IOEGC-12-079-12115
IOEGC-12-079-12115
Peer Reviewed
ISSN: 2350-8914 (Online), 2350-8906 (Print)
Year: 2022 Month: October Volume: 12
Abstract
Geometry, as a science of measurement and properties of space has its origins in human observation and the
need to measure land. In architecture, the study of geometry led to development of new mathematical tools
which was made applicable to design of buildings. Modern architecture is a growing field with a number of
sub-genres that have evolved over time. Classifications vary according to style and philosophy. One common
characteristic among modern architects is the use of geometry not only for aesthetics but also for structure.
This article sheds light on how geometry had a significant part in developing early Nepali modern architecture
in terms of forming the formative notion in which the principles of plane and solid geometry are employed to
establish architectural form. The objective of this research was to examine the use of different geometry in
shaping early Nepali modern architecture in terms of determining the form in a given social political context.
Qualitative research method was used to investigate he use of geometry context in selected buildings design
in a given socio-political since 1950s.The method mainly included the study of drawings, documents and
record along with literature review. The research highlights a initial notion from the Bauhaus movement that
helped to define formal archetypal structures or formative concepts through which architecture may develop.
The study concludes that the post 50s buildings were designed mainly by foreign trend architects with not only
strong Bauhaus influence but also the history which acts as determinant or characteristic in buildings along
with drawing from local architectural context.
Keywords
Geometry, modern context, shaping
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2.1 Concept of Geometry accommodate sites, designate entrances, and stress the
significance of architecture. As a problem in the
Architecture is shaped by the concept of geometry,
analysis, massing can reinforce the concepts of the
which incorporates the principles of both solid and
section to plan, plan to section, geometry, additive and
plane geometry to define created form. The recurrence
subtractive, and hierarchy [5].
of the fundamental geometries through multiplication,
combination, subdivision and manipulation is
recognized as the development of grids in this issue. 2.3 Bauhaus
Since the beginning of recorded architectural history, Bauhaus architecture prioritized function above all
geometry has been employed as a design tool. else, with a core principle of ”truth to materials”. Many
Buildings’ most prevalent determining factor or Bauhaus buildings are geometric, with flat roofs and
feature is geometry. It may be used on a wide variety streamlined facades. This was meant as a stark rebuke
of spatial or formal levels, including the usage of of industrialization, the coldness of mass production,
basic geometric forms, numerous form languages, and consumerism.
proportional systems, and complicated forms
produced by sophisticated geometric manipulations. It is distinguished by its strict economic sensitivities,
The area of measurement and quantification where geometric design, and reverence for useful materials.
geometry may generate architectural forms is relative. It still has an impact on us now, as seen by how
This analysis’s main considerations include size, frequently historical components are incorporated into
position, shape, form, and proportion. Additionally, it contemporary environments. Influenced architecture,
focuses on how combinations, derivations, and typography, furniture, and weaving [6].
manipulations of fundamental geometric
configurations lead to consistent changes in geometry
and form languages. Grids are scrutinized for their
regularity, configuration, intricacy, consistency, and
variety. All of the problems employed in the study can
be strengthened by geometry, which is a prevalent
characteristic of structures [5].
2.2 Massing
Massing refers to the aspect of a building’s
three-dimensional layout that is most perceptually
dominating or frequently experienced. More than only
Figure 2: Bauhaus-Building Dessau
a building’s elevation or silhouette make up its mass.
It represents how the structure appears to the eye as a
Bauhaus building is the important landmark of
whole. It is too restrictive to think of massing as only
architectural history. The outside of the workshop
this, even though it may encapsulate, resemble, or
wing is defined by the glass curtain wall hung ahead
occasionally mirror the shape or the elevation. For
of the load-bearing framework, which also clearly
instance, on a structure’s elevation, fenestration might
displays the building materials. This design adheres to
not have any impact whatsoever on how big the
the idea of unadorned functionality [6].
building appears to be. Similar to the silhouette, it
might not accurately depict useful differences in Planning of Bauhaus consist of three connected wings
shape and be overly broad [5]. or bridges. The majority of Bauhaus structures are
cube-shaped, emphasizing straight angles, however
Massing, which is viewed as a byproduct of designing,
others have rounded corners and balconies.
can be the outcome of choices made on matters other
Characteristic of the building depends upon Simple
than the three-dimensional arrangement. Massing
geometry, rectangular featuring the elimination of
may be viewed as a design concept that is related to
surface decoration and extensive use of glass. A focus
ideas of context, collections, unit patterns, both
on simple geometric forms such as the triangle, square
primary and secondary elements, and single and
and circle [6].
multiple masses. Massing has the power to express
circulation, define and articulate external spaces, The plan, elevation, and section for the Bauhaus
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5. Analysis, Discussion and Findings The study concludes that the post 50s buildings were
designed mainly by foreign trend architects with not
Geometry which is used for taking intangible concepts only strong Bauhaus Influence but also the history
and ideas and establishing them in built environment which acts as determinant or characteristic in
by the use of the Geometric Principals in the buildings. buildings along with drawing from local architectural
Factual graphic information of Bauhaus and Saraswati context. A formative notion aids in comprehending
Sadan represent a range of time, function and style the idea that a designer may utilize to shape or impact
which accompanied the detail analysis of the building. a design. The concepts include strategies for planning
Although the dominating patterns in this study have choices, establishing order, and intentionally
been established, that does not imply that there aren’t producing shape. The ideas cover methods for
any other patterns. The analysis of the buildings organizing decisions, creating order, and purposefully
which represent the evolution of modern architecture creating shape.
investigate the formal and spatial characteristics of the The diagrams highlight particular physical
buildings in each work in such a way that help to characteristics that enable a comparison of that
understand the building parti. Visual connection has characteristic between buildings regardless of style,
been established by user and the environment in both kind, purpose, or time.
the context study building.
Finally, it serves as a new concept for future
Following are the key findings emerged from the researchers of the field and for all architects. The use
Study: of various techniques of analysis that emphasize what
• The fundamental principles of both solid and plane is fundamentally the same, rather than different, in the
geometry, which are used to establish architectural way we think about architecture is also examined, and
form and include the square and rectangle, are we want to explore archetypal notions that can aid in
embodied in the Bauhaus and Saraswati Sadan. the production of architectural form.
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