Unit 2 Lesson 1
Unit 2 Lesson 1
Lesson 01
Contemporary Arts in the
Philippines 1
ART LENS
2
Modern Art
1860 - 1970
Artistic work produced during the period extending roughly from the 1860s to
the 1970s, and denotes the styles and philosophies of the art produced during
that era. The term is usually associated with art in which the traditions of the
past.
3
Contemporary Art
1970 - PRESENT
Encompass a vast range of forms, reflecting the nation’s diversity. Filipino artists harness
this diversity to create art that resonates deeply and evokes strong emotions and social
issues.
4
Contemporary Art Modern Art
1970 - 1860 - 1970
• RepresentsPRESENT
the current times and is • Time frame: 1880s to the 1970s.
typically created by living artists. • Noteworthy for introducing styles
• Encompasses a variety of media, like Fauvism, Impressionism,
from traditional painting to video Surrealism, and Cubism.
art and tech-enabled artworks. • Innovations included screen
• Themes often revolve around printing, photography, and collage.
present-day issues such as
globalization, terrorism, and
feminism.
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CONTEMPORARY ART &
MODERN ART
According to their:
1. Historical Difference
2. Social Difference
3. Cultural Difference
6
HISTORICAL DIFFERENCE
CONTEMPORARY MODERN
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
atrocities,
religious and
pottery, body landscape, symbolic modern, figurative, non-
ecclesiastical icon,
adornment, portraiture, protest, conservative, figurative, art for
and secular
Painting ornament genre, aspiration for abstract, arts sake,
portraiture
interior, still peace), experimental, multimedia, mixed
(See figure a) life propaganda, public art media, transmedia.
(See figure b)
indigenizing
and
orientalizing
works, genre
Painting: Pre-Conquest
Illustration of
Visayan Pintado
from the boxer codex
12
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
atrocities,
religious and
pottery, body landscape, symbolic modern, figurative, non-
ecclesiastical icon,
adornment, portraiture, protest, conservative, figurative, art for
and secular
Painting ornament genre, aspiration for abstract, arts sake,
portraiture
interior, still peace), experimental, multimedia, mixed
(See figure a) life propaganda, public art media, transmedia.
(See figure b)
indigenizing
and
orientalizing
works, genre
Painting: Spanish Colonial
14
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
atrocities,
religious and
pottery, body landscape, symbolic modern, figurative, non-
ecclesiastical icon,
adornment, portraiture, protest, conservative, figurative, art for
and secular
Painting ornament genre, aspiration for abstract, arts sake,
portraiture
interior, still peace), experimental, multimedia, mixed
(See figure a) life propaganda, public art media, transmedia.
(See figure b)
indigenizing
and
orientalizing
works, genre
Painting: American Colonial
STILL LIFE
PAINTING
16
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
atrocities,
religious and
pottery, body landscape, symbolic modern, figurative, non-
ecclesiastical icon,
adornment, portraiture, protest, conservative, figurative, art for
and secular
Painting ornament genre, aspiration for abstract, arts sake,
portraiture
interior, still peace), experimental, multimedia, mixed
(See figure a) life propaganda, public art media, transmedia.
(See figure b)
indigenizing
and
orientalizing
works, genre
Painting: Japanese Colonial
“Yellow Confetti”
by Benedicto Reyes
Cabrera
The painting portrays the
SYMBOLIC anger felt by Filipino
protesters at the time, as
PANITINGS well as the unity of the
common Filipino, uniting
together to fight for a
common cause.
18
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
atrocities,
religious and
pottery, body landscape, symbolic modern, figurative, non-
ecclesiastical icon,
adornment, portraiture, protest, conservative, figurative, art for
and secular
Painting ornament genre, aspiration for abstract, arts sake,
portraiture
interior, still peace), experimental, multimedia, mixed
(See figure a) life propaganda, public art media, transmedia.
