING 315
10 MEAN COMPARISON I: THE tTEST 365
11 MEAN COMPARISON II: ONE-VARIABLE ANALYSIS OF
VARIANCE 411
12 MEAN COMPARISON III: TWO-VARIABLE ANALYSIS OF
VARIANCE 459
13 MEAN COMPARISON IV: ONE-VARIABLE REPEATED-
MEASURES ANALYSIS OF VARIANCE 499
14 SOME NONPARAMETRIC STATISTICS FOR CATEGORICAL AND
ORDINAL DATA 523
15 CONCLUSION: STATISTICS AND DATA ANALYSIS IN
CONTEXT 563
vii
Contents in Brief viii
Preface xxi
Acknowledgments xxvi
Reader Response xxviii
1
) 1 INTRODUCTION: STATISTICS AND DATA ANALYSIS AS
TOOLS FOR RESEARCHERS 3
DATA BOX 1.A: What Is or Are Data? 5
Tools for Inference: David L.'s Problem 5
College Choice 6
College Choice: What Would (Did) You Do? 6
Statistics Is the Science of Data, Not Mathematics 8
Statistics, Data Analysis, and the Scientific Method 9
Inductive and Deductive Reasoning 10
Populations and Samples 12
Descriptive and Inferential Statistics 16
DATA BOX 1.B: Reactions to the David L. Problem 18
Knowledge Base 19
Discontinuous and Continuous Variables 20
DATA BOX 1.C: Rounding and Continuous Variables 22
Writing About Data: Overview and Agenda 23
Scales of Measurement 24
Nominal Scales 25
Ordinal Scales 26
Interval Scales 27
Ratio Scales 28
Writing About Scales 29
Knowledge Base 31
Overview of Statistical Notation 31
What to Do When: Mathematical Rules of Priority 34
DATA BOX 1.D:The Size of Numbers is Relative 38
Mise en Place 39
ix
x Contents
About Calculators 39
Knowledge Base 40
PRO.JECT EXERCISE: Avoiding Statisticophobia 40
Looking Forward, Then Back 41
Summary 42
Key Terms 42
Problems 42
f
,.
;
Contents xiii
/
I
xiv Contents
8 PROBABILITY 273
The Gambler's Fallacy or Randomness Revisited 275
Probability: A Theory of Outcomes 277
Classical Probability Theory 277
DATA BOX 8oA: "I Once Knew a Man Who ...": Beware Man-Who
Statistics 278
Probability's Relationship to Proportion and Percentage 281
DATA BOX 8.B. Classical Probability and Classic Probability
Examples 282
Probabilities Can Be Obtained from Frequency Distributions 283
Knowledge Base 283
DATA BOX S.C. A Short History of Probability 284
Calculating Probabilities Using the Rules for Probability 285
The Addition Rule for Mutually Exclusive and Nonmutually
Exclusive Events 285
The Multiplication Rule for Independent and Conditional
Probabilities 287
DATA BOX 8.D. Conjunction Fallacies: Is Linda a Bank Teller or a
Feminist Bank Teller? 288
Contents xv
J
,/
I
xvi Contents
Too 508
Thkey's HSD Revisited 510
Effect Size and the Degree of Association Between the Independent
Variable and Dependent Measure 511
Contents xix
“It is not large, and not minute; not short, not long; without blood, without fat;
without shadow, without darkness; without wind, without ether; not adhesive, not
tangible; without smell, without taste; without eyes, ears, voice, or mind; without
heat, breath, or mouth; without personal or family name; unaging, undying,
without fear, immortal, dustless, not uncovered or covered; with nothing before,
nothing behind, nothing within. It consumes no one and is consumed by no one. It
is the unseen seer, the unheard hearer, the unthought thinker, the unknown knower.
There is no other seer, no other hearer, no other thinker, no other knower. That is
the Eternal in which space (ākāça) is woven and which is interwoven with it.”
Here, for the first time in the history of human thought, we find the
Absolute grasped and proclaimed.
