ORGANIC USER INTERFACES: FRAMEWORK, INTERACTION MODEL AND DESIGN GUIDELINES

International Journal of Ad hoc, Sensor & Ubiquitous Computing (IJASUC) Vol.4, No.4, August 2013
DOI : 10.5121/ijasuc.2013.4404 39
ORGANIC USER INTERFACES:
FRAMEWORK, INTERACTION MODEL AND
DESIGN GUIDELINES
Prof. Dr. Atef Zaki Ghalwash and Sara Khaled Nabil
Computer Science Department Helwan University Cairo, Egypt
ABSTRACT
Under the umbrella of Ubiquitous Computing, lies the fields of natural, organic and tangible user
interfaces. Although some work have been made in organic user interface (OUI) design principles, no
formalized framework have been set for OUIs and their interaction model, or design-specific guidelines, as
far as we know. In this paper we propose an OUI framework by which we deduced the developed
interaction model for organic systems design. Moreover we recommended three main design principles for
OUI design, in addition to a set of design-specific guidelines for each type of our interaction model.
Our proposed framework is deduced based on previous work of other related researches for Graphical
User Interface (GUI) and Tangible User Interface (TUI) frameworks. By categorizing the input techniques
of OUI systems, we were able to propose the ‘/ Manipulation/ air-Gesture’ (SMaG) interaction model.
Each category of SMaG model is explored thoroughly and criticized accordingly. Based on the SMaG
interaction model we introduced some design guidelines for OUIs. The proposed OUI design principles are
based on three usability aspects: look, feel and design. We conclude by pointing out our proposed OUI
usability guidelines and considerations regarding design-specific organic interfaces that uses each of the
input interaction techniques of SMaG model, their best use, worst use and how to use.
KEYWORDS
Organic User Interface, design guidelines, tangible interfaces, interaction techniques, gestures.
1. INTRODUCTION
After decades of traditional desktop computers that are used in specific contexts such as
education, scientific research, heath care, industry, information technology, ..etc by expert users
that are professional at dealing with computer devices through typing predefined sequential text
commands or performing specific actions for each required task by running set of programs or
processes, after all that today computers have become in every hand and the technology has
enfolded a much wider meaning that it used to have any time before. Technology is heading
towards context-aware ubiquitous environments where the target is now the normal user and the
contexts has become the daily actions not just the different professional fields of health,
education, military and other fields of technology.

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Ubiquitous Computing includes novel forms of devices and interaction techniques for interfaces
that are natural, tangible and organic user interfaces. Natural user interface (NUI) is the type of
interfaces with no traditional means of data input, but natural actions and interaction techniques
that opens the way for ubiquitous multi-touch multi-user computers. Since the rise of NUIs no
more separated input devices such as mice are needed. Examples of NUIs are today’s tablets,
multitouch smart phones such as iPhones. Some even may consider the Microsoft Surface and
The Sphere to be NUI systems as well, although they might be considered OUI systems.
Tangible user interface (TUI) –subset of NUI- is the type of interfaces that uses graspable
physical artifacts- called tangibles- to control digital information seamlessly in the user’s physical
environment. Thus, tangible interfaces make use of the already existing usability experience and
haptic interaction skills that users have with real-world objects. Not only does TUI give physical
representation to the digital content, but also enables this digital content -represented by the
physical tangible- to be directed manipulated through the user by his bare hand. TUI’s interaction
style and physical representation of data –rather than graphical representation- is the main
advantage for users and their perception for the user interface over GUI.
Organic User Interface (OUI) is not just a subset of NUI, but the legal heir of NUI if we might
say so, as per Dennis Wixon who suggested that OUI will be the successor of NUI moving the
leverage of user interfaces from relationships –in natural interfaces- to special memory in organic
interfaces benefiting from the new organic technologies that enables flexible display materials
and flexible paper-like electronics.
In 2008, Raol Vertagaal and Ivan Poupyrev [1] defined OUI as interfaces that have non-planar
displays that may actively or passively change shape via analog physical inputs. Organic displays
are characterized by two main factors: they can change or take on any shape and they can be used
as an input device.
The term ‘organic’ came from four facts:
1. First, these new flexible interfaces are built from the newly developed organic electronics
and materials.
2. Second, the malleable form and flexible shape of OUI systems make give them an
‘organic look’.
3. Third, the dynamic structure of OUI devices enables them to give visual feedback by
changing their physical shape actively or passively which gives them an ‘organic feel’ as
if the device is alive.
4. Forth, the human-computer interaction in an OUI system is more likely similar to human-
human interaction resembling the natural human-physical interaction[2] such as grabbing,
folding, shaking and many other gestures.
This organic uprising technology that is starting to emerge today lacks the standards and
guidelines that controls and facilitates the design process of OUI devices, in comparison with the
efforts previously exerted in the GUI design. As far as we know, no clear and detailed design
principles have been offered for organic computers design, other than the three principles of OUI
design presented in [3]: Input Equals Output, Function Equals Form, and Form Follows Flow.
Moreover, Holman et al. in “Organic User Interfaces” introduced four broad rules that must be
followed by OUI designers: Fluidity, intuitiveness, Robustness and Calmness.

