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AaaaViva La Zarzuela (Arr. Juan A. Pérez)

The document is a musical arrangement titled 'Viva La Zarzuela' featuring various works including 'El Barberillo de Lavapiés' and others. It includes detailed notation for different instruments such as flutes, oboes, clarinets, and saxophones. The arrangement is structured with specific tempo markings and dynamics for performance.
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© © All Rights Reserved
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0% found this document useful (0 votes)
8 views130 pages

AaaaViva La Zarzuela (Arr. Juan A. Pérez)

The document is a musical arrangement titled 'Viva La Zarzuela' featuring various works including 'El Barberillo de Lavapiés' and others. It includes detailed notation for different instruments such as flutes, oboes, clarinets, and saxophones. The arrangement is structured with specific tempo markings and dynamics for performance.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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VIVA LA ZARZUELA

El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·


El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

"El Barberillo de Lavapiés" Arranged by JUAN A. PÉREZ


Allegretto (q. = 76)
                         
                          
        
 

1st Flute in C

                               
                  

          

2nd Flute in C

                               
Oboe in C            
  
                
  
 
                                                          
        
       
Bassoon in C

  poco a poco cresc.


                         
                       
    
Clarinet in E            
 
 
                                          
        
                       

    
 
1st Clarinet in B 
 poco a poco cresc.

                                   
2nd Clarinet in B                                        
  poco a poco cresc.

           
3rd Clarinet in B                                                          
       
  poco a poco cresc.

 
Bass Clarinet in B                                 
                       
        
 poco a poco cresc.


                                                
    
1st Alto Saxophone in E         
  poco a poco cresc.

                                                 
        
2nd Alto Saxophone in E       
  poco a poco cresc.

  
Tenor Saxophone in B                                                       

  poco a poco cresc.
 
  
    
                            
Baritone Saxophone in E                         
             
  poco a poco cresc.

1st Horn in F                        

               
    
  poco a poco cresc.

2nd Horn in F                        

            
       
  poco a poco cresc.

                  
                           
3rd Horn in F

                poco a poco cresc.

                                
1st Trumpet in B                   
 
 
                  
2nd Trumpet in B                                                   
  
 
                     
  
            
          
1st Flugelhorn in B                 

 
                        
2nd Flugelhorn in B                  
                           
 
 
                                
   
1st Trombone in C             

                   
2nd Trombone in C                         

 
3rd Trombone in C
       
                                    

                                    
Euphonium in C                     
  poco a poco cresc.

                                
                    

 
Tuba in C
               
  poco a poco cresc.

          
                 
       

      
Timpani
                      
 
                                 
Bells          

               

         
   
 
          
 
   
 
   

    

           
         
1st Percussion

 
(Snare Drum)
 
  
                          
   
  
Cymbals

2nd Percussion            
  
 
(Bass Drum, Cymbals)
 Tambourine
Bass drum

       
    

          

    

        

           
3rd Percussion  
 
(Tambourine, Triangle,
Suspended Cymbal)
2 VIVA LA ZARZUELA
"El Tambor de Granaderos"

A
  
                                      
Allegro moderato (q = 120)
         
13

1st Fl.               
 poco a poco cresc. 
  
                                                
2nd Fl.            
 poco a poco cresc. 
  
                        
Ob.                                          
 poco a poco cresc. 
              

             
                                     
Bsn.
 
 

                                        
                 
E  Cl.                     
 
 poco a poco cresc.     
                                   
1st Cl. 
      
                                      
 
                             
                         
           
 
    
 
 
2nd Cl.

        
                             
  
3rd Cl.                         
 

 
  
             
                                                  
  
     
B. Cl.

  
                               
          
1st Alto Sax.           
        
 
                     
    
                     
2nd Alto Sax.
  
 
               
                                                
      
 
Ten. Sax.

  
        


                                                       
Bari. Sax.
 
 
1st Hn.                

   
2nd Hn.             


3rd Hn.                

            
1st Tpt.      

 
2nd Tpt.                

        
1st Flugel.        

        
2nd Flugel.         

                

1st Tbn.
                    

                
2nd Tbn.
                     

               
           
    
3rd Tbn.        

           
                                          
Euph.    

              
                          
                
Tuba
                        
 
    
Timp.
               

                         

Bls.


                         
1st Perc.       
 poco a poco cresc. 
      
2nd Perc.  


       

3rd Perc.             
VIVA LA ZARZUELA 3

B                   
       
24

1st Fl. 

                  
2nd Fl.         

          
Ob.        
 

                   
Bsn.      
 




 

    

    

        

        
          
  
                   
       
  

    
E  Cl.      
      

      
      
             

                             
     
  
1st Cl.
     

                 
                    
             
 
 

 

          
 
     
            
       
2nd Cl.

       
          
    
          

           
  
 
3rd Cl.
             
         
       
                                    
B. Cl.     
        
                                     
 
        
1st Alto Sax.                              
                  
                                  
                   
2nd Alto Sax.
             



                                           
Ten. Sax.
               

    
Bari. Sax.      

  

  

  

  

 

      

      

        

        
1st Hn.    

        
2nd Hn.    

       
   

3rd Hn.

            
1st Tpt. 

            
2nd Tpt. 

                         
1st Flugel. 

            
2nd Flugel. 
   
1st Tbn.
        

            
2nd Tbn. 

            
3rd Tbn.

            
Euph. 

  
                                       
Tuba
         

Timp.
            

           
Bls. 

1st Perc.             

2nd Perc.             

           
Triangle

3rd Perc.         

4 VIVA LA ZARZUELA
"El Huésped del Sevillano"
Allegretto (q = 112)
            
          
 
36
 
     
poco rit.

1st Fl.    

                 
          
        
2nd Fl. 

        
Ob.                                     


       
       
Bsn.      

   

                        



              
                     
E  Cl.  
  
              
                     
  
1st Cl.               
       

                 
                
  
                                    
                
2nd Cl.
 
               
                        

     
       
 
     
 
        

3rd Cl.
         
              
                  
B. Cl.
                    

            
         
    
                                 
       
   
1st Alto Sax.

 
     
    

            
                   
            

         

            
  
2nd Alto Sax.

     
                                           
        
Ten. Sax.


          
                                
Bari. Sax.
           

   
      
1st Hn.       
       

  
         
2nd Hn.       
      

   
        
3rd Hn.
     
      

    
1st Tpt. 
                      

        
2nd Tpt.                      

               
1st Flugel. 
                      

    
2nd Flugel.                        

       
               
1st Tbn.  

  
          
         
2nd Tbn.   

  
                    
3rd Tbn.  

  
                    
Euph.  


       
        
Tuba      

   

                        


   
                
Timp.

 
          
Bls.              

               
1st Perc. 
 
2nd Perc.              

 
Suspended Cymbal

                      
3rd Perc.
 
VIVA LA ZARZUELA 5

     C
      
48

1st Fl.     
    
        
2nd Fl.     

 
    
              

     

  

 
Ob. 
            

                           
 
                                                                
Bsn.
 

  
 
        
E  Cl.     
      
         
1st Cl.                                 

         
             
                              
2nd Cl.                                   

        
                                      
3rd Cl.
                               

                             
          

                              
B. Cl.
   

 
                                    
  
     

1st Alto Sax.
 
 
               
               
               
                                  

2nd Alto Sax.

                                     
Ten. Sax.                                                                

                                
      
                                                              

Bari. Sax.

                   
                                                       
1st Hn.
          
                             
                                  
            
2nd Hn.


                   
            
                             
3rd Hn.


           
1st Tpt.   
       

          
2nd Tpt.     
  
  

          
1st Flugel.   
            

            
2nd Flugel.     
                                  
1st Tbn.
                                                                 

      
               
                                        
   
   
       
2nd Tbn.
                       

      
                                                               
3rd Tbn.
                               
    
                         
  
   
       
               
               
       
Euph.
       

                 
                                         
Tuba 
                                  
 
               
Timp.
   

               

Bls.

          
         

1st Perc.

 
  
2nd Perc.        
        
   

3rd Perc.          
6 VIVA LA ZARZUELA
     
             
    
57

1st Fl.   
 
 
2nd Fl.            

    
               

   
 
             
Ob.         
 
               
 
 
 
    
   
               
       
   
               
Bsn.
             
 

     
        
E  Cl.           
 
 
  
     
               
                
1st Cl.             
 
            
                           
       
           
               
2nd Cl.
       
 
                     
     
          
                  
3rd Cl.
        
 

                                 
                  
B. Cl.
           
 
      
                        

        
    
 
1st Alto Sax.

 
 
                        
                                               
 
2nd Alto Sax.

 
                    
               

                                       
   
       
     
Ten. Sax.

 
                 
                            
           
Bari. Sax.
                                 
 
                       
1st Hn.                                                   
 
                       
2nd Hn.           
 
 

                        
 
                         
     
                    
3rd Hn.

 
      
    
1st Tpt.             
  
        
      

2nd Tpt.


   
                    
1st Flugel.          
 
        
2nd Flugel.       


                               
1st Tbn.                                                             
 
   
                                  

                          
       
2nd Tbn.
                  
 
                                                              
                             
3rd Tbn.

