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Financial
Institutions
Management
A Risk Management Approach
Preface
The last 35 years have been dramatic for the financial services industry. In the 1990s
and 2000s, boundaries between the traditional industry sectors, such as commercial
banking and investment banking, broke down, and competition became increas-
ingly global in nature. Many forces contributed to this breakdown in interindustry
and intercountry barriers, including financial innovation, technology, taxation, and
regulation. Then in 2008–2009, the financial services industry experienced the worst
financial crisis since the Great Depression. Even into the mid-2010s, the U.S. and
world economies had not fully recovered from this crisis. It is in this context that
this book is written. Although the traditional nature of each sector’s product activity
is analyzed, a greater emphasis is placed on new areas of activities such as asset secu-
ritization, off-balance-sheet banking, international banking, and on changes occurring
as a result of the financial crisis.
When the first edition of this text was released in 1994, it was the first to ana-
lyze modern financial institutions management from a risk perspective—thus, the
title, Financial Institutions Management: A Modern Perspective. At that time, traditional
texts presented an overview of the industry sector by sector, concentrating on bal-
ance sheet presentations and overlooking management decision-making and risk
management. Over the last 20 years, other texts have followed this change, such
that a risk management approach to analyzing modern financial institutions is now
well accepted—thus, the title: Financial Institutions Management: A Risk Management
Approach.
The tenth edition of this text takes the same innovative approach taken in the
first nine editions and focuses on managing return and risk in modern financial insti-
tutions (FIs). Financial Institutions Management’s central theme is that the risks faced
by FI managers and the methods and markets through which these risks are man-
aged are similar whether an institution is chartered as a commercial bank, a savings
bank, an investment bank, or an insurance company.
As in any stockholder-owned corporation, the goal of FI managers should always
be to maximize the value of the financial institution. However, pursuit of value
maximization does not mean that risk management can be ignored.
Indeed, modern FIs are in the risk management business. As we discuss in this
book, in a world of perfect and frictionless capital markets, FIs would not exist and
individuals would manage their own financial assets and portfolios. But since real-
world financial markets are not perfect, FIs provide the positive function of bearing
and managing risk on behalf of their customers through the pooling of risks and the
sale of their services as risk specialists.
INTENDED AUDIENCE
Financial Institutions Management: A Risk Management Approach is aimed at upper-
level undergraduate, MSF, audiences. Occasionally, there are more technical sections.
These sections may be included or dropped from the chapter reading, depending on the
rigor of the course, without harming the continuity of the chapters.
viii
Preface ix
MAIN FEATURES
Throughout the text, special features have been integrated to encourage student
interaction with the text and to aid in absorbing the material. Some of these features
include:
• In-chapter Internet Exercises and references, which detail instructions for
accessing important recent financial data online.
• International material highlights, which call out material relating to global
issues.
• In-chapter Examples, which provide numerical demonstrations of the analytics
described in various chapters.
• Bold key terms and marginal glossary, which highlight and define the main
terms and concepts throughout the chapter.
• In-chapter Concept Questions, which allow students to test themselves on
the main concepts within each major chapter section.
• Industry Perspectives, which demonstrate the application of chapter material
to real current events.
ORGANIZATION
Since our focus is on return and risk and the sources of that return and risk, this
book relates ways in which the managers of modern FIs can expand return with a
managed level of risk to achieve the best, or most favorable, return-risk outcome for
FI owners.
Chapter 1 introduces the special functions of FIs and takes an analytical look at
how financial intermediation benefits today’s economy. Chapters 2 through 6 pro-
vide an overview describing the key balance sheet and regulatory features of the
major sectors of the U.S. financial services industry. We discuss depository institu-
tions in Chapter 2, finance companies in Chapter 3, securities firms and investment
banks in Chapter 4, mutual funds and hedge funds in Chapter 5, and insurance
institutions in Chapter 6. In Chapter 7, we preview the risk measurement and man-
agement sections with an overview of the risks facing a modern FI. We divide the
chapters on risk measurement and management into two sections: measuring risk
and managing risk.
In Chapters 8 and 9, we start the risk measurement section by investigating the
net interest margin as a source of profitability and risk with a focus on the effects of
interest rate volatility and the mismatching of asset and liability durations on FI risk
exposure. In Chapter 10, we look at the measurement of credit risk on individual
loans and bonds and how this risk adversely affects an FI’s profits through losses and
provisions against the loan and debt security portfolio. In Chapter 11, we look at the
risk of loan (asset) portfolios and the effects of loan concentrations on risk exposure.