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However, the fact that digital devices are to be designed in organic shapes in the near future, puts
designers in need for a strong solid base of principles that guide the design of organic devices and
its usability. Although some work have been made in OUI design principles, no framework have
been set for OUIs and their interaction model.
In this paper we will propose an interaction framework for OUIs based on its predecessors TUI
and GUI, in addition to the input interaction technique model, design principles and usability
guidelines for organic interfaces. The paper is organized as following: Section I is the
Introduction, Section II is the related work survey for the previous frameworks introduced for
previous user interfaces and the related work in OUI design principles. Section III introduces our
proposed framework based on the previous related work, Section IV presents and explains our
proposed OUI input-interaction ‘SMaG’ model, and finally Section V presents our proposed OUI
design guidelines based on the SMaG model. Last, comes the conclusion, future work and
references.
2. RELATED WORK
A. GUI & TUI Frameworks
The related work we studied for user interfaces frameworks included papers[1,4] for TUI
framework as an evolution to its predecessor GUI framework. However no work –as far as we
know- was found that contributes to OUI framework, that a proposal is introduced in this paper.
In 2001, Ullmer and Ishii in [4] proposed a framework for Tangible User Interface (TUI) in
comparison with Graphical User Interface (GUI) framework. The GUI framework is constructed
from the MVC model (Model-View-Control) where there is a clear distinction between the input
and the output devices that are completely separated from each other in the physical layer, as seen
in the figure 1.
The TUI framework developed the MVC model to MCRpd: Model-Control-Representation
(physical and digital). MCRpd framework keeps the ‘model’ in the digital layer, the ‘view’
however, is divided into both a physical representation and a digital representation denoted by
‘rep-p’ and ‘rep-d’ respectively. This framework demonstrates the two types of digital
information representation in the physical layer, one that is graspable (physical objects), and one
that is non-graspable (such as sound, video projection, ..etc)

