Dissertation Report 7
Dissertation Report 7
Submitted on:
(EXTERNAL EXAMINER)
AR. BINEET CHHAJER AR. ASHIMA ARORA
(GUIDE) (HEAD OF DEPARTMENT)
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DECLARATION
This dissertation has been completed under the supervision of the guide allotted
to me by the “Department of Architecture, Center for Design Excellence,
VGU”.
DEEPANSHI TIWARI
5TH Year, B.Arch.
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AKNOWLEDGEMENT
DEEPANSHI TIWARI
V Year, B.Arch
Center for Design Excellence,
Vivekananda Global University, Jaipur.
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ABSTRACT
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ABSTRACT
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CONTENTS
Approval………………………………………………………………………………………………………………….…….i
Declaration ……………….……………………………………………………………………………………………….…ii
Acknowledgement………………………………………………………………………………………………..…...…iii
Abstract………………..…………………………………………………………………………………….……..…..…...iv
List of figures………….………………………………………………………………………………………..……...….vii
List of tables…………………………………………………………………………………………………………….….viii
List of images………………………………………………………………………………………………………..…….viii
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Chapter 1: Introduction
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1.1 Background of the study
1.1.1 Introduction
Exhibition Centre: An exhibition centre is a large space, that is designed to allow exhibitors
to exhibit and promote ideas, technology, products etc. and at the same time allowing their
audience to interact with them.
These facilities ought to have enough room, leeway, and flexibility to set up an exhibition
and gathering area. The way that people walk and the pattern of movement should both be
taken into consideration. Entry and exit routes must be designed with the appropriate care.
The single floor organization provides easy access among the rooms and between the
conference areas and other functional elements. Vertical stacking of auditorium and/or main
halls is more economical in the use of land, and enables space below tiered floors to be
more efficiently used.
Connecting right spaces to each other is very important for easy accessibility. Thus,
circulation and connectivity between spaces plays a very important role for a successful
design.
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1.2 Criteria of selection
1.3 Hypothesis
“Well defined circulation and connectivity can be a basis for the efficient functioning and
design of exhibition and convention center.”
1.4 Aim
To study and compare different exhibition and convention centres that exists and suggest
the suitable circulation and connectivity pattern.
1.5 Objectives
• To find out some relevant solution in terms of circulation and connectivity for exhibition
and convention centre projects.
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1.6 Scope and Limitations
1.7 Methodology
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Chapter 2: Literature Study
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2.1 CONVENTION CENTRE
2.1.1 Introduction
The convention has evolved out of a need for platform for such interactions to be carried
out. A convention involves a large congregation of people sharing some common ideology a
need.
The total atmosphere and the stimulation generated by a convention center play a major
role in the success of a meeting or conference.
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2.1.4 Objective of a Convention Center
• To promote a platform for interaction for interaction between various section of society.
This would lead to better understanding of each other’s trade and spread awareness
among the people that is the need of the hour.
• To provide a conducive atmosphere and physical environment for discussions, lectures,
etc. This would help in efficient exchange of useful data and information.
• Exhibition halls help in extending interest, awareness and are good means of revenue
generation.
The main objective of designing a convention center is to help organizations hire on
temporary basis a few common facilities like auditoriums, seminar halls, lecture rooms, etc.,
simultaneously in the same premise.
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2.1.4 The Types and Classifications of Meetings in the Scope of
Convention
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According to Purpose:
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2.2 PLANNING PRINCIPLES OF CONVENTION CENTRE
The entrance to the lobby should be well defined for easy guidance for the attendees. The
lobby makes the single greatest impact on the guest. It projects an ambiance of
performance and stability; often attempts to build the character of the centre and sometimes
establishes a feeling of informality.
It is frequently the nucleus, with conference area on one side, the guestrooms to other and
the lounges and restaurants to the third.
2.2.2 Lounges
Lounges are important for enhancing the leisure aspects of a meeting program and
encouraging informal discussion among the participants.