In addition, as a by-product of the provision of their interest rate and credit interme-
diation services, FIs face liquidity risk. We analyze the special nature of this risk in
Chapter 12.
Modern FIs do more than domestic maturity mismatching and credit extensions.
They also are increasingly engaging in foreign exchange activities and overseas
financial investments (Chapter 13) and engaging in sovereign lending and securities
x Preface
activities (Chapter 14). In Chapter 15, we analyze market risk, a risk incurred by FIs
in trading assets and liabilities due to changes in interest rates, exchange rates, and
other asset prices.
In addition, modern FIs do more than generate returns and bear risk through
traditional maturity mismatching and credit extensions. They also are increasingly
engaging in off-balance-sheet activities to generate fee income (Chapter 16) and mak-
ing technological investments to reduce costs (Chapter 17). Financial technology, or
fintech, refers to the use of technology to deliver financial solutions in a manner that
competes with traditional financial methods. While similar to technology, fintech is
defined as “technology-enabled innovation in financial services that could result in
new business models, applications, processes, or products with an associated mate-
rial effect on the provision of financial services.” Fintech risk (Chapter 18) involves
the risk that fintech firms could disrupt business of financial services firms in the
form of lost customers and lost revenue. Thus, fintech risk is broader and wider rang-
ing than technology risk. Each of these has implications for the size and variability of
an FI’s profits and/or revenues.
In Chapter 19, we begin the risk management section by looking at ways in which
FIs can insulate themselves from liquidity risk. In Chapter 20, we look at the key role
deposit insurance and other guaranty schemes play in reducing liquidity risk. At the
core of FI risk insulation are the size and adequacy of the owners’ capital or equity
investment in the FI, which is the focus of Chapter 21. Chapter 22 analyzes how and
why product and geographic diversification—both domestic and international—can
improve an FI’s return-risk performance and the impact of regulation on the diver-
sification opportunity set. Chapters 23 through 27 review various new markets and
instruments that have been innovated or engineered to allow FIs to better manage
three important types of risk: interest rate risk, credit risk, and foreign exchange risk.
These markets and instruments and their strategic use by FIs include futures and for-
wards (Chapter 23); options, caps, floors, and collars (Chapter 24); swaps (Chapter 25);
loan sales (Chapter 26); and securitization (Chapter 27).
Preface xi
• The risk approach of Financial Institutions Management has been retained, keep-
ing the first section of the text as an introduction and the last two sections as a
risk measurement and risk management summary, respectively.
• We again present a detailed look at what is new in each of the different sectors
of the financial institutions industry in the first six chapters of the text. We have
highlighted the continued international coverage with a global issues icon
throughout the text.
• Chapter 17 includes material on electronic technology and the Internet’s impact
on financial services. Technological changes occurring over the last two decades
have changed the way financial institutions offer services to customers, both
domestically and overseas. The effect of technology is also referenced in other
chapters where relevant.
• Coverage of credit risk models (including newer models, such as Moody’s
Analytics, CreditMetrics, and CreditRisk+) remains in the text.
• Coverage in the Product and Geographic Expansion chapter explores the
increased inroads of banks into the insurance field, the move toward nationwide
banking (in the United States), and the rapid growth of foreign banks and other
intermediaries in the United States.
• Numerous highlighted in-chapter Examples remain in the chapters.
• Internet references remain throughout each chapter and Internet questions are
found after the end-of-chapter questions.
• An extensive problem set, including web exercises, can be found at the end
of each chapter that allows students to practice a variety of skills using the same
data or set of circumstances.
xii Preface
ANCILLARIES
All supplemental materials for both students and instructors can be found on the
McGraw-Hill website for the tenth edition of Financial Institutions Management at
www.mhhe.com/saunders10e. Instructor materials are password protected for
your security.
Print versions are available by request only—if interested, please contact your
McGraw-Hill/Irwin representative. The following supplements are available for the
tenth edition.
For Students
• Multiple-Choice Quizzes for each chapter consist of 10 multiple-choice
questions that reflect key concepts from the text. These quizzes have instant
grading.
• Appendices consist of material that has been removed from previous editions of
the print textbook to allow room for new topics.