 

                                                           
Euph.                                 
 
       
              
Tuba
                                         
   
                

Timp.
        

Bls.         

       
     
1st Perc.  

       
 
Mallet on cymbal

2nd Perc.  

3rd Perc.         
VIVA LA ZARZUELA 7

      
          D
  
    
65 molto rit.
1st Fl.          
 3
  3 3

           
2nd Fl.        
 
       
              
3

Ob.  
  
       
 3

 
                  
3

  
                                                      

   

Bsn.
   
  3          
                     
3

E  Cl.  

   
  
3

         
        
    
            
3


3

1st Cl.
    
  
3
3
3

  
3

       
3

                    
                                            

2nd Cl.
  
  
                                                             
3rd Cl.
                    
  
    
                            
     


  

 
  
              
B. Cl.
          
  
     
                         
1st Alto Sax.          
 3
3
3
3 3 3

                         
                                                    

2nd Alto Sax.
   
 
                           
    
              
3 3 3

Ten. Sax. 
  3
 
                                          

3

     
                    
             

Bari. Sax.
   
                       
1st Hn.                                                 
   
                          
2nd Hn.   
     
   
               
   
       
  
   
   
                                        
                     
        
3rd Hn.

   
    
                     
Solo 3
   
1st Tpt.
  
 
 
3 3

        
2nd Tpt.          
 
      
                   

1st Flugel.
 
3 
           
2nd Flugel.          
 
                                
1st Tbn.                                                        
   
                          
2nd Tbn.

                                                       

   
                                                        
                       
3rd Tbn.

   
                 
                     
Euph.
    
 3 3 3 3 3
 
                                  
Tuba
            
  
                       
 


   
Timp.
                 
 

Bls.                 

                
1st Perc.  
 
2nd Perc.       

       

           
3rd Perc. 
8 VIVA LA ZARZUELA
"El Bateo"
Allegro vivo (q = 168)
75 
                         E
                      
1st Fl. 
               
 
                                       
2nd Fl.      
     

 
                                     
Ob.          
          
 
    
 
                                  
Bsn.                          
  
     
 

                                        
E  Cl.            

          
 
 
 
                                            
1st Cl.             
 
                 
                                     
2nd Cl.
                    

                    
                           
     
              
 

3rd Cl.

                           
 
               
B. Cl.
       

                            
1st Alto Sax.                              
                   

                                        
2nd Alto Sax.                 
       
      
 

                                             
Ten. Sax.                
  
      
 

                           
     
  
             
 
Bari. Sax.                    

   
                                                  
                   
1st Hn.


                       
2nd Hn.                                
                 

                     
                          
   
              
 
3rd Hn.


                                                    
                 
tutti
1st Tpt.
     
 
                                  
                                                  
2nd Tpt.
     
 
                                          
                     

     
 
    
  
1st Flugel.
 
            

     
                                              
2nd Flugel.
                  
      

          
       
   
       
      
   
  
                  
 
  
  

             
1st Tbn.   
 
                  
                                          
2nd Tbn.                           
 
                  
                             
                  
3rd Tbn.                       
           
                                 
Euph.                                             

          
                                               
Tuba
         
 
                              
Timp.                          

                        
Bls.     
    
    
    

   
         
                  
                       
    
1st Perc.
                     
         
           
                     
                      
    
2nd Perc.                        
                    

 
                                                   
Tambourine

                     
3rd Perc.


VIVA LA ZARZUELA 9

                           
          
87
                     
 
   
    
 
1st Fl.  
   
 
   
3 3


                                       
                        
 
  
2nd Fl.
  
3 3
 

                  
                           
      
 
                      
Ob.
   
3 3
 
                         
              
 
Bsn.        
 
                               
                                      
      

 
E  Cl.    
  
                
3

    
3

                                
      
 
1st Cl.           

  
3 3
 
    
                                              
2nd Cl.
       
 
       
    

  
    
  

  

 

  


  
               
 
 
3rd Cl.

 
                         
          
B. Cl.
       
 
             
                 
     
1st Alto Sax.           
 
             
 
                          
2nd Alto Sax.
       
 
                      
 
              
 
Ten. Sax.        
 
             
Bari. Sax.           

               

 
      
 
 
  
                                             
1st Hn.
           
 
      
                               
2nd Hn.
                   
 
                  
   
                          
3rd Hn.

 
               
                   
3

                   
3


1st Tpt.
                   

        
           
3

                                    
3

2nd Tpt.                    

        
 
          
 
              
3

       
3

1st Flugel.                                  

 
   
                     
3

                          
3

 
                      
   
2nd Flugel.

                              
1st Tbn.
                          
 
          
                        
   
2nd Tbn.                
 
                    
                             
3rd Tbn.
      
 
                  
       
    
Euph.               
 
              
   

               
      
   
Tuba
   

  
                           
Timp.
      
 
                     
Bls.   

  
                             
       
1st Perc.

        
                          
2nd Perc.        
       
         
                 
       
3rd Perc.
10 VIVA LA ZARZUELA

                 

                           
                
    
99 F G
1st Fl.            
  
 
         
          
              
 
 
       
              
      

2nd Fl.  

     
  
         
               
    
           
   
      
   
  

Ob.              
  
        
 
                
Bsn.     
 

                     
     
   
    
     
 
             

            
          
 
 
   
      
 
   
      

   
E  Cl.   
         

                              
           
      
    


            
1st Cl.

 
         
                                            
2nd Cl.
             
  
          
                                 
3rd Cl.
                     
  
                             
    
        
B. Cl.
      
  
          
      
1st Alto Sax.
 
                                   
  
       

                                    
2nd Alto Sax.
        
  
         
                                     
Ten. Sax.
    
  
           
Bari. Sax.      
 

                             
       
  
        
                                           
1st Hn.
          
  
        
                                           
2nd Hn.
             
  
  
                           
     
                        
3rd Hn.

  
   
         
         
    
                
                     

1st Tpt.

  
                
    
                                    
2nd Tpt.
       
  
           
    
         
    
              
     
        
       
    

   
                

1st Flugel.
 
                  
    
                           
           
  
2nd Flugel.

    
                             
           
1st Tbn.                          
  
                             
                      
2nd Tbn.               
  
           
                   
                
      
      
3rd Tbn.
       
  
    
                  
      
Euph.                   
  
   
          
                 
        
 

 
  
Tuba
  
 
  
                                
Timp.
       
  
                    
Bls.      

   
                          
 

  
1st Perc.
       
         
                      
 
2nd Perc.             
       

                              

3rd Perc.
        
 
VIVA LA ZARZUELA 11

 
"La Leyenda del Beso"

molto rit.
            Andante (q = 72)
  
113

1st Fl.              
              
2nd Fl.                 

              
Ob.                 

   
        
       
Bsn.              
 
   
       
       
  
E  Cl.               

      
        
1st Cl.                 

                       
2nd Cl.                               

                
                        
3rd Cl.
        

        
                  
B. Cl.
       
        
  
                 
1st Alto Sax.                              

           
        

         

    
  
   
       
  


                 
 
2nd Alto Sax.

        
                                    
Ten. Sax.                   
             

   
      
Bari. Sax.                      

   

   

              
                                            
        
1st Hn.


        
                                  
2nd Hn.
              

                         
3rd Hn.                             

           
         
                                   
            

1st Tpt.
          
 
   
                                          
2nd Tpt.
  
                      
 
        
        
                               
1st Flugel.
          
   
       

       
      
   
                
     
2nd Flugel.

 
                      
1st Tbn.
                                               
  
             
2nd Tbn.
               

                     
  
     
 
       
  
               


                     

       
              
3rd Tbn.
       
  
              
Euph.
                                     
  
     
 
       

        
                      
Tuba
         
 
 
       
                        
Timp.
          
 
                    
Bls.


        
                                              
1st Perc.          
    
  
      
2nd Perc.                                   
    
      
                           
3rd Perc.   
12 VIVA LA ZARZUELA

    

         

                                
         
H
    
   
123

1st Fl.


3 3 3 3 3

 
                 

         
 
                          
            
2nd Fl. 

3 3 3 3 3

  
                   

     
3

                          
3 3 3

                
Ob.


3

                                                                    
                     

Bsn.

  
            

    
3 3 3 3
E  Cl.
                           
                 
 3

    

 
              
3

                           
3

             
3 3
1st Cl.
     

3

   
                                                      
  
      
2nd Cl.
                     

                                                   

                               
3rd Cl.


      
                                           
                  
B. Cl.
        

  

         

1st Alto Sax.  



                                                    
 3
3 3 3

                            
3


                                                      
 
2nd Alto Sax.

                                
Ten. Sax.                                                                  

                                                   
     
                     
  
    
Bari. Sax.

                                
1st Hn.                                                       

                                                     
2nd Hn.                  
   


                                                     
                              
3rd Hn.


        
1st Tpt. 

        
2nd Tpt. 

    

 
              
3

                           
3

             
3 3
1st Flugel.
     

3

   
                                                      
  
      
2nd Flugel.
                     

                                       
1st Tbn.                                                         

                 
               
   
       
   
       
   
        
       
2nd Tbn.                    

