THE PERFECT PLACE TO HIDE By STEPHEN R SMITH

Copyright SRSmith 2011.

INT. AN OFFICE BUILDING- IN AN INDUSTRIAL PARK- OUTSKIRTS OF LEEDS. DAY. During the credits, we move into an office building, and up to the first floor. A door reads Robert Eastern, Financial Adviser. We Cut To- a man sat at an old- ROBERT EASTERN; a tall and handsome man. There is a laptop on the desk, and papers etc. He looks into the monitor and smokes... There is a knock at the door. Robert sighs, and stands- and walks to the door, and opens it. A man stands there, PAUL, he is in his early twenties. ROBERT Paul? The man nods. ROBERT Come in. (Regarding himself) Robert. They shake hands. Paul follows Robert in, and they walk over to the desk. ROBERT Have a seat. PAUL Thanks. They sit down, and Robert reaches for his cigarette, lying in the ashtray. ROBERT Cigarette? PAUL No thanks. ROBERT Right, no one smokes any more. Robert looks at him for a moment. ROBERT (CONTD) But I dont care, Ive been smoking since I was fifteen. Theres a pause.

(CONTINUED)

CONTINUED:

2.

ROBERT (CONTD) So what can I do for you? PAUL You got my email? ROBERT Of course, we arranged this meeting didnt we? (Beat) But youve got to go through it, in detail. Paul smiles awkwardly. ROBERT (CONTD) Theres no need to be nervous. PAUL Im not. (Beat) You never told me what to expect, thats all. ROBERT Look, youre here because you need help, advice. All you kids are the same- no disrespect intended. PAUL How old are you? ROBERT Thirty- eight. PAUL Thats not old. ROBERT Thats not the point. PAUL Well, can you tell me a bit about yourself... And what you do? ROBERT (Leaning back in his chair.) My history is in finance, as youre probably aware of, but I gave that up a couple of years ago, to do something else. PAUL Why? Robert looks at him carefully.

(CONTINUED)

CONTINUED: ROBERT I wanted a break, and then to start up on my own. (Robert smokes) But do something a bit different. Id spent enough time in that world, and made enough money. Pause, Robert smiles. ROBERT (CONTD) Im well travelled. And I have a degree in Philosophy. PAUL Where did you do that? ROBERT York. (Beat) I wanted to do something more worthwhile with my time- for my soul. (Beat) Away from the rat- race. Pause. ROBERT (CONTD) But I know how difficult it can be to change your life- so I thought, maybe I can help people with that. PAUL So you can help me? ROBERT I can help you to come to a decision. On anything. I can help you to see all the sides of it. Im a problem solver. A life coach- if you like- specializing in difficult decisions. But Im not a therapist. I will listen to you- but people who come to me, have to be serious about something- and be in two minds. A fifty/ fifty kind of thing. (Beat) I will give you an answerbut whether you decide to take it or not, is up to you. I cant be held responsible, and theres no legal contract. Its all between you, and me. On the outside door it says: Robert Eastern, Financial Adviser, and thats just what I am- to the outside world. And for tax purposes. I dont mean to be clandestine, but thats just how it is.

3.

(CONTINUED)

CONTINUED:

4.

PAUL How do you find your clients? ROBERT (Smiling) Word gets around. Paul nods. ROBERT (CONTD) I dont charge by time- I charge by case. Tell me about your situation, and Ill give you a fee, and then well meet again. PAUL The fee? ROBERT Negotiable- depending on your financial circumstances. PAUL But this is free today? ROBERT Of course. PAUL How long will it take? ROBERT Well that depends. Usually one or two sessions. If you want to show me parts of your life, fine. I only charge expenses for anything over-night, or out of town. (Beat) Ok? PAUL I think so. ROBERT So if you like, we can go through it now- or you can come back another day. PAUL No, nows better. ROBERT Good. Coffee? PAUL Do you have tea?

(CONTINUED)

CONTINUED: ROBERT Sure, come on through to the kitchen. CUT TO2 INT. KITCHEN. DAY.

5.

Robert and Paul walk into a small kitchen, at the end of Roberts office. Robert makes the drinks, and Paul stands nearby. ROBERT So what do you do for a living? PAUL Im a school teacher. Robert nods, continuing with the drinks. When finished, he passes a mug to Paul, and they exit. CUT BACK TO3 INT. AN OFFICE BUILDING- IN AN INDUSTRIAL PARK- OUTSKIRTS OF LEEDS. DAY. Returning to the office, they sit back down at the desk. Paul sits upright, and is fidgety in his chair. Robert slouches. ROBERT Is it ok if I record? PAUL Thats fine. ROBERT For my own use, of course. (Beat) Ill send you a transcript, along with the fee. PAUL And then youll erase it? ROBERT Go over it, yes. Robert presses record on a Dictaphone on his desk. ROBERT (CONTD) When youre ready... PAUL Well, my girlfriends pregnant. (Beat) Shes also a teacher at the school. (CONTINUED)

CONTINUED:

6.

ROBERT Is it a serious relationship? PAUL I guess. ROBERT How long have you been together? PAUL A couple of years. ROBERT But youre not married. (Beat, Paul shakes his head) Well, that certainly makes things easier. PAUL (Urgently) Does it? But its like were married. ROBERT But youre not. Paul stares at him, and Robert leans forward slightly. ROBERT (CONTD) Try and keep things nice and simple. Pause. PAUL We live together, and work together, and have the same friends... Robert nods. PAUL (CONTD) Are you in a relationship? ROBERT No. But listen- couples, relationships, marriage- its all the same to me. And its still about individuals. PAUL I just want you to understand. ROBERT I understand. You feel trapped. Paul leans forward, and puts his head in his hands.

(CONTINUED)

CONTINUED:

7.

ROBERT (CONTD) How old are you? PAUL Twenty-five. ROBERT Sounds about right. PAUL What do you mean? ROBERT An early mid-life crisis. (Beat) And her? PAUL Susan. A year older. ROBERT Her family? PAUL Supportive, middle-class... Boring. ROBERT Get along? PAUL Why? ROBERT Im just wondering where the pressures coming from. Pause. ROBERT (CONTD) Do you see other women? Longer pause. PAUL A girl at the school. Robert raises his eyebrows. ROBERT How old? PAUL Sixteen. But she doesnt seem it. (Beat) You wont say anything?

(CONTINUED)

CONTINUED:

8.

ROBERT Ill make a deal with you- be honest with me- and tell me the truth, and I wont say a word. PAUL Shes fifteen. Almost sixteen. Robert sighs. ROBERT Do you like young girls? PAUL This isnt about her. ROBERT Im looking for a pattern- and it seems at first to me- that youre afraid of getting older, and more responsible. PAUL (Strongly) She came to me. ROBERT The young girl. PAUL Jamie. ROBERT How long have you managed to keep it quiet? PAUL A couple of months. Pause. ROBERT How far along is Susan? PAUL Three months, I think. ROBERT And what have you discussed about it? PAUL Shes happy, were happy. ROBERT And your family know?

(CONTINUED)

CONTINUED: PAUL Yes. ROBERT And colleagues? PAUL Yes. (Beat) It just happened- it was a mistake. Ive never been very good with women... When it happened with Jamie, I was more surprised than anything else. Flattered. Robert looks unmoved. ROBERT Otherwise your relationship with Susan is ok? PAUL Yes. ROBERT Fall out much? PAUL Not really. ROBERT And your parents? PAUL Its only my mum now- and I try to keep her at arms length. ROBERT Do much on your own... Have interests... Hobbies? PAUL No, not really. (Beat) She didnt even say she wanted one... I mean, I think shed always planned to. ROBERT It just happened. PAUL Its all my fault- I should have been more careful. ROBERT So youre angry, and confused. Paul nods.

9.

(CONTINUED)

CONTINUED:

10.

PAUL How can you tell... ROBERT And what do you want to do? PAUL Run away. Pause. PAUL (CONTD) My life and job... FADE- INTO THE NEXT MEETING. ROBERT So, you have a choice of twostay or leave. (Beat) Its probably too late for a termination. PAUL Out of the question. ROBERT (CONTD) So lets take the smaller of the two first. Having a baby doesnt have to be the whole worldespecially these days. PAUL You dont know Susan. Robert smiles wryly. ROBERT You can still have your independence- well, what you have anyway- and be assertive about it. (Beat) Or you can up and leave- start again. With everything. But youll never be able to change yourself. Not by much, anyway. And you wont be able to forget. (Beat) They are both big things- huge things- but the second is the more profound. And difficult. And daring. PAUL Thanks. And youll help me? ROBERT Yes.

(CONTINUED)

CONTINUED:

11.

PAUL Ive thought about counselling. ROBERT Thats good- but It can be round and round, without action. (Beat) And with Jamie? PAUL Thats over. ROBERT Youre sure? PAUL (Nodding) She was a fling. But I worry shell tell someone... ROBERT Do you? PAUL Shes been getting hysterical lately- wanting to see me alone. If she tells her friends, its all over. ROBERT What? PAUL My life. Pause. ROBERT If you were to run away- where would you go? PAUL Abroad, to teach. Somewhere in the sun. America maybe. ROBERT Think you could leave it all behind? PAUL (Sadly) I dont know. ROBERT (Writing something down.) On a percentage basis- how are you feeling, right now?

(CONTINUED)

CONTINUED:

12.

PAUL Erm... sixty to go. Forty to stay? ROBERT And you have the money? PAUL I dont really need that much money- only at first. ROBERT It seems then, that Ill have to put some weight on Susans side. (Beat) Tell me about her. PAUL (Sighing) Well, we first got to know each other, at after work drinks. We were both new there- the start of a new school year... New to the area. (Beat) Id just moved out of sharing with Uni friends- so I was out on my own for the first time. In my own flat, I was lonely- she was the same. We started to see more of each other, especially at weekends. (Beat) I didnt really like her at the start, she was very prim and proper- and a bit dull. And so narrow minded, when it came to the arts and culture. ROBERT But you were attracted to her. Paul smiles and nods. PAUL I wanted to go to modern art exhibitions, and music festivalsand she didnt really like seeing bands live. In the beginning it wasnt a problem though. I went to Glastonbury with my mates- and she spent time with hers, or her family. Its funny how time compresses- looking back. ROBERT What do you teach? PAUL Humanities.

(CONTINUED)

CONTINUED:

13.

ROBERT And her? PAUL Science. Maths. Robert smiles now, and theres a pause. PAUL Yeah, I know. (Beat) Apples and oranges. Pause. PAUL (CONTD) And now shes pregnant. ROBERT And thats a big deal. PAUL We both like children- obviously, but I dont really want one. ROBERT Why not? PAUL I dont know. Its just how I feel. ROBERT Do you like yourself? PAUL What kind of a question is that? ROBERT A direct one. PAUL Some of the time- but who really likes themselves? The worlds too competitive these days. (Beat) Ok Im selfish, and I dont want children- its as simple as that. Pause. ROBERT Do you love her? Another pause. PAUL I dont know. Impossible to say.

(CONTINUED)

CONTINUED:

14.

ROBERT Well then, what do you like about her? PAUL Her affection, and softness- when shes being like that. Shes clever, and good to talk to. ROBERT Attractive? PAUL Yes, you could say that. ROBERT The envy of other men? PAUL I dont know. Maybe. ROBERT What was she like, before you met? PAUL The same I think. Small town, to University. ROBERT Not wild at all, rebellious? PAUL Not even a tattoo. (Beat) Why? ROBERT Just trying to get a sense of her character. (Beat) And youve travelled? PAUL India, S E Asia. The usual. America. ROBERT So youre used to moving around? Paul nods. ROBERT (CONTD) Have you always moved up? PAUL How do you mean?

(CONTINUED)

CONTINUED:

15.

ROBERT Ever failed at anything important? PAUL Of course. (Beat) Jobs, girlfriends. ROBERT Career. Education? PAUL No. Pause. ROBERT Anything else keep you here? PAUL No, I cant stand the place. Selby is insignificant. Robert leans back. ROBERT Well... its like I said. Its a question and answer, in two parts- and a common one. Stay- or leave. PAUL Yeah. ROBERT And its really a question about how strongly you feel about Susan. And what youre truly capable of... Say, do you really just like the idea of being able to up and leave her? (Beat) You havent before, have you? PAUL No, not really. ROBERT How long have you been away from her before? PAUL A few days. A weekend. ROBERT But you kept in touch, right?

(CONTINUED)

CONTINUED:

16.

PAUL (Sighing) The other day I didnt go to work... I went to the seaside by myself. Scarborough. Robert smiles slightly. PAUL (CONTD) I just carried on driving. Ive never done that before... Im not sure what Im capable of... ROBERT Did you tell her? PAUL No, and she never asked. I sometimes think she knows... somethings wrong. But she has enough on her plate. Were moving in together, on top of everything else. ROBERT So ultimately, your lives are very much in sync? PAUL (Sadly) Yes, I suppose so. Pause. ROBERT And the most important thingwhat is really best for you. Ultimately were all individualsand we act for ourselves, first. Having children complicates this, but we always- continue to- see the world from our own eyes. PAUL So what do I do? ROBERT Then theres the question of morality- could you live with yourself? (Beat) And your attraction to young girls- even though youre still relatively young yourself is... Difficult; and complex. Its against the law for one thing. And is it healthy? Are you rebellious yourself- and do you want to continue to be- or (MORE) (CONTINUED)

CONTINUED:

17.

ROBERT (contd) do you want to grow up, and live up to the status, and responsibilities of your job? PAUL I dont know. ROBERT And the moving around youve done, may have unsettled you- for this time of your life. (Beat) Now you can accept this, or try and change it- thereby Becoming the best version of yourself. (Beat) Maybe you and Susan are too incompatible, and should have some time apart? That would probably be my advice- the middle ground. (Beat) Or you could drastically disappear for good, and start again. Wipe your pastand put yourself first. Or accept this fate for yourself. Either way is incredibly hard- and in the future you may yearn for the child youve left behind, and have to re-connect with the past... Or there may be a knock on your door. (Beat) Who knows? PAUL But youll help me? ROBERT Yes. Paul stands, and then so does Robert. They shake hands, and then walk to the door. PAUL So youll be in touch. ROBERT I will. PAUL Thanks. Robert pats him on the shoulder, and he exits. Robert walks back to the desk, stops the recorder, and sits back down. He lights another cigarette, and leans back, thinking. CLOSE UP ON HIM, AND FADE.

18.