The place of the more personal Prajāpati is taken in the Upanishads by the
Ātman as a creative power. Thus the Bṛihadāraṇyaka (I. iv.) relates that in
the beginning the Ātman or the Brahma was this universe. It was afraid in
its loneliness and felt no pleasure. Desiring a second being, it became man
and woman, whence the human race was produced. It then proceeded to
produce male and female animals in a similar way; finally creating water,
fire, the gods, and so forth. The author then proceeds in a more exalted
strain:—
“It (the Ātman) is here all-pervading down to the tips of the nails. One does not
see it any more than a razor hidden in its case or fire in its receptacle. For it does
not appear as a whole. When it breathes, it is called breath; when it speaks, voice;
when it hears, ear; when it thinks, mind. These are merely the names of its
activities. He who worships the one or the other of these, has not (correct)
knowledge.... One should worship it as the Self. For in it all these (breath, etc.)
become one.”
In one of the later Upanishads, the Çvetāçvatara (iv. 10), the notion, so
prominent in the later Vedānta system, that the material world is an illusion
(māyā), is first met with. The world is here explained as an illusion
produced by Brahma as a conjuror (māyin). This notion is, however,
inherent even in the oldest Upanishads. It is virtually identical with the
teaching of Plato that the things of experience are only the shadow of the
real things, and with the teaching of Kant, that they are only phenomena of
the thing in itself.
This identity was already recognised in the Çatapatha Brāhmaṇa (X. vi. 3):
“Even as the smallest granule of millet, so is this golden Purusha in the
heart.... That self of the spirit is my self: on passing from hence I shall
obtain that Self.”
In another passage of the same Upanishad (II. i. 20) we read: “Just as the
spider goes out of itself by means of its thread, as tiny sparks leap out of the
fire, so from the Ātman issue all vital airs, all worlds, all gods, all beings.”
How generally accepted the pantheistic theory must have become by the
time the disputations at the court of King Janaka took place, is indicated by
the form in which questions are put. Thus two different sages in the
Bṛihadāraṇyaka (iii. 4, 5) successively ask Yājnavalkya in the same words:
“Explain to us the Brahma which is manifest and not hidden, the Ātman that
dwells in everything.”
With the doctrine that true knowledge led to supreme bliss by the
absorption of the individual soul in Brahma went hand in hand the theory of
transmigration (saṃsāra). That theory is developed in the oldest
Upanishads; it must have been firmly established by the time Buddhism
arose, for Buddha accepted it without question. Its earliest form is found in
the Çatapatha Brāhmaṇa, where the notion of being born again after death
and dying repeatedly is coupled with that of retribution. Thus it is here said
that those who have correct knowledge and perform a certain sacrifice are
born again after death for immortality, while those who have not such
knowledge and do not perform this sacrifice are reborn again and again,
becoming the prey of Death. The notion here expressed does not go beyond
repeated births and deaths in the next world. It is transformed to the
doctrine of transmigration in the Upanishads by supposing rebirth to take
place in this world. In the Bṛihadāraṇyaka we further meet with the
beginnings of the doctrine of karma, or “action,” which regulates the new
birth, and makes it depend on a man’s own deeds. When the body returns to
the elements, nothing of the individuality is here said to remain but the
karma, according to which a man becomes good or bad. This is, perhaps,
the germ of the Buddhistic doctrine, which, though denying the existence of
soul altogether, allows karma to continue after death and to determine the
next birth.
The account of the Bṛihadāraṇyaka (VI. ii. 15–16) is similar. Those who
have true knowledge and faith pass through the world of the gods and the
sun to the world of Brahma, whence there is no return. Those who practise
sacrifice and good works pass through the world of the Fathers to the moon,
whence they return to earth, being born again as men. Others become birds,
beasts, and reptiles.
The view of the Kaushītaki Upanishad (i. 2–3) is somewhat different. Here
all who die go to the moon, whence some go by the “path of the Fathers” to
Brahma, while others return to various forms of earthly existence, ranging
from man to worm, according to the quality of their works and the degree of
their knowledge.