                                                                   
3rd Tbn.                              

                                                                
Euph.                                 

                                                
 
      
                    
Tuba

    
          
Timp. 

        
Bls. 

1st Perc.         

2nd Perc.         

3rd Perc.         
VIVA LA ZARZUELA 13

                                               
I 
 

                  
131

1st Fl.
   
3
 

                                           

    
2nd Fl.

                    
3
 

                                   

                 
                 
Ob.
3
 
                                 
       
 
              
          
Bsn.                       
  
 
                  

                  
                
       
E  Cl.
        3  
 
                                              

 
1st Cl.                 

   
3
 
                  
                                                               
2nd Cl.
           
 
                                   
            
       
                       
3rd Cl.

 
                               
        
                       
B. Cl.
       
 
                                           

               

1st Alto Sax.             
3
 
                  
                                                            
            
2nd Alto Sax.
 
         

                                                                 

Ten. Sax.

 
          
                                   
Bari. Sax.           

      
                          
 
                            
                                                              
   
1st Hn.

 
                                                      
2nd Hn.                               
 
  
                                       
    
     
  
            
               
3rd Hn.

 
        
1st Tpt. 

        
2nd Tpt. 

 
                                                   

      

               
 
1st Flugel.
3


                                         
               
         
2nd Flugel.
                       

                               
                                                                  
1st Tbn. 
 
                                                        
   
          
2nd Tbn.                      
 
                                                                   
3rd Tbn.                                 

                                                  
           

Euph.
                
 
    
                                           
Tuba                               
    
 
 
  
  

 
         
Timp. 


Bls.           

1st Perc.         

2nd Perc.         

3rd Perc.         
14 VIVA LA ZARZUELA
"La Revoltosa"
Andantino (q = 60-66)
         
                      
 

      
139

1st Fl.
   
         
3 3

               
  
 
   
    
 
2nd Fl. 
 3
 3
 
              
                            
 
Ob. 
 3  3
 
                       
                          
Bsn.
        
   
         
             
         
E  Cl.  
 3
 3
 
  
1st Cl.

            

             

       


3

3
 
      

       
       
          
        
   
2nd Cl.
     
   
                         
  




 
        




 
     
3rd Cl.
 
 
                        
         
 
 
 
 
   

 
B. Cl.

      

                     
1st Alto Sax.          


 3
 3
 3

                            


2nd Alto Sax.     
 3
 3
 3

            


               
3

    

Ten. Sax.
 3
 3

         
                          

  
Bari. Sax.
         
 
                
1st Hn.                                        
 

        
             
    
               
2nd Hn.
   
 
                               
   


  
    
  


     
3rd Hn.

 
          
1st Tpt. 

          
2nd Tpt. 

                 
                 
 
1st Flugel.

 
3 3

   
2nd Flugel. 
     
                  
                   
 
               
     
1st Tbn.                                     
 
           
2nd Tbn.
 
                                 
   
  
 
  
                                  
 
  
3rd Tbn.
             
 
           
                 
Euph.  
     
 3
 3
 3

  
             
                
     
 
  
Tuba
           
 
 
  
       
   
  
      
   
  
Timp.
  

             
Bls.   

  

  



  

 


 
 

     
       
1st Perc.


        
             
     
2nd Perc.
    

 
Triangle

3rd Perc.         

VIVA LA ZARZUELA 15

            
       

J
  
146

1st Fl.      
 3 3  6

      
              
2nd Fl.        
 3 3
 6

      
               
3 3

Ob.
   
 3  3

                     
Bsn.  
 
                 
      
     
E  Cl. 
 3 3 3 3 6
 3 3

              


                 
1st Cl.    
 3 3 3
 3 3

  
3 6

   
2nd Cl.              
 
      
3rd Cl.              
 
        
B. Cl.
      
      
                         
            
1st Alto Sax.  
3
 3 3
 3 3

                   
2nd Alto Sax.               
 
3

                           
3

        

Ten. Sax.

 
        
Bari. Sax.              
 
1st Hn.                     
 
     
2nd Hn.   
            
 
        
3rd Hn.
           
 
           
                   
3 3

1st Tpt.   



           
                   
3 3

2nd Tpt.   



 
               
3 3

                   
3 3

1st Flugel.       


  3  3

           
                   
3 3

2nd Flugel.   



           
1st Tbn.
         
 
                   
2nd Tbn.    
 
                     
3rd Tbn.

 
                                    
Euph.   
3
 
         
      
    
Tuba
 
 
Timp.
               

              
Bls.  

1st Perc.               

2nd Perc.               

                    
3rd Perc. 
16 VIVA LA ZARZUELA
"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
                               
           
 

           
K
  

159

1st Fl.    
    
   3  3   3
           
3 3 3 3


3

  



        

            
   
           
2nd Fl.

 3
  3   3

   3   3 
 

           
   
                                 
3

Ob.
                    
3
   3 3   3 3

              
                                  
 
Bsn.

  
                                    
E  Cl.                               
  
 3   3                  
3 3 3
            
3 3

         
3

   
 
       

 
              
1st Cl.

 3
  3 3 3 3
 3
3 3

     3    3 
       
       
  
2nd Cl.                               
   
 3    3 
         
       
  
3rd Cl.                              
   
       
            
B. Cl.
                         
 
                          
                  
          

    

  
 
1st Alto Sax.

 3  3 3 3
 3 3

                        
           
3

        
2nd Alto Sax.                 
3 3 3
 3 3

 33
3

     3 
                                
Ten. Sax.    

 
      
   
        
                                        
 
Bari. Sax.


  
                  
1st Hn.                           

  
2nd Hn.                                               

  
             
                                    
3rd Hn.


   



                   
1st Tpt.
 

                
        
  
2nd Tpt.

 3   3 
                         
                
3

         
1st Flugel.
  
 3 3  3 3

  
             
2nd Flugel.          

                                  
1st Tbn.
               

                                   

   

      
2nd Tbn.    

 
                                                      
3rd Tbn.
 

   
    
                                
       
Euph.    
 3   3 
  
  
            
                               
Tuba

 
                   
       
 
Timp.



Bls.            
  
 

  
  
 

 

 

               
     
  
1st Perc.

  
                       
2nd Perc.  
  
      
               
3rd Perc. 

VIVA LA ZARZUELA 17

                               
   
L
   
175

          
1st Fl.

  
           
3 3 3

            
     
   

        

   
2nd Fl.  
  3
 3

       
                                                   
3 3

             
Ob.
    
  3 3  3

 
  
                                      
               
                 
       
Bsn.

    
                                
                 
3

      
3
E  Cl.
     
     
       
             
3 3 3

                
                  
3

     
         
1st Cl.
 
3
  3
 3  3

                    
2nd Cl.                                    
                      
 
 
                                                        
       
3rd Cl.

  
 
                                  

B. Cl.

                         
               
  
                                        
               
1st Alto Sax.
 
3
  3 3 3
 3

                                                          

                    
2nd Alto Sax.
3
  
 
                                                       
                        
Ten. Sax.

 
  
                                   
                   
                 
       
Bari. Sax.

           

     

       
                                                       
 
1st Hn.
  
         
2nd Hn.     
     
          
                                    
  
 
                                               
3rd Hn.
                           
  
           
                                   
3

           
1st Tpt.
       

3  
3


3

  
                     
        
               
        
         

2nd Tpt.

  
     
                                       
3 3

                    
1st Flugel.
       
 
 
3 3 3

 
    
     
                                         
2nd Flugel.
                    
  
                           
1st Tbn.
                                                      
  
              
2nd Tbn.
                                            
            
  
        
  
                                                  
3rd Tbn.
              
  

                    
               
  
   

 

 

 

  
        
Euph.                   
  
 
                                  
                         
Tuba

  
                
     

Timp.

              
Bls. 

 
                                                       
                         
1st Perc.

    
  
                
2nd Perc. 
 
                                                     
Tambourine

                         
3rd Perc.

  
18 VIVA LA ZARZUELA

   
 
   
               
          
M
   
189

       

 
1st Fl.

               

                         
2nd Fl.
   
  
  
                     
  
         
  
                            
3

Ob.
    
 3   
           
                                                
                 
Bsn.


                     

                    
           
3

          
3
E  Cl.
         
   
          
                      
                         
     
3

      
1st Cl.         
  

3

                      
2nd Cl.                                                        
 
                                                      
3rd Cl. 
                            
 
     
                          
B. Cl.
   
                 

              
          

  
 
                 

  
      
                   

1st Alto Sax.
  
 
3 3

             
                                                                      
    
2nd Alto Sax.

 
            
                                                           
       
Ten. Sax.


     
                                                     
                 
Bari. Sax.


                 
                                                    
     
1st Hn.

                
2nd Hn.                                                            

                                        
                                
 
 
3rd Hn.


             
    
                    
3

       


1st Tpt.
 3  
    
2nd Tpt.                                          
  
                             
          

             
3


            
 
1st Flugel.

     
 3
   
 
                            
                           
2nd Flugel.                            
 
                            
1st Tbn.
                                                

               
2nd Tbn.
                                                       

   
 
                                    
                             
3rd Tbn.
 