For Instructors
• The Test Bank, updated by Leslie Rush, University of Oahu Hawaii–West, offers
multiple-choice and true/false questions that are designed to apply specifically to
this text and this edition’s revisions.
• The Instructor’s Manual, created by author Marcia Millon Cornett, contains
answers to the text’s Questions and Problems at the end of each chapter and
chapter outlines.
• The PowerPoint Presentations, revised by Courtney Baggett, Troy, summarize
the main points of each chapter in a step-by-step fashion. These slideshows can be
edited by instructors to customize presentations.
• The Digital Image Library contains electronic versions of all figures and tables
from the tenth edition of the text.
Acknowledgments
Finally, we would like to thank the numerous colleagues who assisted with the pre-
vious editions of this book. Of great help were the book reviewers whose painstak-
ing comments and advice guided the text through its eight revisions.
Jack Aber Elyas Elyasiani
Boston University Temple University–Philadelphia
Brian J. Adams Joseph Finnerty
University of Portland University of Illinios
Michael H. Anderson Margaret Forster
University of Massachusetts–Dartmouth University of Notre Dame
Mounther Barakat Jack Clark Francis
University of Houston–Clear Lake Baruch College–CUNY
Sreedhar Bharath James H. Gilkeson
University of Michigan University of Central Florida
Rita Biswas Anurag Gupta
SUNY–Albany Case Western Reserve University
M. E. Bond John H. Hand
University of Memphis Auburn University
Qiang Bu Mahfuzul Haque
Pennsylvania State–Harrisburg Indiana State University–Terre Haute
Yea-Mow Chen Yan He
San Francisco State University San Francisco State University
Robert Chersi Alan C. Hess
Pace University University of Washington–Seattle
Jeffrey A. Clark William Hudson
Florida State University Saint Cloud State University
Robert A. Clark Ray Jackson
Butler University University of Massachusetts–Dartmouth
Ethan Cohen-Cole Kevin Jacques
University of Maryland–College Park Georgetown University and Office of the
S. Steven Cole Comptroller of the Currency
University of North Texas Julapa Jagtiani
James Conover Federal Reserve Bank of Chicago
University of North Texas Craig G. Johnson
Douglas Cook California State University–Hayward
University of Mississippi Deniz Kebabci Tudor
Kenneth Daniels San Francisco State University
Virginia Commonwealth University Elinda Kiss
Paul Ellinger University of Maryland–College Park
University of Illinois Nelson J. Lacey
David Ely University of Massachusetts at Amherst
San Diego State University
xiii
xiv Acknowledgments
We very much appreciate the contributions of the book team at McGraw- Hill
Education: Chuck Synovec, Executive Brand Manager; Allison McCabe-Carroll,
Senior Product Developer; Trina Mauer, Senior Marketing Manager; and Sherry Kane;
Senior Content Project Manager. We are also grateful to our secretaries and assis-
tants, Robyn Vanterpool, Ingrid Persaud, Anand Srinivasan, Brenda Webb, Rebecca
Roach, and Rhianna Joffrion.
Anthony Saunders
Marcia Millon Cornett
Otgo Erhemjamts
Brief Contents
PART ONE 13 Foreign Exchange Risk 391
Introduction 1 14 Sovereign Risk 423
1 Why Are Financial Institutions 15 Market Risk 450
Special? 2
16 Off-Balance-Sheet Risk 491
2 Financial Services: Depository
Institutions 26 17 Technology and Other
Operational Risks 518
3 Financial Services: Finance
Companies 70 18 Fintech Risks 550
9 Interest Rate Risk II 239 24 Options, Caps, Floors, and Collars 773
xv
Contents
PART ONE Balance Sheet and Recent Trends 33
Other Fee-Generating Activities 40
INTRODUCTION 1
Regulation 40
Industry Performance 46
Chapter One
Savings Institutions 49
Why Are Financial Size, Structure, and Composition of the
Institutions Special? 2 Industry 50
Introduction 2 Balance Sheet and Recent Trends 52
Financial Institutions’ Specialness 4 Regulation 53
FIs Function as Brokers 5 Industry Performance 54
FIs Function as Asset Transformers 5 Credit Unions 56
Information Costs 6 Size, Structure, and Composition of the Industry 56
Liquidity and Price Risk 7 Balance Sheet and Recent Trends 58
Other Special Services 7 Regulation 59
Other Aspects of Specialness 8 Industry Performance 59
The Transmission of Monetary Policy 8 Global Financial Performance 61
Credit Allocation 9 Summary 64
