Design - May 2025
Design - May 2025
What's MANGA?
Seigensha Art Publishing 2025 ISBN 9784861529702 Acqn 36936
Pb 18x26cm 144pp col ills £22
This book takes a look at the history of manga, how it is created, how it has spread, and more. By
considering questions about manga that you may not have known about, you will be able to enjoy
manga in a more three-dimensional way, and the appeal of manga that you have felt until now will
grow many times over. From ukiyo-e to overseas manga, the manga industry is seen through
numbers, expanding digital publishing... 'What's MANGA' introduces a wealth of topics
surrounding manga.
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DESIGN
Handwerk
Rollo Press 2025 ISBN 9783906213552 Acqn 36961
Pb 20x29cm 28pp col ills £19.25
Berthold Wolpe's (1905-1989) first typeface, originally cut in Germany in 1932, underwent
numerous name changes, from Wolpe Rursiv to Hyperion. While other designs by the
typographer, such as Albertus, found success early, Hyperion's path remained obscure. A 1952
specimen seemed to be its debut, until earlier traces from 1936 emerged, including blackletter
capitals and a different name - Matthias Claudius - a discovery that led to a revision and digital
revival, honouring Wolpe's original vision.
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DESIGN
LSD - Le Signe Design is the annual review of the Centre national du graphisme in Chaumont,
with themes linked to the exhibition programme of the art centre. This fourth issue explores
questions arising from three exhibitions held at Le Signe in 2022 and 2023: Mangas, digital (Soba
Choko), and Butsu Butsu - Contemporary Graphic Design in Japan. Ranging from mingei to
manga, the issue addresses themes such as contemporary drawing and popular arts.
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DESIGN
As part of a wide-ranging reflection on the living environment, addressing design through its
various uses and based on concrete cases, curator, urban planner and art historian Jolanthe
Kugler explores the historical and societal dimension of emblematic bathroom objects,
highlighting the evolution of representations linked to this seemingly banal room. Launched by
mudac-the Museum of Contemporary Design and Applied Arts in Lausanne-Raddar is a series of
texts dedicated to design research. Scholarly and provocative, poetic and disruptive, Raddar
presents new interpretations of the defining role of design in today's culture.
www.artdata.co.uk
DESIGN
As part of a wide-ranging reflection on the living environment, addressing design through its
various uses and based on concrete cases, curator, urban planner and art historian Jolanthe
Kugler explores the historical and societal dimension of emblematic kitchen objects, highlighting
the evolution of representations linked to this seemingly banal room. Launched by mudac-the
Museum of Contemporary Design and Applied Arts in Lausanne-Raddar is a series of texts
dedicated to design research. Scholarly and provocative, poetic and disruptive, Raddar presents
new interpretations of the defining role of design in today's culture.
www.artdata.co.uk
DESIGN
Somewhere in Kuala Lumpur, Han and Mina take us on a playful journey away from the 'grown
up' tour their parents brought them to. Join them on their whimsical journey as they explore the
messy and lively concrete jungle and make new friends along the way.
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DESIGN
"The Last Pot" is the second chapter of Il Tornitore Matto, born from an idea of the designer trio
EOOS, and brings together the projects of ten designers - Michael Anastassiades, David
Chipperfield, Michele De Lucchi, EOOS, Naoto Fukasawa, Giulio Iacchetti, Audrey Large, Daniel
Libeskind, Philippe Starck, Mario Tsai - who have grappled with the theme of the cinerary urn. A
collection of objects almost in motion, that lose the fixity of the eternal to find their place in our
daily domestic life: objects to embrace, stack, read, water, incense... that thus find their natural
place in life. Conceived by Alberto Alessi with Giulio Iacchetti, Il Tornitore Matto was born as a
place for experimental research in the field of Applied Arts. A project desired by Alberto Alessi to
investigate new territories where designer and entrepreneur are free to independently establish
the rules of the creative process.
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DESIGN
A key event for discovering trends and artists in illustration, the Bologna Children's Book Fair's
Illustrators Exhibition has shaped the evolution of children's books for over 50 years, becoming
one of the world's most important showcases of children's illustration. The Illustrators Annual
2025 features works by artists from 89 countries, selected from over 4,300 participants for the
59th Illustrators Exhibition. This extensive collection offers a global perspective on illustration,
highlighting creativity and emotional impact through a selection chosen by this year's jury: Walter
Fochesato, Chris Haughton, Neal Porter, Felicita Sala, and Gema Sirvent. The 2025 cover was
created by Sydney Smith, winner of the 2024 Hans Christian Andersen Award for Illustration. The
cover alternates each year between winners of the Andersen Award and the Grand Prix of the
Bratislava Illustration Biennial, making this volume a prized collector's item. Alongside the
selected works, the book includes contributions from the jury and a piece by illustrator and School
of Visual Arts lecturer Riccardo Vecchio.
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DESIGN
INVENTARIO 18 features a cover dedicated to the hot air balloon, reinterpreted by contemporary
artists and explored by Stefano Salis. Marta Elisa Cecchi examines Doris Salcedo's Abyss, while
Damiano Gulli discusses Gabriel Orozco's La DS, and Stefania di Maria presents works where
hidden faces represent transformed identities. Marco Manini explores Andrea Pazienza's
revolution in comics, and Mario Piazza highlights Mauro Bubbico's unique approach to graphic
design. Idee showcases Donata Paruccini's The Fly, while Altri sguardi offers insights into
photographer Vittore Fossati. Manolo De Giorgi reflects on colour distinctions in Cromie, and
Eleonora Todde discusses Aischa Gianna Muller's geo-astrology in Utopie. The issue also
features Normali Meraviglie, a collection of anonymous works by Anu Tuominen, and ends with
Francesco Faccin's account of the Strelzyk and Wetzel families' escape from East Germany in a
homemade hot air balloon.
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DESIGN
Part of this draped map, drawn by the General Staff Corps and published by the War Depot (then
the army database), has its origins in the 25th Bulletin of the French Geological Survey
Department, founded by Napoleon III in 1868, which merged with the French Bureau of
Geological and Mining Research (BRGM) a century later. The aim was to ensure 1/80,000_
coverage of the French territorial soil and subsoil. From 1887, the engineers responsible for
drawing these maps, initially trained at the Ecole Polytechnique, were assigned to the new Army
Geographic Service. The reimagined version is part of the Reliefs collection published by the
Bibliotheque nationale de France.
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