INT. A LARGE AND SELF-CONTAINED, CITY CENTRE FLAT- LEEDS. EVENING. Robert enters his flat- which comprises of a living room, with a modern kitchen at the side. The decor is minimal but expensive looking and chique- with few personal items. Theres a sofa and coffee table; and a bedroom and bathroom at the far side. He looks tired, and puts his shoulder bag down near the sofa. He takes off his suit jacket, and goes over to the kitchen and prepares a coffee- leaning and thinking. When the coffees made, he takes it over to the sofa- putting the coffee cup down, before sinking into it. CLOSE UP: He closes his eyes, drifting off to sleep. Theres a knock at the door, and Robert is awoken. He moves uneasily, up onto his feet. He has a drink of the coffee, before idling over to the door. Opening it, there is a very attractive girl standing there. CLOSE ON: She is tall, young and pretty. He invites her in. There is a brief pause before he leads her over to, and into the bedroom. CUT TO-

INT. BEDROOM IN FLAT- EARLY EVENING. Robert and the girl kiss upon entering the bedroom- and undressing each other, they fall onto the bed. FADE Later now- the girl gets dressed- and we follow her as she goes through to the living room (Cutting To the Main Flat), and exits, without looking back. Back on Robert, he lies very still. FADE Robert gets up, and goes through to the adjoining bathroom.

INT. BATHROOM- OFF BEDROOM, IN FLAT- LATE EVENING. CLOSE ON: He has a shower, enjoying it- still looking tired.

19.

INT. BEDROOM IN FLAT- LATE EVENING. He exits the bathroom in a robe, and goes to a closet in the bedroom- getting out some casual clothes (T-Shirt and loose trousers). Putting them on, he then goes through to the main flat and kitchen.

INT. LIVING ROOM IN FLAT- LATE EVENING. Robert makes himself some food- a light meal using the microwave. He puts some music on- and its soulful and relaxing. He collects the food- and getting a glass of water, he sits down on the sofa- eating the food on his lap. The phone rings- he scowls and ignores it. He turns on the TV- to the news- with the volume down. When hes finished eating, he returns to the kitchen- putting the dirty dishes in a dishwasher. He makes another coffee, and lights a cigarette, leaning again on the counter. The phone rings again, and this time he picks it up. Pause. ROBERT (Strongly) No. I said a fortnight, didnt I? Youll just have to wait. Another Pause. ROBERT (CONTD) Well, thats up to you. (Beat) Goodbye. Robert puts the phone down. He sighs, and drinks his coffee, smoking in between. ROBERT (CONTD) Fucking people today. Learn some patience. The phone rings again. ROBERT (CONTD) (Sharply) What? HAZEL, a lady in her thirties, answers. She is attractive, and well spoken. She is at home, and we cut between her and Robert. HAZEL Robert? ROBERT (Softening) Oh, its you.

(CONTINUED)

CONTINUED:

20.

HAZEL Are you ok? ROBERT Yes, everythings fine. Just tired. HAZEL Are you sure? ROBERT Yep. HAZEL Dont feel down. ROBERT Im not. (Beat) Heavy day thats all. HAZEL In what way? ROBERT Just heavy... Psychologically. No new leads... But Ill drop by tomorrow... Or the next day. HAZEL Ok, but ring me first. (Beat) Get some rest. ROBERT I will. (Beat) How are the girls? HAZEL Theyre fine. ROBERT Good. Give them my love... Well, Ill say goodnight then. HAZEL Goodnight. ROBERT Bye. Robert puts the phone down, and tips his coffee down the sink. He pours himself a whiskey, and knocks it back. He walks back to the bedroom.

21.

INT. BEDROOM IN FLAT- LATE EVENING. Robert puts the light on, and climbs into bed. CLOSE UP ON HIS FACE. He lies on his back, thinking. FADE

10

EXT. THE GARDEN OF A SUBURBAN HOUSE- DAY. Its a sunny day- a few months earlier- and Robert is sitting side by side with HAZEL; but at first we dont see her. They lie back on garden chairs, drinking iced tea. Two young girls- KATIE and BECKY, play nearby. ROBERT Its nice here. I could take to this. HAZEL Sitting outside? ROBERT (Smiling) The house. The garden. HAZEL Being here with us? ROBERT Yeah, thats nice as well. HAZEL (Softly) I like it too. Pause. ROBERT But... Theres work to get on with. HAZEL (Slightly down) I dont know whats going on. (Beat) You dont tell me anything. ROBERT Its best that you dont know really... For the time being. Hazel nods.

(CONTINUED)

CONTINUED:

22.

HAZEL How long will it take? ROBERT I dont know. (Beat) Not long I hope. Dont worry. I need to get set up again... Ive been looking at places in Leeds. HAZEL At least its not far. ROBERT It cant be far. (Beat) And the hard truth is, we need some money coming in... HAZEL We are very grateful you know. Without you... ROBERT Its nothing. Youre my family. HAZEL (Smiling) Its good to hear you say that. She moves closer to him. He looks away. ClOSE ON- Away from her. He whispers something. FADE OUT. 11 INT. BEDROOM IN FLAT- NIGHT. CLOSE ON Robert again. He turns to the side- still sleeping and breathing heavily- and holding onto the sheets tightly. FADE OUT. 12 INT. AN OFFICE BUILDING- IN AN INDUSTRIAL PARK- OUTSKIRTS OF LEEDS. EARLY MORNING. Robert is back at his desk, drinking coffee and smoking. Theres a knock at the door. He goes over to it- tiredly. The door is opened to reveal a very attractive blonde girl- CASSANDRA. ROBERT Hi.

(CONTINUED)

CONTINUED: CASSANDRA Hi, Im Cassandra- call me Cassy. May I have a word with you? ROBERT Sure, come in. They go over to the desk. ROBERT (CONTD) Have a seat. CASSANDRA Thanks. She sits down. ROBERT So what can I do for you- its usually by appointment only. CASSANDRA Im sorry. See I have a problem, I hope you can help me with. ROBERT Thats what people come to me for. CASSANDRA Thats what Ive heard. Robert smiles. CASSANDRA (CONTD) I know what you do here. ROBERT I dont know whether to feel flattered. (Beat) But I dont know anything about you, so its hardly fair, now is it? CASSANDRA So how well do you get to know your clients, before you meet them? ROBERT As well as I can. CASSANDRA Are you always so meticulous? ROBERT I like to know who Im dealing with.

23.

(CONTINUED)

CONTINUED:

24.

CASSANDRA How long will that take? ROBERT Not long. A background checksome details about you. See, I tend to get clients from certain areas of society... CASSANDRA (Suddenly) Mr Malone. This gets his attention. CASSANDRA (CONTD) Im his wife. Cassandra Alex Malone. Formerly Peterson. Pause. He smokes, looking at her carefully. He then picks up a pen, and moves a sheet of paper over. ROBERT Right. (Beat) Age? CASSANDRA Twenty- Four. ROBERT Address? CASSANDRA Mornington Heights, Oakdale, Harrogate. ROBERT Phone number? CASSANDRA Landline? ROBERT Its up to you. CASSANDRA Take them both: 01423 653170. 07765428590. ROBERT Occupation? CASSANDRA I feel like Im applying for a loan. Robert looks at her for a beat.

(CONTINUED)

CONTINUED:

25.

CASSANDRA (CONTD) (Wryly) Entrepreneur. He breaks, and smokes again. ROBERT So, Ill get back to you, and well make another appointment. CASSANDRA (Impatiently) I need to get a move on with things. ROBERT Well then, Ill tell you whatgive me the brief today, and Ill see what I can do. CASSANDRA Yes, fine. Are you always so laid back? ROBERT Why is time such an issue? CASSANDRA Isnt it always? ROBERT Well no, actually. My clients have usually wasted so much time anyway. They want me to give them quick answers, but theyll usually faff about some more on their own. CASSANDRA Well I dont- faff about. (Beat) And I need to make a decision now... Today. This morning. ROBERT (Leaning back) This hour? (Beat) Sorry, it doesnt work that way. This isnt Citizens advice. CASSANDRA Ill email you some references. ROBERT Dont be curt.

(CONTINUED)

CONTINUED:

26.

CASSANDRA Are you mocking me? ROBERT No. CASSANDRA So youre normally this annoying. ROBERT (Leaning forward) Now look- if youre going to talk to me like that, we have no further business. CASSANDRA (Rubbing her temples) Im sorry. Im under a lot of pressure. (Beat) Im wealthy. I can pay you well. Cassandra leans forward. CASSANDRA (CONTD) May I have a cigarette? Robert gives her one, and lights it for her. They stare at each other for a minute. Robert leans back again. ROBERT Ill tell you what Ill do. If I like what I hear today- we can meet again tomorrow. (Dryly) If thats convenient. CASSANDRA (Plainly) Fine. ROBERT Coffee? CASSANDRA Ok. ROBERT White, sugar? CASSANDRA Black, no sugar. Robert smiles. ROBERT Ill be right back.

(CONTINUED)

CONTINUED:

27.

The camera stays on Cassandra, as Robert gets up and goes to the kitchen. He returns with a cup- putting it on the table in front of her. CASSANDRA Thanks. Robert sits back down. CASSANDRA (CONTD) Do you live on your own? ROBERT Excuse me? CASSANDRA I was just looking around... Not very clean. ROBERT It isnt? (Beat, Smiling) Maybe Ill get a cleaner then. She looks at him carefully. CASSANDRA So how good are you with relationships? ROBERT Me? I like my independence. CASSANDRA So I can see. (Beat) Ever been married? ROBERT No. CASSANDRA Engaged? ROBERT Not even close. CASSANDRA So how can you help me? If youre going to help me with my problemI want to know that you can relate to my circumstances. ROBERT In what way? CASSANDRA Violence.

(CONTINUED)

CONTINUED:

28.

ROBERT No. CASSANDRA Ever hit a woman? ROBERT (His mood darkens) Now listen... CASSANDRA Wanted to? (Beat) Ever been hit by a women? ROBERT (Staring at her) If youre trying to get a rise out of me- its working. CASSANDRA Are you a fighter, with other men? Or do you run away... Robert smiles, sits back, and sighs. ROBERT I stand my ground. Pause, he studies her. ROBERT (CONTD) So what youre trying to tell me is, your husband beats you up? CASSANDRA Yes. ROBERT So what do you want from me? Divorce him. CASSANDRA No, I want him killed. Robert looks at her deeply, with a slight smile. ROBERT Thats not really what I do. CASSANDRA Thats not what I want. ROBERT So what is it you want?

(CONTINUED)

CONTINUED: CASSANDRA Should I? Robert grunts with laughter. ROBERT Youre asking me that? CASSANDRA This is serious. Why arent you taking me seriously? ROBERT How do you know that you can trust me? CASSANDRA Im a good judge of people. And youre not like that. Robert smiles slightly, confused. CASSANDRA (CONTD) And looking around, this place hardly looks legit. ROBERT Im not sure I like your manner. CASSANDRA (Copying his smile/ Slightly flirty) You could live with it, Im sure. Pause, Robert studies her again. CASSANDRA I would pay you handsomely, of course. (Beat) Would you like to think about it? ROBERT (Sighing) I take it theres a lot to go through. CASSANDRA No, not really. Robert looks stern. Cassandra likes this. CASSANDRA (CONTD) Shall we say, same time tomorrow then? Robert nods weakly. Cassandra stands up.

29.

(CONTINUED)

CONTINUED: CASSANDRA (CONTD) (Slyly) And no recording devices.

30.

She turns to leave, and Robert goes with her to the door. She turns back to him CASSANDRA (CONTD) Im serious, Robert. ROBERT I can see you are. Cassandra exits, and theres a close up on Robert. ROBERT Cassandra Alex Malone. He smiles- differently than anywhere else in the scenelike hes got a lot on his mind, and theres a FADE OUT. FADE IN. We return; with Robert stood in the same position- but this time starting from Cassandras point of view. ROBERT (Smiling) Come in... He holds the door open for her, and she enters. CASSANDRA Thanks. They walk over to the desk, and sit down, like before. CASSANDRA (CONTD) So... Do I check out? Pause. Robert thinks. ROBERT I dont know- I couldnt find any information on you. CASSANDRA Oh, I have lived, I assure you. Robert smiles thinly. ROBERT So Id be taking a chance. CASSANDRA Who doesnt? He lights a cigarette.

(CONTINUED)

CONTINUED:

31.

ROBERT Only about your education- St Andrews. No criminal convictions, solid family background. (Beat) You worked in the Senior Civil Service after you graduatedwhich is presumably how you came to meet Mr Malone. CASSANDRA No, I first met John as an Intern. ROBERT And you married him in Scotland four years ago. (Beat) I know him, everyone does- hes a Tory MP. Pause. ROBERT (CONTD) But, theres little in the press about your marriage. CASSANDRA That was Johns idea- to keep things private. ROBERT And your age is mentioned as twenty- eight. CASSANDRA Again. For discretion. ROBERT Im just surprised how he did it. CASSANDRA Hes a very capable man. ROBERT I dont doubt it, but you told me you were twenty- four. CASSANDRA Im trying to be myself again. Robert looks at her curiously. ROBERT And your family? CASSANDRA They dont know anything.

(CONTINUED)

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32.

ROBERT How could you deceive them? CASSANDRA Look, theyre happy- thats more than enough. Pause. ROBERT So at first, you worked for Mr Malone? CASSANDRA Yes, while I was still at University. ROBERT (Sitting back) I see. CASSANDRA It wasnt like that. I was a politics student. ROBERT But you didnt go and work for him straight away, after University? CASSANDRA No, but we kept in touch- and he didnt forget me- so he asked me to be his assistant. He was still young- ish; in his late thirties. ROBERT So why the cover up? CASSANDRA (Sighing) It was a little thing. ROBERT Change anything else? CASSANDRA (Sternly) No. Pause. ROBERT Well, usually Im not so bothered when theres not much to find on a client- it means theyre normal. But with you, Im not so (MORE) (CONTINUED)

CONTINUED:

33.

ROBERT (contd) sure. And if something doesnt sit right... CASSANDRA (Curiously/ Slightly Flirty) Do you always trust your instincts? ROBERT Its how most decisions are madea gut feeling. CASSANDRA (Bored) And... ROBERT Ill take the case. CASSANDRA (Mock relieved) Good. ROBERT For fifteen-thousand. CASSANDRA Fine. ROBERT On one condition- its a days case, here today- and then its over. Ill give you my thoughts right away, and I never want to see you again. CASSANDRA (Dryly) I wont take it personally. ROBERT (Sarcastically) And be truthful with me. It only helps you. (Beat) Here are my account details, Ill expect payment right away. Robert gives her a sheet of paper, off his desk. ROBERT (CONTD) A drink? Robert gets up. Cassandra smirks.

(CONTINUED)

CONTINUED: CASSANDRA You like formalities, dont you? ROBERT I find it loosens people up. (Beat) Coffee? CASSANDRA Please.

34.

