L11-14 MEMORY Revised
L11-14 MEMORY Revised
The story of
HM
He knew his name.
He knew that his father’s family came from Thibodaux, LA., and his mother was
from Ireland, and he knew about the 1929 stock market crash and World War II and
life in the 1940s
But he could remember almost nothing after that
For the next 55 years, each time he met a friend, each time he ate a meal, each time
he walked in the woods, it was as if for the first time
Sensory input goes to working storage, part of working memory, which in turn
allows information to be actively maintained and manipulated
Introspect….
● Hebb (1949)
● Broadbent (1958)
● Atkinson and Shiffrin (1968, 1971)
● Tulving
● Craik and Lockhart
Multi-store model of memory
Transient
retention of
Input from information for a
the sense few seconds
organs
Rehearsal
○ At an intermediate (phonemic or
phonetic) level, the word is analyzed for
its sound
Tulving’s model of memory
Remembering autobiographical
episodes involves an active
reconstruction of the original
(conscious) episode
Non associative
Skills and
Episodic Semantic Habituation,
Habits
sensitization
Classical
FLASHBULB MEMORY Priming conditioning
Emotional Skeletal
responses musculature
Explicit memory
Processing information over
time
Memory timelines:
○ Less than a second –
“attention to something”
○ Seconds to minutes –
Working Memory
○ Minutes to years – Long
Term Memory
Immediate Memory
Different areas of the brain
contribute to alertness awareness
and attention
The hippocampus and surrounding structures in the temporal cortex are responsible for
the permanent storage of these memories
Explicit or Declarative memory
● breathe
Concepts are organized in the
brain in terms of connected
Mammal
ideas Bird
Fish
● As in Computer - different
nodes represent concepts and
Pig
these nodes are connected by
Peacock
links
Ostrich
Like Safe
button in
computer
The working memory model, showing the central executive and its subsystems
Working Memory Model
Visuo-spatial sketchpad Phonological Loop Central Executive
• This can also rehearse information, but • A verbal rehearsal ● Involved in higher
deals with visual and/or spatial loop used when, for mental processes,
information as, for example, when we example, we try to such as decision-
drive along a familiar road, approach a remember a making, problem-
telephone number solving and making
bend, and think about the road’s
plans
spatial layout beyond the bend for a few seconds by
● It co-ordinates the
(Eysenck, 1986) saying it silently to
performance on two
• It uses a visual code, representing ourselves
separate tasks, and
information in the form of its visual • It is also used to hold attends selectively to
features such as size, shape, and words we’re one input while
colour (the inner eye) preparing to speak inhibiting others
• The scratch pad appears to contain aloud (Baddeley, 1996)
separate visual and spatial • It uses an ● Although capacity-
articulatory/phonol limited, it is very
components
flexible and can
• The more active spatial component is ogical code, in which
process information
involved in movement perception and information is
in any sense modality
control of physical actions, while the represented as it (modality-free)
more passive visual component is would be spoken ● It resembles a pure
involved in visual pattern recognition (the inner voice) attentional system
(Logie, 1995) (Baddeley, 1981)
How is memory
measured?
The RETRIEVAL process
● Recognition: This involves deciding whether or not a
particular piece of information has been encountered
before (as in multiple-choice tests, where the correct
answer is presented along with incorrect ones). The
sensitivity of recognition as a
form of retrieval was demonstrated by Standing (1973)