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Figure 1 : MVC model vs. MCRpd model[4]
In 2008, Hiroshi Ishii[1] enhanced this TUI framework, highlighting there is no more separation
between the input and output devices as was in the previous GUI framework (MVC model).
Ishii’s framework also presents the graspable and in-graspable (tangible and in-tangible) digital
information (rep-p and rep-d) as tangible representation and intangible representation,
representations of both physical and digital input interaction styles, as shown in figure 1.
B. WIMP and Post-WIMP Interaction models
After decades of WIMP interfaces (window-icon-menu-pointer) based on the GUI framework,
post-WIMP interfaces are rising intensively promising a new era of user-input interaction styles
for NUI (natural user interface), TUI and OUI. WIMP interactions rely on the technology created
by the colored screen monitor controlled by the keyboard and mouse input devices, depending
mainly on graphics. With new natural, tangible and organic interfaces evolving, and by the
gradual disappear of keyboards and mice, WIMP techniques can no longer be used as is. Thus,
there is a certain need for new interaction techniques that can provide the user with seamless
intuitive natural experience when interfacing in such ubiquitous environments. We would need
rather more continuous input techniques that have more natural interactions than the discrete
input interactions of the earlier UIs: GUI and CLI. In [5] Van Dam named this new generation of
interactions the post-WIMP interfaces.
Worth mentioning as well, is that augmented or virtual reality widgets are considered post-wimp
interfaces, were virtuality systems make use of tangibles such as head mounted displays, gloves
and 3D caves as interactive post-wimp input and output devices.
Post-WIMP interfaces are already employed in computer video games using physical tangibles
such as a car wheel and gas and breaks peddles and wii remote motion controller -also called
‘wiimote’- that recognizes gestures and pointing. Multi-touch interactive displays are another
type of post-wimp interfaces as it no longer depends on mouse pointer or window menus.

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However, scientifically speaking, there is no clear aspects of post-WIMP interaction style that
define it clearly except that it depends on multitouch displays, human gestures and perhaps
speech recognition as well.
C. OUI Design principles and guidelines
In spite of the intensive studies in the field of GUI design principles, there have been –
unfortunately- only quite a few attempts to set the rules and principles for OUI design.
Holman and Vertegaal[3] presented the three main principles of OUI design. These three
principles are the basic foundation and building blocks for any OUI design guidelines or rules.
1. Input Equals Output
(When display is the input device)
This design principle states that in organic computers the output displays could also act as input
devices. For example: OLED displays with multi-touch sensors for data input.
On contrary with GUI-based computers, OUIs merge input and output devices together. While in
GUIs the input and output devices are completely separated from each other and distinct.
For example: Mouse and Keyboard (input devices) are clearly separated from monitor
display(output device) in traditional point-and-click computers.
2. Form Equals Function
(When displays can take any form)
This design principle states that the shape or form of the Organic device should be dynamic
enough so as to change to match the intended functionality.
For example: the paper computers can be bended inwards to zoom-in the content of the paper, as
well as can be bended outwards to zoom-out the content.
3. Form Follows Flow
(When displays can change their shape)
This design principle states that the shape or form of the Organic device should be dynamic
enough so as to change according to the flow of the user interactions.
For example: mobile phones change their display options
and menu while conducting a phone call while clamshells deactivates the screen while folding
them.
Moreover, Holman et al. in [6] introduced four broad rules that must be followed by OUI
designers. The four principles are derived from the natural laws of biology, physics and human
cognition. These four principles are:
1. Fluidity (physics laws)
This design principle stated that the OUI is fluid when simple rules are set to enforce constraints
on the system that are easily understood by the user.

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2. Intuitiveness (biology laws with respect to human cognition)
This design principle states that the OUI is a representation of the most natural interaction
techniques that support the functions intended by the user, putting into consideration the limited
human cognition and abilities.
3. Robustness (biology laws)
This design principle states that the OUI must be robust enough to easily recover from errors,
operate with degraded functionality until repaired and avoids hazards.
4. Calmness (human cognition laws)
This design principle states that the OUI must allow the user to choose to focus on the interface
when there is a need, or to lose focus when there is no need, hence, the organic system should be
non-distracting in the later case.
The ‘Calmness’ principle is based on the fact that OUI is a subset of Ubiquitous Environments -as
discussed earlier- where all computers seem to disappear in the background and nearly be un-
noticeable to the user.
The drawbacks of Holman’s[3] OUI design principles is that it ignores the input interaction
techniques that does not necessarily equals the output. That is, for example the in-air gestures that
users can use to interact with an organic device entering commands to the system to perform
certain actions or apply a specific task. The same applies for speech commands that is used by
several organic devices allowing hand-free control cannot be applied under the principle of “input
equals output”. Moreover, output does not equals input, as the system can have physical reactions
to our actions –actively- or notifications –pasively- in the form of producing a sound or changing
the shape or layout of the device, which does not imply that output equals input. As for the
second and third principles they apply only on flexible displays that can actively or passively
change their shape to allow natural input or to feedback the user with physical output. However
that does not apply on all nowadays tablets and devices that enable the user to interact by touch,
manipulations, speech and gestures in a combination of complete harmony using human natural
abilities, postures and even eye tracking.
3. THE PROPOSED FRAMEWORK
The TUI framework introduced by Ishii [1] did show the distinction between two ‘View’ types:
the tangible (graspable) and intangible (non-graspable) representation of information (physical
view and digital view) denoted by rep-p and rep-d. Yet, kept the ‘Control’ in one single block –
see figure 2- with no sign of different types of user input control.
The ‘control’ module represents the input interaction techniques, that are also either tangible or
intangible. Perhaps Ishii[1] focused on the tangible physical control only as TUIs was the scope
of his research. In this paper we propose a framework for OUI based on Ishii’s work, in addition
we distinguish the ‘tangible control’ from the ‘intangible control’.