Robert exits, and we stay on Cassandra again. She lights a cigarette- one of her own this time. Robert returns with the drinks, and sits back down. He also lights a cigarette. She sips her coffee. ROBERT So begin. CASSANDRA My husbands a bad man. ROBERT So Ive gathered. (Beat) So divorce him. Youre young, its only a marriage. Start again. CASSANDRA I dont want to. Its my marriage. ROBERT (Shaking his head) Why did you get married in the first place? Love? Financial security? Cassandra scoffs. CASSANDRA He should pay in some way- its only right. ROBERT (Sighing) So he hurts you... Physically and emotionally. CASSANDRA Ever since weve been married. ROBERT Anything you can show meBruises? Broken skin? Cassandra rolls up the sleeves on her arms one by one, and theyre bruised.

(CONTINUED)

CONTINUED:

35.

ROBERT (CONTD) So you fight him off? CASSANDRA I do my best. (Beat) We havent made love in months. ROBERT So youve left him. Moved out? CASSANDRA No. ROBERT I dont understand. How can you stay? CASSANDRA I have my reasons. Robert sighs again. ROBERT Do you still love him? CASSANDRA No. ROBERT And you want to kill him. CASSANDRA Passionately. He stares at her. ROBERT I should go to the police. CASSANDRA How do you know Im serious? ROBERT Well- thats what I have to determine. CASSANDRA Weve got a deal youd hear me out... And you seem like a man of your word. (Beat) I didnt think you liked the police. ROBERT Why?

(CONTINUED)

CONTINUED:

36.

CASSANDRA Because youre so private. Thats why I know I can trust you. ROBERT You should never trust anyone. (Beat) Youre a confident judge of character, for someone whos made such a big mistake. CASSANDRA I got carried away by my feelings... Im not the first girl to have done that. Pause, Robert takes a deep breath- breathing out heavily. ROBERT So tell me about John. (Beat) He got into government soon after you were married? CASSANDRA Yes, and it killed our relationship. ROBERT And now hes a backbencher... After the scandal. Cassandra nods. CASSANDRA My husband has a ferocious appetite for sex. He cant help himself. ROBERT Call girls. CASSANDRA Several at one time. Orgies. And he had them everywhere. ROBERT Yes, it was in all the papers. CASSANDRA Even in Westminster- if it was to be believed. (Beat) It was all very embarrassing. Robert nods. CASSANDRA (CONTD) And he hit them...

(CONTINUED)

CONTINUED: ROBERT I get the picture. CASSANDRA Do you? So you know all about it. ROBERT I know politicians. CASSANDRA He was eventually caught out. He didnt know who his friends were any more. ROBERT A problem with power. CASSANDRA He was stupid. Indiscreet. And these days with modern technology- it only takes a small camera... It was inevitable. ROBERT And all part of the thrill. CASSANDRA Ever live dangerously? ROBERT (Smiling slightly) It always seems to be Tory politicians. (Beat) Were you involved? CASSANDRA No. But when the scandal brokeonly a few months ago- his career was over, and I became irrelevant, because I didnt understand. And then he became more unstable and violent. ROBERT And hed hurt you before? CASSANDRA Of course, its in his nature. ROBERT And now? CASSANDRA (Sighing) He comes to see me, when he wants to have sex. And we fight. We barely see each other- other than that, and usually in the evening.

37.

(CONTINUED)

CONTINUED:

38.

ROBERT And its only you and him in the house? CASSANDRA (Nodding) I may be all he has. Hes holding on. ROBERT To what? CASSANDRA His mind. His finances. (Beat) Thats why I have to do something now. ROBERT I still dont understand why you dont leave? CASSANDRA (Now annoyed) You dont get it do you? He wont let me. He has a hold over me. A power. ROBERT But you can come here? CASSANDRA For a couple of hours. I know his routine. But I suspect hes having me followed. Robert smiles slightly. CASSANDRA (CONTD) Dont believe me. Come and see. ROBERT No, I dont think thatll be necessary. Pause. ROBERT (CONTD) So your motive, is your freedom. CASSANDRA You say that like a police officer. Robert scoffs.

(CONTINUED)

CONTINUED:

39.

CASSANDRA (CONTD) I want him to die, but I want a life. Ive paid enough in advance. Hes had a good forty-three years... ROBERT So what do you need me for? It seems like youve already made up your mind. Pause. CASSANDRA (Low/ Conspiritorial- and were Close On her) Someone I know can get some pills- that induce a heart attack- and then all trace of it disappears. kind of like a poisonous Rohypnol. Robert gives her a strong look, to see if shes serious. CASSANDRA (CONTD) (Enthusiastically) Id replace one of his other pills- wed probably have sex, and then hed die. Id have some bruises- and an alibi, and my wish. ROBERT You watch too much TV. It sounds like a likely story. CASSANDRA No, its legit. ROBERT Legit? (Beat) And then youll look forward to a nice settlement. CASSANDRA Its only what I deserve. Robert raises his eyebrows. ROBERT And this "contact" of yours. CASSANDRA An old friend. He scoffs.

(CONTINUED)

CONTINUED: ROBERT Why do you believe them? Has it worked before? CASSANDRA So he says. ROBERT Well Ive never heard of anything like that. CASSANDRA Why would you? But you dont know everything. Pause- Robert sits back, and looks at her. ROBERT Ive heard some ways of changing a life before, but this is one of the more elaborate. CASSANDRA Inventive. Admit it. (Beat) And Im desperate, I have to do it. ROBERT Uh- huh. CASSANDRA (Smiling- Reassuringly) It would be a clean death. Hed just... Die. Disappear. Isnt that your specialty? (This comment surprises him) Hed even keep his dignity. Its more than a lot of people have. ROBERT So if it was in any way violent, or messy- you couldnt do it? Pause. CASSANDRA Death is always messy... But Ive come across this opportunity, so why shouldnt I take it? ROBERT (Raising his eyebrows again) You would still be an executioner. CASSANDRA (Quickly) He wont suffer. (Beat) Hes made enough other people suffer.

40.

(CONTINUED)

CONTINUED:

41.

ROBERT Thats what you keep saying... CASSANDRA You dont want to know any more. Robert looks at her- and she moves closer to him- lighting another cigarette. CASSANDRA What are you looking at me like that for? ROBERT Im just wondering, if youre the vengeful type. CASSANDRA Well Im not. ROBERT No, youre like ice- thats what worries me. CASSANDRA I just want my life to change. And this is the best way, for everyone. Robert scoffs. ROBERT So what if I tell you its ok to do it. Hes a violent man- that much youve told me- and Ive read some things myself... CASSANDRA (Impatiently) What does your gut instinct tell you? Pause. ROBERT Ive made my decision. CASSANDRA Care to share it with me? ROBERT If you have nothing else to tell me? CASSANDRA No, I dont think so.

(CONTINUED)

CONTINUED:

42.

ROBERT Afterwards, what would you do? CASSANDRA Im not sure yet... ROBERT Id want you to leave- go abroadget away from it all. CASSANDRA I could do that... When the dust has settled- and loose ends are tied up. ROBERT And the resulting media attention? CASSANDRA Ill deal with that. Pause. CASSANDRA (CONTD) His old colleagues will be glad to see the back of him. Robert studies her again. CASSANDRA (CONTD) (Tenderly) Then I could come and see you... ROBERT (Smiling) Dont flatter me. CASSANDRA I know you like female company. ROBERT And how do you know that? Pause. CASSANDRA You seem like the kind of guy, who likes many women. Robert laughs. ROBERT Yes, I do.

(CONTINUED)

CONTINUED:

43.

CASSANDRA So then, whats wrong with me finding you attractive? ROBERT (Moving closer to her) Cassandra, youre a very attractive girl- but that only worries me. CASSANDRA You dont need to be afraid. Robert smirks. CASSANDRA (CONTD) Im harmless. Robert sits back, and returns to a serious look. ROBERT And when were you thinking of doing, the deed? CASSANDRA Tomorrow night. ROBERT You can get the stuff that quickly? CASSANDRA Yes, Dillon is always available for me. (Beat) Ive done enough thinking about it. I cant stand another moment with that pig. If I dont do something, Ill be taking one of the pills myself. Robert looks at her, for signs of seriousness. CASSANDRA But... That will only give him, what he wants. ROBERT Is that what you really think? CASSANDRA Thats what I know. (Beat) He tries to all the time... Hes taking me, piece by piece. ROBERT (Exhaling) Then do it.

(CONTINUED)

CONTINUED:

44.

CASSANDRA Yes? Youre serious? ROBERT Youve already made up your mind anyway- and I dont think theres anything I can do to change it. Pause. ROBERT (CONTD) You seem to be able to justify it to yourself. (Beat) Its about putting things right- which is a positive motive. But what concerns me is vengeancerevenge- and will you be satisfied? Cassandra smiles- innocently. CASSANDRA Yes- one time only. And Im never getting married again- thats for sure. (Beat) And Ive told you- I dont want him to suffer. ROBERT Ok then. CASSANDRA Its nice to hear you talk. ROBERT Thats what you pay me for. Robert stands abruptly, and she follows him. CASSANDRA Well its been great talking to you- a relief, actually. Thanks for helping me with this. ROBERT No problem. They walk to the door. CASSANDRA I never would have been able to do it on my own. Robert smiles, but also looks confused. She leans over and kisses him on the cheek, and then turns around and exits.

45.

Robert stands at the doorway- and we stay on him for a moment- as he watches her go down the stairs. He breathes in and out deeply. 13 EXT. OUTSIDE OFFICE- DAY. Robert steps out of his office, and turns to the opened door. He peels the sign off. 14 INT. AN OFFICE BUILDING- IN AN INDUSTRIAL PARK- OUTSKIRTS OF LEEDS. DAY. Robert returns to his desk- and from a nearby closet, he takes out some empty boxes. He starts packing things away from his desk. And going into the kitchen briefly- he does the same in there, and tidies up. FADE. 15 EXT. A COMMUNITY HALL, HARROGATE- EVENING. ITS RAINING. It is around four years earlier (Maybe a title comes up). People file into the building. 16 INT. A COMMUNITY HALL, HARROGATE- EVENING. It is an election night. The hall is packed full of people, and theres a stage at the front, and a drinks table to the side. The camera pans around to CASSANDRA, who stands near to the stage- looking smart, and carrying a clipboard. There is a lot of activity, with people talking and drinking. Suddenly, there is a hush- as the camera pans around and fixes on JOHN MALONE at the entrance, with his wife MARIE. Marie is attractive, like Cassandra- but is more refined and reserved. There is then a wild applause- as Mr Malone moves into the hall. Theres a Two-Shot, as Mr Malone and Marie- move through the crowd, shaking hands, toward the stage. JOHN MALONE Thank you, thank you, you are very kind. Hi, how are you? He passes Cassandra, giving her a strong/ suggestive look. She looks away. He takes to the stage with Marie- who stands to the side, in the shadows. There are regular cheers, throughout the following speech: JOHN MALONE (CONTD) What a momentous occasion. The Conservatives are back! The constituency of Harrogate and (MORE) (CONTINUED)

CONTINUED:

46.

JOHN MALONE (CONTD) (contd) Knaresborough has been one of the leaders of this campaign. Over the past few months, weve shown what the New Conservative Party is all about. And tonight, weve seen the fruits of all that hard work. A landslide victory. I have always been proud of my Yorkshire roots- and tonight is the proudest moment of my career, standing here, with you (He looks at his wife briefly). Tomorrow, well form a new government, and begin to put our words into action. Our promise to reduce crime- improve healthcare- and the growth in our economy will be our top priorities. Ladies and gentlemen, this is a new dawn in our democracy- and you will see the benefits on the streets. We will have our sense of community back- fear will go, and families and citizenship will return. The forgotten people. The middle classes. We will reduce immigration, and reconsider our relationship within Europe: under our terms. And with an end to the wishy washy politics of Old Labour- we will be strong. (Beat) So lets celebrate, and have a drink or two- but not too much, because there is much work to begin tomorrow (A final loud cheer, and clapping). Mr Malone bows his head dramatically- with his hands together as if in prayer, before stepping down from the stage. He walks through the room again, shaking peoples hands, and smiling. Marie and Cassandra follow. They reach the drinks table. Mr Malone talks to someone Off Cameraand we are left on Cassandra, and Marie. They look at each other uncomfortably. MARIE So... How long have you worked for John? CASSANDRA A couple of months... Ive been helping out with the campaign. Marie looks her up and down.

(CONTINUED)

CONTINUED: MARIE Youre young. Cassandra smiles awkwardly. MARIE So you want a career in politics then? Cassandra nods, petulantly. MARIE I dont know why, they are all liars. Cassandra smiles- more at ease now. Marie looks directly at her. MARIE (CONTD) Stay away from my husband. CASSANDRA Excuse me? MARIE You heard me. Go back to school. CASSANDRA Are you trying to tell me what to do? MARIE Listen little girl, he wont give you a leg up. CASSANDRA (Looking directly at her) I dont know what youre talking about.

47.

Marie suddenly grabs her arm. And moves closer to her- and theres a Close Up. MARIE You see he likes little girlsthe younger the better- but hell just use you, and throw you away... Cassandra tries to move away... CASSANDRA (Firmly) Let me go. Marie screams.

(CONTINUED)

CONTINUED:

48.

CASSANDRA (CONTD) Youre mad. Theres a hush in the hall, as Mr Malone moves over to them. JOHN MALONE (Grabbing his wifes arm) Everything ok? MARIE No. I want to go. (Strongly) Again John? I can see that look in her eyes, like all the others. Mr Malone is annoyed and uncomfortable, and Cassandra gives her a strong look. JOHN MALONE (Softly) Cassandra is part of my staff, you know that. MARIE I want to leave. Now. JOHN MALONE Yes, of course. Mr Malone motions to someone off camera, and a plain looking security type appears. JOHN MALONE (CONTD) David will take you home. MARIE (Looking sullen) Yes. (Beat) I need some air... CASSANDRA (Sarcastically) Goodbye. Marie moves past her, and Mr Malone gives Cassandra an uneasy smile. Cassandra looks away, and Mr Malone turns back to talk to an elderly couple, as the lively atmosphere returns to the room. FADE 17 INT. LADIES BATHROOM, COMMUNITY HALL- LATE EVENING. This scene has a dreamy feel to it. There are mirrors and sinks in the centre of the room- dividing it with a partition, with cubicles on both sides.

(CONTINUED)

CONTINUED:

49.