Intergenerational Wealth Transfers or Time Appendix 2A
Intermediation 9 Financial Statement Analysis Using a Return on
Payment Services 9 Equity (ROE) Framework 69
Denomination Intermediation 9 (www.mhhe.com/saunders10e)
Specialness and Regulation 10 Appendix 2B
Safety and Soundness Regulation 11 Commercial Banks’ Financial Statements and
Monetary Policy Regulation 12 Analysis 69
Credit Allocation Regulation 13 (www.mhhe.com/saunders10e)
Consumer Protection Regulation 13
Investor Protection Regulation 14 Chapter Three
Entry Regulation 14 Financial Services: Finance
The Changing Dynamics of Specialness 15 Companies 70
Trends in the United States 15
Global Trends 21 Introduction 70
Summary 22 Size, Structure, and Composition of the
Appendix 1A Industry 70
The Financial Crisis: The Failure of Financial Balance Sheet and Recent Trends 74
Services Institution Specialness 25 Assets 74
(www.mhhe.com/saunders10e) Liabilities and Equity 78
Appendix 1B Industry Performance 79
Monetary Policy Tools 25 Regulation 81
(www.mhhe.com/saunders10e) Global Issues 83
Summary 83
Chapter Two
Financial Services: Depository Chapter Four
Institutions 26 Financial Services: Securities Firms
and Investment Banks 85
Introduction 26
Commercial Banks 28 Introduction 85
Size, Structure, and Composition of the Industry 29 Size, Structure, and Composition of the Industry 86
xvi
Contents xvii
xviii Contents
Contents xix
xx Contents
Contents xxi
xxii Contents
Language: English
BY ANATOLE FRANCE
DONE
INTO ENGLISH BY
PETER WRIGHT
Contents headpiece
Contents
Chap.
I. Tells of the News that a White Rose brings to the Countess of the
White Moor
II. How the Loves of Bee of the Clarides and George of the White
Moor began
III. Which deals with Education in General, and that of George in
Particular
IV. Tells how the Duchess took Bee and George to the Hermitage
and of Their Meeting an Hideous Old Woman there
V. Is concerned with what you see from the Keep of the Clarides
VI. Tells how Bee and George went off to the Lake
VII. Shows the Penalty George of the White Moor paid for having
gone near to the Lake where live the Sylphs
VIII. Shows how Bee was taken to the Land of the Dwarfs
IX. Tells faithfully the Welcome given by King Loc to Bee of the
Clarides
XIII. Tells how Bee saw her Mother and could not kiss Her
XIV. In which the Great Grief that overtook King Loc is seen
XVIII. Tells the Marvellous Meeting that occurred to John, the Master
Tailor, and of the Good Song sung by the Birds of the Grove to the
Duchess
Looking backward
Chapter I headpiece
BEE
PRINCESS OF THE DWARFS
CHAPTER I
TELLS OF THE NEWS THAT A WHITE ROSE BRINGS
TO THE COUNTESS OF THE WHITE MOOR
Setting on her golden hair a hood spread with pearls and tying
round her waist the widow's girdle, the Countess of the White Moor
entered the chapel where she prayed each day for the soul of her
husband, killed by an Irish giant in single combat.
That day she saw, on the cushion of her praying-stool, a white
rose. At the sight of it she turned pale and her eyes grew dim; she
threw her head back and wrung her hands. For she knew that when
a Countess of the White Moor must die she finds a white rose on her
stool.
Knowing that the time had come for her to leave this world,
where she had been within such a short space of time a wife, a
mother, and a widow, she went to her room, where slept her son
George, guarded by waiting women. He was three years old; his
long eyelashes threw a pretty shade on his cheeks, and his mouth
was like a flower. Seeing how small he was and how young, she
began to cry.
"My little boy," she said in a faint voice, "my dear little boy, you
will never have known me, and I shall never again see myself in
your sweet eyes. Yet I nursed you myself, so as to be really your
mother, and I have refused to marry the greatest knights for your
sake."
She kissed a locket in which was a portrait of herself and a lock
of her hair, and put it round her son's neck. Then a mother's tear fell
on his cheek, and he began to move in his cradle and rub his eyes
with his little fists. But the Countess turned her head away and fled
from the room. Her own eyes were soon to close for ever; how could
they bear to look into those two adorable eyes where the light of
understanding had just begun to dawn?