Mostly in executive and resort type convention centre, two beverage areas are being
provided: a centrally located lobby lounge and a bar adjoining or connected to the game
room. The environment here should be less rigid as compared to conference halls.
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2.2.3 Designing of Conference and Training Rooms
Board rooms:
The board room is a special, upgraded conference room with a fixed table, executive chairs,
high level finishes, front or rear screen projection, and a private lounge or anteroom. The
conference centre board room is located at the most remote end of the meeting core, to
ensure a minimum of interruption and distraction.
Amphitheater:
It is a tiered room incorporation built-in workstation surfaces, which are often curved to focus
seating on the speaker or horse shoe shaped to allow better eye contact among the
attendees
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Auditorium:
Convention centres frequently include a large auditorium for major presentations and
community use. Due to this public use the auditorium is usually located near the main
entrance of the convention centre lobby, rather than the main conference core. a few of
these auditoriums are equipped and finished with permanent work areas; most of these
however are typical theatres with a sloped floor, a stage and projection capabilities.
Meeting planners cite lighting as the single most important element in the selection of
conference and training space.
Convention centre will combine incandescent down lights (with dimming capabilities)and
fluorescent lamps, providing a wide range of lighting flexibility. The fluorescent provides
general room illumination, either directly or by indirect system reflected off the ceiling.
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2.3 EXHIBITION CENTRE
2.3.1 Introduction
The Exhibition Spaces are intended as a combination of indoor and open-air exhibition
space in order to create a strong relation between covered and green open spaces through
thematic content. The goal is to create an integrated expositive landscape and a Visitor
Experience that immediately establishes a positive relationship between humankind and
nature, creating a bridge between the content of the Event and the nature of exhibition
spaces.
• An exhibition can be
1) Open-air exhibition space
2) Covered exhibition space
The landscape design shall be developed in keeping with the Theme and with the
Participant’s approach to it. Like architecture, the landscape shall also help to tell intriguing
stories about the pleasures of the table, delightful scents or strange and curious stories
related to food cultivation and processing. The landscape has to document the most
advanced research in the field of food production and the transformation of agricultural
products. Countries will showcase their capabilities in food production, the biodiversity of
their products, and their agricultural and food supply chains.
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Open spaces:
A minimum of 30% of each lot must be dedicated to open areas and greenery. Excluding lot
setbacks the Open-air Exhibition Space represents around 50% of each lot, where it is
possible to build:
Covered Exhibition Spaces are buildings or enclosed structures containing exhibition areas
or other spaces, including all overhanging upper floors or balconies. Participants may decide
to build more than one level within the Covered part of the Exhibition Space, based on their
individual needs.
Height of Buildings:
• The height of the Covered part of Exhibition Space (or Building Height) must be less than
12 meters.
• The height limit for any additional architectural elements (such as skylights, roof elements,
vertical connections to the roof, sunscreens, signals, etc.) is 17 meters.
Building Setbacks
• The setback from the main boulevard must be no less than 10 meters, in order to create a
small square.
• The setback from the main boulevard must be no less than 10 meters, in order to create a
small square.
• The distance between buildings and the side street shall be no less than 2 meters; there
shall be no building concession directly to squares, greens, streets or public spaces,
without the 2 meters’ setback.
• The setback from the neighboring lot shall be no less than 3 meters.The distance
between buildings shall comply with fire control requirements.
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Indoor exhibition and Flow management:
The indoor exhibition space design has to offer to visitors a full immersion in the Theme on
the human scale with content presented at every moment of the visit. The visitor should be
guided on a discovery of the exhibition content using the most innovative technology. The
challenge lies in getting beyond the outdated paradigm of queues and visitor flows to create
an efficient, dynamic and fluid experience.