   
                                     
                           
Euph.
 

                          
  
                      
Tuba
   

Timp.
                      

                     
Bls. 

                                     
1st Perc.
             

                  
2nd Perc.     

                                         
         
                     
3rd Perc.


VIVA LA ZARZUELA 19

       
                                                          
N
204
              
1st Fl.  
  
                   
                          
                            
 
2nd Fl.
  
       
                                                           
             
Ob.

  
    
                       
Bsn.
          
   
       
 
 
    
             
                                      
              
E  Cl.    
 
  
       
                                                           
1st Cl.              
  
                                                    
                       
2nd Cl.
   
  
                                          
                             
3rd Cl.
    
  
     
          
       
B. Cl.
           
  
   
             
                

  
                      
  
1st Alto Sax.                
 

                      
 
               
    



    
  
      
              


2nd Alto Sax.
  
                 
                         
Ten. Sax.
         
   
      
     
Bari. Sax. 
              
 

 
  
   
   
                 
1st Hn.                                        
   
               
                                      
2nd Hn.
 
   

    

 

 

         

    
 
 

       
          
3rd Hn.

   
    






         
 




   
1st Tpt.    
 
  
                       
2nd Tpt.
         
 
     
      

      
 
  
 


      
    
1st Flugel.
               
  
        
                      
                                     

2nd Flugel.

 
                  
1st Tbn.
                                    
   
               
                     
               
2nd Tbn.
 
   
    
  
  
                 

    
  
         
3rd Tbn.
     
   
                 
Euph.
                    
   
      
          


 
  
       
Tuba

       
   
            
 
        
Timp.


         
Bls.            


  

  

  

  

                    

  

  

  

      
1st Perc.
              
   
                        
2nd Perc.             
 
  
                  
             
3rd Perc. 

20 VIVA LA ZARZUELA

         
                     
218
     
O
    U
  
1st Fl. 
 
                   
            
 U
2nd Fl.            
 
            
                       

U
     
Ob.
  
 
       
            
Bsn.
                           
   
         
                      
E  Cl.                    
    

          
                    
                 

1st Cl.
  
                       
         
 
2nd Cl.     

 

          
 
  
        
                           
3rd Cl.
 
        
 
 
  
     
     

    
      
B. Cl.
                   
    
            
                     
        
1st Alto Sax.          
  
   
                            
2nd Alto Sax.                  
  
  
         
                                       
Ten. Sax.
  
  
        
          
                    
          
Bari. Sax.

  
        
                                
1st Hn.
           
  
 
               
2nd Hn.
                             
  
    
        
  
                               
3rd Hn.

  
              
                      
1st Tpt.               
 
   
    
                                        
2nd Tpt.
         
   
             
                       
   
            

1st Flugel.
  
       
                                           
2nd Flugel.
     
  
                           
                  
1st Tbn.
  
                         
    

   
      
  
2nd Tbn.

  

         

 
                           
 
3rd Tbn.
 
  
                     
           
       
 
Euph.
  
  
   
                      
               
Tuba

    

             
Timp.
                          
  
     
       
        U
               
   
Bls.

   
 
                                      
1st Perc.
       
  
        
   
 
       

















 
 

      
2nd Perc.
 
         
 
        
                 



 

3rd Perc.


VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente
1st Flute in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

             
Allegretto (q. = 76)
      
            
 
 

      
            
     
6




        
              
13

         
 poco a poco cresc.

                          
A 
         
17



"El Tambor de Granaderos"
Allegro moderato (q = 120)
22  B 
                  


34                 
  

    
"El Huésped del Sevillano"

           
Allegretto (q = 112)
  
46

    
C
 

2 VIVA LA ZARZUELA

        
58                  
 
 
   
 
66      D    
     
3   3 3

"El Bateo"
Allegro vivo (q = 168)
     
                           
73 molto rit.

   
 
80 E         
                      
    

     

   
                   
               
89

 
3 3

    
95
               F  
            
 
 
                      
  
    
102

        

         
108
             G
     
 
           molto rit.


115

          
VIVA LA ZARZUELA 3

"La Leyenda del Beso"


Andante (q = 72)
         
            
121


H
 
 3


         

                            
127 


3 3

        
                       
130

 
3 3 3

                              

 I
  
 
134

   
 
            

    

       
138

      


 "La Revoltosa"
3

      Andantino (q = 60-66)
                    


141

   
 3
 
    J       
146

   

 3 3

        
      
   
154 K
      

 6
 3

 
 
   
   
 
161

      

4 VIVA LA ZARZUELA

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
            
168
                 
 
 3 3 3 3
 3

            
       L    
  
173

     
3 
3 3
 
                
179
    
     
3
 3

          
    
188 M
      

              
197
              
   
 

N    
204
                                      
 
 
  
211
                                 
 

        
   
217 
        O       
      

  
           
224
     
 


VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente
2nd Flute in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

                      
Allegretto (q. = 76)
          
    
 

        
          
    
6




          
13

              
      
 poco a poco cresc.
  
17 A
                              
     

"El Tambor de Granaderos"

      
Allegro moderato (q = 120)
22  B 
           


34                 
  

"El Huésped del Sevillano"

          
Allegretto (q = 112) 
         

46 C
    

2 VIVA LA ZARZUELA

       

58 D

      
  
"El Bateo"

                       
Allegro vivo (q = 168)

75

    


80 E                      
  

88
             
 
         
   
 
       

  
3 3

        

94
            
                         
   
F
   
 
     

101
            
    
  
       
     

      
107


                 G
 
 
 
113            
       
"La Leyenda del Beso"
  
molto rit.

Andante (q = 72)

        


119

H
    

VIVA LA ZARZUELA 3

   

                  

       

  
125

                                     
129

 
3 3 3 3

                         

  
I
133

      
   
3
 
                         
           
 
    
137

 3

"La Revoltosa"

       Andantino (q = 60-66)
       

141
   
         
 
 3
 
      
   

146 J
 
 3 3

           
     
154

 
K
   
 6  3

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
   
  
 
 
            
161

   
  3

                         L
    
   
170

 
 
 3
 
4 VIVA LA ZARZUELA

          

177
    
        
 3

              
   
186 M
  
3


                       
   
195

     
 
 
N              
  
203
            
          


              

          
   
209

   

 
  
215
                       O
       

222
                      

  
227
    
  


VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Oboe in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

              
Allegretto (q. = 76)
              

                

      

7

                 
   
 poco a poco cresc.

          
  
       

                   
15

   
A


"El Tambor de Granaderos"

 Allegro moderato (q = 120)


  
             
21 B
 
      

 

37

   
poco rit.

    
      
  

"El Huésped del Sevillano"


Allegretto (q = 112)
        
    
46
          
C
          

 
     
     
52

 
                       

    
         
58

              
    
 
2 VIVA LA ZARZUELA

63
                
   
D
         
    
 3

"El Bateo"

            
Allegro vivo (q = 168)
    
71 3

    
molto rit.


 3
 
77
                  

         
E
   

85
        


                
 
 
  

 

3

        
       
       
         
91

   
    
3

              
97

F      
         
   

 
                  
               
103

     

109
       

G        
       

          molto rit.

   
115

         
VIVA LA ZARZUELA 3

"La Leyenda del Beso"


Andante (q = 72)

  
121


H
   
            

3

                

127


3

                    
3

 

  
      
130

    
3 3

                 3

                            
I

      

134


   
 

    
                               
138

 
             
 3 
"La Revoltosa"

  
Andantino (q = 60-66)
 
          
142

 
J

3
 
 
        
150

  
3

  
 3 
 

            
K
  
158

    
3

      
3
3 
"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)

 3 

                    
166 3

            
 3 3 
4 VIVA LA ZARZUELA

  3   
                   
172
 
L

3

           
3 3  

                       
178


3

           
3   
3

  
                    
184

      
    
  3  3

  3
191 M
         
              
 
 

      
                      
       
199 N
 


 
                               
205

    
 
      

212
                     
     

             O                   
218

  
 

          
 
225

    

VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Bassoon in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                                    
           

       
7

                                  

 poco a poco cresc.

14              
A
                             

"El Tambor de Granaderos"
20  Allegro moderato (q = 120)
                           
    


        
27 B
             
     

34
         
            
"El Huésped del Sevillano"
Allegretto (q = 112)
41
      poco rit.

                       


47
        C    
                  
     
2 VIVA LA ZARZUELA

      
                                
52

       

                                      
56

          

                                
61

       

65  D      
         
     
  
   
 
    
                              
70


      

"El Bateo"
Allegro vivo (q = 168)
                            
74 molto rit.
  
          
 
80 E         
             
    

89
       
                   
 


           
97 F

          
  

VIVA LA ZARZUELA 3

103
          
          

     
     

     
110 G
                    


"La Leyenda del Beso"
Andante (q = 72)
118
 
molto rit.
        H   

                      
 
 

                                   
124

          

                                   
128

            

                                     
132 I

              

                                   
136

            
 
"La Revoltosa"
Andantino (q = 60-66)

                               
140

        
 

148 J 
                
 
 
4 VIVA LA ZARZUELA

159 K
                            

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
    L 
    
168

            
   
 
177
                             

             

184
                                 
               
 
M
                              
192

           

199    
        
N
                     
    

208
       
        



     
 
217
    O
               
   

224
      
        
       
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Clarinet in E  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

             
Allegretto (q. = 76)
      
              
  

            
    
    
6

      
  poco a poco cresc.
  
