This document provides tips for effective writing. It recommends (1) writing in a well-organized, easy to read, clear, and interesting manner, (2) thinking before writing to ensure clarity, conciseness, consistency, and accuracy, and (3) getting to the point quickly and telling something specific and concrete to engage the reader. It also suggests using familiar words, short sentences, short paragraphs, specific language, simple rather than complex constructions, a positive tone, active voice, a conversational style, and revising to improve the article. The overall message is to write to inform readers rather than to impress them.
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Learning Approach 2 Effective Writing
This document provides tips for effective writing. It recommends (1) writing in a well-organized, easy to read, clear, and interesting manner, (2) thinking before writing to ensure clarity, conciseness, consistency, and accuracy, and (3) getting to the point quickly and telling something specific and concrete to engage the reader. It also suggests using familiar words, short sentences, short paragraphs, specific language, simple rather than complex constructions, a positive tone, active voice, a conversational style, and revising to improve the article. The overall message is to write to inform readers rather than to impress them.
Download as PPT, PDF, TXT or read online on Scribd
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Learning Approach 2
by Prof. WILFREDO R. REYES
EFFECTIVE WRITING PROCESS and TECHNIQUES I. Writing for Easy Reading Aim to write a material that is: >well organized >easy to read >clear >interesting II. Think First, Then Write Figure out what you want to say and why you want to write them. Only then you can expect: >Clarity >Conciseness >Consistency >Accuracy. Get the human interest items and write it: >according to what happened first; what’s next; >according to the most important point first to the next most important; >chronological order; >Logical arrangement. Pattern most used:
>Who-What-Where-When-Why order of a news story. >State your main idea briefly at the beginning. >Then give the points and details supporting this idea.
>Or the Angle or Slant Story.
A good rule would be: >Get your reader interested. >Lead off with something interesting and promising. >Wind up with something you want him to remember. III. Get to the Point The beginning of a story is the most important part. >Start punching right off - start with something that matters. >Get to the point - tell some- thing concrete and specific. >Get the reader into something that is of interest to him. >Don’t start off in a round about fashion.
>Don’t bore your reader
with a long-winded introduction. If you do, he’s likely to quit reading before he gets to the main idea. IV. Use Familiar Words • When you want to communicate with somebody, you have to use the words he has in his head. • If he doesn’t understand some of the words you use he is likely to miss your meaning. • Bear this simple truth in mind, unless he understands, you have accomplished nothing. COMPLEX COMMON Indisposed ill Contribute give Monumental big Request ask Terminate end Endeavor try Witness see Summon call Purchase buy Category class Utilize use Prevaricate lie Majority most Incarcerate jail Reside live Inaugurate start Procure get Facilitate help Proceed go Inundate flood V. Omit Verbal Deadwood Effective writing is concise. >for the reason that -because >united in holy matrimony -married >used for fuel purposes -fueled >at the recent time -now >held a conference -met >tendered his resignation -resigned >in the immediate vicinity -near >told his listener -said >was able to make his escape -escaped >affixed his signature -signed The italic words in the following examples should be omitted: -Advance prediction -Fatal killing -Definitely decided -New recruits -The other alternative -Free gift -For a period of two week -Past history -Final conclusion -Dead body The rule is: Chop out the verbal deadwood. VI. Keep Sentences Short • The logic of writing short sentences is for the readers to absorb the idea faster. • The longer the sentence, the more words. The more words, the more relationships. The more relation- ships, the more effort for the reader. • The chance he will misunderstand, the sooner he will quit reading. Average sentence length in words that fits an audience reading skill. Very easy -8 or less Easy -11 Fairly easy -14 or less Standard -17 Fairly difficult -21 Difficult -25 Very difficult -29 and above VII. Shorten your Paragraphs Short paragraphs are better: • Visually, they are easy on the eye. • Short paragraphs act as a brake on the writer who strings too many ideas or facts together. • Short paragraphs make for easy reference • As a rule, begin paragraph with a sentence that suggests the topic or a transition sentence. VIII. Use Specific, Concrete Language • Shy away from abstract words. • Use lots of concrete, specific words that stand for things you and your reader can see, hear, taste, touch, and smell. • Concrete nouns help focus your reader’s attention. Always prefer the specific to the general, the definite to the vague, and the concrete to the abstract. Tragedy (fire, explosion, drowning) Accident (collision, a fall from a building) Organization (Jaycees, YMCA?) Ceremony (wedding? Mass? Award?) Legal action (suit for damages? Criminal case?) Document (deed of sale? Treaty?) Monetary consideration (salary? bribe? reward?) Community (town? barrio? city?) Vague His head was injured by a blunt instrument. Precise His skull was fractured with a hammer.
