UCSP Report
UCSP Report
to the
Study of
Culture
Evolutionary Concept of
Culture
The earliest theory about culture is
evolutionism. Evolutionism is the notion that there
exists one dominant line of evolution or stages for
the development of culture. In other words, all
societies pass through the same specified stages.
In this theory, popularized by Frazer, Tylor, Morgan
and Bachofen, culture was seen as evolving from
primitive to civiled form, from simple to complex.
Sir Edward Burnett Tylor
(1832-1917)
was a British
anthropologist, who
defined culture as “that
complex whole which
includes knowledge, belief,
art, morals, law, custom,
and any other capabilities
and habits acquired by
Functionalist Analysis of
Culture
Functionalism as a perspective in
understanding culture takes its origin from the
anthropological studies of Bronislaw Malinowski
and Emile Durkheim. Borrowing from biology,
functionalism employs organicismic analogy. This
means that society is like a living organ or
organic whole, the parts of which contribute to
the overall maintenance of the organism. In this
view, society is like a living cell with many parts,
and each part plays specific functions for the
Functionalism defines culture as a whole
that provides an overarching system of
meanings to what people do.
Functionalism focuses on the social roles
that cultural items play within the social
system as a whole. Malinowski, in
particular suggested that individuals have
universal physiological needs (for
example, reproduction, food and shelter)
and that culture is created by people to
Marvin Harris’ (1974) study of sacred
cows of India, while falling into cultural
materialist paradigm, provides a good
example of functionalist analysis. For
Harris, the reverence for the cows
among Indians has more to do with
economic adaptation than religious
doctrine.
Structural Analysis of
Culture
In the 20th century, the study of culture
was dominated by structuralist paradigm.
Structuralists like Claude Levi-Strauss
(1908-2009) emphasized the synchronic
character of culture (the similarities of
cultures across time and space). Levi-
Strauss (1969) defines culture in the
following way:
Man is a biological being as well as social
individual. Among the responses which he
gives to external stimuli, some are the full
product of his nature, and others of his
condition….. But it is not always easy to
distinguish between the two….. Culture is
neither simply juxtaposed to nor simply
superposed over life. In a way, culture
substitutes itself to life, in another way
culture uses and transforms life to realize a
synthesis of a higher order.
This “higher order” refers to cultural
universals or those cultural traits and
patterns common across cultures, the
structuralists rely on linguistic theory. They
define culture as a set of narrative of
linguistic system that has underlying
structures or codes. And these codes or
structures are supposed to be common to
all cultural elements like kinship, fairy
tales and myths, just to name a few.
Feminist View of
Culture
The feminist analysis of culture is a recent
development in the study of culture. This
has to do with the rise of professional
women in anthropology and other social
sciences. Famous women anthropologists
include Ruth Benedict, Margaret Mead, Mary
Douglas, Laura Bohannon, Sherry Ortner,
Michelle Rosaldo, Peggy Reeves, Sanday,
Louise Lamphere, Lila Abu-Lughod, and
Marilyn Strathern.
Margaret Mead (1901-1978)
was a famous American woman cultural
anthropologist, who popularized
anthropology through public lectures and
best-selling books. She defined culture as
“the whole complex of traditional
behaviour which has been developed by
the human race and is successively
learned by each generation. A culture is
less precise. It can mean the forms of
traditional behaviour which are
characteristics of a given society, or of a
group of societies, or of a certain race, or
of a certain area, or of a certain period of
Marxist Analysis of
Whereas Culture
feminists emphasize the role of
male-bias in the study of culture, classic
Marxist analysis emphasizes the role of
economic class and economic life of
society. The classic Marxist analysis of
culture can be found in Marx’s (1977,
originally published 1869) famous ‘Preface
to the Critique of Political Economy’ in
which he argued:
The mode of production of material life
conditions the general process of social,
political and intellectual life. It is not the
consciousness of men that determines
their existence, but their social
existence that determines their
consciousness.
Marx of course is not saying that culture is
completely determined and shaped by the mode of
production or the economic base. Culture, once it is
established, is also active in shaping the
development of the economic system of society. The
Marxist analysis of culture is powerful in explaining
the differences in life styles among various classes
especially between the working class families and
middle classes. For example, whereas middle class
families can aford private schooling because they
have relatively high income, the working class has
difficulty sending their children to good quality
As a result, middle class children tend to get
better jobs than their working class counter-parts.
The success of middle class children is explained
largely by the cultural background they have
(Bourdie and Passeron, 1978) middle class
children have richer vocabularies and better
linguistic competencies. They are more exposed
to varieties of “cultural items” which are taught in
schools like classical novels, literature, and other
artistic works. Their cultural background enables
them to perform better in schools in which middle
class values serve as the unacknowledged norms.
Postmodern and Postcolonial Theories of
Culture
The analysis of cultures presented so far came
from Western social sciences. Today, many non-
Western scholars, especially those that have
studied in the western institutions of higher
learning, question the validity of classical
theories of culture. While they credit the Marxist
and feminists for raising the issue of culture as
produced by power structures an inequalities, the
postmodern and postcolonial theories of culture
further advance this criticism.
The postmodern view of culture challenges the notion
that there is a single definition of culture. Postmodern
analyses of culture show that culture is like a narrative
or story. Culture like a story can have a life on its own.
They espouse cultural relativism and reject any search
for cultural universals.