14
                      A                 
    

"El Tambor de Granaderos"
     
             
                     
20
Allegro moderato (q = 120)

           

                    B          
 
26

  

32
                 

"El Huésped del Sevillano"
Allegretto (q = 112)
     
41
     
                
 



        
49
     
C
  
            
  
2 VIVA LA ZARZUELA

64
   3
       
        
D
     
 
"El Bateo"
Allegro vivo (q = 168)
                
71

  
3 molto rit.

     
 3
 
77
                           

 
E
    

         
85 
                 
 
  

     
 
 3

                      
        
91

  
        
 
3

 
         
97 F 
                   
    
 

           
      
      
     
103

   
 

         
           
109 G
   
 

          molto rit.

 
115

          

VIVA LA ZARZUELA 3
"La Leyenda del Beso"


Andante (q = 72)
121

 
H
      
              
 3

127

 
             
3 3

                    

130

   
3 3

 
                          3

                            


I
134

        
 

                                

138
             

 3 
"La Revoltosa"

      
Andantino (q = 60-66)
142
       J

 
3
 
      
150
   
 
  
 
 

 3 3 3 3 6

         K 
           


157

      
 
 3 3 3 
"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
                   
   
166           
   
 3
 3
3 3
 3
4 VIVA LA ZARZUELA

173 
                   L            
     
3 3 3
   3

    
180
         
                  
3
3

        
  3


      
188 3 M
 

    
                
3

   
              
      
195

      


 
 

       N                                 
203

 

                                    
209

 
 
    
                
215
    
     

  
221
   
O            


 
226
      
   
            
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

1st Clarinet in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


                                             
Allegretto (q. = 76)

 

 
7

                  
   
   
 poco a poco cresc.

        A      
            
      
13



"El Tambor de Granaderos"

                      
   
  
Allegro moderato (q = 120)
       
         
18

  

                        

24
  
   B   
                

            
      
31

     
  
 

                  
 
38

       
     
"El Huésped del Sevillano"

          
       
Allegretto (q = 112)
45

poco rit.
   
     

2 VIVA LA ZARZUELA

C       
              
51

                 

               
        
56

        
    
 

   
         
62

              


3
  
     
D

         


67

  
3 3

 
  3 3 3
"El Bateo"

             
Allegro vivo (q = 168)
    
                       
72 molto rit.

 
3
 

                             
    
79 E
   

                      
          

88
        

3 3

             F          
94
           
          
   
 
     

          
       
  
        
101

 
VIVA LA ZARZUELA 3

  
107
                G       
    
 
           
molto rit.



114

          
"La Leyenda del Beso"
Andante (q = 72)

   
121


H
      
            

3


               
127 3

                    
3

    
130

      
3

     
3

               3

                                              
135
I

   
 

   
                     
139

             

 
3 3

"La Revoltosa"

       
Andantino (q = 60-66)

  
 
143 J

   3
3

         
153
            
 

3 3 3 3
6
4 VIVA LA ZARZUELA

       
 
      
K

159
 
       

 3 
"Agua, azucarillos y aguardiente"

          
Allegro moderato (q = 126)
         
     
                 
    
168


 3
 3 3 3
 3
 3 3

    
      L            
         
175

       
3
  3
 3


183                  
                  
3 3

         
 3
 3

        
          
   
     
M
 
192

       
  
 

            
201
            N
          
      

 
               
208
       
                    
     
 
      
216
                        O     
  


                
224
 
          
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

2nd Clarinet in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                             
                


7
  
             
 poco a poco cresc.

          


       
14 A

 

"El Tambor de Granaderos"
 
             
Allegro moderato (q = 120)
20

               
               

 

    

 
26
                     B  
    
    
      
     
      

          
33

       
                     
     
           


40
        poco rit.  
    
    
               
          
"El Huésped del Sevillano"

                   
Allegretto (q = 112)
 
   
46

            
       

2 VIVA LA ZARZUELA

 C                                
51

            
   

    
55
         
                               

    
59
           
 
                             

                

63

                    

68
   
D
           
    
       
       
           

"El Bateo"
72
   
  
Allegro vivo (q = 168)

                             
molto rit.

      
 
        
                  
78 E
     
           

87
 
                            

95
                    F   
             
       

VIVA LA ZARZUELA 3

 
103
        
                          
      

                
   
G
        
111

 

"La Leyenda del Beso"

   
                H        
Andante (q = 72)
molto rit.
119

                
 

                
124

                                 

               
128

                                  

                         I        
132

                

                    
136

                 
 
"La Revoltosa"
Andantino (q = 60-66)
                               
140

             
  

146
  J    
        

4 VIVA LA ZARZUELA

  

156 K
                

"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
  3    3 
                
166

                    
   
L              
175

                                    
 
183
               
                                

191
 M              
                               

                 
199 N

                           

                   
206
         
       
 
 

                              O         
214

   
  
 

223
                        
       
 
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

3rd Clarinet in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
    
     
 
         
   
                  
 

7
 
              
 poco a poco cresc.

     
14
                   
A
   

"El Tambor de Granaderos"

         
Allegro moderato (q = 120)
         
20

              
       
     
26
                    B 
     
          
       
     

33
              
        
       
           
    
40
         
poco rit.

                   

           
"El Huésped del Sevillano"

            
Allegretto (q = 112)
      
       
46

          
       

2 VIVA LA ZARZUELA

 C    
51
   
                        
        

 
             
55

  
   
         

    
59
   
                        
       

             
63
  
                    


                                
68 D

           

"El Bateo"

                          
Allegro vivo (q = 168)

72


molto rit.

  
   
 

   
78
 E        
              
         


87

             
  

 

  



          
          

95
        F
                                 
         
 
VIVA LA ZARZUELA 3

103
       
                                 
         

G         
           
111

           

"La Leyenda del Beso"
119
 
 
molto rit. Andante (q = 72)
                H       
    
            
 

124

                    
               

                    
128

 
               

                         I        
132


               

         
136

                                 
   

"La Revoltosa"
Andantino (q = 60-66)
              
140

                        
    

     
146 J
       

4 VIVA LA ZARZUELA

156 K
   
               

"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
 3    3 
                
166

                 
  
   
175
L         
                                
 

                
183

                 
       

                                
191 M

             

                   
199 N

     
                
   

                 
206


        
  
     
  
 

                      O  
                 
214

  
    
 

                      
223  
       
 
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Bass Clarinet in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

 Allegretto (q. = 76)


                                

         

7
      
                                 
    poco a poco cresc.

14
        
A
                        
             

"El Tambor de Granaderos"

 Allegro moderato (q = 120)

           
20

              
    

27
            
B
        
 
      
34
                     
   
   
"El Huésped del Sevillano"

   Allegretto ( = 112)
q
     
41
  
poco rit.

    
        
   

 
47

             
C
               
     
2 VIVA LA ZARZUELA


                                 
52

       

56
                        
     
       
  

                                
60

            
   


64
         
             
D
 
             
 

               
69


        

  
  
"El Bateo"

  Allegro vivo (q = 168)

              
73

 
molto rit.

    
       

 
        
78 E
     
            
 
87
                
    
   


     
95 F
     
     
        
 
VIVA LA ZARZUELA 3

101
             
    
   

      
108

 
G
         
  
          
  "La Leyenda del Beso"
Andante (q = 72)
        

116

          
molto rit.

   
           

 H                                
123

        
       

                
127

           
    

                
131


               

 I                                
135

 
              
 
          
139

                           
     
   
"La Revoltosa"
Andantino (q = 60-66)
 
 
143 J
     
   
4 VIVA LA ZARZUELA


156 K
                     
 

"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
166
     
                  
 
 

176 L

              
             
 
183

              
             
 
190 M
              
             
197
   
                          
N


     

206
 
         
 




      
 
215
          O
  
      
   

224
 
 

                 
  
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

1st Alto Saxophone in E  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

 
Allegretto (q. = 76)
        
                                
 

 
6
                          
 
 poco a poco cresc.

14
                                 
     
A


"El Tambor de Granaderos"

                  
Allegro moderato (q = 120)
                          
  
21

        

28
           B                    
      

35
                              
      
"El Huésped del Sevillano"

            
Allegretto (q = 112)
               
      poco
42

  
rit.

    
 

           
48
        
C
      
    
2 VIVA LA ZARZUELA

       
54
 
         
     
  
 
59
                                     
 
 
          
64
    D     
    
 3
3

    
         

 
69
 
molto rit.

 
3
3 3 3

"El Bateo"

                              
75 Allegro vivo (q = 168) E 
              

83
                              
        

       
                
90

   

         
  
98
 
F
  

           G    
    
     

   
107

   
     
 
VIVA LA ZARZUELA 3

 
                            
molto rit.