WIDE SHOT- Cassandra enters, and walks around- looking in all the cubicles, one is closed- before going to a sink and mirror on one side. CLOSE ON- She looks into the mirror for a Long Beat, and then fills the basin with water. She bends down, and dabs water on her face. WIDE SHOT- There is a flush in the closed cubicle, and Marie opens the door and exits. She too then goes to the mirror and sink- on the opposite side to Cassandra- facing her. CLOSE ON- She washes her hands and looks in the mirror, she has been crying and mascara has run/ smudged under her eyes. She bends over and splashes water onto her eyes, before dabbing them with toilet paper. CUT TO, WIDE- CLOSER- Cassandra rises, and looks at herself blankly in the mirror. Marie rises, and does the same- but is on the verge of tears once again. Cassandra slowly smiles. The door opens on the other side to her, and she looks around- but she cant see anyone. She turns back. Marie can see who it is in the reflection of her mirror. CLOSE ON- Marie sniffles one last time, WIDE- before turning around and exiting through the door. CUT TO- CLOSE ON- Cassandra. She re-applies make up from her bag, and tends to her hair etc. WIDE- She then turns around confidently, and exits through the door. FADE 18 INT. A LARGE AND SELF-CONTAINED, CITY CENTRE FLAT- LEEDS. EVENING. Robert enters his flat, like before. Putting his bag down, he goes to the kitchen, and gets a glass of water. Drinking it, he sits down on the sofa. After a short while- Close On his tired face- he gets some notes out of his bag, and looks at them. He gets out the mini cassette Dictaphone from his office, and presses play- playing back some of the dialogue from Scene 1. He looks over a transcript, before putting it- along with a letter- into a large envelope, sealing it shut. Its addressed to Paul Simmons, and is marked confidential in bold letters. He puts it to one side. ROBERT Think about that, young man. But itll cost you. He then lies on the sofa, and closes his eyes- Slow Fade. His phone rings suddenly. He picks it up. Its Cassandra, and we cut between them. Cassandra is in a dimly lit hallway.

(CONTINUED)

CONTINUED: ROBERT Hello? CASSANDRA (Softly) Robert, its Cassy. Pause. ROBERT I dont remember giving you my number. CASSANDRA Would you like to come over? ROBERT How do you know Im not alone? CASSANDRA You wouldnt have answered. Robert smiles. ROBERT Its not really... CASSANDRA I dont care. Robert sits up and lights a cigarette. ROBERT Has anything happened? CASSANDRA I want you. (Beat) I dont want to be alone tonight, ok. ROBERT Where is he? CASSANDRA At a function. ROBERT I wouldnt want to... CASSANDRA He wont be back until the early hours- and hell be sozzled. Pause. CASSANDRA (CONTD) You said you wanted to know more...

50.

(CONTINUED)

CONTINUED:

51.

ROBERT Did I? (Beat) But whats it matter now? CASSANDRA Its important to me. ROBERT What is? CASSANDRA That you trust me. (Beat) Like me. And I still think we have things to talk about. And remember what I said earlier... Im so worked up, I feel like Im losing my mind. I need a distraction. Robert sighs. He looks at his watch. ROBERT I could be there in about hour. CASSANDRA (Perking up) You know where we are? ROBERT I think so. CASSANDRA Good. Ill be waiting... Cassandra hangs up, and then Robert does the same. He pauses- finishing his cigarette. He then goes through to the Bedroom and Bathroom. 19 INT. BATHROOM- OFF BEDROOM, IN FLAT- LATE EVENING. Robert takes his clothes off, and looks at himself in the bathroom mirror briefly- at his eyes- before stepping into the shower, and putting his head and face under it. Stepping out of the shower, he puts on a bathrobe, and goes through to the bedroom. 20 INT. BEDROOM IN FLAT- LATE EVENING. Robert puts on some smart/ casual clothes, before going through to the Main Flat.

52.

21

INT. A LARGE AND SELF-CONTAINED, CITY CENTRE FLAT- LEEDS. LATE EVENING. Robert picks up his phone and car keys, before opening the door, and exiting.

22

EXT/ INT. CAR DRIVING THROUGH THE CITY STREETS, AND SUBURBS. NIGHT. Robert drives from the centre of Leeds, North, towards Harrogate. He listens to some 1950s Jazz, or Rock n Roll music on a local radio station. He looks stern and serious. Robert eventually arrives at a large- detached, gated house. Pulling up, the gate opens almost straight away, and he drives up to a space near the front door. Robert gets out, looking around, before walking to the door. He rings the bell.

23

INT. HALLWAY- DETACHED HOUSE, NIGHT. The door is opened by Cassandra, and Robert stands there expectantly. CASSANDRA (Subdued) Come in. She opens the door wider. ROBERT I hoped to get a better welcome than that. CASSANDRA Im sorry. (Beat) Come through. Robert follows Cassandra as they walk through to a lounge. ROBERT (Looking around) Nice place...

24

INT. LOUNGE- DETACHED HOUSE, NIGHT. The lounge is large, and is decorated with old antique furniture and drapes. It is dimly lit as Cassandra and Robert enter, and at first Robert doesnt see the large man lying on the chaise longue, on the other side of the room... ROBERT And who might he be?

(CONTINUED)

CONTINUED:

53.

CASSANDRA (Quickly now) He came back early... So I drugged his Scotch. ROBERT (Angrily) You did what? Robert moves closer to him. CASSANDRA I was desperate... So I used the Deprahydrine. ROBERT No shit. (Beat) You couldnt wait? CASSANDRA What difference would that have made? ROBERT I dont know... I thought you had a plan? (Brief pause) So what do you want from me? CASSANDRA I thought you could help. Robert stares at her. She moves closer to him. CASSANDRA (CONTD) Hes been coughing and convulsing- and trying to throw up. Robert gives her a serious, mocking look. CASSANDRA (CONTD) He wont die. ROBERT No..? So call your friend, the fixer. CASSANDRA Hes not answering. ROBERT So ring for an ambulance.

(CONTINUED)

CONTINUED:

54.

CASSANDRA You know I cant do that. And then hell know I tried to kill him. Robert laughs absurdly. ROBERT Why? CASSANDRA He just will. Hes gone mad. He says Im finished. ROBERT (Moving closer again to him) Hes quiet now. CASSANDRA He passed out. ROBERT (Turning back to her) You may have to face the music. Its gone wrong... CASSANDRA Its not over yet. ROBERT Do you keep checking his pulse? Robert looks over him. CASSANDRA I keep checking hes breathing. Robert gives her another stern look. ROBERT How long has he been like this? CASSANDRA I dont know... Ten, fifteen minutes. ROBERT And all this happened, after you called me? CASSANDRA Of course. Robert looks at her suspiciously.

(CONTINUED)

CONTINUED:

55.

ROBERT Youre not dressed, how I thought you would be. CASSANDRA And how did you think Id be dressed. ROBERT (Flatly) Sexier. CASSANDRA So you think I got you here under false pretenses? Pause. She goes over to him, and kisses him on the lips. CASSANDRA I was just about to get changed, when he came back. ROBERT But instead you thought youd spike his drink. CASSANDRA He was drunk when he came home, and I was worked up. (A bit girly, looking for sympathy) He started shouting at me. I thought youd understand, I thought you wanted to help me. Suddenly, Mr Malone stirs, coughing and shaking. ROBERT So what did you want me to do? CASSANDRA (Softly, Conspiratorially) Kill him. ROBERT What? CASSANDRA Help me kill him. ROBERT Lady, youre crazy. CASSANDRA You have to.

(CONTINUED)

CONTINUED: ROBERT I what? CASSANDRA Youre involved. ROBERT Excuse me? CASSANDRA Youre all I have in this... Please. Robert turns away- looking out of the far windows. ROBERT And why do you think I can help you with this? And why would I? CASSANDRA I dont know- you look like youve been around- and seen a few things. ROBERT I run a small business... CASSANDRA I know youre more than that. Robert shakes his head. CASSANDRA (CONTD) And you want me. ROBERT (Smiling, wryly) I thought it was the other way around. CASSANDRA I can give you money- a third of his estate. Robert laughs absurdly. ROBERT Half. CASSANDRA Deal. Robert looks at her angrily. CASSANDRA Dillon said it could take an hour to work. (Beat) But he should be unconscious for most of it.

56.

(CONTINUED)

CONTINUED:

57.

ROBERT (Still angry) And how long has it been? CASSANDRA (Thinking) Forty- five minutes... ROBERT (Sighing) Then Id better have a drink. CASSANDRA Scotch? Robert nods. Cassandra gets him the drink, from a nearby table, and he watches her. She returns, handing it to him. He takes a drink, and then walks over to Mr Malone, and looks at him carefully. We get a Close Up of Mr Malone for the first time. Hes red in the face, sweating, and breathing hard. ROBERT He looks like he has a fever. CASSANDRA So would you, if youd been choking. Robert looks back at her, harshly. ROBERT Get him a blanket. CASSANDRA What? ROBERT (Firmer) I said get him a blanket. CASSANDRA (Sarcastically) Alright. Cassandra exits, and returns shortly with a check/ tartan throw. She gives it to Robert, and he places it over Mr Malone- who moves quite aggressively. ROBERT (Turning back sharply) Christ, what did you give him? CASSANDRA I dont know. This isnt supposed to happen.

(CONTINUED)

CONTINUED:

58.

ROBERT Dont you think you should have checked it out first? CASSANDRA And how exactly would I have done that? ROBERT I wouldnt just have believed someone. CASSANDRA Dillons had first hand experience- he works with psychiatric patients. Robert laughs absurdly. CASSANDRA (CONTD) God, youre so arrogant. Youve never been in my position though. ROBERT So what do we do? Just sit and wait? Robert sits down on a nearby chair. He drinks his whiskey, and looks at his watch, dramatically. Cassandra goes over to Mr Malone, looking over him. CASSANDRA His breathings getting quickermaybe it will be over soon. Robert looks at her- shaking his head, disbelievingly. Suddenly, Mr Malone splutters to life- coughing heavily, with mucus running down his chin. JOHN MALONE Whats all this? Whats going on? CASSANDRA (Taken aback) John dear- Im here, its okyoure not very well. (Beat) Food poisoning. Robert looks at her. She stares at Mr Malone. CASSANDRA (CONTD) Ive phoned for a doctor. She looks at Robert.

(CONTINUED)

CONTINUED: JOHN MALONE I know what youre up to... ROBERT (Standing) Ill get you a glass of water... Mr Malone looks at Robert. JOHN MALONE I know you, dont I? FADE 25 INT. PARLIAMENTARY OFFICES- DAY.

59.

It is two years earlier (Maybe a title comes up). It is Mr Malones office. It is old fashioned, with lots of wood/ oak, leather chairs and bookshelves. He is sat behind a large desk, and we are directly on him, as the scene begins. In the scene there are mainly Wide Shots, with some Close Ups and Two Shots, on Ian and Robert. JOHN MALONE (Speaking into an intercom) No interruptions please. The camera then Cuts To two gentlemen- Robert and IAN, sat in front of him, side by side. IAN Mr Malone, Id like to introduce you to my associate- Robert Eastern. Mr Malone barely acknowledges him. JOHN MALONE Youve been my financial adviser for how long now? IAN About three years. JOHN MALONE And what have you given me? Ian and Robert look at each other. IAN Youre not happy with my work? JOHN MALONE (Lighting a cigar) I want to know that youre still the best. (Beat) Im looking at all my employees. (CONTINUED)

CONTINUED:

60.

IAN Sir, you have a solid portfolio, and weve offered you some good investments. Our firm has grown substantially, since we started it... JOHN MALONE Thats not what I mean. ROBERT Look around if youre not happy. Mr Malone looks directly at Robert. JOHN MALONE Why havent we met before? IAN Robert goes after the leads. Its because of him, that weve been able to offer you such sound investments. (Beat) I do your day to day work. Pause- Mr Malone smokes, and looks at them both. JOHN MALONE So tell me about my portfolio? IAN Solid, improving. JOHN MALONE Dont lie to me... Ive been hemorrhaging money. Mr Malone looks at a sheet of paper, on his desk. JOHN MALONE (CONTD) Investments? Down. In natural resources- minerals, energy and telecommunications. Only coffee and soya have improved. Robert smiles slightly. IAN They have all been carefully chosen- and some are longer term. Markets go up and down. JOHN MALONE Thank you- I dont need a lesson in economics.

(CONTINUED)

CONTINUED:

61.

IAN You told me a long time ago, you were prepared to wait... ROBERT You could always buy more property. Mr Malone ignores Robert. JOHN MALONE And my tax position? IAN All above board. JOHN MALONE Thats not what I asked. IAN (Sarcastically, Smiling) Well, other than moving your residency to Jersey or Monaco, I dont know what else to suggest. Pause. JOHN MALONE (Laughing throatily) The press would have a field day with that. ROBERT I have some new deals... Now Mr Malone looks right at him. JOHN MALONE Such as? Ian looks at Robert questioningly. ROBERT Mr Malone, let me be blunt. Youre a millionaire several times over. (Beat) Why dont you free up some capital, and have some fun. JOHN MALONE Mr Eastern, I dont take risks. Ive had money my whole life, but its not a play thing. I come from the newspaper business, and I can smell bullshit a mile away.

(CONTINUED)

CONTINUED: ROBERT Well... I was thinking... Industrial in Iceland. Geo and Thermal power. The company Nordic Resources is looking for investors. Mr Malone laughs, haughtily. JOHN MALONE Is that all youve got? ROBERT No. I was just thinkingrenewable energy, fits in with your public image. JOHN MALONE I also invest in the airline industry. Its better that the public doesnt know about that side of my life. (Beat, thinking out loud) The Icelandic Agriculture and Environment Minister, is a good friend of mine... Robert looks at Ian. JOHN MALONE Feasibility? ROBERT Im flying out there this weekend. If youre interested. JOHN MALONE Come and see me when you get back, and if I like what I hear, its a deal. (Beat) And therell be a nice commission, for the two of you. IAN (Looking at Robert) Your continued business is thanks enough. JOHN MALONE (Smiling) Anything else you have? ROBERT A few things... Europe is a great place to do business at the moment. The Euro has never been stronger.

62.

(CONTINUED)

CONTINUED:

63.

JOHN MALONE (Laughing again) The Euro will bring down this government. Pause JOHN MALONE (CONTD) Cigar? Cognac? IAN (Speaking for the both of them.) No, thank you. Mr Malone pours himself a drink, and re-lights his cigar. JOHN MALONE Lets move things up a gear- but keep it between us. Heres my secure number. He writes on a piece of paper, and gives it to Ian. JOHN MALONE (CONTD) Come to me first with any new opportunities. He looks at Robert, and then sits back. JOHN MALONE (CONTD) (To Ian) If you and your partner can deliver- nows your chance to prove it to me. (Beat) But dont let me down. Mr Malone watches them for a moment. Ian looks worried. JOHN MALONE (CONTD) Now if youll excuse me, Ive got work to do. IAN Of course. Robert and Ian get up, and head for the door, as Mr Malone watches them- before putting his cigar down, and getting on with some work. FADE

64. 26 EXT. PARLIAMENTARY CAR PARK- DAY. Its overcast and cloudy, as Robert and Ian exit the building. Ian stands there for a moment. IAN What was that all about? ROBERT What do you mean? IAN I thought we werent going to offer him any more deals; its all about keeping what weve got. ROBERT He was provoking us. It felt right. IAN Felt right? You dont know him. They walk to their car. ROBERT Well, Im not toading down to him. IAN Hes our most important client. ROBERT No, we dont need him. IAN Robert, yes we do. (Beat) And those ones? I thought youd changed- thats why youre on the front line. ROBERT (Smirking) Ive always been on the front line. IAN (Stopping him) You know what I mean- you broker the deals- I deal with the clients. The way its always been. ROBERT (Looking at him) So why the change now?