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2.3.5 Different layouts for exhibition spaces
The layout of public areas in an exhibition space, may be based on a simple concept of free
circulation around a single open-plan exhibition space, or on more complex concepts related
to generic interpretive structures. It is important to consider the nature of the narratives
appropriate to the museum's objects of interest. The storyline of an exhibition may be
translated into:
• A linear arrangement of spaces with beginning. middle and end,
• A loop where the essentially linear storyline leads naturally back to the beginning,
• An arrangement of core and satellites where each theme or detailed treatment of a
subject leads back to a central introductory or orientational area,
• A more complex scheme combining linear, loop and core satellite arrangement of spaces
which is specifically structured to account for more or less stable relationships between
collections and interpretive themes,
• A labyrinthine arrangement where the relationships between areas can be varied from
exhibition to exhibition by managing the public circulation.
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Chapter 3: VISITOR BEHAVIOR AND
EXPERIENCE IN THE EXHIBITION AND
CONVENTION CENTRE CONTEXT
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3.1 CIRCULATION IN RELATION TO OEIENTATION AND
WAYFINDING
As a result, when people are disoriented, that is, when they lose their knowledge of where
they are and how to get to where they want to go, they experience stress,
frustration, and exhaustion, both mentally and physically. Getting lost is another cost of
disorientation that encourages incompetence.
The layout of a setting is the main physical factor that affects the complexity of a pathfinding
problem, and the spatial content, form, configuration of the setting, and circulation determine
the layout.
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3.2 CIRCULATION IN THE CONVENTION AND EXHIBITION
CENTRE CONTEXT
It is suggested that the absence of informative and directional signs may be the result of
avoiding distractions with regard to the aesthetic effect of the location. The aim to show art
or historical items without visual distractions vs the public's need for visual information to
comprehend, identify, and appreciate the collections, in other words, could be the cause of
this.
"The visitor should be guided into and through the area intuitively, smoothly, and without
feeling as though they are in a maze or being interrupted. In order for the contents in each of
these divisions to be seen in an orderly and intelligent sequence, there should be continual
controlled circulation, at the very least, across each main part of the area. The shape and
size of [paths] must let people to move about... As a result, "anyone viewing the space's
floor plan as well as anyone moving through the rooms will be able to clearly see the
arrangement and schedule."
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3.3 Circulation Behavior and Environmental Considerations
According to the literature, circulation behavior refers to visitors' general movement patterns,
which combine traffic flow with exploratory locomotion. The movement of people through an
area is referred to as traffic flow, and it shows the paths that visitors travel. On the other
hand, exploratory locomotion is defined as "walking about and studying unexpected objects
in a relatively unknown location" and is likewise characterized by interest.
In order to view the artifacts, visitors must move through various settings, and in this sense,
"patterns of visitor movement comprise major 'standing' behavior in any display
environment" and "standing/sitting" behavior in traditional environment
The literature states the following setting factors in affecting circulation patterns:
• Location and spatial arrangements of spaces with respect to other spaces and to the
setting
• Size and position of rooms or halls with respect to each other within the layout of the
setting
• Width of the paths between spaces or areas
• Wall colors of the space
• Floor finishing materials of the space
• Number of floors of the space setting
• Number of entrance and exits, and distance between entrance and exits
• Lighting of space
• Crowd of visitors in the setting
The display qualities of the exhibits, on the other hand, have an impact on how people
navigate around exhibition spaces. According to studies, the following design elements
apply to displays and exhibit components:
• Single objects, moving objects, and objects with sound
• Interactivity level of exhibits with visitors
• Placement of exhibit labels in relation to exhibits, and label characteristics such as content,
size, color and typography.
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3.4 PUBLIC MOVEMENT PATTERN
Delegates Flow:
Delegates form an important group of persons for the conference and should be treated with
due regards. Form parking they can go to the reception /registration hall and delegates
lounge which can be provided with toilets etc.
From the main entrance hall they should be able to go to any place like committee room,
main hall, conference core and the exhibition areas as the need may be. They can be a
delegate or a delegation. It is important that there is unobstructed movement for the
delegate.