114

          
"La Leyenda del Beso"
Andante (q = 72)
     
     
           
121 H
 
 3


         

127
   

                    

3 3

        
   
            
130

         
3
3 3

                                         


I
135

    
 

         


     
139

   
 3
 3

"La Revoltosa"


Andantino (q = 60-66)
 
143
                                 J
   
 3 3

               
     
151

   
 3 3
 3 3

 K 
159

               
   
4 VIVA LA ZARZUELA
"Agua, azucarillos y aguardiente"

                                 
Allegro moderato (q = 126)
      
168
   

 3 3 3 3
 3 3 3

       L  
175
               

         

3
  3

             
182
            
     
3 3
 3

    
                 M       
189
 
   
     


 
 3 3
 
               
    
197
         


    
 

     
                             
N
204

      

           
 
         

210
          

 



            O             

217
     
      

                

          
224

 
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

2nd Alto Saxophone in E  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

                                              
Allegretto (q. = 76)

 

7
             
       
 poco a poco cresc.

                   
           
15 A
  

"El Tambor de Granaderos"

                               
22 Allegro moderato (q = 120)

          
    

28
            B                       

 
 
    
       
35
                             
        
  

 
"El Huésped del Sevillano"

                  poco rit.             


Allegretto (q = 112)
41
 
           
   
  
47
                  C    
   


2 VIVA LA ZARZUELA

52
             
               

57
                                 
            
   

         
                             
62

 

67
       D         
                        

 
"El Bateo"

                   
Allegro vivo (q = 168)
      
71

             
molto rit.

      
   

                    
    
77 E
            

86
          
              

         
     
94 F
           
       
 

   
    
102

      
      

VIVA LA ZARZUELA 3

     G                               
110

   

"La Leyenda del Beso"

     
117
     
molto rit.
   
Andante (q = 72)

  
                 
   

122
   H           
                                
 

126
              
     
       
       
     
     

130               
     
       
       
           

134
   I    
   
                    
        

139

               


 
 3
 3

"La Revoltosa"


Andantino (q = 60-66)
 
143
                                 J

   
 3 3

    
151

       
K

    
 
4 VIVA LA ZARZUELA
"Agua, azucarillos y aguardiente"


                
Allegro moderato (q = 126)

161
   
            
 3
 3 3

                 L 
            
171
           

3   
3
 3
3 3

                              
178

    
           

                        M        
186

      
         

                                   
194

             

           N                               
202

 
 

                               
209

      

 

            
216
         O             

    

224
                           
 
 
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Tenor Saxophone in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

                        
Allegretto (q. = 76)

   

7

                
 poco a poco cresc.

14
              
A
                             

"El Tambor de Granaderos"

  
Allegro moderato (q = 120)
 
                    
20

             

 
              
      
26

  
B
 
        

34
                   
     
       
"El Huésped del Sevillano"

        
q
     
Allegretto ( = 112)
             
poco rit.
  
42

     
     
48
              C    
                        

2 VIVA LA ZARZUELA

52
                
           
                    

                       
56    
               
   

                                 
60

            
   

64
                     
   
D
  3  
        
     

      
   
69

           
3 3


3 3

"El Bateo"

                            
Allegro vivo (q = 168)
 molto
74

  
rit.

            
 
  
                   
80 E
 
      

89
                      
   
   

     
97 F
   
  
   

VIVA LA ZARZUELA 3

106

            G
          
                    
 
  
113
   
        
 
    
         
                 
 
"La Leyenda del Beso"

                       H        
120 molto rit. Andante (q = 72)
    
        
 

                                
124

             

                                 
128

             

                         I     
132

            

                      
136

          
  
"La Revoltosa"

                   
Andantino (q = 60-66)

   
140

        
 

3 3

145 
                     
3 3 J
      
 
4 VIVA LA ZARZUELA

   
154

    
K
      


"Agua, azucarillos y aguardiente"

 
Allegro moderato (q = 126)
 3   3 
              
164


                  
  
  
                             
173 L
       
       

181

                                

         
 
189      
   
M
                        
         

                 

197 N
              



     
206

                
     
        
 

      
        
215

  
O
    
 
 

                      
223  
        

 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Baritone Saxophone in E  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

                                  
Allegretto (q. = 76)

             

7
         
                                  

 poco a poco cresc.

              
                          
14 A

 

"El Tambor de Granaderos"

  Allegro moderato (q = 120)


               
20

          


                    
27 B
        

    
34
       
           
"El Huésped del Sevillano"

    
41
   poco rit.
 
Allegretto (q = 112)

             
 

47
          C    
          
    
2 VIVA LA ZARZUELA

52
                                
                

56
                                      
                
    

61
                
                         

65
      D          
        

      

 

                           
70


             
 
"El Bateo"

                            
Allegro vivo (q = 168)
  molto
74 rit.

            
 

         
   
80

  
E
      
   

89
    
                       
  

      
97 F
       
 

 

       

VIVA LA ZARZUELA 3

103
       
              

     
     

     
110 G
                    
 

"La Leyenda del Beso"

        H    
Andante (q = 72)
  
molto rit.

     
118

     
    
 
124
            
  
                                

128
             
 
                                

132
            I    
                              
  

136
                  
  
               
      
 
"La Revoltosa"
Andantino (q = 60-66)
         

140

   
                         
 

148
J      
           
 
4 VIVA LA ZARZUELA

 K 
159

                        

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
   
168     L 
             
   
 
                            
177


             

184

                
               
 
M
192

   
                          
           

          
199

N
  
        
  
    

208
       
            
    
 
217
   
            
O
   
  

224
      
         
       
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

1st Horn in F Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)

                          

7

                    
 poco a poco cresc.
"El Tambor de Granaderos"
Allegro moderato (q = 120)
 
        
17 A B
 
 
32   poco rit.
 
       

"El Huésped del Sevillano"


46
  
Allegretto (q = 112)
 
                   
          

             
51C

               

    
56
          
  
        
               
 

    
60
        
                          
2 VIVA LA ZARZUELA

   
66

   
D
               
             


        
"El Bateo"
Allegro vivo (q = 168)

71

                         
molto rit.

  

      
    
77
     
E
       
            

   
86


                  
           

                 
  
93 F
       

 
  
       

100

            
  
  
 
 
  
  

                    
       
107

 
G
 
      
 
       
        
114 molto rit.

            

"La Leyenda del Beso"

                    H                
121 Andante (q = 72)

                
 
VIVA LA ZARZUELA 3

                                
125

                 

                                 
129

               

                 I                
133

             
   

                                 
137

        
 
"La Revoltosa"

                   
141 
Andantino (q = 60-66)
J 
           


151

              
 

        
159 K
                  
"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
168     L    
            
 
178            
                            
  
4 VIVA LA ZARZUELA

185
           
                            
   

192  
M          
                            
 

199

N
    
                     
  

206
        
                     
 

    
213

  
    
  
   

    
             
219 O
   


225
  
               
 
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

2nd Horn in F Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)

                            
   

7

                

 poco a poco cresc.
"El Tambor de Granaderos"
Allegro moderato (q = 120)

    
15 A B
        
 
32   poco rit.

        

"El Huésped del Sevillano"


46
  
Allegretto (q = 112)
        
                    

           

 C               
51
    
               

    
56
           
  
       
          
 

    
60
        
                
2 VIVA LA ZARZUELA

                
    
66 D
   
           
 

           
71

  
molto rit.

            
 
"El Bateo"

           
Allegro vivo (q = 168)
 

75 E
                 
           

83
      
     
     
        
  

 

89

  
 

  
  
 
 
  
     
 
   

96
       F

     
             
       
 
102
  
   
  
  
 
 
  
     
       
  

     
    
109 G
 
               
 



115 molto rit.

      

 
  
  

  
 
    

VIVA LA ZARZUELA 3
"La Leyenda del Beso"

                H                
121 Andante (q = 72)

                 
 

                                
125

                 

            
                                  
129

                  I                
133

                

                    
137


                 
 
"La Revoltosa"
Andantino (q = 60-66)
141
                      J 
  
       


151

               
 

        
159 K

                    
"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
     L 
      
167

      

 
 
  
 
4 VIVA LA ZARZUELA

177
           
                        

                      
183

              

                
189 M
                
   

196
       
                        

203

N
      
                  
 

     
209
           
     

  
     
215

  
   


221
  O 
    
           

226
  
  
           
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

3rd Horn in F Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)

                
               

7

      
        
 poco a poco cresc.
"El Tambor de Granaderos"
Allegro moderato (q = 120)

   
15 A B
          
 
32   poco rit.  
     
 
"El Huésped del Sevillano"
Allegretto (q = 112)
   
       
46

                
           
51
C     
        
              

56
  
                 
              
 
60
         
    
                
2 VIVA LA ZARZUELA


66 D
               
    
 

           

 

  
71

                     
molto rit.

 
 
"El Bateo"
Allegro vivo (q = 168)
             

75 E
                
 

       
83

           

  

 

89

         
 
              

       
96 F
        
         
 

  
102

        
    
           

  
109
  G
       
            

     
115 molto rit.