(CONTINUED)

CONTINUED:

65.

IAN Because I have a family. (Beat) I need my partner back, the one I started the business with. ROBERT (They walk again) Relax, well make Mr "Home and Foreign Affairs Minister" some more money, and youll be number one again. (Beat) Just keep balancing the books. They get to their car. IAN Thats the problem- Im not sure I can. ROBERT Then get some help. IAN No. ROBERT (Smiling reassuringly) You worry too much. IAN You cant help but "mix it up" can you? ROBERT Come on- have I ever let you down? IAN Well, there was that gambling operation you had on the side. Robert laughs. ROBERT That was chicken feed. IAN But not very clever. Roberts mood darkens. IAN (CONTD) I want to downsize. ROBERT I thought we needed money.

(CONTINUED)

CONTINUED:

66.

IAN We do, but its not worth the risk. ROBERT Look, if hes willing to. IAN No. (Beat) Robert, listen to me, from now on I deal with him alone. Robert looks at him blankly. ROBERT Ok. He gets into the car. Ian pauses- and we view him over the roof of the car. He looks sad, and in disbelief. FADE 27 INT. LOUNGE- DETACHED HOUSE, NIGHT. We return to scene 22, as we left it. ROBERT No, I dont think so. JOHN MALONE (Throatily) Yes I do... Youre Mr Cransons colleague. Cassandra looks at Robert, who looks back at her, before turning around. JOHN MALONE What have you done to me? (Beat) Get some help. They stand, frozen. JOHN MALONE (CONTD) Dont just stand there! CASSANDRA Darling... (Moving closer to him.) JOHN MALONE Keep away from me. (Beat) You (To Robert). Pass me the phone. Robert doesnt move.

(CONTINUED)

CONTINUED:

67.

JOHN MALONE Help me... Im going to be sick. Mr Malone rolls onto his side- gasping for breath, before falling back. He puts his hands to his face, mumbling to himself. CASSANDRA (Aside- to Robert) What shall we do? ROBERT Youre asking me? CASSANDRA We cant let him be sick... It will ruin everything. ROBERT I dont think we will be able to stop him- if he wanted to. CASSANDRA Hes suffering... I never wanted that. Robert gives her a give it a rest look. CASSANDRA (CONTD) He said, he knew you. ROBERT Well hes wrong. Robert turns and walks away. CASSANDRA He never forgets a face- or a name for that matter. Pause- she follows him. CASSANDRA (CONTD) You do know him. ROBERT (Turning back) Alright I know him. Ive met him... Once. Cassandra goes back over to Mr Malone- and it looks like hes passed out again, with his arm over his face. Cassandra then pours herself and Robert another drink, before going back over and joining him.

(CONTINUED)

CONTINUED: CASSANDRA (Giving him the drink) Tell me about it. ROBERT My business partner and I, once had a contract with him. CASSANDRA And you never mentioned this to me? Robert looks at her blankly. ROBERT You came to me, remember. CASSANDRA What did you do for him? ROBERT Nothing. My partner was his accountant- cum financial advisor, and I brokered some deals. CASSANDRA Tell me you didnt lose him any money... ROBERT Around six months ago, he went missing- and Ive been looking for him ever since. With his wife- Hazel. CASSANDRA Whats his name? ROBERT Ian Cranson. CASSANDRA He resigned, didnt he? ROBERT Thats the official verdict, but I intend to find out the truth. See, we fell out a couple of years back- weve been friends since University, and have had several businesses together; and I owe it to his family- wife and two daughters, to find out what really happened. Pause.

68.

(CONTINUED)

CONTINUED:

69.

CASSANDRA So youre a good man, Robert. He gives her a sly look. CASSANDRA (CONTD) And you suspect my husband? ROBERT Wouldnt you? CASSANDRA Yes. But this is quite a coincidence. ROBERT No it isnt. CASSANDRA (Looking away, Brief Pause) Any leads at all? ROBERT Nothing concrete. CASSANDRA The authorities? ROBERT Not interested. Think hes gone on his own accord. CASSANDRA (Looking at him) Listen- youve helped me- I want to help you. ROBERT How can you? CASSANDRA (Motioning to Mr Malone) We have him. ROBERT I dont know- I dont like the conflict of interest. CASSANDRA Do you want to find him? Robert gives her a harsh look. CASSANDRA (CONTD) Well find him- for his wife, and the little girls.

(CONTINUED)

CONTINUED:

70.

ROBERT What happened between Ian and Mr Malone, for him to resign? CASSANDRA I dont know- things seemed to change all at once, with the scandal and everything. ROBERT Yeah I know, and the downturn in the economy... CASSANDRA And when he lost his place in the cabinet, his behaviour changed with people- his friends. (Beat) And he turned on me, he resented my detachment from it all. ROBERT So youve said. CASSANDRA Youve seen how he is with me... (Beat) Look- its been an hour, and hes still not dead- lets wake him up, and see what he knows. ROBERT I thought you didnt want him to suffer. CASSANDRA Its for the greater good... Ill go and find Dillon- and you two can talk alone. Cassandra takes his glass, and they walk back over to the chaise longue. She bends over Mr Malone, and wakes him gently. He makes a noise like a wounded animal, and comes to. CASSANDRA (CONTD) Wake up darling. You must try and stay awake... JOHN MALONE Get away from me. CASSANDRA Im going to get some help, but Ill leave you with Robert. Theres a Close Up.

(CONTINUED)

CONTINUED:

71.

CASSANDRA (CONTD) (Whispering in his ear) You must have a lot to talk about. She kisses him on the cheek, and Mr Malone tries to push her away. He looks at Robert, weakly. Cassandra collects her handbag off a nearby chair. CASSANDRA (To Robert, softly) Anything happens, call me. Robert looks away from her. Theres a Close Up on Mr Malone, as he watches them. Cassandra leaves the room- and were left with Robert and Mr Malone. Robert moves towards him. JOHN MALONE (Suddenly more alert) Well... Arent you going to help me? ROBERT I dont know. JOHN MALONE Ill make it worth your while. Robert smiles, strangely. ROBERT What can you possibly offer me... JOHN MALONE Money. Thats what you wanted before. ROBERT That was business. JOHN MALONE And whats this? ROBERT Life and death. Mr Malone coughs violently. He holds his stomach and chest. JOHN MALONE What has she given me?

(CONTINUED)

CONTINUED:

72.

ROBERT A drug. (Beat) From what I hear, you should be dead already. But I can help you... If you help me. JOHN MALONE I thought you didnt want anything. ROBERT Only information. (Beat) She says youre a bad man- a violent man. JOHN MALONE And you believe her? Pause. Robert looks straight at him. JOHN MALONE (CONTD) Im not who she says I am! ROBERT No. Youre only like every other politician. JOHN MALONE What are you doing here? ROBERT (Shrugging) Giving advice. JOHN MALONE On killing me! ROBERT No... I helped her with the decision. JOHN MALONE (Smiling craftily) Shes set you up, you fool. (Beat) I thought you were a ruthless business man, not a killer. ROBERT I havent killed anyone. But Your life is ticking away... JOHN MALONE What happened to you? ROBERT Excuse me?

(CONTINUED)

CONTINUED:

73.

JOHN MALONE We had an agreement, and you disappeared. ROBERT I didnt want to work for you. JOHN MALONE Couldnt stand the heat? ROBERT The smell. JOHN MALONE We could have made a lot of money. ROBERT (Scoffing) Wed have lost it all. Pause ROBERT (CONTD) And Ian? JOHN MALONE Who? ROBERT Ian Cranson- my business partner. JOHN MALONE He disappeared, along with you. ROBERT (Firmly) No- youre lying. He still worked for you, and I want to know what happened to him. (Beat) What did he do for you? JOHN MALONE My accounts. ROBERT And thats all? JOHN MALONE He was a good and loyal employee. ROBERT Was? Mr Malone looks away.

(CONTINUED)

CONTINUED:

74.

ROBERT (CONTD) We had a disagreement the last time I saw him- and I gave him my share of the business, and walked away. Mr Malone scoffs. ROBERT (CONTD) All I have to go on is a list of our clients... And youre at the top of that list. Ian was a private man. (Beat) So youre going to tell me what you know. JOHN MALONE And youll do what? Torture me? ROBERT I dont need to- the drug in your body is doing that. JOHN MALONE What is it? ROBERT A suicide drug. Slow, but effective... And I dont want to think about whats in it, and where its from... JOHN MALONE Get it out of me! ROBERT Thats the hard part. Youll feel nauseous, but I dont think youll be sick. JOHN MALONE Shes insane. ROBERT Its not my business. (Beat) Shes gone to find Dillon. Know him? JOHN MALONE No. Mr Malone coughs again, heavily- onto a handkerchief- and its dark and red. JOHN MALONE (CONTD) Look at this- Im coughing up my own blood!

(CONTINUED)

CONTINUED:

75.

ROBERT Could just be those cigars you smoke. JOHN MALONE (CONTD) I cant breathe! ROBERT All you need is enough breath to talk... So start. JOHN MALONE Ive got nothing left anyway... ROBERT Dont give me that. What about your plans for the future- your nest egg... JOHN MALONE Im just like everyone else. ROBERT Bullshit. You had power and influence. JOHN MALONE So I like being rich... ROBERT I dont care about that. JOHN MALONE And I like women! Robert smiles. ROBERT Abuse women. (Beat) It all comes back at the end... JOHN MALONE What do you want? ROBERT What did Ian do for you? JOHN MALONE I told you- he was my accountant! ROBERT Now I know it was more than that. (Beat) Anything illegal? Mr Malone grunts.

(CONTINUED)

CONTINUED: JOHN MALONE Ian?? ROBERT Any lackey will do. JOHN MALONE (Weakly) I want to sleep... ROBERT I know... But Im going to keep you awake. JOHN MALONE (Pleading/ Child-like) You want me to die... Let me sleep. ROBERT No. Mr Malone tries to drift off. Robert shakes him. JOHN MALONE (Deliriously) My troubles will follow you... ROBERT Ian went abroad, didnt he? JOHN MALONE Youre not a criminal... ROBERT Answer me! JOHN MALONE (Half- asleep) He went to Switzerland... Geneva... ROBERT And what was he doing for you there? (Beat) Answer my question, and Ill let you sleep for a minute- it will feel like an hour. JOHN MALONE My overseas banking... ROBERT (Smiling) Nice try. Mr Malone drifts off again.

76.

(CONTINUED)

CONTINUED:

77.

ROBERT (CONTD) Wake up! (He slaps him.) JOHN MALONE He was meeting clients... A new energy contract... ROBERT With whom? JOHN MALONE From the Ukraine... ROBERT Ian?? Negotiating? Why him? JOHN MALONE He was the best I had. ROBERT And then he disappeared. (Beat) Why did he agree to do it? Pause. JOHN MALONE He was protecting you... ROBERT What?? Robert moves closer to him. JOHN MALONE After you came to see me... I had you followed. I didnt trust youyou were so different to Ian... So full of guile... MI5 have a record of you... Youre a marked man... Anything happens to me, and youll be hunted... ROBERT Youre bluffing. JOHN MALONE Wait and see... ROBERT And Cassandra? JOHN MALONE Shell get what she deserves. Pause- Robert shakes his head.

(CONTINUED)

CONTINUED:

78.

ROBERT Sleep... JOHN MALONE Maybe just for a little while... FADE The following Five Scenes have a dream-like quality to them- similar to Scene 17. 28 INT. CORRIDOR, PSYCHIATRIC HOSPITAL- DAY. Cassandra enters through some double doors, and walks along the corridor of a hospital. 29 INT. WARD, PSYCHIATRIC HOSPITAL- DAY. Cassandra enters a ward, and walks over to a nurses station. CASSANDRA Mrs Malone? The male nurse recognizes her. MALE NURSE Go on through. Cassandra walks to the end of the ward, and turns right next to a private room. Looking in briefly, she enters. 30 INT. PRIVATE ROOM, IN PSYCHIATRIC HOSPITAL- DAY. As Cassandra enters- Mrs Malone sees her from her bed. MARIE (Groggily) What are you doing here? CASSANDRA How are you feeling? Marie turns away. CASSANDRA (CONTD) Ive come, because John has asked me to. MARIE John? Cassandra walks over, and takes a seat next to her bed.

(CONTINUED)

CONTINUED:

79.

MARIE (CONTD) I know whats going on... CASSANDRA The truth is... John, cant live with it any more. MARIE Oh, cant he..? CASSANDRA No. Its damaging his career- and he cant keep it away from the media any longer. MARIE So what are you saying? CASSANDRA You disappear. Youll be looked after, but not known. (Smiling) And youll get the best care available. MARIE Youre a cold-hearted bitch. (Beat) Nurse! Cassandra goes to her. CASSANDRA Its no good. Its over, and youre tired. Rest... MARIE Youre mad! CASSANDRA Let me take over from you... Just until youre better. MARIE People know me! CASSANDRA No they dont. They only know of you. I can do a better job than you can, and you know it. MARIE You not only want my bed- but my life! CASSANDRA For John. For what youve been working towards.

(CONTINUED)

CONTINUED:

80.

MARIE Politics? Is that all! CASSANDRA No, youre wrong. Its everything. To John. MARIE Hell... Ill never agree to it. CASSANDRA You dont need to. You gave up any legal right, when you tried to kill yourself. Marie starts to cry. MARIE I need help. CASSANDRA I know you do, and youll get it. Cassandra takes out some papers from her bag. CASSANDRA (CONTD) Read this; and sign here, and let me help. MARIE This is ridiculous. Never. CASSANDRA It doesnt matter. Like I said. I just thought you might like to take it upon yourself. See you dont have any family... Who care about you... And with me and John, its just a matter of time anyway... MARIE Why do you hate me so much? Pause- Closer. CASSANDRA Because youre weak... And I dont want to be anywhere near you. MARIE You may sleep with my husband; you may try and look like me, and take over my life- but itll never be real.

(CONTINUED)

CONTINUED:

81.