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Figure 2 : Ishii's TUI Framework[1]
Moreover, we believe that our proposed OUI framework better suits the ‘SMaG Interaction
Model’ of Organic User Interfaces, presented in this paper, based on interaction styles of speech,
hand manipulations and air-Gestures used by organic systems.
Figure 3: A proposed OUI Framework
From the fact that organic user interaction does not only depend on touch, deformation and
manipulation of physical objects and tangibles, but includes in-air gestures and speech inputs as
well, we divided the ‘Control’ into ‘Tangible Control’ and ‘Intangible Control’.

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Tangible Controls are physical input interactions that the user can use while interacting with an
organic system to input his required commands or actions. Physical tangible input interactions
require direct contact from the user to the surface of the display or physical objects in the system.
Tangible controls are mostly anticipatory, intuitive and perceived as real-world interactions.
Tangible controls include hand touch, hand deformation and manipulation of displays, physical
objects and tangible devices.
Intangible Controls are other SMaG model interactions, that do exist in the physical layer, but are
not physically touchable or contained. Intangible interactions include speech input and in-air
gestures such as hand gestures, facial expressions, body language. Intangible interactions are also
natural and intuitive as tangible interactions are, however they are not anticipatory as much; they
need a manual to use them when interacting with an organic system.
Tangible representation is the intersecting area between control and representation: input and
output. The physical input interactions of display touch, deformation and hand manipulation is
responded by the system with corresponding output interactions on the same multi-touch and/or
deformable display, see figure 3. This area (tangible control and tangible representation) is
consistent with the three principles of OUI design of Holman and Vertegaal’s[3]. The first
principle “Input Equals Output” where the display is both the input and output device, this is the
area that joins the Tangible control and Tangible representation. The second principle “Form
Equals Function” is where the displays can take any form during user input interaction, is the area
of Tangible control. The third and last principle is “Form Follows Flow” where displays can
change their shape for responsive output interaction, is the area of Tangible representation.
We can see from the above that there are interaction areas (intangible control and intangible
representation) that are not included in Holman and Vertegaal’s OUI design principles[3]. They
did not consider that speech and/or in-air gestures can be used as interactive styles and that both
of them (speech and gestures) does not necessary correspond to output response from the system.
Moreover, they ignored the output interactions that may be used in an organic system that are
audible or visual feedback, but not touchable, for example: producing speech or sound and image
or video virtual projection on a display. Such output interactions does not require a display to
change its shape or form (as the third principle states) but are still organic interactions.
4. THE PROPOSED SMAG INTERACTION MODEL
In [7], the author proposed the ‘STaG’ model for Organic Interaction in OUIs, as abbreviation for
the three main categories of natural interactions: Speech, Touch and Gesture.
However, we believe that users are easily capable of performing many deformation activities that
are normally 5 suitable for interacting with OUIs and are not to be considered gestures but rather
‘Manipulations’. Therefore, the OUI general interaction model can be better called ‘SMaG’ for:
Speech, Manipulations and Gestures, where Touch is considered one type of hand manipulations
while Gestures are only ‘in-air gestures’.