She had a horse saddled and rode to the castle of the Clarides,
followed by her squire, Freeheart.
The Duchess of the Clarides kissed the Countess of the White
Moor:
"What good chance has brought you here, my dear?"
"It is an evil chance that has brought me; listen, dearest. We
were married within a few years of each other, and we became
widows by a similar misfortune. In these times of chivalry the best
die soonest, and only monks live long. When you became a mother I
had already been one for two years. Your daughter Bee is as
beautiful as day, and nothing can be said against my son George. I
like you and you like me. For I must tell you I have found a white
rose on the cushion of my stool. I am going to die. I leave my son to
you."
The Duchess was aware of the news that the white rose brings
to the ladies of the House of White Moor. She began to cry, and
promised in her tears to bring up Bee and George as sister and
brother, and not to give anything to one without giving half to the
other. Then the two ladies put their arms round each other, and
went to the cradle where little Bee slept under light blue curtains, as
blue as the sky. Without opening her eyes she moved her little arms,
and as she opened her fingers five small pink beams appeared to
come out of each sleeve.
"He will defend her," said the mother of George. "And she will
love him," the mother of Bee answered. "She will love him," a small,
clear voice repeated.
The Duchess recognised it as that of a spirit that had long lived
under the hearthstone.
On her return to her manor the Lady of the White Moor divided
her jewels among her maids, and, having anointed herself with
odorous essences and put on her most beautiful clothes to honour
that body which will rise again on the Day of Judgment, she laid
herself down on the bed and went to sleep for ever.
CHAPTER II
HOW THE LOVES OF BEE OF THE CLARIDES AND
GEORGE OF THE WHITE MOOR BEGAN
CHAPTER IV
TELLS HOW THE DUCHESS TOOK BEE AND GEORGE
TO THE HERMITAGE AND OF THEIR MEETING
AN HIDEOUS OLD WOMAN THERE
One morning, that of the first Sunday after Easter, the Duchess
issued from the castle on her big chestnut horse, having on her left
George of the White Moor, riding a jet-black pony who had a white
star in the middle of his forehead, and, on her right, Bee, who had a
pink bridle to govern a pony with a cream-coloured coat. They were
going to hear Mass at the Hermitage. Soldiers carrying lances
escorted them, and there was a press of people on the way to
admire them. And really each of the three was very beautiful. The
Duchess looked stately and sweet under her veil spangled with silver
flowers and her loose cloak: the mild splendour of the pearls which
embroidered her headdress was becoming to the face and to the
soul of this beautiful person. Next to her George, with his waving
hair and bright eye, looked quite handsome, and the soft, clear
colour of Bee's face, who was riding on her other side, was a
delicious pleasure to the eye; but nothing was more wonderful than
the flow of her fair hair, bound in a ribbon embroidered with three
golden lilies. It fell down her shoulders like the splendid mantle of
youth and beauty. The good folk looked at her and each said to the
other, "What a pretty young lady!"
The master tailor, old John, lifted his grandson Peter in his arms
to show him Bee, and Peter asked whether she was alive, or
whether she was not really a piece of waxwork. He could not
understand that a creature so white and delicate could belong to the
same species as he, little Peter, did, with his chubby, sunburnt
cheeks and drab rustic smock laced at the back.
While the Duchess received these marks of respect with
kindness, the two children showed the contentment of pride, George
in his flush, Bee in her smile. This is why the Duchess said to them:
"These good people greet us very cheerfully. George, what do
you think of it? And what do you, Bee?"
"That they do well," said Bee.
"And that it is their duty," said George.
"And for what reason is it their duty?" the Duchess asked.
Seeing they gave no answer, she continued:
"I am going to tell you. From father to son, for more than three
hundred years, the dukes of the Clarides, lance in rest, protected
these poor people, who owe it to them that they can reap the
harvest they have sown. For more than three hundred years every
Duchess of the Clarides has spun wool for the poor, visited the sick,
and held their babies over the baptismal font. That is why, children,
you are greeted."
George thought: "The ploughman will have to be protected,"
and Bee: "I will have to spin wool for the poor."
So, conversing and reflecting, they made their way through
meadows enamelled with flowers. A range of blue hills ran its
indented line along the horizon. George stretched out his hand
towards the East.
"Is not that a large shield of steel that I see over there?"