Public Flow:
Dignified personalities of the country /state or city depending on the nature of conference
are invited to have a view of the event. It can also have the relatives and public guest
invited by organization. They shall come to the ceremonial entrance from the parking lot,
which shall lead them to the reception area. From here they should move to the main hall
and to the lounge, which should have a café, bar, toilets, and communication facilities
attached to it. The public/guest can also lead to the exhibition area.
VIPs Flow:
They shall be either directly lead top the dias of the main conference hall or shall move
through the VIP entrance which is also connected to the VIP lounge with attached toilet
facilities etc. from lounge they should be able to go to the main hall and the committee
rooms.
Staff Flow:
The staff can be divided into two categories namely the administrative staff, who are
exposed to the people coming to the centre while the others are engaged in different
activities to staff entrance, from where the path of administrative and technical staff diverse.
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3.5 Visitor Perspective to the Circulation Issue
It is suggested in the literature that personal traits make up the personal reservoir of visitor
attitudes and behavior and determine the kinds of experiences visitors will have while they
are there.
One the one hand, it is asserted that regardless of personal traits, there are some universal
human behaviors that influence circulation behavior. The majority of visitors turn toward the
wall to the right of an entrance when they first enter a gallery, despite the fact that this is
"amazingly unimportant to the displays," it has been discovered. The visitor behavior
literature refers to right orientation or right-turn bias as the visitors' propensity to turn to the
right, which is a noticeable trait of the exhibition population.
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3.5 Visitor BEHAVIOR AND PRINCIPLES OF CIRCULATION
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Chapter 4: CASE STUDY
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4.1 MAHATMA MANDIR CONVENTION AND EXHIBITION CENTRE
Location- Salt Mount Rd, Sector 13C, Sector 13, Gandhinagar, Gujarat
Owner- Government of Gujarat
Area- Total- 33,815 sq.m. (approx.)
In program- 29,404 sq.m.
Year- 1 May 2010 – 2013
Mahatma Mandir is inspired by the life and philosophy of Mahatma Gandhi, the father of the
nation. Planned in the heart of the capital Gujarat, it is the gateway to the true Gandhinagar.
This iconic building houses a spacious and energy-efficient conference and
exhibition center with state-of-the-art facilities, stunning landscaping and water facilities
capable of hosting a variety of national and international events.
KEY FEATURES:
The Convention Centre
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• Ceiling height of 11m, multi-purpose pillar-less air-conditioned space of 93m x 58m
• Movable modular stage-pieces, lighting trusses, in- built hanging hooks with a
capability to hold up to two tonnes
• Flexible, heavy duty floor for showcasing heavy machinery and other industrial
/ medical equipments
Other Spaces
• Heads of State Centre to accommodate over 250 VIP delegates in multiple
meeting spaces.
• Open air amphitheatre to seat 1000 guests
• Mahatma Lawns can accommodate over 2000 guests
• Multi-level Food Court that can accommodate 2500 covers.
• 16 Retail Shops to facilitate shopping requirements
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4.1 MAHATMA MANDIR CONVENTION AND EXHIBITION CENTRE
The Mahatma Mandir Project is massive and has been planned in different phases:
•Phase 1A includes 20,784 sq. m of Business center and 10,233 sq. m of exhibition halls,
2,347 sq.mt of service area. This phase been completed
•Phase 1B will include photo gallery, food court, development of external landscape and
pathways around the business and exhibition center. (In progress)
•Phase 2 will include the development of Gandhi Garden, Salt Mound (Museum), Windmill,
the Charka, and cable stayed Bridge (Dandi March Bridge).
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4.2 DANDHI KUTIR
Location- Swarnim Park, Helipad exhibition Centre, near Gandhinagar Jilla Panchayat,
Sector 17, Gandhinagar, Gujarat
Owner- Garud (Gandhinagar railway & urban development corporation ltd.)