CASSANDRA Well see. MARIE This isnt possible. CASSANDRA Anything is possible, with the right influence. MARIE Let me speak to John- I want to speak to my husband! CASSANDRA Im afraid hes busy right now. MARIE Well then, give him this message from me: He should choose his relationships more carefully. CASSANDRA Dont think about that now... Think about yourself... And sleep. MARIE You think youll win? You wont, youll only lose... Youre just another tramp. Close On- Cassandra looks over at her, and smiles. FADE 31 INT. WARD, PSYCHIATRIC HOSPITAL- DAY. Cassandra exits the room- and turns, and walks back onto the ward. As she walks towards the nurses station, she smiles, and the nurse smiles back. She stops. CASSANDRA You go to The Attic, dont you? MALE NURSE Sometimes. CASSANDRA I Thought I recognized you. MALE NURSE Im Dillon.

(CONTINUED)

CONTINUED: CASSANDRA Cassandra.

82.

They shake hands weakly. Dillon is in his late twentiesand is tall and good looking, with spiky- coloured hair. DILLON (A bit flirtatiously) Youll have to come over and speak to me next time. CASSANDRA (Plainly) Maybe I will. DILLON See Ya. Cassandra smiles thinly, and walks away- back towards the entrance/ exit. FADE 32 INT. BAR/ NIGHTCLUB- NIGHT. It is a few months later- and Cassandra is stood with Dillon, and a few other friends, in a fancy bar/ nightclub. CASSANDRA (Drunk) I think its over... I dont think its worth it any more. DILLON Its about time... Hes a bully. CASSANDRA But... Ive given him so much of my life... You can help me, cant you? DILLON Like how? Pause. CASSANDRA Help me kill him. Dillon smiles strangely. CASSANDRA (CONTD) Youve told me what you do, for some of the patients at your hospital.

(CONTINUED)

CONTINUED:

83.

DILLON I have? CASSANDRA Give me something... For him. I know I can trust you... You look after me... DILLON I could get into a lot of trouble... What I told you... I was off my head! CASSANDRA A suicide drug you said... CUT TO- Dillon, Close Up, High one night: DILLON Ive found it... The drug that is something of an urban myth around the hospital. A by- product of the club/ rave culture. A bit like a date rape drug in its compound... But it offers people a clean way out. Stress free- it means they can die peacefully in their sleep- safe in the knowledge that their family and loved ones, wont find them hanging, or covered in blood. Its horrible I know- but its a dream for a lot of my patientsand I dish it out to those most in need. (Pause, proudly) Death as it should be. CASSANDRA Arent you worried about getting caught? DILLON (Smugly) I mainly give it to day patients. Plus, it disappears from the system in a couple of hours. Imagine if it got onto the street, the sort of impression it would make. Depressives the world over- would have an answer- and could just, disappear... People die every day, and no one would know any different... CASSANDRA (Smiling, in awe) Youre mad! (CONTINUED)

CONTINUED:

84.

CUT BACK TO- Dillon in the Bar/ Nightclub. DILLON And you thought I was serious?! CASSANDRA I know you have it... And I want to give it to John... FADE 33 INT. LOUNGE- DETACHED HOUSE, NIGHT. We return back to the set up in Scene 27. Robert is now sitting and smoking, and Mr Malone is unconscious. Cassandra enters, with Dillon. CASSANDRA (Firmly, going over to Mr Malone quickly.) I thought we agreed to keep him awake. ROBERT Well, there was a change of plan. She looks closely at Mr Malone. ROBERT (CONTD) Hes still breathing... Whos this? CASSANDRA This is Dillon, hes here to help. Robert scoffs. ROBERT Oh yeah? Robert looks at Dillon, who nods in acknowledgment. Cassandra wakes Mr Malone, gently. He cries out. Dillon goes over to him. DILLON (Speaking slowly, but moving quickly) Im a friend of Cassandras- Im a nurse. How are you feeling? JOHN MALONE (Gruffly, clutching his chest and stomach) How the fuck do you think?

(CONTINUED)

CONTINUED:

85.

Dillon tries to feel his forehead, and check his pulse. He looks perplexed. JOHN MALONE Get away from me you idiot! Dillon and Cassandra go to the side. DILLON It worked? CASSANDRA What? DILLON I wasnt expecting it to work- I thought it would just pass through his system. CASSANDRA (Angrily) You said youd used it before. Dillon shrugs. DILLON On psychiatric patients.(Beat) It seems to work in combination, with other drugs theyre on. Dillon gives Cassandra a questioning look. CASSANDRA Great... So what do we do now? DILLON Well, I can give him something to drink, to try and neutralize it in his stomach... If it isnt too late... Or more drugs, such as Diazepam or Lithium- an injection will act quickly- to try and trigger a reaction; thatll probably send him over the edge. Cassandra gives him an exasperated look. DILLON I didnt think you were serious. Pause- Cassandra thinks... CASSANDRA No, its gone too far.

(CONTINUED)

CONTINUED:

86.

DILLON And youre sure..? We Cut To Robert and Mr Malone in a wide shot. Then Cut Back To Cassandra. CASSANDRA (Sarcastically) Yes. DILLON Well then... (Sighing) Ill go along with whatever you want to do. Robert goes over to them. ROBERT Hold on... We need to talk about this. Dillon looks at him with tired eyes. CASSANDRA (To Robert) What? Theres a pause. Robert looks at Dillon distrustfully. CASSANDRA (CONTD) Weve got to give him something. Cassandra looks at Dillon, who shrugs. DILLON A shot of Lithium? Robert laughs absurdly. ROBERT Hasnt this gone far enough? Cassandra stares at Robert. CLOSE UP: Mr Malone is watching, and is fearful and shaking- his face still flush- and his eyes darting from person to person. CASSANDRA (Suddenly aware of Mr Malone listening) What are you talking about? Robert takes her to one side, in a Two-Shot.

(CONTINUED)

CONTINUED: ROBERT Is there no way back? CASSANDRA (Softly) Robert... We need to do this, now... Robert shakes his head. CASSANDRA (CONTD) What did he tell you? ROBERT Not a lot. (Beat) Theres still so much that doesnt make sense. CASSANDRA (Touching his shoulder) Well find him... Together... When all this is over. ROBERT And what about you- will you be satisfied? CASSANDRA I hope so. ROBERT This stinks. CASSANDRA I know you think that. Robert looks sadly over at Mr Malone. DILLON Guys?? ROBERT Shut up! (Beat) Who is this clown? CASSANDRA A friend... (Closer to him) No one really (Beat) Come on.

87.

Cassandra goes over to Mr Malone, and Robert reluctantly follows. CASSANDRA Honey, were just going to give you an injection- itll make you feel better- and sleep. Mr Malone shakes his head, but is otherwise motionless, and paralyzed. (CONTINUED)

CONTINUED:

88.

JOHN MALONE (Fearfully) No. ROBERT Enough of this charade! He knowswell enough, whats going on. Dillon goes to his bag, and takes out a small bottle and syringe, from a case. CASSANDRA (Turning away) I cant watch. ROBERT Too real for you? CLOSE UP: Mr Malone is wide eyed and shaking. Dillon fills up the syringe with a pale liquid, and he carries it over to them. DILLON Hold him down. ROBERT Not me. Cassandra is frozen, and uncommunicative. ROBERT (CONTD) Cassandra! CASSANDRA I dont know if I can do that... (Pause) I dont like needles. ROBERT (Laughing absurdly) You dont have to look at it! (Pause) You can do it... Robert goes to her- and leads her over to where Dillon is now- next to Mr Malone. He then moves away- over to the far window, looking out. Theres now a Close Up, as Cassandra turns to Mr Malone- and his eyes are still wide. She shrieks, and holds his arms- looking away to one side. Mr Malone struggles, as much as he can- and Dillon puts the needle in his arm. JOHN MALONE This isnt over... Mr Malone jolts suddenly, and then erraticallychallenging Cassandra and then Dillon to hold him down. He then convulses- gritting his teeth, before crying out- and (CONTINUED)

CONTINUED:

89.

then gasping into a whimper. There is silence for a moment- before they look at him. Dillon checks his pulse, before nodding. Cassandra touches his face, before looking down, and then moving away. Dillon follows her into the middle of the room. They breathe out heavily, and Dillon puts the syringe away. Cassandra then makes them some drinks. DILLON Not for me, Ive got an early shift in the morning. Im still on probation... For turning up late and hung-over. Robert looks at him pitifully. Cassandra drinks down a large scotch. CASSANDRA Robert? Robert turns to her. He walks over, takes the drink, and downs it in one. ROBERT Im going to leave now. CASSANDRA Dont you want to stay and talk? ROBERT Talk about what? CASSANDRA What we do now. ROBERT What we do now- is run. (Beat) Thats what criminals do. DILLON I think Im going to go too. ROBERT Not before me. Robert puts his glass down, and turns away to leave. Cassandra looks at him blankly. He looks back at the corpse on the chaise longue, and shakes his head. He heads for the exit- grabbing his coat- before turning back. ROBERT (CONTD) I expect this place is riddled with CCTV. Dillon looks alarmed. Cassandra smiles.

(CONTINUED)

CONTINUED:

90.

ROBERT (CONTD) One piece of advice. If you think youre being followed- you probably are. Robert exits, leaving Cassandra and Dillon stood motionless. FADE. 34 INT. A LARGE AND SELF-CONTAINED, CITY CENTRE FLAT- LEEDS. NIGHT. Robert enters his flat, and tiredly takes off his coat. He then goes to the kitchen and makes a drink. Taking it, he then sits down on the sofa. He lights a cigarette- in the quiet and darkness- before lying down on the sofa, and drifting off to sleep. FADE Its now the morning, and Robert is awoken by the phone ringing, and it is like an alarm. He answers it, warily. ROBERT Hello? HAZEL Hi. ROBERT Its good to hear your voice... We now cut again between Robert and Hazel like before. HAZEL So how are things... You never called me. ROBERT Sorry... Ive been caught up with something. (Beat) Listen, Ive had a hell of a night. HAZEL Tell me about it? ROBERT Id rather not... But Ive got some information. HAZEL Oh yes?

(CONTINUED)

CONTINUED:

91.

ROBERT From the horses mouth. (Beat) He may be in Geneva. HAZEL Really? Gosh. Well thats what you thought... ROBERT (Sighing) Yeah... So Ill be leaving here today. HAZEL When will you be back? ROBERT I dont know- maybe Ill only be gone for a few days... But I wont be coming back here. HAZEL You know you can stay here anytime... ROBERT Thanks. (Beat) Well, Ill keep you posted HAZEL Please do. And take care. ROBERT Bye for now. HAZEL Bye. Robert puts the phone down. He sighs, lights a cigaretteand then goes into the kitchen and makes some coffeebefore going over to some mail, on the floor near the door. Taking it, he goes back to the sofa. He opens a large letter- reads it and then opens his laptop- doing some work. ROBERT There you go- leave her- be on your own, its safer. He prints a letter off, puts it in an envelope, and seals it- putting it to one side. He then stretches for a moment, and then packs a number of essential items away into a couple of bags- and a few clothes- going into the bedroom briefly.

92.

35

INT. BATHROOM- OFF BEDROOM, IN FLAT- MORNING. Robert packs some bathroom items, before taking a shower.

36

INT. BEDROOM IN FLAT- MORNING. Entering the bedroom, he puts on some casual clothing, before re-entering the lounge.

37

INT. A LARGE AND SELF-CONTAINED, CITY CENTRE FLAT- LEEDS. MORNING. Robert goes back to the sofa, and opens his laptop. Theres a Close Up- as he looks at some travel sitesand makes some bookings. He then closes the lid, stretches back out on the sofa, and drifts off to sleep. FADE Theres a knock at the door. Robert gets up and goes over to it- cautiously. He looks through a peephole- and we see its view. Its Cassandra. He leans his forehead against the door for a moment, shaking his head. Cut To- Cassandra, from the doors POV. CASSANDRA I know youre there... I heard footsteps, and I can see your shadow under the door. Pause. CASSANDRA (CONTD) Let me in... I need to talk to you. Pause. ROBERT (Tiredly) Theres nothing else that needs to be said. CASSANDRA I know... I want to see you. Pause. CASSANDRA (CONTD) Dont you want to know whats happened?

(CONTINUED)

CONTINUED:

93.

ROBERT No. Pause. CASSANDRA Come on... This is stupid. (Beat) No one saw me come in- no one knows Im here... Robert looks up. He thinks for a moment- and touches his face and stubble- and then crotch. He opens the door, and motions for her to come in. She enters, mock excitedly/ innocently- looking around. Robert goes and sits down, lighting a cigarette, and Cassandra joins him. ROBERT I wont ask how you knew where to find me. CASSANDRA Good. ROBERT So talk. Robert swigs from a bottle of water. CASSANDRA Arent you even going to offer me a drink? ROBERT No. CASSANDRA (Now plainly) A doctor came... And confirmed his death. ROBERT And thats news? CASSANDRA Theres a post-mortem. Robert looks angrily at her. ROBERT Im leaving. CASSANDRA Where will I find you? ROBERT You wont.

(CONTINUED)

CONTINUED:

94.

CASSANDRA We should see this through. (Beat) Arent you afraid of an inquest- and investigation? Robert looks at her in disgust. ROBERT No, I work for Hazel Cranson. I have casenotes- and her as a witness, to back up my story... CASSANDRA Isnt there a conflict of interest, somewhere in there? ROBERT Dont get clever. CASSANDRA You still came to my house- and were involved in a murder... ROBERT I didnt have a choice. And when youre dealing with someone like you- a psychopath- you rarely do. Cassandra laughs hard. CASSANDRA You still worked for him. ROBERT No I didnt. Theres no record of that. (Beat) Im a life coach- I help people with their problems. CASSANDRA Rubbish. Thats just a cover. A ploy. ROBERT (Looking directly at her) You came to me. CASSANDRA Just the way you wanted it... How many clients have you had? ROBERT None of your business. Robert shakes his head- and gets up, walking away.

(CONTINUED)

CONTINUED:

95.

CASSANDRA (CONTD) I knew Ian personally. What if I told you Id had an affair with him... ROBERT Id laugh. You werent his type. Pause. ROBERT (CONTD) I couldnt place you, but I knew Id seen you before. (Beat) Then, when I left your house last night, it came to me. You were his assistant all those years ago- you oversaw everything. (Beat) So how did you end up marrying him? Wasnt he already married? CASSANDRA Its complicated. ROBERT (Firmer) Tell me the truth. CASSANDRA In law, no. ROBERT And Mrs Malone? CASSANDRA She died- took her own life. In hospital. She was a manic depressive. Robert frowns. ROBERT So replaceable. (Beat) Are you that good a fuck? Cassandra gives him a slightly modest/ girly smile. CASSANDRA She had to disappear, go away anyway- so why shouldnt I? The best person for it. Everyone accepted us as a couple... As it happened- he couldnt marry me in the end, and divorce her.