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Accordingly, we can divide the OUI user interaction techniques that we referred to in this paper
as the SMaG model, to the below categorization: speech, hand manipulation and in-air gestures.
Speech is divided into two subcategories: normal speech recognition and silent speech
recognition for subvocal speech. Hand manipulations are either touch and tab, deformable
manipulations, non-deformable manipulations, texting and drawing manipulations and
manipulating tangibles or other physical objects. In-air gestures have different sub types:
unimanual and bimanual hand gestures, gaze gestures (eye tracking), face gestures (facial
expressions) and other body positions and movements, either for parts of the body such as arms,
legs, back and shoulders or the whole body.
The SMaG categories are summarized as below:
Figure 4: SMaG input interaction model for OUI
A. Speech
Speech is the oldest mean of interaction known to mankind. Moreover it requires no hand
movement or body effort. As much as speech forms a natural way of communication between
humans in their daily life, so it should be one day between human and computers, as much as
interfaces will be more natural, and as much as computers will get ubiquitous around us.

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1) Voice recognition:
Speech recognition have been studied widely as an interaction technique for computer devices.
Although it is proven hard to reach an optimum percent of error-free speech recognition, some
systems depend on speech as an essential interaction technique specially for users with speech
impairments or in medical procedures where it is a must for doctors not to compromise sterility
by touching buttons, keys or switches.
However, speech interaction can be very difficult or nearly impossible in crowded or noisy
places. Moreover, environments that require silent interaction for either confidentiality or special-
security purposes, cannot make use of normal language speech recognition technologies, but
require a silent-speech recognition technology to an efficient interaction technique.
Figure 5: Subvocal Speech Interaction [8]
2) Subvocal speech recognition:
In order to overcome the limitations of using voice recognition, some researches were made to
make use of the vibrations of vocal chords of a human’s silent speech. Richard
Yonck in [8] described the silent speech recognition as “sub-vocal” speech recognition in which
the user’s silent speech forms input to the system through a small device on the user’s throat
reading his nerve signals directly from his throat, converting them to electric signals and sends
them to a remote computer that translates them into words (commands).
As it needs no actual voice produced by the user, subvocal interaction technique can be used with
speech-impaired users, firefighters and special forces. Subvocal speech can be very useful in
speech non-conducting medium, such as underwater for divers or in the outer space for
astronauts. NASA Ames
Research Center is currently developing a subvocal system for eventual use in astronauts’ suits.
[8]
B. Hand Manipulation

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Hand manipulations provide users with the natural real-world intuitive interactions with computer
devices through physically realistic actions. In general, hand manipulations can be divided into
two types: touch, deformable and non-deformable manipulations, texting and tangible
handling, motions and actions performed by the user.
1) Touch & Tab
Using Touch input interaction style has always been an easier, faster and more fun experience for
users than the use of physical input devices such as a mouse, a keyboard, a touchpad, ..etc.
Moreover, being so natural and intuitive to perform, touch interactions are a very well candidate
to be the primary interactive technique of tomorrow’s computers.
Lately, touch interactions has been widely used in different computer devices. It is no longer a
challenge to implement a touch screen instead of mechanical buttons and keys. A touch
interaction can be with one or more fingers, using one, two or even more hands (in case of multi-
user systems). Touch input interaction style is categorized into: Single-touch and Multi-touch.
Types of touch requiring more than one finger or more than one hand is called ‘multitouch’.
Multitouch interaction enables the system to support multiuser interaction and collaboration.
Most of the OUI systems are based on multitouch flexible organic displays.
Recently finger touch interactions have been proven to be much more than one type. In [9]
researchers studied the different types of figure touch based on the fact that there are different
parts in a human finger, than just the tip. The different types of finger touch introduced in [9] are
the: Tip, Pad, Nail and Knuckle. These touch types presented possible different input interaction
techniques, used in the Tapsense[9]. Different touch inputs can be recognized by the different
effects they create, such as the touch area, shape and pressure, as seen in figure 6.
Figure 6 : Different finger Touch interactions [9]
In general, we believe that a touch input can be defined by a combination of different parameters
below:
• Touch Type: tip, pad, nail, knuckle
• Number of simultaneous touch points