"It is rather a silver buckle as large as the moon," said Bee.
"It is neither a shield of steel nor a silver buckle, children," the
Duchess answered, "but a lake shining in the sun. The face of the
water, that from a distance looks as smooth as a mirror, is broken
into innumerable waves. The banks of this lake that seem to you as
clean as if they were cut out of metal are really covered with reeds,
waving their light plumes, and with irises, whose flower is like a
human eye among drawn swords. Each morning white mists cover
the lake, which shines like armour under the midday sun. But you
must not go near it, for the Sylphs live there who draw travellers
down into their crystal manor."
And now they heard the tinkle of the Hermitage bell.
"Let us get off," said the Duchess, "and go on foot to the
chapel. It was neither on their elephants nor their camels that the
Wise Men of the East approached the Manger."
They heard the Hermit's Mass. An old woman, hideous and in
rags, knelt next to the Duchess, who offered her holy water as they
went out of church, and said:
"Take some, my good woman."
George was astonished.
"Do you not know," said the Duchess, "that you must honour
the poor as the favourites of Jesus Christ? A beggar woman just like
this one held you over the baptismal font with the good Duke of the
Black Rocks, and similarly your little sister Bee had a beggar as a
godfather."
The old woman, who had guessed the feelings of the little boy,
leaned towards him, leering, and said:
"I wish you the conquest of as many kingdoms as I have lost,
my prince. I have been Queen of the Island of Pearls and of the
Mountains of Gold; every day I had fourteen different kinds of fish
served at my table, and a little blackamoor to carry my train."
"And by what misfortune did you lose your islands and your
mountains, my good woman?" asked the Duchess.
"I offended the dwarfs, who have carried me off from my
States."
"Have the dwarfs so much power?" asked George.
"Living under the earth," the old woman said, "they know the
virtue of stones, fashion metal, and discover springs."
The Duchess:
"And what did you do to vex them, good mother?"
The old woman:
"On a night of December one of them came to me to ask my
permission to prepare a great New Year's supper in the kitchens of
the castle, which were larger than a capitular hall, and furnished
with stew and preserving and frying pans, pipkins, caldrons, boilers,
ovens, gridirons, porringers, dripping-pans, meat screens, fish-
kettles, pastry-moulds, jugs, goblets of gold and silver and of
grained woods, not to speak of the turnspit skilfully wrought of iron,
and the huge black kettle hanging to the pothook. He promised that
nothing should be lost or damaged. I refused his request, and he
withdrew muttering dark threats. Three nights after, which was that
of Christmas, the same dwarf returned to the room in which I was
sleeping; he was accompanied by a multitude of others, who pulled
me from my bed, and carried me off in my nightshirt to an unknown
land.
"This," they said to me on leaving, "this is the punishment of
rich people who will not grant a portion of their treasures to the
industrious and gentle nation of Dwarfs, who fashion gold and cause
the springs to flow."
So spoke the toothless old woman, and the Duchess, having
comforted her with words and money, again took the road to the
Castle with her two children.
CHAPTER V
IS CONCERNED WITH WHAT YOU SEE FROM THE
KEEP OF THE CLARIDES
One day, not long after this, Bee and George, without being seen,
climbed up the stairs of the Keep which rises in the middle of the
castle. On reaching the platform they shouted loudly and clapped
their hands. The view stretched over rolling downs, cultivated and
cut up into small green and brown squares. On the horizon they
could see hills and woods--blue in the distance.
"Little sister," cried George, "little sister, look at the whole
earth."
"It is very big," said Bee.
"My professor," said George, "had taught me that it was big, but
as Gertrude our governess says, seeing is believing."
They walked round the platform.
"Here is a marvellous thing, little brother," said Bee. "The castle
is in the middle of the whole earth, and we, who are on the Keep,
which is in the middle of the castle, are now in the middle of the
whole world. Ha! ha! ha!"
And really the skyline was around the children like a circle of
which the Keep was the centre.
"We are in the middle of the world. Ha! ha! ha!" George
repeated.
Then both began to think.
"What a pity it is that the world is so big!" said Bee. "You can
lose yourself in it and be separated from your friends."
George shrugged his shoulders.
"How nice it is that the world is so big! You can look for
adventures in it. Bee, when I am grown up I mean to conquer those
mountains which are right at the end of the earth. It is there that
the moon rises. I will catch it as I go along and give it to you, my
Bee."