The Kāṭhaka, one of the most remarkable and beautiful of the Upanishads,
treats the question of life after death in the form of a legend. Nachiketas, a
young Brahman, visits the realm of Yama, who offers him the choice of
three boons. For the third he chooses the answer to the question, whether
man exists after death or no. Death replies: “Even the gods have doubted
about this; it is a subtle point; choose another boon.” After vain efforts to
evade the question by offering Nachiketas earthly power and riches, Yama
at last yields to his persistence and reveals the secret. Life and death, he
explains, are only different phases of development. True knowledge, which
consists in recognising the identity of the individual soul with the world
soul, raises its possessor beyond the reach of death:—
The story of the temptation of Nachiketas to choose the goods of this world
in preference to the highest knowledge is probably the prototype of the
legend of the temptation of Buddha by Māra or Death. Both by resisting the
temptation obtain enlightenment.
The Upanishads of the Sāmaveda start from the sāman or chant, just as
those of the Rigveda from the uktha or hymn recited by the Hotṛi priest, in
order, by interpreting it allegorically, to arrive at a knowledge of the Ātman
or Brahma. The fact that the Upanishads have the same basis, which is,
moreover, largely treated in a similar manner, leads to the conclusion that
the various Vedic schools found a common body of oral tradition which
they shaped into dogmatic texts-books or Upanishads in their own way.
Thus the Chhāndogya, which is equal in importance, and only slightly
inferior in extent, to the Bṛihadāraṇyaka, bears clear traces, like the latter,
of being made up of collections of floating materials. Each of its eight
chapters forms an independent whole, followed by supplementary pieces
often but slightly connected with the main subject-matter.
The first two chapters consist of mystical interpretations of the sāman and
its chief part, called Udgītha (“loud song”). A supplement to the second
chapter treats, among other subjects, of the origin of the syllable om, and of
the three stages of religious life, those of the Brahman pupil, the
householder, and the ascetic (to which later the religious mendicant was
added as a fourth). The third chapter in the main deals with Brahma as the
sun of the universe, the natural sun being its manifestation. The infinite
Brahma is further described as dwelling, whole and undivided, in the heart
of man. The way in which Brahma is to be attained is then described, and
the great fundamental dogma of the identity of Brahma with the Ātman (or,
as we might say, of God and Soul) is declared. The chapter concludes with a
myth which forms a connecting link between the cosmogonic conceptions
of the Rigveda and those of the law-book of Manu. The fourth chapter,
containing discussions about wind, breath, and other phenomena connected
with Brahma, also teaches how the soul makes its way to Brahma after
death.
The first half of chapter v. is almost identical with the beginning of chapter
vi. of the Bṛihadāraṇyaka. It is chiefly noteworthy for the theory of
transmigration which it contains. The second half of the chapter is
important as the earliest statement of the doctrine that the manifold world is
unreal. The sat by desire produced from itself the three primary elements,
heat, water, food (the later number being five—ether, air, fire, water, earth).
As individual soul (jīva-ātman) it entered into these, which, by certain
partial combinations called “triplication,” became various products (vikāra)
or phenomena. But the latter are a mere name. Sat is the only reality, it is
the Ātman: “Thou art that.” Chapter vii. enumerates sixteen forms in which
Brahma may be adored, rising by gradation from nāman, “name,” to
bhūman, “infinity,” which is the all-in-all and the Ātman within us. The first
half of the last chapter discusses the Ātman in the heart and the universe, as
well as how to attain it. The concluding portion of the chapter distinguishes
the false from the true Ātman, illustrated by the three stages in which it
appears—in the material body, in dreaming, and in sound sleep. In the latter
stage we have the true Ātman, in which the distinction between subject and
object has disappeared.
To the Sāmaveda also belongs a very short treatise which was long called
the Talavakāra Upanishad, from the school to which it was attached, but
later, when it became separated from that school, received the name of
Kena, from its initial word. It consists of two distinct parts. The second,
composed in prose and much older, describes the relation of the Vedic gods
to Brahma, representing them as deriving their power from and entirely
dependent on the latter. The first part, which is metrical and belongs to the
period of fully developed Vedānta doctrine, distinguishes from the qualified
Brahma, which is an object of worship, the unqualified Brahma, which is
unknowable:—
The various Upanishads of the Black Yajurveda all bear the stamp of
lateness. The Maitrāyaṇa is a prose work of considerable extent, in which
occasional stanzas are interspersed. It consists of seven chapters, the
seventh and the concluding eight sections of the sixth forming a
supplement. The fact that it retains the orthographical and euphonic
peculiarities of the Maitrāyaṇa school, gives this Upanishad an archaic
appearance. But its many quotations from other Upanishads, the occurrence
of several late words, the developed Sānkhya doctrine presupposed by it,
distinct references to anti-Vedic heretical schools, all combine to render the
late character of this work undoubted. It is, in fact, a summing up of the old
Upanishad doctrines with an admixture of ideas derived from the Sānkhya
system and from Buddhism. The main body of the treatise expounds the
nature of the Ātman, communicated to King Bṛihadratha of the race of
Ikshvāku (probably identical with the king of that name mentioned in the
Rāmāyaṇa), who declaims at some length on the misery and transitoriness
of earthly existence. Though pessimism is not unknown to the old
Upanishads, it is much more pronounced here, doubtless in consequence of
Sānkhya and Buddhistic influence.