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• Motion of the touch or is it just a single tab
• Direction of fingers motion
• Shape formed by the touch
• Pressure pursued during the touch
• Time taken during the touch
• Distance covered by the finger on the display
• Location of contact points on the display
Tabbing is a special type of touch input and can be used by different techniques such as double-
tapping (resembling double-click in previous WIMP interfaces). Tapping can be accompanied
with holding or dragging to create more input commands that helps the user enter different
commands to the device such as move (cut and paste) an object, zoom in and out, open, start,
..etc.
2) Deformable & Non-Deformable Manipulation
Hand manipulations provide users with the natural real-world intuitive interactions with computer
devices through physically realistic actions. In general, hand manipulations can be divided into
two types: deformable and non-deformable motions and actions performed by the user.
In 2010, Sang-Su et al. in [10] studied the usability of different materials; paper, elastic cloth, and
plastic by observing human gestures and behaviors of users in using deformable displays as input
devices. The study included combined manipulations (such as crumpling and tearing) as well as
non-deformational motions (such as rubbing, reversing and tapping).
Hand manipulation input interactions can be recognized based on three factors:[10]
i. The manipulation type
a. Deformable manipulations
b. Non-deformable manipulations
ii. The motion axis
a. Landscape: along the x-axis
b. Portrait: along the y-axis
c. Diagonal: along the z-axis
iii. The motion direction
a. Positive: forward, left to right,
b. Negative: backwards, right to left
c. Dual: inwards, outwards
2.1) Deformable Manipulation

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Deformable actions are input interactions that users can perform using freehand manipulations
that change the shape of the deformable object or deformable display. Deformable manipulations
rely on the physical human skills users already use in their real world activities. Deformation
types that a user can perform using his hands depend on the deformable material itself. For
example the deformations that could be done to a piece of paper are definitely different than that
could be done to a piece of clay.
We divided the types of deformational hand manipulations - based on the material type- as below:
i. Plastic-like
Materials that have the same characteristics of plastic sheets can be physically piled, flipped or
stacked on top of each other for browsing documents within.
ii. Paper-like
Materials that resemble real world paper can be bent, folded, wrapped, twisted, crumpled or even
torn for deleting a document.
iii. Fabric-like
Elastic materials and cloth fabricated devices can be deformed to many shapes. Fabric-like
materials can also be stretched, scrunched, pinched, ..etc.
iv. Clay-like
Materials that have the same feel and look of clay can be squeezed, pressed, pushed, pulled or be
deformed to almost any non-regular shape.
v. Gel-like
Materials that have the same feel and look of gel can be pressed, pushed, pulled , deformed,
twisted or even cut into pieces of almost any shape.
vi. Liquid-like
Liquid or water can also be deformed by poking liquid surface with user’s finger, or stroking it
with his hand. Scooping some liquid can b a useful interaction technique as well.
2.2) Non-Deformable Manipulations
Non-deformable actions or in-hand manipulation skills refers to the ability to shift objects about
with the fingers of one or both hands, such as to position an object in some way, move it from one
place to another or just change its orientation. In-hand manipulations in [11] depends on mobility
and coordinated control at the base joints of the user’s fingers, which allow for thumb-finger
oppositions in different positions.
According to [11] the three motion types of in-hand manipulations can be classified into three
categories:

