Flûte Part

Glassics y^f Flûte & Guitar

19 well-known classical mélodies selected for récitals,
weddings and festive occasions

Jerry Snyder
Contents flûte parts edited by Terry Summa

Guitar Flûte Entr*acte

Afro-Cuban LuUaby, . . .2.. . .4 from "Carmen" . . 20....11
Traditional Georges Bizet

Air on a G String Greensleeves 2 8 . . . . 20

from the Orchestral Suite No. 3 . . .4. Traditional
Johann Sébastian Bach
Gymnopedie I . 2 2 . . . . 19
Erik Satie
Be Thou with Me (Bist Du Bei Mir)
from "Anna Magdelena's Notebook" .. .5.
Jesu, Joy of Man's Desiring
Johann Sébastian Bach
from Cantata No. 147 2 4 . . . . 23
Johann Sébastian Bach
Berceuse, Op. 1 6 . . . . . . . . . , 6.
Gabriel Fauré Pavane, Op. 50 i 2 6 . . . . 24
Gabriel Fauré
Bourrée
from the Lute Suite I in E Minor.. 10 10 Scarborough Pair. 3 4 . . . . 26
Johann Sébastian Bach Traditional

Brandenburg Concerto No. 5 Siciliano from Sonata I I . . . . . 4 0 . . . . 27

First Movement (abridged) 8. .8 Johann Sébastian Bach
Johann Sébastian Bach
Sicilienne
14 from "Pelleas et Melisande," Op. 78 . 3 6 . . . . 28
Canarios 12
Gabriel Fauré
Gaspar Sanz
Sleepers Wake
Canon in D 11 13 from Cantata No. 140 3 1 . . . . 30
Johann Pachelbel Johann Sébastian Bach

Eine Kleine Nachtmusik (The) Swan

First Movement (abridged) 16, 16 from "Carnival of the Animais" 3 8 . . . . 32
Wol:^angA. Mozart Camille Saint-Saëns

Copyright © MME! by Alfred Music Publishing Co., Inc. Acknowledgcmcnts: Thanks to Daniel Roest, Artistic Director for
All rights reserved. Printed in USA. the South Bay Guitar Society, for his su^eslions and for proofing
the guitar manuscript. Thanks to the Gavatina Duo, Denis Azabagic
ISBN 0-7390-3180-5 and Eugenia Moiiner, for Iheir inspiration and encouragement.
Air on a G String from orchestrai Suite No. 3
Johann Sébastian Bach (1685-17

[Adagio (J = 72)]
9 il
„ •—w-^ —i^)
—o 1 • .

1 JT.L
[rit. Ist time]

1 —
N
l> T1 —• ^ m m m 0 —• •—« O

13

17

\
\

\ à. 0 — i ^ ^ ^ i
1—o

21

g. .0-

25
29

1 » — ^
i
[J»] \poco cresc]

30

i 19

34

• &

[rit.]

(Optional alto flûte part can be found on p. 3)

Air on a G String from orchestrai Suite No. 3
Johann Sébastian Bach (1685-1750)
Alto Flûte

[Adagio (J = 72)]

13

o' -0-

^ 7
's
--m—•— m = m P m z
\

9
^ ^

• « r-O
1 1
^ « •— • 1
^ ' —6 m
\

34

[ri/.]
Afro-Guban LuUaby
Traditional Cuban Melo
Cantabile (J = 96)
Allegretto (J = 108) 5
•0- 1

1 ^ 1 k \
1
9
y " * ? é
Guitar z f
mf
r
mf ,

I
1 riT

} ? J :iir c

12 17
Guitar

-5^
rit.mf

25

29 33
piu mosso
te

Guitar— it. mf
rit.
l
37 a tempo
0-
r r1 m 1
r r1
1 ^ -
m- •
^it^"
—1 ——
1

48
42 piu mosso a tempo Guitar

4 ^ 5

rit. mf

^ a tempo
1 1.
r r 1 * — r r 1 • fi •
J r %—
— >% —>•—• 1-

with guitar
61 p i « mosso

rit.
fiyp
Be Thou with Me [Bist du bei mir) from Anna Magdalena's Notebook
Johann Sébastian Bach (1685-1750)