The subject is treated in the form of three questions. The answer to the first,
how the Ātman enters the body, is that Prajāpati enters in the form of the
five vital airs in order to animate the lifeless bodies created by him. The
second question is, How does the supreme soul become the individual soul
(bhūtātman)? This is answered rather in accordance with the Sānkhya than
the Vedānta doctrine. Overcome by the three qualities of matter (prakṛiti),
the Ātman, forgetting its real nature, becomes involved in self-
consciousness and transmigration. The third question is, How is deliverance
from this state of misery possible? This is answered in conformity with
neither Vedānta nor Sānkhya doctrine, but in a reactionary spirit. Only those
who observe the old requirements of Brahmanism, the rules of caste and the
religious orders (āçramas), are declared capable of attaining salvation by
knowledge, penance, and meditation on Brahma. The chief gods, that is to
say, the triad of the Brāhmaṇa period, Fire, Wind, Sun, the three
abstractions, Time, Breath, Food, and the three popular gods, Brahmā,
Rudra (i.e. Çiva), and Vishṇu are explained as manifestations of Brahma.
Older than the Maitrāyaṇa, which borrows from them, are two other
Upanishads of the Black Yajurveda, the Kāṭhaka and the Çvetāçvatara. The
former contains some 120 and the latter some 110 stanzas.
The Kāṭhaka deals with the legend of Nachiketas, which is told in the
Kāṭhaka portion of the Taittirīya Brāhmaṇa, and a knowledge of which it
presupposes. This is indicated by the fact that it begins with the same words
as the Brāhmaṇa story. The treatise appears to have consisted originally of
the first only of its two chapters. For the second, with its more developed
notions about Yoga and its much more pronounced view as to the unreality
of phenomena, looks like a later addition. The first contains an introductory
narrative, an account of the Ātman, of its embodiment and final return by
means of Yoga. The second chapter, though less well arranged, on the whole
corresponds in matter with the first. Its fourth section, while discussing the
nature of the Ātman, identifies both soul (purusha) and matter (prakṛiti)
with it. The fifth section deals with the manifestation of the Ātman in the
world, and especially in man. The way in which it at the same time remains
outside them in its full integrity and is not affected by the suffering of living
beings, is strikingly illustrated by the analogy of both light and air, which
pervade space and yet embrace every object, and of the sun, the eye of the
universe, which remains free from the blemishes of all other eyes outside of
it. In the last section Yoga is taught to be the means of attaining the highest
goal. The gradation of mental faculties here described is of great interest for
the history of the Sānkhya and Yoga system. An unconscious contradiction
runs through this discussion, inasmuch as though the Ātman is regarded as
the all-in-all, a sharp contrast is drawn between soul and matter. It is the
contradiction between the later Vedānta and the Sānkhya-Yoga systems of
philosophy.
The third discourse (iv. 3–4) is another dialogue between Janaka and
Yājnavalkya. It presents a picture of the soul in the conditions of waking,
dreaming, deep sleep, dying, transmigration, and salvation. For wealth of
illustration, fervour of conviction, beauty and elevation of thought, this
piece is unequalled in the Upanishads or any other work of Indian literature.
Its literary effect is heightened by the numerous stanzas with which it is
interspersed. These are, however, doubtless later additions. The dreaming
soul is thus described:—
Leaving its lower nest in breath’s protection,
And upward from that nest, immortal, soaring,
Where’er it lists it roves about immortal,
The golden-pinioned only swan of spirit (IV. iii. 13).