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i. Rotation: is the act of turning something
a. Simple rotation
For example: pick up a pencil that is oriented across your body and then flip it about in your hand
so that it is in the writing position
b. Precision rotation
involves turning something in the fingertips For example: flip a coin over and over in the
fingertips
c. Lateral shift
movement of the thumb against fingers such as to wind up a small toy, that some people call
rotation
ii. Translation: is the movement of objects between palm and fingertips and is also referred to as
squirreling (to palm) and de-squirreling (to fingertips) small items.
For example: selecting one coin from several in your palm and moving it to the fingertips with
only one hand active.
iii. Shift: is the balanced movement with opposed thumb and finger. For example: thread a
needle, push a button through a hole, or poke a pin into a pincushion.
3) Drawing & Texting
Free drawing and texting hand manipulations do not imply mouse cursor drawing or keyboard
texting, but indicates to the use of bare fingers to type on a graphical or projected on-screen
keyboard or draw free-hand letters, numbers, figures or shapes directly on the display surface.
One type of free texting is often referred to as touch typing such as thumb typing.
Thumb-texting, for instance, is quite faster than the tradition way of typing on a keyboard input
device, once the user gets used to it. Thumb-texting is used widely nowadays in the latest mobile
phone touch-based devices that automatically detects when the user desires to type a word,
message or phrase, the device produces a graphical on-screen keyboard on which the user uses
both his/ her thumb fingers (of both her/ his left and right hands) to type.
4) Tangibles
Handling tangibles is the basis of TUI interaction techniques, whereas in OUI it is considered one
of many hand-based input interaction techniques.
Tangibles are simply graspable physical artifacts that are used to control digital information
seamlessly in the user’s physical environment. Thus, tangible-based interfaces make use of the
already existing usability experience and haptic interaction skills that users have with real-world
objects. Not only does tangibles give physical representation to the digital content, but also

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enables this digital content -represented by the physical tangible- to be directed manipulated
through the user by his bare hand.
Consequently, using Tangibles are basically natural but non-organic, however, they do can
contribute in an organic system in some cases as an aid tool to add more intuition to the system.
For example, handwriting with bare fingers can seem more awkward than handwriting with a pen.
That is why using a pen stylus in this case will be more natural to the user than his own hands.
A stylus –or a digital pen- is a typical most common type of tangible input tools that provide
faster and more accurate input than the older input techniques providing the user with a similar
feeling to using an actual pen with great accuracy by detecting the pressure applied with the
stylus pen on the device display. Stylus pens are used widely with the latest smart mobile phones
and tablet PCs providing users with various input techniques and possibilities that cannot be
providing using traditional input techniques or even hand touch or manipulations.
C. Gestures
The notation ‘Gestures’ in this paper is used to mean only ‘in-air gestures’. Gestures are the non-
verbal form of interaction that relies on visible movements of human hands, face and/or body.
Although gestures have been used by man since the beginning of mankind as a primary means of
communication that is even more efficient than speech, however it has only been used in the field
of human computer interaction just recently.
As gestures are a natural way of communication between human to deliver a certain message, it
can easily be used by computer users to issue a command for interaction, once the system is
designed to capture hands movements, facial expressions, body motion and eye tracking.
There are different types of gestures that can be used as different input techniques for various sort
of commands for performing certain tasks or actions. The first type is ‘Single hand gestures’,
where users can perform using only one hand. Single-hand gestures not only simple and easy, but
are natural gestures that users master in their daily life. However, they may differ in their
meaning from a country or a culture to another. Examples for single-hand gestures are: still
finger(s) and moving finger(s) gestures. Still finger(s) single-hand gestures, include but are not
limited to, the ‘OK’ gesture, the ’victory’ gesture, the ’thump-up’ gesture, the ‘high five’, and the
’salute’ signs. The other sub-type of single-hand gestures is ‘moving finger(s)’ such as natural
gestures we use for waving, money sign, finger gun, come here, ..etc. Other single-hand gestures
can be ‘fist gestures’, such as boxing fist, fist bump and fist pump. Besides single-hand gestures
there is two-handed gestures as well, such as clapping, ribbing, approaching palms or many
others. On the other hand eye gestures are very important. Eye tracking systems have recently
proven their efficiency of saving power when the user is not ‘looking’ at them, while activating
when the user maintains ‘eye contact’ with the display of the device. Moreover, face gestures of
‘facial expressions’ play a great deal of our interaction procedures and are almost unconsciously
accompanying most of our daily interactions with each other, ironically even through a phone
call, users tend to use their facial expressions to unconsciously represent their feelings. Such
facial gestures are a powerful interaction style to be utilized as stand-alone interaction technique
or as integrated with another one. For example, saying ‘hello’ while smiling to the device display
can activate the device. This will help mininze system errors that can happen due to false input
when the users greets another human in the same room saying hello while not ‘looking at’ the
device.

