COMPARE THE TWO IMAGES AND DESCRIBE THE

SIMILARITIES AND DIFFERENCES REFLECTED BY

THEIR ACTIONS

https://pngio.com/images/png -
a 1705630 .html
 ACTIVE RECREATION
(STREET AND HIP-HOP DANCES)
WEEK 3 : PHYSICAL EDUCATION 10
STREET DANCEEVOLVED OUTSIDE THE DANCE
STREET DANCE
STUDIOS. IT IS PERFORMED IN STREETS, DANCE
PARTIES, BLOCK PARTIES, PARKS, HOUSE OR
SCHOOL YARDS, RAVES, RIGHT CLUBS AND
OTHER AVAILABLE OPEN SPACES.
STREET DANCE IS FORMALLY KNOWN AS
VERNACULAR DANCE, WHICH IS PART OF THE
VERNACULAR CULTURE OF A CERTAIN PLACE
WHERE IT ORIGINATED.
WHAT IS VERNACULAR
• VERNACULAR DANCE?
DANCES (NEW YORK, 1970S) ARE
DANCES WHICH HAVE DEVELOPED 'NATURALLY' AS A
PART OF 'EVERYDAY' CULTURE WITHIN A PARTICULAR
COMMUNITY. IN CONTRAST TO THE ELITE AND
OFFICIAL CULTURE, VERNACULAR DANCES ARE
USUALLY LEARNED NATURALLY WITHOUT FORMAL
INSTRUCTION. ALONGSIDE WITH OTHER CONCEPTS OF
VERNACULAR CULTURE.

