Semantics and Symbol Isms
Semantics and Symbol Isms
but that it is also the entity which commonly inspires creative work. A memory image of an earlier perceived form changes in the direction of the nearest form. During this change of image, the subject also experiences a trend to add a meaning to what was originally a perception of a non-sensical form.
Something which had an existential relation between the signifier and the signified, the indicator to that which is indicated. These are literal signs which the perceiver see as a matter of fact. Indexial signs are learned over time. e.g. arrows indicate circulation/direction, stoplight
An icon is a sign which refers to the object that it denotes by virtue of certain characters of its own and which it possesses just the same, whether any such objects actually exist or not. Functional architecture
A symbol is a sign which refers to the object that it denotes by virtue of law, usually any association of general ideas, which operates to cause that symbol to be interpreted as referring to that object.
SYMBOLS A symbol is a
phenomenon which has a meaning additional to that which is communicated by its superficial configuration or stimulus profile.
This uses a basic biological determinant shaped jointly by security needs and the visual capacity of the brain.
Italian Piazza
Learned Symbols
Representation a substitute for the real object, which cannot be inserted in a book Replica a copy made in the same size and of the same material as the original
Copy model which shows the exact attributes of the original Facsimile/Picture an exact reproduction
EXPRESSION
Building Design as an Iconic System Transformations
Pragmatic Design available materials are used, put together initially by trial and error until a building form was achieved which actually worked Pragmatic design is still used in design with new materials, plastic skin inflatable, suspension structures, etc.
EXPRESSION
Building Design as an Iconic System Transformations
Typologic Design in which the members of a particular culture share a fixed mental image of what the design of the building form should be, like using the materials which happen to be available, at a particular place with a particular climate, to house an established life style.
EXPRESSION
Analogic Design- the drawing of analogies (usually visual) into the solution of ones design problems with existing buildings, with forms from nature, from painting and so on. Structural analogies with the feeling of tension and compression in the designers own body; philosophical analogies with principles from physics and biology.
EXPRESSION
Canonic (Geometric) Design form generated by some two and three dimensional geometric systems, originated by the Egyptians.