(CONTINUED)

CONTINUED: ROBERT Why not? CASSANDRA He just couldnt. Pause. CASSANDRA (CONTD) And I deserve something from all of this. ROBERT Money? His estate? (Beat) But its not as simple as that is it? Theres more to it... CASSANDRA I remember you too... Cassandra gets up and goes over to him. CASSANDRA (CONTD) I liked you. (Pause) And then you started poking your nose into Mr Malones affairs- so I thought Id pay you a visit. ROBERT (Dryly) Thanks very much. She gets really close to him. ROBERT (CONTD) Youre dangerous. CASSANDRA And you like that...

96.

She kisses him, and they fall down onto the sofa, and have passionate sex. FADE Cassandra goes through to the bedroom and bathroom, and takes a shower. As shes doing this we Cut Back To- Robert, who busily tidies up- and packs his things away, including laptop. Cassandra then appears in the doorway, when hes finishing. CASSANDRA (Flatly) Where are you going? Robert ignores her. (CONTINUED)

CONTINUED:

97.

CASSANDRA (CONTD) Youre going to find Ian, arent you? Pause. CASSANDRA (CONTD) Can I come too? ROBERT (Firmly) No. Cassandra sits down on the sofa. CASSANDRA Theres something else you need to know... FADE 38 INT. STUDY- DETACHED HOUSE, DAY. It is six months earlier (Maybe a title comes up with this, and/ or: After The Scandal). We are in Mr Malones study, and theres a similar layout to his Parliamentary offices. Mr Malone is once again sat behind a desk, and Ian is in front of him- but this time alone. JOHN MALONE Ive lost everything... IAN I know, Im sorry. JOHN MALONE At least Im ok financially. For now. And I have you to thank for that. IAN Youre welcome. JOHN MALONE Ian, theres something Id like you to do for me. (Beat) Youre a good communicator, and I can trust you. (Beat) I need you to go to Geneva and meet some people for me. IAN (Surprised) Who?

(CONTINUED)

CONTINUED: JOHN MALONE Energy people. Tie up some loose ends. IAN Im not a negotiator. JOHN MALONE There isnt much of that- I only need you to be a face- and you know all about my business affairs. Mr Malone stands up, and walks a few paces. JOHN MALONE (CONTD) You see, Im in a bit of a delicate situation- having lost my position in the cabinet. You understand. I need to reassure certain people. (Beat) And you, as my associate... IAN What about Cassandra? JOHN MALONE No. She cant do it. IAN (Confused) Its not really what I do... JOHN MALONE I know, but Ill make it worth your while. It will only be a short trip- a weekend. IAN I dont like to leave the kids. Katies just starting school, and Beccys not sleeping very well... JOHN MALONE (Stronger) Oh come on. Itll only be for the weekend. Ill be slowing things down now... And youll get a nice bonus... Just in time for Christmas, eh? Useful to a family man... And Ill put you up in a nice hotel... IAN (Sighing) I appreciate what youre sayingand Id like to help you... But, I have responsibilities...

98.

(CONTINUED)

CONTINUED:

99.

JOHN MALONE What happened to that partner of yours? He was a bit of a wild card. IAN Were no longer working together. JOHN MALONE Oh, thats a shame- I must say he lead me down a merry path. IAN Well, thats in the past... You dont have to worry about him, any more. JOHN MALONE But I do you see. I like to know what everyones about. So I had him checked out- and he certainly has a checkered past as far as the financial world is concerned. (Beat) Hes a risk taker- And hes broken a few rules along the way. I know some people that would love to get hold of him... IAN Are you blackmailing me? JOHN MALONE No. (Beat) All Im saying is- do this job for me... And well all be free and clear. Ian sits back, and a thin smile creeps across his face. IAN If I do this... Then I will no longer work for you. JOHN MALONE Good, so its decided then. (Sitting back down again) Im relieved. So, Ill have everything arranged. Now, If youll excuse me, Ive got some calls to make. Ian stands- a bit shell-shocked, and leaves the room slowly. Mr Malone uses the phone, and turns away from him. FADE

100.

39

INT. A LARGE AND SELF-CONTAINED, CITY CENTRE FLAT- LEEDS. MORNING. We return back to Robert and Cassandra- as they were at the end of Scene 37- although Robert now stands over Cassandra, who still sits on the sofa. CASSANDRA Ian wanted to disappear. Let him. ROBERT (Strongly) Youre a liar. hed never leave his wife and kids. CASSANDRA He was unsettled with family life- it happens. ROBERT This is ridiculous. CASSANDRA He confided in me- we were friends. Robert stares at her, with an ironic/ sarcastic smile. ROBERT What are you after? What are you up to now? CASSANDRA Stay with me- well work this out together. ROBERT Youre insane. CASSANDRA If you go- youll be a wanted man... A fugitive. ROBERT (Smiling) Ill take that chance. Its You that should be afraid of the police. CASSANDRA (Standing, coolly) No. Theyll be after you, and only I can help you. Robert laughs.

(CONTINUED)

CONTINUED:

101.

ROBERT Thats a joke. CASSANDRA They know all about you. Robert goes up close to her. ROBERT Cassandra... Its over. CASSANDRA (Shouting) Who do you think youre talking to- Im his wife! ROBERT (Exasperated) Youre nobody. CASSANDRA Im in charge of his estate! Pause. ROBERT (Smiling slyly) I bet it was you who leaked the story to the press- that created the scandal... Cassandra is taken back. CASSANDRA How dare you! Pause. ROBERT What partner wouldnt, right? (Pause) Did you want to destroy him from the beginning? (Beat, angry now) Why did you kill him? He wasnt that bad- surely. Greed? Power? Envy? Cassandra laughs- weakly, and sarcastically. CASSANDRA Youre so naive. ROBERT He Never hurt you, did he? Your bruises- self inflicted?

(CONTINUED)

CONTINUED:

102.

CASSANDRA Whats it matter. (Beat) Its what you all want to believe- the press, the public. The philandering, sexually aggressive politician. Robert turns away from her in disbelief. He picks up his things, and walks to the door. ROBERT Im leaving. CASSANDRA (Loudly, and Matter-offactly) Youd better run. Robert exits without looking back. We end on Cassandra. FADE 40 EXT/ INT. CAR DRIVING THROUGH THE CITY STREETS- AFTERNOON. Robert drives to the airport. Hes angry and perplexed, but determined. 41 EXT. GENEVA- LATE AFTERNOON. There is a panorama of the City- along with maybe the title: Two weeks later- and we Cut To Robert entering a Geneva Hotel. It is a winters day- in late November- and it is sunny, with light snow and ice. 42 INT. HOTEL ROOM- GENEVA- LATE AFTERNOON. Robert enters the room- he is dressed casually, and is unshaven. He sits on the bed- and puts his head in his hands- before lying down, and closing his eyes. Theres a Close Up- before we Fade. His mobile rings- and we Cut quickly to him sitting back up. He presses the button and answers it. ROBERT Hi Hazel. HAZEL Hi Robert. We cut between them again. ROBERT So you got my message?

(CONTINUED)

CONTINUED:

103.

Robert gets up, and goes over to a table by the windowwhere sun comes in- and he can see the City. HAZEL (Excitedly) I cant believe it. Were overjoyed. ROBERT I told you Id find him. Theres a moments awkwardness. HAZEL And I knew youd do it. Robert smiles. Then his mood turns. He sits back down on the bed. ROBERT Well, I havent actually seen him yet. I dont know what to expect. HAZEL Hes not hurt? ROBERT No, I dont think so. HAZEL Whats he been doing? ROBERT Laying low. I dont know the full details, but from what I do knowhes been hiding away from some bad people. Associates of the former Mr Malone, no doubt. HAZEL How did you find him? ROBERT Old contacts- and I asked around. Knowing he was in this City has made it easier. (Beat) I had to talk to a lot of people, and trying to stay out of public view has been hard. But its all trueeverything he said. HAZEL Well work it out. ROBERT I know- Im just so angry still. (Beat) Ill be sorry to drag you into all of this... (CONTINUED)

CONTINUED:

104.

HAZEL Dont worry about that now... Well face that later. (Beat) I started this, didnt I? I kept pushing you. ROBERT Im not sure you did. You gave me more of an incentive. (Beat, awkwardly) And piece of mind. You know I wouldnt have been able to do this without you... HAZEL I didnt do anything. ROBERT Yes you did. You did so much. HAZEL Its brought us together... And Im happy about that. (Smiling) You were barely a friend before. I hope youll stay just as close, when hes safe. (Beat) The girls are very fond of you... ROBERT And I am of them. (Beat) Hes been moving from place to placeI managed to get in touch with him, through a hostel he was staying in. HAZEL How did he seem... Sound? ROBERT Afraid. (Beat) I just want to see him, now... HAZEL When? ROBERT Later, this evening. HAZEL How do you think hell be with you? ROBERT Ok I hope. Water under the bridge, and all that.

(CONTINUED)

CONTINUED:

105.

HAZEL Hes lucky to have such a good friend. Robert laughs weakly. HAZEL (CONTD) Really. ROBERT Right... Well, I should have a shower. HAZEL Ok. Hazel gets emotional and tearful. HAZEL (CONTD) Give him our love... And tell him how much were missing him. ROBERT I will. (Beat) Hell be missing you too. HAZEL Should I come out there? ROBERT No. Theres really no need. HAZEL Are you sure? ROBERT Look, well talk again later ok. Ill give you a ring when I know more. HAZEL Yes, as soon as you can! (Beat) And try and get him to call me! If he wants to... ROBERT Ill try. HAZEL Youll be ok? ROBERT I will. HAZEL Where are you meeting him?

(CONTINUED)

CONTINUED:

106.

ROBERT A bar by the river. Pause. ROBERT (CONTD) I just want to talk to him- and find out more, and try and help. Thats all. (Beat) And I owe him an apology. He didnt sound that happy to speak to me, so I may have some work to do. But he still may be protecting me- if what Mr Malone said is true. HAZEL You boys. Its not you and him I worry about... Robert laughs, a little harder than before. ROBERT Ill speak to you soon. HAZEL Ok then... Bye. Robert puts the phone away. He walks away from the bed, and goes to a bag. He takes out a handgun, and places it on the bed. He goes into the bathroom- loosening his clothes. 43 INT. BATHROOM- OFF BEDROOM, IN HOTEL ROOM- GENEVA. EARLY EVENING. The bathroom is brightly lit, as Robert gets undressed. He looks at himself in the mirror, above the sink, for a long time. He turns on the shower, and steps under it. FADE. 44 EXT. GENEVA- EVENING. Robert walks to the tavern, through the streets of Geneva. It is cold, and he wears an overcoat, trudging onwards. The streets are softly lit by lamps, and there is snow on the ground. He turns, and enters a riverside bar. FADE.

107.

45

INT. RIVERSIDE BAR/ TAVERN- GENEVA. EVENING. The bar is quaint, and darkly decorated. Robert sits by himself, drinking a beer, in a booth- and he can see the entrance. The place is quiet- almost empty. Cut To- a man enters. He wears an overcoat and a fur hat- and is shivering and cold. He takes his coat and hat off, putting them on a coat stand- as he sees Robert- who nods to him, smiling thinly. The man, IAN, goes over to him. A Close Up, shows him to be scruffy, and dirty- with wet matted hair- clinging to his face. They hug affectionately- and an open fire, catches Ians his eye- in the corner. Robert sits back down, and Ian sits opposite him. ROBERT Jesus mate... I dont know what to say. (Beat) Its just great to see you. (Pause) Ill get you a drink. Robert goes to the bar and gets a large Brandy, and takes it back to the table. ROBERT (CONTD Drink this... Itll warm you up. IAN Thanks. Ian cups it, and then looks up at him, weakly. IAN (CONTD) Who have you been talking to? ROBERT No one. Pause. They drink. ROBERT (CONTD So where have you been hiding? IAN Around. ROBERT Sleeping rough? IAN Sometimes. Pause. IAN (CONTD) How did you find me?

(CONTINUED)

CONTINUED:

108.

ROBERT (Smiling slightly) Oh... You know me. A great investigator. Ian attempts a smile. ROBERT (CONTD Are you hurt. IAN No. (He coughs slightly). Robert smiles again, affectionately. ROBERT What have you been through- tell me. I hardly understand it all. IAN You have to pay your debts... Someone always comes to collect. ROBERT What? IAN The Karlorov brothers. ROBERT (Thinking he knows the answer) And what business are they in? IAN (Coughing again) Energy, Racketeering. Eastern Europe. They have their fingers in a lot of pies. ROBERT A big market- but a weakened one; and since Mr Malones lost powerthey are worried about their investment. Ian nods. IAN Authority and respect, are a big thing for these guys. Pause. ROBERT So what do they want from you?

(CONTINUED)

CONTINUED:

109.

IAN Nothing. Im just collateral. I came here to improve relations between the two parties; but one party backed out on me. Mr Malone. He disappeared. ROBERT Disappeared? IAN Yes, to me. All communication. Robert looks angry. IAN (CONTD) But a lot of money was lost... And someones got to pay. ROBERT And its usually someone innocent. IAN I managed to get away from my hotel, where they tried to keep me. And since then, Ive been hiding out. I havent known what else to do. I cant go home. Robert nods. IAN (CONTD) Anyway, I cant leave the country, because I dont have my passport. I left with just the clothes on my back... ROBERT Its probably best that you dont try- theyd have no doubt had that covered. Pause. ROBERT Mr Malone is dead. IAN I know. (Beat) Ive been reading newspapers from home... ROBERT It was Cassandra. Ian looks at him- questioningly, with shock.

(CONTINUED)

CONTINUED:

110.

ROBERT (CONTD It was all very surreal, believe me. You wouldnt believe this woman. IAN Shes ambitious. And she knows what she wants. ROBERT She said you were good friends. IAN I hardly ever spoke to her. She detested me. Robert nods. IAN (CONTD) Where is she? ROBERT I dont know. Under arrest, hopefully. Pause. ROBERT (CONTD The police may be after me... IAN What? ROBERT Ive been caught up in it. (Beat) She came to see me, and asked for my help. IAN In what? ROBERT Ive been doing some life coaching. Ian looks at him in disbelief. IAN All this stinks. ROBERT Tell me about it. (Beat) You know she wasnt his real wife... Ian looks straight at him.

(CONTINUED)

CONTINUED:

111.

IAN It was none of my business. Robert nods. ROBERT And now shes after his money. IAN She wont want me standing in her way then... Pause. ROBERT What do you know? IAN That theres a will- John and Maries will. ROBERT Do you have it? IAN No, but its safe- along with some other documents I may need. (Beat) How proper and up to date it is though- I dont know. ROBERT Cassandra knows, I bet. Clever. Ian nods, sadly. ROBERT (CONTD) John and Cassandra were never a legitimate couple... IAN (Exasperated) No... But she acted like they were. Its a sham- a common-law marriage at best. ROBERT One of her fantasies... But you all went along with it. IAN Power can have that effect. It can make you turn a blind eye. ROBERT And John and Maries marriage was never annulled?

