Course-orientation-GE-6
Course-orientation-GE-6
Art Appreciation
KEY CONCEPTS
O Personal function is for public display or expression. Music for example and literature
has a way for expressing emotions for us. The power of music make us feel for
certain emotion.
Physical function refers to the utilitarian use of art. Makes our lives
physically comfortable.
Philosophical Perspectives on Art
O 1. Art as imitation.
O 2. Art as representation.
O 3. Art for Art’s sake vs. Art for
Man’s sake.
O 4. Art as an escape.
O Picture Plane
Perspective - takes place when an artist uses a vanishing point on a
horizon and then creates a sense of deep space by showing objects
getting progressively smaller as they get closer to the vanishing point.
O What is Transcreation?
O Transcreation is a combination of translation and creative
writing. It involves adapting the message of a source text to
the cultural nuances and preferences of the target audience.
ELEMENTS OF ART: AUDITORY
Rhythm – is the element of time in music. When you tap your foot to the
music, you “are keeping the beat”or following the structural rhythmic pulse of
the music.
Dynamics – is the relative loudness or quietness of music.
Melody – is the linear/ horizontal presentation of pitch (the highness and
lowness of musical sound).
Harmony – is the verticalization of pitch. Often harmony is thought as the art
of combining pitches into chords.
Timbre – refers to tone color.
Texture – refers to the number of individual musical lines and the relationship
of these lines to one another.
The 7 Principles of Art and Design
O 1) Balance
O Balance refers to the weight of objects and their placement in
relation to each other.
O It’s a sense of stability you might feel from elements in
alignment. This can take three forms: symmetrical,
asymmetrical, and radial.
O Symmetrical balance refers to the exact mirroring of objects
across an axis (i.e. an invisible line on the page).
O Asymmetrical balance is the opposite of this – when objects
do not mirror each other perfectly, shifting the balance to one
side or the other of the axis.
O 2) Proportion
O Proportion is the size of objects in relation to each other, or
within a larger whole.
O 3) Emphasis
O Emphasis is an extension of these first two principles: it is when contrast,
placement, size, color, or other features are used to highlight one object, area, or
other elements of the artwork.
O This is used to draw attention – a focal point – or accentuate a feature.
O 4) Variety
O Variety is a sense of the difference between elements of an artwork – the opposite
of unity, or harmony.
O Variety adds a sense of chaos to a work, and this is often used to highlight certain
powerful emotions. Salvador Dali is one of the artists who have experimented with
chaos and variety in his paintings, yet achieved a great sense of perfection.
O 5) Harmony
O In follow on from variety, harmony is the use of related elements.
O This might be similar colors, shapes, sizes of objects, etc. It’s about repetition and
a relationship between elements. This creates a sense of connection between the
objects, creating a sense of flow.
O Harmony is one of the most important aspects when it comes to principles of art
O 6) Movement
O This indicates the direction your eye takes as you view the work – in what order does
your eye travel? If the emphasis is used, this often means you start with this element
first and travel away from it.
O The movement inherent in the image is important, as it tells you a story through the
use of lines (whether they are literal or implied).
O 7) Rhythm
O This can also be thought of as a kind of relationship between patterned objects.
O Rhythm is often the use of regular, evenly distributed elements – they could occur in
slow, fast, smooth or jerky intervals, and this tells you something about the feelings
invoked.
O 8) Scale
O It might sound similar to proportion, but they differ slightly: scale is about the size of
objects but in relation to what you’d expect them to be in reality.
O If an object occurs in a natural scale, then the object is the size we would expect to find
it.
O Diminutive refers to an object being smaller than expected, and monumental is when
the object is much larger.
O 9) Unity
O Not to be confused with harmony, unity is the overall cohesion of
the work.
O You might achieve this through any kind of grouping of objects.
O Any kind of similarity will help to strengthen the sense of unity you
feel when looking at a series of objects.
O 10) Repetition
O This is the pattern itself.
O A combination of shapes, colors, or other elements recurring across
the composition.
O Objects might be repeated such that they slowly get smaller, or
slowly change color – where the pattern starts and stops is
important! Patterns usually evoke feelings of security and calm.
O What is the rule of thirds?
O OBJECTIVES:
O - Analyze an artwork on
various levels and
planes
O a. axiological /evaluative
plane
O b. iconic plane
O c. contextual plane
O d. semiotic plane
LEVELS OF READING IMAGES
OAxiological or Evaluative Plane – has to do with
analyzing the values of a work. After the
understanding of the work is the difficult task of
evaluating it. This involves the two aspects of
form and content. (Guillermo, 2001).
O Iconic Plane or the image itself. This includes the choice of
the subject which may bear social and political implications.
O This includes signifier – signified relationship (particular
features, aspects and qualities of the image). This also
includes the positioning of the figure or figures whether
frontal, in profile, three – fourths etc. and the significations
that arise form the different presentations. (Guillermo, 2001).
O Contextual plane – situates the work in the personal and social
circumstances of its production. The work may contain
allusions to personal or public events, conditions, stages as
well as influences, such as persons and literary texts, that
have been particularly meaningful to the artist . (Guillermo,
2001).
O Semiotic Plane – Semiotics is the study of signs – the work of
art is the iconic or pictorial sign. A sign consists of a “signifier”
or its material physical aspect and its “signified”or non material
aspect as concept and value. Related to this is the “referent”
or object as it exist in the real world. A visual work, whether it
be a two – dimensional pictorial space or a three- dimensional
body, is an embodiment of the signs in which all physical or
material marks and traces, elements, figures, notations are
signifiers which bears a semantic or meaning – conveying
potential and which relation to each other convey concepts
and values which are their signifieds. (Guillermo, 2001).
Reading the Image
O Using this Image by
Fernando Amorsolo -
Dalagang Bukid
O evaluate this painting
according to its:
O 1. Axiological or
Evaluative plane
O 2. Iconic plane
O 3. Contextual plane
O 4. Semiotic plane
O Activity: Evaluate this artwork using the following planes:
1. Axiological plane
2. Iconic plane
3. Contextual plane
4. Semiotic plane