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Chinese Art

Landscape painting was considered the highest form of Chinese painting. Chinese art expresses the relationship between nature and humanity based on Yin-Yang principles. The invention of paper in the 1st century AD allowed painting to become more widespread and economical, with common subjects including landscapes, flowers, birds, and people. Paintings aim to be realistic while following six principles including rhythm, balance, calligraphy-inspired brushwork, and copying masters' works.

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Shaira Liaban
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0% found this document useful (0 votes)
155 views

Chinese Art

Landscape painting was considered the highest form of Chinese painting. Chinese art expresses the relationship between nature and humanity based on Yin-Yang principles. The invention of paper in the 1st century AD allowed painting to become more widespread and economical, with common subjects including landscapes, flowers, birds, and people. Paintings aim to be realistic while following six principles including rhythm, balance, calligraphy-inspired brushwork, and copying masters' works.

Uploaded by

Shaira Liaban
Copyright
© © All Rights Reserved
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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CHINESE ART

Landscape painting was regarded as the highest form of


Chinese painting.
 They also consider the three concepts of their arts: Nature,
Heaven and Humankind (Yin-Yang).
The Han court eunuch, Cai Lun, invented the paper in the 1st
Century AD it provided not only a cheap and widespread
medium for writing but painting became more economical.

Chinese Chinese art expresses the human understanding of the


relationship between nature and human.
Painting  This might be called the metaphysical, Daoist aspect of
Chinese painting.
 Flowers and birds
 Landscapes
 Palaces and Temples

Paintings  Human Figures

subjects and  Animals

Themes  Bamboos and Stones


 To make your painting interesting and realistic apply these Six
Principles of Chinese Painting established by Xie He, a writer,
art historian and critic in 5th century China.
1. Observe rhythm and movements
2. Leave spaces for the eyes to rest
6 Principles 3. Use brush in calligraphy

4. Use colors correctly


5. Live up to tradition by copying the master’s artwork.
6. Copy the correct proportion of the objects and nature.
 It is the art of beautiful handwriting.
 In calligraphy, the popular materials which paintings are made
of are paper and silk.

Calligraphy
 Straight inclined -more economical for common Chinese
architecture .
 Multi-inclined -Roofs with two or more sections of incline.
These roofs are used for residences of wealthy Chinese.
Three main types  Sweeping -has curves that rise at the corners of the roof. These
of roofs in are usually reserved for temples and palaces.

traditional Chinese
architecture
 Peking opera face-painting or Jingju Lianpu is done with
different colors in accordance with the performing characters’
personality and historical assessment.
 Lianpu is called the false mask.

Peking Opera
 Guan Ju - Red indicates devotion, courage, bravery, uprightness
and loyalty.

MEANING OF  Huang Pang - Yellow signifies fierceness, ambition and cool-


headedness.
COLORS FOR  Zhu Wen - A green face tells the audience that the character is
FACE not only impulsive and violent, he also lacks self- restraint.

PAINTING  Zhang Fei - Black symbolizes roughness and fierceness. The


black face indicates either a rough and bold character or an
impartial and selfless personality.
  Lian Po - Purple stands for uprightness and cool- headedness.
While a reddish purple face indicates a just and noble character.

 Cao Cao - white suggests treachery, suspiciousness and


craftiness. It is common to see the white face of the powerful
villain on stage.
 Jiang Gan - The clown or chou in Chinese Opera has special
makeup patterns called xiaohualian (the petty painted face).
Sometimes a small patch of chalk is painted around the nose to
show a mean and secretive character.
 Gold and silver colors are usually used for gods and spirits.
 In China, traditional funerals include burning yuanbao which is
a folded paper that look like gold nuggets or ingots called

Chinese Folk Sycee. Also in Ghost Festival.


 A sycee is a type of silver or gold ingot currency used in China.
Art
 Gold sycees -are used as a symbol of prosperity.
 Chinese paper cuttings are usually symmetrical in design when
unfolded and adapt the 12 animals of the Chinese Zodiac as
themes and motifs and mostly choose the red color.
 The earliest use of paper was made as a pattern for lacquers,
decoration on windows, doors, and walls.
 Jianzhi is the first type of paper cutting design, since paper was
invented by the Chinese.
Paper Cutting  They are sometimes referred to "chuāng huā", meaning
Window Flower.
 Chinese Kites originated in WeiFang, Sandong, China (City of
Kites)
 Chinese kites may be differentiated into four main categories:
1. Centipede
2. Hard-Winged Kites
Chinese Kite 3. Soft-Winged Kites
4. Flat Kites
 Zhongguo is the Chinese decorative handicraft art that began as
a form of Chinese folk art in the Tang and Song Dynasty (960-
1279 AD) in China.

Knot Tying

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