(CONTINUED)

CONTINUED:

112.

IAN No, I Believe not. ROBERT But she must have something... Something in writing, from Mr Malone. IAN He probably promised her the world... But will it stand up in court? Robert sighs, shaking his head. ROBERT So what do we do now? IAN Go to the police. ROBERT Come on... You know I cant do that. IAN You have to. We have to. ROBERT What about the people after you? Pause, Ian looks away. ROBERT (CONTD Let me speak to them. IAN No. ROBERT Then Ill go to the authorities. Ian thinks, and reluctantly nods. IAN But speak... Thats all. ROBERT Sure. Im always making a deal, right? Ian tries a smile again. He goes into his pocket, and takes out a pen and scrap piece of paper. He writes down a number, and gives it to Robert.

(CONTINUED)

CONTINUED: IAN Be careful. ROBERT I will. Pause. ROBERT (CONTD) You havent asked about Hazel... And the girls. Ian brightens up, with the mention of them. ROBERT (CONTD Theyre fine... They miss youand they send their love. IAN With any luck, Ill be out of this soon. Robert nods. ROBERT Look Ian, Im sorry about what happened... IAN You dont need to be. ROBERT But how we left things... We were friends... For a long time. IAN It happens. In business. ROBERT I think Im better off on my own. Ian looks at him, closely, and affectionately. ROBERT (CONTD) I would have got us into trouble sooner or later. Ian smiles properly, for the first time. ROBERT (CONTD Rest assured, Ill do everything I can. IAN I know. Thanks. Ian stands up, uneasily.

113.

(CONTINUED)

CONTINUED:

114.

ROBERT I cant leave you like this... Come back to the hotel with me... IAN No, I cant... Not tonight... Its not safe. ROBERT Well then... Do you need anything? Money? IAN No, Im alright. (Beat) Ive been getting quite resourceful. Robert smiles. ROBERT Meet here again tomorrow night? Same time? IAN Ok. He stands. ROBERT Take care. Ian nods, turns around, and then goes to leave- stopping to put on his coat and hat first. We follow behind him, as he exits the bar. Cutting Back to Robert- hes sat back down, and hes looking into his unfinished drink. FADE 46 INT. HOTEL ROOM- GENEVA- NIGHT. Robert opens the door to his hotel room, and enters. Closing the door- he then goes over to the bed and sits down, before lying down. Theres a knock at the door. Robert gets up, and answers it. Cassandra is standing there- in profile- lit against the background. She is wearing a tight black dress. ROBERT (Looking her over) I knew youd come. He holds the door open- moving aside- and she steps into the room, confidently. She looks around, cautiously. She turns back, as hes closing the door.

(CONTINUED)

CONTINUED:

115.

CASSANDRA Where is he? Robert sighs. ROBERT You mean you havent come to see me? CASSANDRA Ive had you watched, you know. ROBERT I dont care. She sits on the bed- crossing her legs. CASSANDRA I know youve already met him, and youre going to again. ROBERT (Smiling) Do you? He walks over to her. ROBERT (CONTD So whats he worth? CASSANDRA What do you want? Robert looks her up and down. ROBERT Hes my friend. CASSANDRA (Smiling) Youre his assistant. He doesnt need you... ROBERT No, maybe not. He strokes her face. She turns away from him. He grabs her hair, pulling her back to him. She gives him a sultry/ confident look- but shes passive and submissive. Robert kisses her, and they strong, almost violent sex; around the arms and throathold him off. He bites heracross the face. They come, Fade. (CONTINUED) fall onto the bed. They have as Robert grabs and holds her, and she tries to fight and and she screams, and hits him and lie motionless apart.

CONTINUED:

116.

Cut To- Robert sits up, smoking. Cassandra looks at him, angrily. ROBERT What do you really want? CASSANDRA (Confused) What do you mean? ROBERT When will you be happy? People are a game to you. CASSANDRA You have to go after what you want. Robert gets up. ROBERT You dont understand the trouble youve caused. CASSANDRA Dont be a child. Robert quickly tries to grab her across the bed- and she moves off it. He scrambles over it- and pins her up against the wall- by her throat. ROBERT (Angrily) What is it you want! CASSANDRA (Softly) I just want to talk to him. (Beat) I want you. Robert lets her go, and walks away. CASSANDRA (CONTD) (Rubbing her throat) You dont want money... You dont want me... What do you want? Pause. She thinks. CASSANDRA (CONTD) Hazel... Youll have Hazel and the kids... Robert moves back towards her, angrily. She tries to face up to him. He stops, and calms down. He points to the door.

(CONTINUED)

CONTINUED:

117.

ROBERT (Firmly) Get out. Cassandra gets her things- takes one last look at him, and exits. FADE. 47 EXT. OUTSIDE RIVERSIDE BAR/ TAVERN- GENEVA. EVENING. Theres a wide path and bank, next to the bar. There is snow on the ground- and its snowing, lightly. There is streetlamp lighting- but there are a lot of shadows. Ian is waiting outside- standing still, and shivering- with condensation coming out of his mouth. Robert arrives. ROBERT What are you doing out here? IAN Fresh air. Robert looks at him curiously. ROBERT What is it? IAN The flu- dont worry. ROBERT Come inside- Ill get you a brandy... IAN No. ROBERT Ok. They stand there for a moment. Robert has his hands in his pockets- Ian has his around his waist. IAN Have you called the police? ROBERT No... (Ian looks away, Beat) But Ive made us an appointment for tomorrow morning, at the British Embassy. IAN Good.

(CONTINUED)

CONTINUED:

118.

ROBERT We should both go together- and tell them our sides of the story. Ian nods. ROBERT (CONTD I have some evidence... And so do you- so we need to tell them what we know. Pause. ROBERT (CONTD Theres something else... Cassandra came to see me last night. Ian stares at him- anxiously. IAN Do you think shell come here? ROBERT I would think so. But dont worry. IAN I could kill her. Robert nods, and looks into the darkening evening. ROBERT I know... Have you seen anyone suspicious at all? Ian shakes his head. Robert looks at him. ROBERT (CONTD No one put anything into your drink? IAN What? ROBERT Nothing. IAN I havent been able to drink much. ROBERT Whereve you been staying?

(CONTINUED)

CONTINUED: IAN A hostel. (Beat) Although Im a bit over the average age. Robert smiles. ROBERT Come back to the hotel with me tonight. (Beat) Have a bath- put on some fresh clothes, and youll be in a better frame of mind tomorrow. IAN (Nodding) Maybe youre right. ROBERT This weatherll kill you. Theres a brief smile from Ian. IAN All I want to do now is go homeand get back to normal. Pause. ROBERT Maybe youll feel like talking to Hazel later... She wanted me to ask you... IAN I dont think I can. ROBERT Well its up to you. You can always call her from the hotel... Ian doesnt look at him. IAN Im afraid things have changed... ROBERT Nothings changed. She still loves you. IAN Ive made mistakes. Things Im ashamed of. ROBERT Youre not the only one. Theres a faint smile from Ian.

119.

(CONTINUED)

CONTINUED:

120.

ROBERT (CONTD Ive only ever passed through this place. (Beat) But in its own way, its perfect. Suddenly, Cassandra appears from the side of the barbehind them. She is wearing a white fur coat and hatalmost the colour of the snow. They hear her approach, and turn around. ROBERT Well well. IAN (Angrily) W-what are you doing here? CASSANDRA Relax- I just want to talk. ROBERT I thought you preferred action over talk. CASSANDRA (Half-Smiling) Things cant stay as they are... ROBERT No, I suppose not. (Beat) So how does it end? IAN If you dont turn around and leave right now- I will strangle you. Cassandra laughs- shaking her head, and Ian stares at her. Robert motions for him to back down/ relax, and reassures him. He looks around. ROBERT On your own? Cassandra moves closer to Robert, and puts her arm through his. CASSANDRA Have you told him about us? ROBERT No... Not yet. (Beat) Ian, this is my whore. Ian scoffs, and shakes his head. Cassandra smiles.

(CONTINUED)

CONTINUED:

121.

CASSANDRA Hazels a lucky woman. Fidelity is a beautiful thing... Robert here, would put his dick in anyone. Robert smiles. CASSANDRA (CONTD) Hes been staying with her you know... ROBERT (Laughing) Oh, youve got to try harder than that. IAN (looking straight at her) I never trusted you. CASSANDRA You never tried to stop me though- so youre complicit; just as Robert is, for helping me. Robert shakes his head. IAN I never knew the full extent... CASSANDRA No... You were only one of his closest advisers. IAN So were you! He trusted you! CASSANDRA You fool. If you only knew. ROBERT That storys over, sweetheart. CASSANDRA I know you have something about me... Important documents. And I want them. IAN (Coughing) Something standing in your way? (Beat) It was your idea, I come out here, wasnt it?

(CONTINUED)

CONTINUED:

122.

CASSANDRA Someone had to. IAN After the scandal, I was the only person left he could turn to. Where were you? But you knew that; just like you knew that youd be left with nothing. CASSANDRA Ill be just fine... Dont you worry about me. Suddenly, Ian collapses to the floor. Robert rushes down to help him. ROBERT What is it? IAN My heart... Its racing. Robert shoots Cassandra a look. She shrugs, innocently. ROBERT Try and keep calm- breathe, Ill go and get some help. Robert tries to make Ian comfortable, and then rushes into the bar. Cassandra kneels down next to him. CASSANDRA Poor boy... We could have helped each other. IAN You dont believe in any of that. CASSANDRA Who will take care of your wife and children... IAN Theyll be just fine... A gunshot rings out, and Cassandra is shot in the chesther white fur coat, now covered in blood. She falls downpartly on top of Ian, and he pushes her off. FADE Robert returns. He takes one look at Cassandra- before looking around. Ian is quiet- breathing hard- and holding his chest tightly.

(CONTINUED)

CONTINUED:

123.

ROBERT An ambulance is on its way. He looks at Cassandras body again- and shakes his head. He pulls it over to the river- and pushes it in. He then returns to Ian- and sits down next to him- putting his arm around him, keeping him warm. We Pan Out- into a view of the whole area- as the Emergency Services arrive. 48 INT. A NEW AND MODERN OFFICE- DAY. It is several weeks later. Robert and Ian sit opposite each other- in Roberts new office. The office has a few more of his things- suggesting more permanency. The set up also mirrors scene 38, with Mr Malone and Ian. ROBERT So I called one of the Karlorovs. IAN Who did you speak to? ROBERT Konstantin. IAN The milder of the two. You were lucky. Robert nods. ROBERT He was very happy to talk to me, as it turned out; and he was more than glad to get his hands on Cassandra... Cut To- A phone call between Robert and Konstantin Karlorov. Konstantin is thin, rough looking, and unshaven. ROBERT (CONTD) Karlorov? KONSTANTIN Yes, this is Konstantin. ROBERT You dont know me... Im an associate of Mr Cransons KONSTANTIN Where is he?

(CONTINUED)

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124.

ROBERT Never mind that. I have some information for you... A trade, if you like... KONSTANTIN I am listening... Cut Back To- Robert and Ian. IAN And by killing her, theyd get their hands on his estate- and get their money back. ROBERT Yep. IAN Clever. Robert smiles. Theres a pause. ROBERT Its great to have you back. IAN Its good to be back. A month in hospital, is about all I can take. ROBERT Its a good job it was only the flu- mixed with Cassandras crazy drug- that kept you there. IAN A weak immune system... I wasnt exactly taking very good care of myself. ROBERT But thats understandable. IAN They were very interested in that drug. ROBERT Lets hope they find Dillon... Before he does any more damage... Ian nods. ROBERT (CONTD) How are things at home?

(CONTINUED)

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125.

IAN Ok, really. ROBERT What do you mean? IAN Were having some time apart. (Beat) I still see them almost every day though. ROBERT Oh? IAN I just need a break. Robert nods. ROBERT Keeping busy though? IAN No. Robert smiles. IAN (CONTD) Kind of. (Beat) Well, Ive started writing... ROBERT A book? IAN I dont know yet... Maybe a novel. ROBERT You? IAN Dont be so surprised... I used to write a lot when I was younger, at college. Before I met you. ROBERT No... Thats good then. (Beat) Whats it about? IAN A thriller. Robert nods.

(CONTINUED)

CONTINUED: ROBERT If you ever need a hand... Any ideas... IAN (Smiling) Thanks, but Ive got enough material for now. (Beat) Hows the new business? ROBERT Fine- but Im just getting started. (Beat) I could always use some help from you... When youre ready. We could even have the same arrangement as before. IAN Thanks, but right now Im enjoying some time off... ROBERT Ok. IAN Hazels back at work, and strangely I get to see the kids more than I did before... ROBERT Thats great. (Beat) Look, what Cassandra said... About me and Hazel... We never... IAN I know... Pause. ROBERT What a time, eh? Im really glad most of its been sorted outapart from the inquiry in Switzerland about Cassandras shooting, that I have to go over for. IAN Well, be careful. ROBERT I will. (Beat) Im just glad they let you give testimony over here. IAN (Smiling) Me too.

126.

(CONTINUED)

CONTINUED:

127.

ROBERT With you and Hazel as my witnesses, they had to give me the benefit of the doubt; and Cassandra exaggerated any investigation on me, to keep me moving. Ian nods, smiling again. ROBERT She really was something... IAN Its tragic how the worst kinds of people, leave the strongest impression. (Beat) She had it coming... Robert nods. ROBERT Best try and forget about her now. IAN Case closed. ROBERT I hope so. Pause. IAN (Motioning to the door) Missing persons? ROBERT It had to happen. IAN A real detective. ROBERT (Smiling wryly) Its a growth industry. Better than Life Coaching, anyhow. IAN You could never have an ordinary job... ROBERT No, probably not.

(CONTINUED)

CONTINUED: IAN So what are you working on? ROBERT A fifteen year old girl has gone missing- may have run away- Ive got a lead in Belgium. IAN Much of a family? ROBERT A mother. IAN Going over there? ROBERT As soon as I can.

128.

Robert turns his attention, to paperwork on his desk. Pause. IAN Ill leave you to it, then. ROBERT Ok mate. Ian and Robert stand, and they shake hands. ROBERT (CONTD) Well have to get together, for a meal and a drink, when I get back. IAN Thatd be good. Ian walks to the door, and Robert goes with him. When he gets there, he turns around. IAN Maybe I could help you with something... In a week or two. ROBERT Id like that. (Beat) Ill email you something. But see how you feel... And keep on with your book. IAN I will. Robert squeezes the top of his arm.

(CONTINUED)

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129.

ROBERT All the things weve been through... Ian smiles. IAN As long as Ive known you. Robert holds the door open for him- and he walks away. We stay on Ian, and fade- before the door is closed behind him. THE END