Vague Officers removed a gun from his
clothing. Precise Police took a 32 caliber automatic from his hip pocket.
Vague A large number assembled for
the protest rally. Precise Five hundred attended the anti-GMA rally. IX. Prefer the Simple to the Complex
“Corazon Amurao walked
a dozen steps from the witness stand here today, pointed her right hand at Richard Franklin Speck, and said, “This is the man.” “There was absolute silence in the courtroom. Not a soul stirred as the words rang out in a clear girlish voice tinged with the soft Spanish accent of the tiny Filipino nurse.”
“Her extended fingers did not touch
Speck, the murderer of eight of her classmates at the South Chicago Community hospital nursing school. But in that dramatic moment, they did not waver.” “Her small featured, moon- shaped face was expression- less. It was in the depths of her jet black eyes that emotion showed.”
Four hours, Miss Amurao re-
counted the events of July 13 which led to the death of eight girls, two of them Filipinos like Corazon. At one point: “Her voice broke. She struggled to regain her composure, but failed. Finally she gave in to the tears that wracked her small body and flushed her face. She buried her face in the handkerchief and cried and cried, a silent grief that was more sensed than heard.” X. Be Positive State a fact or an idea directly. Use direct rather than indirect sentences. >Follow the natural order of thought: Subject verb object. Avoid round-about language like: >“With respect to the question of pets, Mary exercised rights of ownership over a certain juvenile member of the sheep family.” But a child simply says: >“Mary had a little lamb.” XI. Use the Active Voice Write according to natural order of thought, the subject-verb-object agreement. >This is normally the way you talk. >It is the natural method by which a person breaks news to another. We call this active voice. It gives snap and punch to writing. Consider this example from a local paper: >Congressmen demanded today the firing of all NFA officials (active) >The firing of all NFA officials was demanded today by congressmen. (passive) >The demand for the firing of all NFA officials was made by congressmen. (passive) The habitual use of the active voice makes for effective writing.
>When a sentence is recast into the
active voice, it becomes shorter. >Whenever possible use verbs rather than nouns in your sentences. -Nouns, especially abstract nouns tend to be static. -Verbs imply action, movement and make the story sparkle. XII. Write as you Talk • Oral reporting gives a natural, rapid narrative story telling, leaving out non-essentials. • Using personal pronouns, contractions, and fragmentary sentences in writing are more effective. • A conversational tone makes for a readable writing. It increases interest and helps better understanding. XIII. Revise and Sharpen Improve article by rearranging it. >Look for fat words that say nothing. >Look for unnecessary sentences. >Look for paragraphs that don’t carry their own weight. >Underline important words and thoughts. >Highlight thoughts by putting them into a separate paragraph. >Repeat main point to make sure the reader gets it. XIV. Write to Express, not to Impress The biggest fault of most writers is they try to impress someone. Writing is primarily to inform, use words generally familiar to the readers and keep sentences reasonably short and simple. Lack of restraint in the use of words can lead to: Euphemisms – the use of supposedly pleasing expression in place of the simpler and more accurate word. Churchill told a colleague: “The Right Honorable Member is guilty of a terminological inexactitude.” What he meant: “You are lying.” Metaphor – the application of a descriptive term to an object to which it is not literally applicable. “The strong arm of the law is marching after the offenders.” An arm does not march.