Chapter One discusses the introduction of writing in Medieval England by monks, who brought Latin and new vocabulary, as well as various skills and education through monasteries. It highlights 'Beowulf' as the only complete Anglo-Saxon heroic epic, detailing the hero's battles against monsters and his eventual demise. The chapter also emphasizes the contributions of King Alfred the Great in translating works and compiling The Anglo-Saxon Chronicle, enriching Anglo-Saxon culture through Christianity.
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Lecture One
Chapter One discusses the introduction of writing in Medieval England by monks, who brought Latin and new vocabulary, as well as various skills and education through monasteries. It highlights 'Beowulf' as the only complete Anglo-Saxon heroic epic, detailing the hero's battles against monsters and his eventual demise. The chapter also emphasizes the contributions of King Alfred the Great in translating works and compiling The Anglo-Saxon Chronicle, enriching Anglo-Saxon culture through Christianity.
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Chapter One
THE LITERATURE OF MEDIEVAL ENGLAND • Monks introduce writing
• In 597 St Augustine was sent from Rome to
preach to the pagans of southern England; Irish missionaries began to work in the northern areas. . • The priests were the only literate people in the country; their organization was a European one. • They brought with them its international language, Latin, at the same time creating a large new vocabulary in English for church matters. • They introduced agricultural, engineering and medical skills as well as philosophical learning of the now vanished civilizations of Greece and Rome. • They founded monasteries which became centers of education. • They wrote and copied books. • Beowulf • The greatest literary work that has survived is an epic poem of about 3000 lines called Beowulf. • It was probably composed in the eighth century and written down some 300 years later. • It is the story of the heroic deeds of Germanic warriors in the fifth and sixth centuries. • The hero comes to the court of a Danish king and frees him from a terrible monster called Grendel, and then from Grendel's mother, an even more ferocious (violent) beast. • The second half deals with Beowulf's old age, when he is king and must defend his country against a fearsome dragon, which he manages to destroy, but dies in the process. • Alliteration is the basis of the verse: having a clear pattern of words beginning with the same sound was a great help for memorizing. • Beowulf is the only complete Anglo-Saxon heroic epic we know; there are small fragments of two other poems (Finn and Waldhere) which may have been of similar length. • Stories about monsters, horror and magic have remained popular to this day, but the dangerous quality of life in those times must have made them seem quite realistic. • Most of the country was covered by dark forest and inhabited by wild animals. • Religious and historical writing
• There is a good deal of religious verse: the
monks used the popular pagan genre to instruct and win converts. • One re-telling of the story from Bible about the fall of Lucifer and creation of hell must have been admired by listeners. • The outstanding lay scholar of the period is KING ALFRED THE GREAT (ca.849-899). • He learnt Greek and Latin as a middle-aged man in order to translate important works into English, often adding passages of his own to explain or comment. • Such an interest in culture was rare indeed in a military man. • He drew up laws for his kingdom. • He commissioned (ordered) the monasteries to keep records: the monks compiled a prose work known as The Anglo-Saxon Chronicle, which is a sort of national history, recording important events, the lives of famous abbots as well as storms, fires, famines and invasions. • Anglo-Saxon culture was greatly enriched through its assimilation (intense understanding) of Christianity. • The churchmen were the main writers of literature, sometimes recording the works produced by lay people (regular people who are not a member of the clergy). • There was narrative verse, which is either heroic or religious in nature, as well as religious, historical and legal prose.