As a falcon or an eagle, having flown about in the air, exhausted folds together its
wings and prepares to alight, so the spirit hastes to that condition in which,
asleep, it feels no desire and sees no dream (19).
This is its essential form, in which it rises above desire, is free from evil and
without fear. For as one embraced by a beloved woman wots not of anything
without or within, so also the soul embraced by the cognitional Self wots not of
anything without or within (21).
With regard to the souls of those who are not saved, the view of the writer
appears to be that after death they enter a new body immediately and
without any intervening retribution in the other world, in exact accordance
with their intellectual and moral quality.
As a caterpillar, when it has reached the point of a leaf, makes a new beginning
and draws itself across, so the soul, after casting off the body and letting go
ignorance, makes a new beginning and draws itself across (IV. iv. 3).
But the vital airs of him who is saved, who knows himself to be identical
with Brahma, do not depart, for he is absorbed in Brahma and is Brahma.
As a serpent’s skin, dead and cast off, lies upon an ant-hill, so his body then lies;
but that which is bodiless and immortal, the life, is pure Brahma, is pure light (IV.
iv. 7).
Not only is the longest Upanishad attached to the White Yajurveda, but also
one of the very shortest, consisting of only eighteen stanzas. This is the Īçā,
which is so called from its initial word. Though forming the last chapter of
the Vājasaneyi Saṃhitā, it belongs to a rather late period. It is about
contemporaneous with the latest parts of the Bṛihadāraṇyaka, is more
developed in many points than the Kāṭhaka, but seems to be older than the
Çvetāçvatara. Its leading motive is to contrast him who knows himself to
be the same as the Ātman with him who does not possess true knowledge. It
affords an excellent survey of the fundamental doctrines of the Vedānta
philosophy.
The Māṇḍūkya is a very short prose Upanishad, which would hardly fill two
pages of the present book. Though bearing the name of a half-forgotten
school of the Rigveda, it is reckoned among the Upanishads of the Atharva-
veda. It must date from a considerably later time than the prose Upanishads
of the three older Vedas, with the unmethodical treatment and prolixity of
which its precision and conciseness are in marked contrast. It has many
points of contact with the Maitrāyaṇa Upanishad, to which it seems to be
posterior. It appears, however, to be older than the rest of the treatises which
form the fourth class of the Upanishads of the Atharva-veda. Thus it
distinguishes only three morae in the syllable om, and not yet three and a
half. The fundamental idea of this Upanishad is that the sacred syllable is an
expression of the universe. It is somewhat remarkable that this work is not
quoted by Çankara; nevertheless, it not only exercised a great influence on
several Upanishads of the Atharva-veda, but was used more than any other
Upanishad by the author of the well-known later epitome of the Vedānta
doctrine, the Vedānta-sāra.
It is, however, chiefly important as having given rise to one of the most
remarkable products of Indian philosophy, the Kārikā of Gauḍapāda. This
work consists of more than 200 stanzas divided into four parts, the first of
which includes the Māṇḍūkya Upanishad. The esteem in which the Kārikā
was held is indicated by the fact that its parts are reckoned as four
Upanishads. There is much probability in the assumption that its author is
identical with Gauḍapāda, the teacher of Govinda, whose pupil was the
great Vedāntist commentator, Çankara (800 A.D.). The point of view of
the latter is the same essentially as that of the author of the Kārikā, and
many of the thoughts and figures which begin to appear in the earlier work
are in common use in Çankara’s commentaries. Çankara may, in fact, be
said to have reduced the doctrines of Gauḍapāda to a system, as did Plato
those of Parmenides. Indeed, the two leading ideas which pervade the
Indian poem, viz., that there is no duality (advaita) and no becoming (ajāti),
are, as Professor Deussen points out, identical with those of the Greek
philosopher.