[Andante (J = 66)]

[mp]

-W'—m J r*TT"
^ il 7 ^ iJ é -^-^—-'-p-^— T—t—rT"-
m 1^

10
tacet mm. 14-18 first time

r ^ rc r
\—
r 1~p
4
r
^
-s
7
f»—' 1» m •

1 r

33
Berceuse op. le
Gabriel Fauré (1845-1924)

Allegretto moderato (J = 126)

^ (a tempo)

Guitarf •
P

4 ^ 1
9
-1^ m 1 •5
i r
• 9
1—h-

11

' ^ r ^ . — r i t ^ — r - n p—5—
—^ \ 1 - /

22I 7b Coda
19
a tempo v

I
24
(echo)

I mf
—0

29

cresc.

34
9
-T» ^ r ^ — • ~— — •
h • /—
P
7
8

Brandenburg Concerto No. 5

Abridged from the first movement Johann Sébastian Bach (1685-17

[Allegro moderato (J = 63)]

0 m

ToCoda
13

I IIP - * niP 3

Ihr" ?
-
'
r r
^—
: ^ T r r r r
_L;
r r| Jr [•
•

•
_

22

26 27
9 CL" -.2. ^
p p ^ ^ ) -0 « 1 P m f
1 P I» 1

^9 " O 3—

30
9
•
—> r r f 1 \
•—1 f ^ ^ ^ r
*—b^- 3 1 1 r j —
3
9
10

Bourrée from Lute Suite No. 1 in E Minor

Johann Sébastian Bach (1685-1750)
 11

Entr'aCte from Carmen

Georges Bizet (1838-1875)

• -à — •
é — j
r T r ' m r f rf
r' ...
3
7 '
*^ Guitar - '

r f-^ —Fl ^r
1
r Alt
7 ^
—s—

courtier melody

r>.. \
5 /--^••''••'•^
W ^ ..
* » -P^ m—.
4AJ
,

•
A ,

J ^ * ' ' ^
1—J—
p

9 ^..--^ 9 ^
F=f= p «
1*- • — • —

r—V- 1— ' # » •—1

m -«^» ^

a tempo^
n 1• -r-4--
— ^ K ^ — —
— -H^^ ^ 1—• • V • •/ •

25 counter melody

TTI/p

• —
9 «—•
A
V
n»-^
— ^
wit

33
Slower Tempo I

I TtVp
^ 3
nt.
P

38
9. ^

^ ^ ^ 1 1 - ^ i
1——: ]
morendo
12

Ganarios
GasparSanz (1629-1679)

[Moderately (J- = 80)]

^ - ^ » 9

• • 11

/> r r? r 7 T — T \ 1
- ft-ft—
4ffl-*—_j * J ? —

Guitar 19
17
en
I 7"

•
• • 1#- -i» 9^
—
FÏ=f=N î — ! - — _! /-^
•T»-:— — /-s —

30

I
35

41 •
45

1 ^ 1
—%—, *

[decres e ]
Gui r ^1
tar
50
• •
-»—' • 1
^ = î = fa
•
' . i 1— i
*
1 "l*—P—1•—
m~^f— -j»

K—*
1—2_j—

55

m [decrcsc]
^ T V
i ~ . I ^ ^
[nï.] [Wip]
 13

Canon in D
Johann Pachelbel (1653-1706)
5_
Sostenuto (J = 100)
8— 1 legato

Guitar Jt? espressivo

f

simile

12 13
simile

1» 0-

16

I
21
20 simile
(9)
• 1 —*—» •^
? J t-^^—J
i —

23
9
14
15
Eine Kleine Nachtmusik
First movement — abridged WolfgangAmadeus Mozart (1756-1791

AUegro (J = 116)

^ p r ^p
f

* * J
(*• I I '
f M ^m >
te __i —
= \

13

1r 1
*f *r « «f ^ ~P
J' 7 ^ 7 ^ 7 ?
1
 19

Gymnopedie I
E r i k Satie (1866-1925)

Slowly and mournfuUy (J = 76)

g Guitar

13

I
16 22
7
0 "3.
^

— = — k -
^

1—fi
•
Us •
Us •

23 27
(9)