Area- 45 acres
Year- 5th January 2015
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Reception
Meeting room
Waiting area
Conference
room
Work area
Location- Space Application Centre, Satellite Rd, Jodhpur Tekra, Ahmedabad, Gujarat
Owner- ISRO
Year- 21ST AUGUST 2015
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4.5 CIDCO EXHIBITION AND CONVENTION CENTRE
CONSTRUCTION DETAILS:
• The 'Green building' Concept was incorporated into a construction as certified by
I.G.B.C.
• The structure is a blend of R.C.C and P.E.B construction.
• Welded connections were used to preserve the form.
• CIRCULATION:
• The building has ample circulation spaces that seamlessly interconnect the open
spaces including the parking and to each exhibition hall as well as the main food court.
• The convention centre has ample and excess connectivity within the building having 2
main entries: convention zone and business zone, and one direct entry from the
exhibition centre via the pedestrian bridge which also connects the ancillary block.
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4.6 MELBOURNE CONVENTION CENTRE
The Melbourne Exhibition and Convention Center in South Wharf, the central area of
Melbourne, Victoria, Australia, is a collection of three neighborhood structures alongside the
Yarra River. The Melbourne Convention and Exhibition Foundation owns and operates the
facility. The total area of the Melbourne Exhibition and Convention
Center is 70,000m2. The hall includes 63 meeting rooms, an outdoor patio, a plenary that
can be divided into three independently operated spaces, the Goldfields Theater, a
9,000 sqm multipurpose event space with a 1,000 seat retractable theater,
and a 39,000 sqm pillar. The exhibition area is small.
CONFERENCE HALLS: The spaces in the Centre can accommodate all kinds of events -
from intimate meetings to world - touring concerts and conventions.
EXHIBITION CENTER: The Melbourne Exhibition Centre offers an amazing range of spaces
to choose from. There's room for thousands in our Exhibition Bays - a pillar-less, air-
conditioned space that can be divided into sections.
Buffer Zone- landscape, garden, foyer, corridors for sound and thermal insulation to
auditorium.
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4.7 BIRLA AUDITORIUM
INTRODUCTION :
It is one of the important conference centers at national level, part of the BM Birla Center for
Science and Technology.
ACCESS :
PARKING:
There is parking for 80 cars near the center, which is not enough. other cars parked on the
road
RECEPTION AREAS :
AUDITORIUM:
STAGE:
The stage is at a height of 3’ 2” above the floor lvl.The stage has an approximate area of
100 sqm with a depth of 35 feet and a width of 36 feet. The proscenium width is 44’ (13.2
m). The projection screen has a dimension of 24’ x 18’.The stage of the auditorium is
equipped with special set handling and curtain system, banks of lights with hi-techcontrols,
a contemporary sound system with sound reinforcements, specially designed recording
facilities. It has the latest video and slide projection system compatible with computer disc
recording.
COMMITTEE ROOMS:
The committee rooms are located on the first and the second floor they can be accessed
directly from the reception area. On the first floor there are 2 committee rooms with
classroom type sitting and having a capacity of 25 and 40, the third committee room has a
board room type sitting with capacity of 15. These committee rooms are clubbed around a
prefunction hall. The second floor also has the same configuration of committee rooms as
on the first floor, but has a conference hall with a capacity of 85 persons with a theater like
arrangement also.
EXHIBITION HALLS:
The complex has approximately 3600 sq m of indoor exhibition space. These
exhibition spaces are distributed on different floors. Few of these exhibition halls are air-
conditioned. The exhibition hall located in the basement of the museum block is the biggest
of all having an area of 1000sq m (approx.). Other exhibition halls range from 450 to 850 sq
m in area.
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4.8 HALL OF NATIONS AND HALL OF INDUSTRIES, NEW DELHI
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3.1 CONCLUSIONS AND RECOMMENDATIONS
The most common conceptual organization calls for three major clusters. One for the
lobby, food and beverage outlets, banquet and service
spaces, another for the convention center, and a third for guest rooms.
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Recreational activities can be grouped together with accommodations or located near
food and beverage areas with lounges, terraces and game rooms.
The design
of the exhibition space should enhance and facilitate the audience's engagement with
the collection.
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