(See figure b)
indigenizing
and
orientalizing
works, genre
Painting: Post War
CONSERVATIVE
MODERN
PUBLIC ART
20
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
atrocities,
religious and
pottery, body landscape, symbolic modern, figurative, non-
ecclesiastical icon,
adornment, portraiture, protest, conservative, figurative, art for
and secular
Painting ornament genre, aspiration for abstract, arts sake,
portraiture
interior, still peace), experimental, multimedia, mixed
(See figure a) life propaganda, public art media, transmedia.
(See figure b)
indigenizing
and
orientalizing
works, genre
Painting: 1970 (CONTEMPORARY)
FIGURATIVE
ARTS and
MULTIMEDIA
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Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
atrocities,
religious and
pottery, body landscape, symbolic modern, figurative, non-
ecclesiastical icon,
adornment, portraiture, protest, conservative, figurative, art for
and secular
Painting ornament genre, aspiration for abstract, arts sake,
portraiture
interior, still peace), experimental, multimedia, mixed
(See figure a) life propaganda, public art media, transmedia.
(See figure b)
indigenizing
and
orientalizing
works, genre
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
pottery, carving
santos, furniture, atrocities,
and woodwork,
reliefs, altar pieces, symbolic modern, figurative, non-
metalwork
jewelry, metalwork, protest, conservative, figurative, art for
(copper & free standing
Sculpture fiesta, aspiration for abstract, arts sake,
bronze), and relief, public
ornamentation peace), experimental, multimedia, mixed
expression
propaganda, public art media, transmedia.
(See figure d) indigenizing
(See figure c)
and
orientalizing
works, genre
Painting: Pre-Conquest
“The Maitum”
25
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
pottery, carving
santos, furniture, atrocities,
and woodwork,
reliefs, altar pieces, symbolic modern, figurative, non-
metalwork
jewelry, metalwork, protest, conservative, figurative, art for
(copper & free standing
Sculpture fiesta, aspiration for abstract, arts sake,
bronze), and relief, public
ornamentation peace), experimental, multimedia, mixed
expression
propaganda, public art media, transmedia.
(See figure d) indigenizing
(See figure c)
and
orientalizing
works, genre
SCULPTURE: Spanish Colonial
SCULPTUR
E
Figure d.
Santos made from ivory wood
27
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
pottery, carving
santos, furniture, atrocities,
and woodwork,
reliefs, altar pieces, symbolic modern, figurative, non-
metalwork
jewelry, metalwork, protest, conservative, figurative, art for
(copper & free standing
Sculpture fiesta, aspiration for abstract, arts sake,
bronze), and relief, public
ornamentation peace), experimental, multimedia, mixed
expression
propaganda, public art media, transmedia.
(See figure d) indigenizing
(See figure c)
and
orientalizing
works, genre
SCULPTURE: American Colonial
FREE-
STANDING
SCULPTURE
29
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
wartime scenes
(aggression,
nationalism,
pottery, carving
santos, furniture, atrocities,
and woodwork,
reliefs, altar pieces, symbolic modern, figurative, non-
metalwork
jewelry, metalwork, protest, conservative, figurative, art for
(copper & free standing
Sculpture fiesta, aspiration for abstract, arts sake,
bronze), and relief, public
ornamentation peace), experimental, multimedia, mixed
expression
propaganda, public art media, transmedia.
(See figure d) indigenizing
(See figure c)
and
orientalizing
works, genre
SCULPTURE: American Colonial
SYMBOLIC
Bonifacio
Monument
PROTEST &
1933
ASPIRATION
FOR PEACE
31
Historical Overview
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary
Ocampo Mansion
Built in 1935, it looks
like a Chinese temple
with a tower, which in
turn resembles a
medieval castle - a fine
example of the "when
West meets East"
architectural style.
ARCHITECTURE: Post War / Contemporary Era
ARANETA COLISEUM
Historical Overview
American Japanese Postwar 1970s
Form Pre-Conquest Spanish Period
Period Period Republic Contemporary