"That's it," said Bee; "you will give it to me and I will set it in
my hair."
Then they began to look for the places they knew as if on a
map.
"I know perfectly where we are," said Bee (who knew nothing
of the sort), "but I cannot guess what all those little square stones
sown on the side of the hill are."
"Houses!" answered George; "those are houses! Don't you
recognise, little sister, the capital of the Duchy of the Clarides? It is
quite a big town; it has three streets, of which one is paved. We
passed through it last week to go to the Hermitage. Don't you
remember it?"
"And that winding stream?"
"That's the river. Look at the old stone bridge over there."
"The bridge under which we fished for lobsters?"
"The very one, which has in the recess the statue of the
'Headless Woman,' but you cannot see her from here because she is
too small."
"I remember. Why has she no head?"
"Probably because she has lost it."
Without saying whether the explanation satisfied her, Bee kept
her eyes fixed on the distance.
"Little brother, little brother, do you see what is shining near the
blue mountains? It is the lake."
"It's the lake!"
They now remembered what the Duchess had told them of the
lovely and dangerous waters, where the Sylphs had their manor.
"Let us go there," said Bee.
This decision overwhelmed George, who gaped and said:
"The Duchess has forbidden us to go out alone, and how can
we get to this lake, which is at the end of the world?"
"How to get there I really don't know, but you ought to, who
are a man and have a grammar master."
George was stung, and answered that it is possible to be a man,
and even a fine man, without knowing all the roads in the world.
Bee gave him a mincing, disdainful look, made him blush to the tips
of his ears, and said to him primly:
"I am not the one who promised to conquer the blue mountains
and to unhook the moon. I do not know the road to the lake, but I
will find it; you see!"
"Ha! ha! ha!" said George, trying to laugh.
"You laugh like a booby, sir."
"Bee, boobies neither laugh nor cry."
"If they did they would laugh like you. I will go to the lake
alone. And while I discover the lovely waters where the Sylphs live,
you can stay at the castle all by yourself like a little girl. I will leave
you my tapestry frame and my doll. Please take great care of them,
George; please take great care of them."
George had pride. He felt the shame which Bee put upon him.
With his head down, darkly, he cried in a muffled voice:
"All right! we will go to the lake!"
CHAPTER VI
TELLS HOW BEE AND GEORGE WENT OFF TO
THE LAKE
Next day, after lunch, when the Duchess had retired to her room,
George took Bee by the hand.
"Come along," he said to her.
"Where?"
"Hush!"
They went down the stairs and crossed the courts. When they
had passed the gate Bee asked a second time where they were
going.
"To the lake," George answered decisively.
The mouth of the stupefied Miss Bee gaped. Was it sensible to
go that distance, and in satin slippers? For her slippers were of satin.
"We must go there, and we need not be sensible."
Such was the lofty answer given by George to Bee. She had put
him to shame, and now she pretended to be astonished. It was now
his turn to refer her disdainfully to her doll. Girls goad a man into
adventures, and then draw back. Her behaviour was disgraceful. She
might stay behind, but he would go himself.
She took him by the arm. He pushed her away. She flung
herself round the neck of her brother.
"Little brother!" she said sobbing, "I will follow you."
Her repentance was complete, and it moved him.
"Come along," he said, "but do not let us go by the town, we
might be seen. We had better follow the ramparts and reach the
high road by a short cut."
They went holding each other by the hand. George explained
the scheme he had drawn up.
"We will follow the road we took to go to the Hermitage; we are
certain to see it as we saw it last time, and then we will go straight
to it across the field in a bee-line."
In a bee-line is a pretty country way of saying a straight line,
but the name of the little maid occurring quaintly in the idiom made
them laugh.
Bee picked flowers growing by the ditch: flowers of the mallow
and the mullein, asters and oxeyes, making a posy of them; the
flowers faded visibly in her little hands, and they looked pitiful when
Bee crossed the stone bridge. As she did not know what to do with
her posy, the idea occurred to her of throwing them in the water to
refresh them, but she preferred to give them to the "Headless
Woman."
She asked George to lift her in his arms to make her tall
enough, and she placed her handful of country flowers in the folded
hands of the old stone figure.
At a distance she turned her head and saw a dove on the
shoulder of the statue.
They walked some time, and Bee said:
"I am thirsty."
"So am I," said George, "but the river is far behind us, and I can
see neither stream nor spring."