To the Rigveda belong the Çrauta manuals of two Sūtra schools (charaṇas),
the Çānkhāyanas and the Āçvalāyanas, the former of whom were in later
times settled in Northern Gujarat, the latter in the South between the
Godāvarī and the Kṛishṇā. The ritual is described in much the same order
by both, but the account of the great royal sacrifices is much more detailed
in the Çānkhāyana Çrauta Sūtra. The latter, which is closely connected
with the Çānkhāyana Brāhmaṇa, seems to be the older of the two, on the
ground both of its matter and of its style, which in many parts resembles
that of the Brāhmaṇas. It consists of eighteen books, the last two of which
were added later, and correspond to the first two books of the Kaushītaki
Āraṇyaka. The Çrauta Sūtra of Āçvalāyana, which consists of twelve
books, is related to the Aitareya Brāhmaṇa. Āçvalāyana is also known as
the author of the fourth book of the Aitareya Āraṇyaka, and was according
to tradition the pupil of Çaunaka.
Three Çrauta Sūtras to the Sāmaveda have been preserved. The oldest, that
of Maçaka, also called Ārsheya-kalpa, is nothing more than an
enumeration of the prayers belonging to the various ceremonies of the
Soma sacrifice in the order of the Panchaviṃça Brāhmaṇa. The Çrauta
Sūtra composed by Lāṭyāyana, became the accepted manual of the
Kauthuma school. This Sūtra, like that of Maçaka, which it quotes, is
closely connected with the Panchaviṃça Brāhmaṇa. The Çrauta Sūtra of
Drāhyāyaṇa, which differs but little from that of Lāṭyāyana, belongs to the
Rāṇāyanīya branch of the Sāmaveda.
No less than six Çrauta Sūtras belonging to the Black Yajurveda have been
preserved, but only two of them have as yet been published. Four of these
form a very closely connected group, being part of the Kalpa Sūtras of four
subdivisions of the Taittirīya Çākhā, which represented the later sūtra
schools (charaṇas) not claiming a special revelation of Veda or Brāhmaṇa.
The Çrauta Sūtra of Āpastamba forms the first twenty-four of the thirty
chapters (praçnas) into which his Kalpa Sūtra is divided; and that of
Hiraṇyakeçin, an offshoot of the Āpastambas, the first eighteen of the
twenty-nine chapters of his Kalpa Sūtra. The Sūtra of Baudhāyana, who is
older than Āpastamba, as well as that of Bhāradvāja, has not yet been
published.
The Çrauta Sūtra of the Atharva-veda is the Vaitāna Sūtra. It is neither old
nor original, but was undoubtedly compiled in order to supply the Atharva,
like the other Vedas, with a Sūtra of its own. It probably received its name
from the word with which it begins, since the term vaitāna (“relating to the
three sacrificial fires”) is equally applicable to all Çrauta Sūtras. It agrees to
a considerable extent with the Gopatha Brāhmaṇa, though it distinctly
follows the Sūtra of Kātyāyana to the White Yajurveda. One indication of its
lateness is the fact that whereas in other cases a Gṛihya regularly
presupposes the Çrauta Sūtra, the Vaitāna is dependent on the domestic
sūtra of the Atharva-veda.
Though the Çrauta Sūtras are indispensable for the right understanding of
the sacrificial ritual, they are, from any other point of view, a most
unattractive form of literature. It will, therefore, suffice to mention in
briefest outline the ceremonies with which they deal. It is important to
remember, in the first place, that these rites are never congregational, but
are always performed on behalf of a single individual, the so-called
Yajamāna or sacrificer, who takes but little part in them. The officiators are
Brahman priests, whose number varies from one to sixteen, according to the
nature of the ceremony. In all these rites an important part is played by the
three sacred fires which surround the vedi, a slightly excavated spot covered
with a litter of grass for the reception of offerings to the gods. The first
ceremony of all is the setting up of the sacred fires (agni-ādheya), which
are kindled by the sacrificer and his wife with the firesticks, and are
thereafter to be regularly maintained.
The Çrauta rites, fourteen in number, are divided into the two main groups
of seven oblation (havis) sacrifices and seven soma sacrifices. Different
forms of the animal sacrifice are classed with each group. The havis
sacrifices consist of offerings of milk, ghee, porridge, grain, cakes, and so
forth. The commonest is the Agnihotra, the daily morning and evening
oblation of milk to the three fires. The most important of the others are the
new and full moon sacrifices (darçapūrṇa-māsa) and those offered at the
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