FOREGROUNDING1 (1)
FOREGROUNDING1 (1)
Paul Garvin (1964) introduced the term as a concept in language analysis: “aktualisace” which literally
means actualization.
Foregrounding refers to the concept of making certain features prominent in a text. Some linguistic
features are made prominent for special effects against the background features in a text.
Many scholars who examined the term as used in literary enterprise as being for PURELY AESTHETIC
exploitation of language which has the aim of making what is familiar UNFAMILIAR in order to attract
attention.
The concept of DEVIATION is closely related to foregrounding - what is foregrounded is made to deviate
from the familiar pattern…provides the basis for a reader’s recognition of style.
For Michael Halliday (1994) says foregrounding is prominence that is motivated. Prominence is a
general name for the phenomenon of linguistic highlights where some features stand out in some way. A
feature that is brought into prominence will be foregrounded only if it relates to the meaning of the
whole text.
Purpose of Foregrounding (linguistic or non-linguistic) : to add an unusual and unique idea to the
language.
The use of these foregrounding devices creates some VISUAL IMAGERY which adds to the memorability
of a text, drawing one’s attention to the multimodal nature of texts.
Katie Wales (1989) categorized foregrounding into two main types: Deviation and Repetition
Deviations are violations of linguistics norms: grammatical/ semantic norms, strange metaphors, similes
or collocations that are deployed to achieve special effects in a text.
Repetition is said to be a kind of deviation as it flouts the ‘normal rules of usage by over-fluency.
Repetition of sounds or syntactic patterns have the tendency to strike the readers as uncommon and
thereby engage their attention.
Foregrounding is stylistically significant in literary and even non-literary texts. Other texts such as
advertisements, postals, obituary notices may also deploy foregrounding to create some effects.
David S. Miall and Don Kuiken (1994) present differences between foregrounding techniques, parallelism,
and deviation:
Deviation Parallelism
Phonemic Consonance Assonance
Metrical Alliteration
deviation Metrical repetition
Enjambment Rhyme: at line-ends, internal
Grammatical Inversion Phrase structure repeated
Ellipsis Syntactic repetitions
Semantic Unusual words Recurrent words or
Metaphor synonyms
Simile Oppositions
Metonymy Arguments ('as', 'so', etc.)
Oxymoron
Irony
Foregrounding is stylistically significant in literary and even non-literary texts. Other texts such as
advertisements, postals, obituary notices may also deploy foregrounding to create some effects.