"The sun is so hot, it must have drunk them all up; what shall
we do?"
Thus they talked and complained, when they saw a
countrywoman with a basket full of fruit.
"Cherries," cried George. "What a pity it is that I have no money
to buy any!"
"I have some money," said Bee.
She drew out of her pocket a purse with five pieces of gold in it,
and addressed the country-woman.
"Good woman," she said, "will you give me as many cherries as
my dress can carry."
As she spoke she held out the skirt of her frock with both
hands. The countrywoman threw two or three handfuls of cherries
into it. Bee took the fold of her skirt in one hand and with the other
held out a piece of gold to the woman and said:
"Is that enough, that?"
The countrywoman seized the piece of gold, which would have
been a high price for all the cherries in the basket, with the tree on
which they had grown, and the orchard in which the tree was
planted, and she cunningly answered:
"That will do to oblige you, my little Princess."
"Then," replied Bee, "put some more cherries in my brother's
hat, and I will give you another gold piece."
This was done and the countrywoman pursued her way,
thinking of the old stocking under the mattress in which she was to
hide her two pieces of gold. And the two children went on their road
eating the cherries, and throwing the stones to the right and the
left. George looked for cherries held together in pairs by the stalk to
make earrings of them for his sister, and he laughed to see the
beautiful vermeil-coloured twin fruit swinging on the cheek of Bee.
A pebble checked their joyful progress. It had stuck in the
slipper of Bee, who began to limp. At each hop she took her gold
curls waved on her cheeks, and limping thus, she went and sat
down. There her brother, kneeling at her feet, took off her satin
slipper; he shook it, and a little white pebble rolled out.
Then looking at her feet, she said:
"Little brother, when we go again to the lake, we will put on
boots."
The sun had by now declined in the radiant sky. A breath of
wind fanned the necks and the cheeks of the young travellers who
boldly, and with fresh alacrity, pursued their travels. To walk more
easily, they held each other by the hand and sang, and they laughed
to see their two black shadows, likewise united, moving in front of
them. They sang:
"The lake, Bee, look: the lake, the lake, the lake."
"Yes, George, the lake!"
George cried hurrah! and threw his hat in the air. Bee was too
well behaved to throw up her coif in the same fashion. But taking off
her slipper which barely held, she threw it over her head to show
her joy. There it was, the lake, at the bottom of the valley the slopes
of which ran round the silvery waters, holding them as in a cup of
foliage and flowers. There it was, calm and clear, and a shiver still
ran over the ruffled grasses of its banks. But the two children could
not discover any road in the thickets to take them to this lovely
mere. As they searched, their legs were bitten by geese, who were
followed by a little girl, dressed in a sheepskin, with a switch in her
hand. George asked her what she was called.
"Gill."
"Well, Gill, how do you go to the lake?"
"I don't go."
"Why?"
"Because."
"But if you did go?"
"If I did go, there would be a road, and I would take the road."
There was no answer to be given to the goose-girl.
"All right," said George, "we will certainly find a path in the
wood further on."
"We will pick nuts there," said Bee, "and eat them, for I am
hungry. We must, when we come again to the lake, bring a bag full
of things good to eat."
George:
"We will do as you say, little sister. I now approve the plan of
the squire Freeheart, who, when he set out for Rome, took with him
a ham for hunger and a demijohn for thirst. But we must hurry, for it
seems to me it is getting late, though I do not know the time."
"Shepherdesses know it by looking at the sun," said Bee; "but I
am not a shepherdess. Yet it seems to me that this sun, which was
above our heads when we started, is now over there, far behind the
town and the land of the Clarides. I wish I knew whether this is the
case every day, and what it means."
While they thus observed the sun a cloud of dust rose on the
road, and they saw horsemen, who moved towards them at full
gallop and whose armour glittered. The children were very
frightened and went and hid in the underwoods. They are robbers,
or rather ogres, they thought. But really they were men-at-arms sent
by the Duchess of Clarides to search for the two little adventurers.
The two little adventurers found a narrow path in the
underwood which was not a lover's path, for two could not walk side
by side holding each other by the hand, as lovers do. Further, the
footprints were not human. Only a track made by a multitude of little
hoofed feet was visible.
"These are the footprints of elves," said Bee.
"Or roedeer," said George.
The problem is as yet unsolved. But what is certain is that the
path led by an easy descent to the edge of the lake, which now
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