      

 
  
  

  
  
VIVA LA ZARZUELA 3
"La Leyenda del Beso"

                H                
121 Andante (q = 72)

         
       
 

  
125

                                  
   


                                   
129

     

                  I                
133

                


                                  
137

              
 
"La Revoltosa"

  
Andantino (q = 60-66)

                     
141 J

      


151

                
 

  
159 K

                               
"Agua, azucarillos y aguardiente"

 
Allegro moderato (q = 126)
   
       
167

          

  

4 VIVA LA ZARZUELA


                   
176 L
               
 

   
183

                             

   
                             
     
189 M

     
196

                                  

 
      
203

   
N
          
 

 
209

               
        


215
    
    

  
 

221
 O  
               

226
    
            
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

1st Trumpet in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

                               
Allegretto (q. = 76)
  
   

                 
   
6

     

"El Tambor de Granaderos"
Allegro moderato (q = 120)
 A    
       
17 B
 

"El Huésped del Sevillano"

       
Allegretto (q = 112)
       
       
46 C
     

     
 
53

      
  
  

   
         
62

  
    
 3
  
        
67 Solo 3 molto rit.
D
     

  3

"El Bateo"

  tutti                       
Allegro vivo (q = 168)
75

     
 
2 VIVA LA ZARZUELA

 E                         

            
80

    
 

86
    
          
3

    
3

  
                 

            
       
92

            
        

98
     F     
      
 
   
  
   
      

108
           
 
          
G
        
 

     
114
      
                     


 

  
"La Leyenda del Beso"

     
120 molto rit.
                 H
Andante (q = 72) 
         
 
"La Revoltosa"
Andantino (q = 60-66)
   
   
135 I J
                
3

 

"Agua, azucarillos y aguardiente"

  
Allegro moderato (q = 126)
  

151 K
       
3

 

VIVA LA ZARZUELA 3

    L  
    
171

            
 

       
                          
179

 
3


 

3 3

                      
186 3

         
 
3  3

  
               
192 M
  
  

    
N
    
       
204

       

 

        
          
213

 
  

   O   
221
           
 

226
       
         
   
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

2nd Trumpet in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
               
                         


          
   
6 A
          
 
 
"El Tambor de Granaderos"
Allegro moderato (q = 120)
 
      
18


B
   
"El Huésped del Sevillano"


Allegretto (q = 112)
  

           
46

 
           

 C    

51

          
  

"El Bateo"

            
Allegro vivo (q = 168)
68
 D

             

79
  E                 
     
          
   

   
85
 
           
3

 
                  
     

2 VIVA LA ZARZUELA

91
   
           
3

       
             
 

 
97
   F     

              
    

      
                 
106 G
              
 
112
  
           
                    
   
"La Leyenda del Beso"

     
                
118 molto rit. Andante (q = 72)
         
         
 
"La Revoltosa"

 H   
Andantino (q = 60-66)

  
123 I J
         
3

 

  

150 K
                
3

"Agua, azucarillos y aguardiente"

  L
Allegro moderato (q = 126)
  
     
168

  
      
 
    

           
177

                       

VIVA LA ZARZUELA 3

183

                   
          

188
        M
 
                  

200

       
N
 
       
  



  

206
   
     
   
   
     

   
          
214

   
O
  
     

222

                    

226
  
               
     
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

1st Flugelhorn in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                                      
  
  

        
              
7 A
  
 
"El Tambor de Granaderos"
Allegro moderato (q = 120)
            
  
21 B

    

"El Huésped del Sevillano"

          
Allegretto (q = 112)
             
38

  

         
    
47 C
    
   

55
              
         
 
 
63
                            D



      

 3 
"El Bateo"

                           E         
Allegro vivo (q = 168)
75

    
 
2 VIVA LA ZARZUELA

82
                         
    
           
    

 3     
89

  
3

                              
         

96
             F             
  
             
 
 
                    
     
103

             
 
  

110
   G  
  
              
                
        
 "La Leyenda del Beso"

     
Andante (q = 72)
117
     
molto rit.
 H
                


     
 

 

               


124

  
            
3

 
129 3 3

                                
3 3

   

                                  
I
 
      
133

   
3
 

              
                  
138

               
 
3
VIVA LA ZARZUELA 3
"La Revoltosa"


Andantino (q = 60-66)
    
  
142 J
                    
3

 

3

            
151

       
3 3

 
3


 3  3

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
  3     3 
                         

    
159 K 3

         
  3 3  3

     L              

174

           
3

               
   
3  
3  3


                              
183 3 3

             
  

3 3

192 M
             
             
          
 

  
   
  

              
N
    
202

             
     


    
   

    
212
 
         O   

   
                    

  
                           
222

       

 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

2nd Flugelhorn in B  Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

                                     
Allegretto (q. = 76)

     

  
                  
7 A
   
  
"El Tambor de Granaderos" "El Huésped del Sevillano"
Allegro moderato (q = 120)
              
Allegretto (q = 112)
 
        
21 B
  

         

48

  
C
 
   


"El Bateo"

  
Allegro vivo (q = 168)
            
65 D
        
       

77
                            
   
E
 
         

83
        
                 
      
         


  
89 3

                  
3

             
2 VIVA LA ZARZUELA

 
      
        
95

  
F
          
            
 

 
106
      G
             
   
 
          
          

  
       
113

                     
                  
"La Leyenda del Beso"

     
Andante (q = 72)

          
120 molto rit.
H
         

                    
125

 
               

 
                                  
129

                 I                
133

                

                                
137

                
 
"La Revoltosa"
Andantino (q = 60-66)
                   
141  J 
          
3

        
 
VIVA LA ZARZUELA 3

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
    

150 K
                    
3



   L 
                   
171

      

180
               
                             
 
188
       M        
                             

            
196


                     
   

203 N
      
     
  
               
 
210
   
                       

    
     

    
          
218 O
          
    

224
     
                 
  
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

1st Trombone in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                   
             

7
                         
        
A
    

"El Tambor de Granaderos"
Allegro moderato (q = 120)
21   B      
      

"El Huésped del Sevillano"
Allegretto (q = 112)
               
poco rit.
39
    


48            C        
    

              
                                        
53


                                      
58

     
 

                            
63
  
   

2 VIVA LA ZARZUELA

                  
                                         
68D


"El Bateo"
Allegro vivo (q = 168)
73   molto rit.          
                       
  
 
78      E   
            
            

84
       
         
                  

90
             
       

96
       
 F        
                  
 
102             
       

            
      
108
               
G
 
    
 
 
       
                     
114

     
VIVA LA ZARZUELA 3

"La Leyenda del Beso"

120  molto rit. Andante (q = 72)


       H    
     
                         
 

124                    
                                          

 
                                           
129

 

134     I                
                                          

 
139                
                                       
 
 
"La Revoltosa"

143
Andantino (q = 60-66)
 J        
     

156      K                  
  
 

"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
165                
          


173   L           
                      

4 VIVA LA ZARZUELA

181              
                             
 

188        M      
                             

195                


                     

202  N          


                  

 

209        
                  

    
     
216 O
         
 

222                      


227    
 
         
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

2nd Trombone in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                 
  
          

             
           
7

        
A


"El Tambor de Granaderos"
Allegro moderato (q = 120)
19
       
 B    
 

34       
poco rit.
  
"El Huésped del Sevillano"
Allegretto (q = 112)
46                      
           
        

    


51 C

                   

                                      
56

                 
 

                                         
61

               
2 VIVA LA ZARZUELA

66
     
D
   
             
 

                    
71 molto rit.
  
          
 
"El Bateo"
Allegro vivo (q = 168)

                             
75

               

 
80 E
 


          
     
          

         
                
85

      

       
           
91

        

97 
          
F
         

        

       
        
103

          

      
                        
109 G
 
     
 

VIVA LA ZARZUELA 3


        
               
115
molto rit.

      

"La Leyenda del Beso"
Andante (q = 72)
                                 
121 H
                
 

      


125

                    

                                           
130

               

                                            
135 I

                
  
"La Revoltosa"
Andantino (q = 60-66)

                               
140

         

    
     
148 J
   

                    
158
 K
 

"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
    
              
166

      

4 VIVA LA ZARZUELA

 L   
    
                     
175
    
 

                             
182

              

 
                              
189 M
   

                                
196
 
 

                   
N
204

            
 

      
210


              
 
 

217
             
      
O
     

             
       
224

 
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

3rd Trombone in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                          
 

             
           
7

        
A


"El Tambor de Granaderos"
Allegro moderato (q = 120)
19
       
 B
  
  

34   
  
poco rit.
   
"El Huésped del Sevillano"
Allegretto (q = 112)
46               
        
        

51 C
    
                   

                                       
56

                 
 
61
    
                   
2 VIVA LA ZARZUELA

66 D
                              
 

                   
71 molto rit.
   
          
 
"El Bateo"
Allegro vivo (q = 168)
                             
75

               

 
80 E
 


          
     
        
  

                     
85

             
   

91
       
                 
  

          
97 F     
   
  
            


103
  
                        
  

    
                        
109 G
 
     
    

VIVA LA ZARZUELA 3


       
                
115 molto rit.