I -1^

29
(9)

36 441 Guitar solo

I 3—

48
52 Guitar
r-l^ 1
1 1 1 1 1 1 . ^ . 1 i ^ 1
-71 . A^. -A-.

r "
S8 61

\r r
(5)
\ \iF . 1 -f-HîF ^
P
64 66 71

iS 0- O " = H »

^ \
• r
r—7 V
•
\
\
20
Greensleeves
Traditional

Andantino (J = 88) 13
Guitar solo

h I '

17 21 25
12.

mf
^ Allegretto (J = 144)
melody rr

34 2.

J ^ iir r
39 41

44 rr

1 h - F •5 1 h — 1 L
1 '\
w
i — -A

4 9 ^

I 32:

mf
Variation (play under guitar melody)
simile
53
r ' ^ r ^

57 ^

r Vc_r f r "f rir i ^ :

61 rr
zpc:
 69

rr optional ending

73

I a
Jazz waltz (swing eighths) (play optional solo on page 22 or improvise your own) 11.
7 7
Dm7 G7 L CMaj7 Am(add9) Dm7 07

12.
83 Em A7 Dm7 C B I ? A 7 Dsus Dm
m r 1-
• • &^

N 1^ 3
t' ^
1
t—

r r
Dm7 G7sus4
CMaj7 Am7 Dm7 G7

te p r ir p
12.
1

95 Em Am7 Dm7 C B1> A7 Dm(add9)

l ' f l ' l l ' M T l l»l il T» ^

113
101 Guitar solo -^^ 1 <^
4 ™-

1
116 1 ^

1»—

123

»^ •
Y •— ^ m - f f m.
V ^
• g""^'
L-l 1 \
22

•Greensleeves—optional solo for the Jazz Waltz section as played by Terry Summa.
Jazz waltz (swing eighths)
G7 CMaj7 Am(add9)
77 D m7 ^ m. .a.

f r m Jm
' 3— ^ • ^ ••

Dm7 G7 Em A7

•f r l f F r F'
 23
Jesu, Joy of Man's Desiring
from Cantata No. 147 Johann Sébastian Bach (1685-1750)

[Andante moderato (J = 76)]

Guitar
-8

14

I J- V l

18 25

—^—H Il rrn ^ fc=1 •T^'^

^ fl
f^_^ • J • " — 1—•
7
^—
26

I
-te-
32
30 m
•
—0—1

y'* L ^r ^i l^
J ^ . ^ .

.0 - 1 1 ^"^^ U t
[mp]

• 9 \
a » ^ ^ 1
i

-
9 \-0 i
-
J'J [ «

38
24

Pavane op. 50
Gabriel Fauré (1845-1924)
26

Scarborough Fair
Traditional

Moderato (J = 104)
Intro. _ Guitar Solo Guitar

{rit. second time)

*Note: Small notes are for optional alto flûte part written in the key o f D minor.
 27

.Mciiiano
Johann Sébastian Bach (1685-1750)

[Andantino = 92)]

te

Ë
10

1»^

14

Guitar
21 3
^ J J J J J J J J J J J J J J J J J J ^ . EN
1 ^ > . -)&^ I*—1m— •—
^-2-4 1 ^ 1 1• - -

26
• •

=1îf 1 K
^ m 1

-Ui^—

30

I [nï.]
28

Sicilienne ÎYom Pelleas et Melisande, Op. 78

Gabriel Fauré (1845-1924)
Allegro molto moderato (J. = 48)

P (mp second time)

Sleepers, Wake fromCantataNo. 140
Johann Sébastian Bach (1685-1750)

[Andante (J = 66)]
32

The Swan from Carnival ofthe Animais

Camille Sainl-Saëns (1835-1921)

Adagio (J = 66)

m
H — ^

5 ^ 6

c i "f^—r~^^^— • — 1 # — ^ —
.4 • ff
J —
4^

10

• f
1 ^ ^

11

i
vyp

14

i
a tempo
SX'
• — I » — ^ ^5 \ •—1
s rj.^.m - è

22

I
(9)

rit. dim.

a tempo
25 lento