• EXAMPLES WOULD INCLUDE TAP, LINDY

HOP, VERNACULAR JAZZ, FUNK STYLES LIKE POPPING,
LOCKING AND BOOGALOO, AND OTHER
URBAN DANCES LIKE HIP-HOP AND HOUSE.
HIP-HOP DANCE
• HIP-HOP IS A CULTURAL MOVEMENT BEST KNOWN FOR ITS
IMPACT ON MUSIC IN THE FORM OF A MUSICAL GENRE OF
THE SAME NAME. IT ORIGINATED IN THE BRONX IN NEW
YORK CITY DURING THE 1970S, MOSTLY AMONG AFRICAN
AMERICANS AND SOME INFLUENCE OF LATIN
• ON THE OTHER HAND, HIP-HOP DANCE REFERS TO STREET
DANCE STYLES PRIMARILY PERFORMED TO HIP -HOP MUSIC
OR AND HAS EVOLVED AS PART OF HIP-HOP CULTURE. HIP-
HOP MUSIC INCORPORATES A NUMBER OF ICONIC
ELEMENTS, MOST NOTABLY DJING AND RAPPING, ALONG
WITH BEAT BOXING, SAMPLING, AND JUGGLING BEATS ON
TURNTABLES.
STREET AND HIP-HOP
DANCE STYLES
A. B-BOYING OR BREAKING
• ALSO CALLED
BREAKDANCING, IS A
STYLE OF STREET
DANCE AND THE FIRST
HIP-HOP DANCE STYLE
THAT ORIGINATED
AMONG BLACK AND
PUERTO RICAN YOUTHS
IN NEW YORK CITY
DURING THE EARLY
1970S.
FOUR MOVEMENTS OF B-BOYING
1. TOPROCK IS A MAJOR
ELEMENT OF B-BOYING
AND B-GIRLING. IT
GENERALLY REFERS TO
FOOT MOVEMENT
PERFORMED FROM A
STANDING POSITION,
RELYING UPON A MIXTURE
OF COORDINATION,
FLEXIBILITY, RHYTHM,
AND MOST IMPORTANTLY,
STYLE.
2. DOWNROCK IS AN
ELEMENT OF BREAKDANCE
THAT INCLUDES ALL
FOOTWORK PERFORMED ON
THE FLOOR.
DOWNROCK IS NORMALLY
PERFORMED WITH THE
HANDS AND FEET ON THE
FLOOR, AS OPPOSED TO
TOPROCK. IN DOWNROCK,
THE BREAKDANCER
DISPLAYS HIS OR HER
PROFICIENCY WITH FOOT
SPEED AND CONTROL BY
PERFORMING FOOTWORK
3. A FREEZE IS A B-
BOYING TECHNIQUE
THAT INVOLVES
HALTING ALL BODY
MOTION, OFTEN IN AN
INTERESTING OR
BALANCE-INTENSIVE
POSITION. IT IS IMPLIED
THAT THE POSITION IS
HIT AND HELD FROM
MOTION AS IF FREEZING
IN MOTION, OR INTO ICE.
4. POWER MOVES ARE DANCE
MOVES WHICH ARE LOOSELY
DEFINED AS MOVES RELYING
ON SPEED, MOMENTUM, AND
ACROBATIC ELEMENTS FOR
PERFORMANCE. THEY ARE
PROMINENT IN B-BOYING,
OFTEN THE CENTERPIECES OF
ROUTINES FEATURING THE
OTHER ELEMENTS THAT
MAKE UP BREAKING. POWER
MOVES ARE CLOSER TO
GYMNASTICS THAN DANCING.
B. POPPING
• POPPING WAS
POPULARIZED BY SAMUEL
BOOGALOO SAM SOLOMON
AND HIS CREW, THE
ELECTRIC BOOGALOOS. IT IS
BASED ON THE TECHNIQUE
OF QUICKLY CONTRACTING
AND RELAXING MUSCLES
TO CAUSE A JERK IN A
DANCER’S BODY.
FLEXIBILITY IS NEEDED TO
PERFORM THIS MOVEMENT.
C. LOCKING
• LOCKING OR
CAMPBELLOCKING WAS
CREATED BY DON
CAMPBELLOCK CAMPBELL IN 1969
IN LOS ANGELES, CALIFORNIA. IT
WAS POPULARIZED BY HIS CREW,
THE LOCKERS. LOCKING CAN BE
IDENTIFIED BY ITS DISTINCTIVE
STOPS. IT IS USUALLY
PERFORMED BY STOPPING THE
FAST MOVEMENT THAT YOU ARE
DOING, LOCKING YOUR BODY
INTO A POSITION, HOLDING IT,
AND THEN CONTINUING AT THE
SAME SPEED AS BEFORE.
D. KRUMPING
• KRUMPING IS A STYLE
OF STREET DANCE
POPULARIZED IN THE
UNITED STATES,
DESCRIBED AS AFRO-
DIASPORIC DANCE,
CHARACTERIZED BY
FREE, EXPRESSIVE,
EXAGGERATED, AND
HIGHLY ENERGETIC
MOVEMENT. 
E. TUTTING
• TUTTING IS A CREATIVE WAY OF
MAKING GEOMETRIC SHAPES
FORMING RIGHT ANGLE USING
YOUR BODY PARTS. THE STYLE WAS
ORIGINALLY PRACTICED BY YOUNG
FUNK DANCERS. IT IS DERIVED
FROM THE POSITIONS PEOPLE WERE
DRAWN IN DURING THE DAYS OF
THE ANCIENT EGYPTIANS. TUTTING
IS STILL A GREATLY RESPECTED
MOVE AND KING TUT ALSO KNOWN
AS MARK BENSON IS WIDELY
ACCLAIMED FOR PIONEERING THE
STYLE. FLEXIBILITY IS HIGHLY
NEEDED FOR THIS MOVEMENT.
F. SHUFFLING • THE MELBOURNE SHUFFLE (ALSO
KNOWN AS ROCKING OR SIMPLY THE
SHUFFLE) IS A RAVE AND CLUB
DANCE THAT ORIGINATED IN THE
LATE 1980S IN THE UNDERGROUND
RAVE MUSIC SCENE IN MELBOURNE,
AUSTRALIA. THE BASIC
MOVEMENTS OF THE DANCE ARE A
FAST HEEL-AND-TOE OR T-STEP
COMBINED WITH A VARIATION OF
THE RUNNING MAN ACTION WITH A
STYLE SUITABLE FOR VARIOUS
TYPES OF ELECTRONIC MUSIC. SOME
VARIANTS INCORPORATE ARM AND
FEET MOVEMENTS. SPEED AND
AGILITY ARE THE SKILLS NEEDED
TO PERFORM THIS MOVEMENT.
G. WAACKING
• WAACKING IS A FORM OF
STREET DANCE CREATED IN
THE LGBT CLUBS OF LOS
ANGELES DURING THE
1970S DISCO ERA. THE
STYLE IS TYPICALLY DONE
TO 70S DISCO MUSIC AND IS
MAINLY DISTINGUISHABLE
BY ITS ROTATIONAL ARM
MOVEMENTS, POSING AND
EMPHASIS ON
EXPRESSIVENESS.
 HEALTH-RELATED SKILLS-RELATED
BENEFITS OF HIP-HOP BENEFITS OF HIP-HOP
DANCE DANCE

• IMPROVES CONDITION OF YOUR HEART AND LUNGS

• INCREASES MUSCULAR STRENGTH, ENDURANCE,
AND MOTOR FITNESS • BETTER BALANCE,
• INCREASES AEROBIC FITNESS
• IMPROVES MUSCLE TONE AND STRENGTH • INCREASED COORDINATION, AND
• HELPS IN WEIGHT MANAGEMENT
• MAKES BONES STRONGER AND REDUCES RISK OF • IMPROVED AGILITY, SPEED, POWER, AND
OSTEOPOROSIS
• IMPROVES FLEXIBILITY ALERTNESS.
• INCREASES PHYSICAL CONFIDENCE
• IMPROVES MENTAL FUNCTIONS
• IMPROVES GENERAL AND PSYCHOLOGICAL WELL-
BEING
• GIVES GREATER SELF-CONFIDENCE AND SELF-
ESTEEM AND IMPROVES SOCIAL SKILLS.