      
 
"La Leyenda del Beso"
121 Andante (q = 72)
                                  
H
                
 
125
                                            
                    

130
                                              
                    

135 I
                                          
                    
  
"La Revoltosa"
Andantino (q = 60-66)
140 
                                 
             

148 J  
            


158
                              
K
  

"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
   
                 
166

      
 

4 VIVA LA ZARZUELA

175
 L             

                  
           
 
182
                             
              

                             
189 M

             

196
                                    
       

204 N
                      
       
 

210
                  
     
 

217
            
    
O
        
 


                       
224

 

 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Euphonium in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                
  
          

                


7


 poco a poco cresc.

A       
14
                     
         

"El Tambor de Granaderos"
Allegro moderato (q = 120)
20     
            
B


34       
poco rit.
  
"El Huésped del Sevillano"

46
Allegretto (q = 112)
              
     
       

51 C
    
                   


                                       
56

                 

2 VIVA LA ZARZUELA

                                         
61

               

66          
    
D
      
  3 3 3

      
    
71 molto rit.
     
 
3 3
 
"El Bateo"
Allegro vivo (q = 168)
                 
75
     
                    

 
80 E
 

          
        
        

             
    
86


      
93
                   
       

99
 
F
        
  

 
107
          G
     
   
 
 

              
 
VIVA LA ZARZUELA 3


              
        
113
 

 "La Leyenda del Beso"

       
molto rit. Andante (q = 72)
   
                  
118
        

123 H
                                  
                

127
                                    
                

131
                                     
                

135 I
   
 
                        
  
 
 
139                
   
      
 3
 3

"La Revoltosa"
Andantino (q = 60-66)
143
                              J 
   
   
 3 3

    
151
           
 
 
4 VIVA LA ZARZUELA

   
159K            
     
"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
                            
    
168
    

   
 3 3

                              
176 L

             

                                  
183

         
 

                         
191 M
                

     
                   
199 N
  
  

    
                   
207
     
 
216             
          
O
 
  
 
            
 
  
224
       

 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Tuba in C Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                        
          

   

           
7

 
     
 poco a poco cresc.

13

A         
 
                                

"El Tambor de Granaderos"
19   Allegro moderato (q = 120)
                              
      

        
26 B
                
      
33
   
                  
   

40
   poco rit.
                     
   
"El Huésped del Sevillano"
Allegretto (q = 112)
46
 
             
                    

2 VIVA LA ZARZUELA

                                
51
C

   
           

55
               
              
        
59
              
                 
           

                            
63

  
               

68 D
        
                                 
      

"El Bateo"
Allegro vivo (q = 168)
            
72
        
molto rit.
 
   
     
  

                  
77 E
   
        
 

     
85
        
            
 

92
        
         
        

VIVA LA ZARZUELA 3

99 F
    
                
   

           
107 G
         
          
   
114
molto rit.
    
    
 

 

    
 
   
"La Leyenda del Beso"
Andante (q = 72)
                                  
121 H

                   
  

                                  
126

          
  


                                   
130

              


                                   
134 I

           
 
138
                                  
        
       
 
"La Revoltosa"
Andantino (q = 60-66)
142  J 
                 
 
      

4 VIVA LA ZARZUELA

154 K
  
                  

"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
163
  
     
                     

172
  L 
                

           
181
                                 
               
 
189 M
                                 
               

197 N
          
  
            

205
     
       

    

      
    

215 O
            
     
     
  
224
   
                 
   
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Timpani Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
           
               
     

                 
5
    
      

9   A
  
        
 
"El Tambor de Granaderos"
Allegro moderato (q = 120)
 
   
20
  
B

"El Huésped del Sevillano"


Allegretto (q = 112)
45 poco rit. 
           
    
  
50 C  D  molto rit.

         
 
 
"El Bateo"
Allegro vivo (q = 168)
75
                    
           
     

2 VIVA LA ZARZUELA

79 E  
             
     

85
   
  
                 
     
 


      
97 F
      
     
   

108
            G
             
 
 
 

112
          
     

117 molto rit.


         
  

"La Leyenda del Beso"
Andante (q = 72)
     
      
121 H I

        
 
139
  
                  
    
    

VIVA LA ZARZUELA 3

"La Revoltosa"
Andantino (q = 60-66)
143  J  K 
    

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
   
     
168

     
 

175
 L   M 
      
 

200 N
                 
   
 


   
206

 
   

214  O

      
        

223
  
                

228
  
   
       
 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

Bells Arranged by JUAN A. PÉREZ

"El Barberillo de Lavapiés"

      
Allegretto (q. = 76)
              

       

                   

5

       

 
                
9 A
 

"El Tambor de Granaderos"
"El Huésped del Sevillano"
Allegro moderato (q = 120)
22   
Allegretto (q = 112)

           
B
 

   

48

       
C
   


"El Bateo"
 Allegro vivo (q = 168)
                
68 D
 

                  
79 E

    
2 VIVA LA ZARZUELA

87          F   
  
 

 
           
109 G molto rit.

   


"La Leyenda del Beso"

  
Andante (q = 72)

   
121

     
H I


"La Revoltosa"
Andantino (q = 60-66)
     
       
141 J K

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
  
    
168 L
      

  
         
192 M N
    
 

   
           
207 O
        

            
   
224

    
  
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

1st Percussion Arranged by JUAN A. PÉREZ


(Snare Drum)

"El Barberillo de Lavapiés"


Allegretto (q. = 76)
                     
            
    

6
          
               
 

13 A
   









     
 poco a poco cresc. 
"El Tambor de Granaderos"
"El Huésped del Sevillano"
Allegro moderato (q = 120)
20  B  poco rit. Allegretto (q = 112)
            
    

 
47
    C 
              


58
  D  molto rit.
             
  
  
"El Bateo"
Allegro vivo (q = 168)
75
 
                             
             

    
                
80 E 
  
        
2 VIVA LA ZARZUELA

  
                
 
95 F

         
       
  
108
 G   
                          
       
 
114
     
 molto rit.
    
    
      
  

"La Leyenda del Beso"
121 Andante (q = 72) H  I     
         

           
  
"La Revoltosa"
Andantino (q = 60-66)
140
      J 
       


  
  
 

"Agua, azucarillos y aguardiente"


Allegro moderato (q = 126)
159 K      
          
  

175
 L
   
                  
         

181

                       
           
 
187

                   
         

VIVA LA ZARZUELA 3

192 M
   

   

   

   

   

200 N    
            
   

206

                 


    

212
   
             
        
     
 
220 O   
                    
 

225 
 
   



 

    

  

 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

2nd Percussion Arranged by JUAN A. PÉREZ


(Bass Drum, Cymbals)

"El Barberillo de Lavapiés"


Allegretto (q. = 76) 
                 
Cymbals
       

Bass drum
 
 
6

           
       
 
  "El Tambor de Granaderos"
Allegro moderato (q = 120)
17 A  
       
   

"El Huésped del Sevillano"
Allegretto (q = 112)    
30 B  
    



  
 
   

50 C  
Mallet on cymbal 
    

"El Bateo"
Allegro vivo (q = 168)
     
67
  D          
             
     
 
77
        E 
           
        
       
2 VIVA LA ZARZUELA

84
        
            
  
    
 
       
96
        F 
           
 
 
     
       

108
       
                  G    
   
        

113

                 

"La Leyenda del Beso"


   molto rit.
Andante (q = 72)
119
             H 
           
    
135 I    
 
                
       

"Agua, azucarillos y aguardiente"
"La Revoltosa"
Andantino (q = 60-66) Allegro moderato (q = 126)

143  J  K     
  
 


   
171  L
     
      

   
VIVA LA ZARZUELA 3

177  M      
      

203 N
        
    

208

    
   



 

213
 
  


     

   

 

  
219  O
    
      
  

223

  














227
  

  


  

 
 
    


 
VIVA LA ZARZUELA
El Barberillo de Lavapiés · El Tambor de Granaderos · El Huésped del Sevillano ·
El Bateo · La Leyenda del Beso · La Revoltosa · Agua, azucarillos y aguardiente

3rd Percussion Arranged by JUAN A. PÉREZ


(Tambourine, Triangle, Suspended Cymbal)

"El Barberillo de Lavapiés"


Allegretto (q. = 76)

 Tambourine   
                      

5
  
                     

"El Tambor de Granaderos"


Allegro moderato (q = 120)
9  A  
    
  

B
Triangle 
   
30
       

38 
           

"El Huésped del Sevillano"


poco rit.
Allegretto (q = 112)

Sus. Cym.
  C  D 
45
    

 
"El Bateo"
Allegro vivo (q = 168)
75

       
Tambourine
                 
           

2 VIVA LA ZARZUELA

 
                
79 E

   
         

 
                
87 F

       

    
108 G
               
       
 
112
  
                 
  
"La Leyenda del Beso"
Andante (q = 72)
118
  molto rit.
 H  I 
         
 
"La Revoltosa"
Andantino (q = 60-66)
143 Triangle J
              

150  K 
   

   

"Agua, azucarillos y aguardiente"
Allegro moderato (q = 126)
166  L Tambourine
           
   

178

                   
         

VIVA LA ZARZUELA 3

183

                   
         

188

               
       

192 M
                   
         

197

                  
     

N

204        
 


213
   O   
         


223

        

226 
  

 

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