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Warm-Ups The Richard Miller Way

The document discusses Richard Miller's views on vocal training techniques for amateur singers. It covers 4 main areas: posture, breath management in 5 areas, free laryngeal function through agility and sostenuto exercises, and resonance balancing through vowel differentiation and flexible articulation. The goal is to train technique to support emotional expression and communication through the voice.

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angelay71
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5K views10 pages

Warm-Ups The Richard Miller Way

The document discusses Richard Miller's views on vocal training techniques for amateur singers. It covers 4 main areas: posture, breath management in 5 areas, free laryngeal function through agility and sostenuto exercises, and resonance balancing through vowel differentiation and flexible articulation. The goal is to train technique to support emotional expression and communication through the voice.

Uploaded by

angelay71
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPT, PDF, TXT or read online on Scribd
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Richard Miller

Training the amateur voice


through warm-ups and exercises
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"Technique and expression must be the


supporting pillars of vocal art…Technique is of
no value except as it makes communication
possible…Unless the emotional experiences
and sentiments of a performer can be
externalized, they have no value beyond
personal therapeutic ones."
Richard Miller
Training Voices in the Choral Rehearsal
S y s te m a tic A p p lic a tio n o f E x e rc is e s in 4 M a in A re a s

P o s tu re B re a th M a n a g e m e n t: F re e L a ry n g e a l F u n c tio n : R e s o n a n c e B a la n c in g :
5 A re a s e ffic ie n t c o o rd in a tio n o f b re a th w ith htoa nrme o n ic p a rtia l re la tio n s h ip s

N o b le & A x ia l In h a la tio n A id e d b y a g ility e x e rc is e s V o w e l d iffe re n tia tio n

G a rc ia p o s itio n O nset A id e d b y s o s te n u to e x e rc is e s V o w e l e x e rc is e s

P h o n a tio n V ib ra n t v o ic e s

R e le a s e

Im m e d ia te re n e w a l o f b re a th
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Posture
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 “Noble & Axial”


 Garcia position to aide in above
 “Quietude of the torso”
Onset Exercises

Immediate Silen
renewal t
Brea
th

Releas
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Vibrant ------------tone
Onset Exercise Example

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Cardinal Vowels
 Onset exercises should
incorporate all cardinal vowels
 Avoid glottal attacks, use
fricative consonants
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Free Laryngeal Function:
Agility & Sostenuto

Exercises
Abdominal wall remains stable
 Quiet laughing patterns (5-4-3-2-1)
 Simple legato passages in middle range
 In combination with onset exercises, develops
appoggio technique without long explanations
Resonance Balancing
 Vowel definition: tracking the vowel
 Flexible system: lips, tongue, mouth,
jaw for each vowel
 Raise zygomatic arch
 Vowels should never loose integrity;
over-modifying them should be
avoided
Richard Miller

Vocal training is essential to emotive


communicating

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