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Factors on which a gesture can be captured and identified:
i. The type of the gesture
a. Single hand gestures
b. Two-handed gestures
c. Eye gestures
d. Face gestures
ii. The axis of the gesture motion
a. Landscape: along the x-axis
b. Portrait: along the y-axis
c. Diagonal: along the z-axis
iii. The direction of the gesture motion
a. Positive: forward, left to right,
b. Negative: backwards, right to left
c. Dual: inwards, outwards
iv. The speed of the gesture motion
Gestural-based interfaces usually uses infrared, colored markers and cameras for image
recognition and tracking motions. However, in SoundWave[12] the system uses the Doppler
effect to capture gestures, by generating an inaudible tone that gets frequency-shifted when it
reflects off moving objects such as the user’s hand. Using the speaker and microphone already
embedded inside the computer, to sense and capture different user gestures around the device,
SoundWave can distinguish the basic input interactions such as: scrolling, single-tap and double-
tap, activation, deactivation and rotation. For example, SoundWave uses the walking gesture to
automatically put a computer to sleep or wake it up and the Two-Handed Seesaw for rotation.
Using gestures as an input technique must consider that it is totally different than designing a
touch-based system. “The wrong way to think about in-air gesturing is ‘touch at a distance’[13].
Touch-based systems differentiates the start and end of a touch input by the second the user puts
his finger(s) on the display surface and the second he lifts them off the surface. Whereas, gesture-
based systems are single-mode systems are always in the ON state ,ready to capture any user
movement, and has no OFF option. In [13] the author refers to this feature of gesture-based
interactive style as the “live mic problem” where the system can capture unintended user gestural
input by mistake, such as sneezing, scratching, yawning, responding a sound or any other non-
input gestures; that is: false positive gestures.
Designing a gesture-based system should consider false gestures, both positive and negative [13].
False-positive gestures occur when the system detects user’s unintended gestures because they
resemble some defined gestures. False-negative gestures occur when the system ignores users
input gestures that are outside the system’s narrow precision constraints.

55
Gestures are one of the interaction techniques that maintain sterility in medical places, clinics and
hospitals, where one infected touch or hand manipulation can cause a lot of problems. Moreover,
gestures are very useful interaction style for ‘large displays’ as they are the most appropriate
input actions from a distance than touch or hand manipulation actions. However, touch and air
gesture can form together hybrid interactive systems for supporting a lot of applications and
functionalities.
On the other hand, gestures fail to be efficient in public places or crowded environments where
false gestures, both positive and negative, are captured by the system that as we mentioned is in
the ‘always-on’ single-state. Also, a multiuser system is hard to depend on gesture-based
interactions or at least must find recognition scenarios to detect different users, thus gestural input
does not adequately support collaborative environments.
5. THE PROPOSED DESIGN GUIDELINES
We will focus our design guidelines and principles on the organic interface and its input
interaction creating three points of interest: the look, feel and design successively.
In light of the design principles of organic user interfaces for both Vertegaal[3] and Holman[6], in
addition to the design guidelines for natural user interfaces for Wigdor and Wixon[13], we
proposed three general design principles for organic UI design and other specific design
guidelines for each interaction style in the SMaG interaction model (Speech, Manipulation and
Gesture).
The three proposed general principles for designing organic user interfaces are covering the three
aspects of the design, feel and look:
1. Natural, intuitive feel
An OUI must feel as natural and intuitive to the user as using everyday real world objects. Thus
designers should think of organic interface as a part of the whole ubiquitous computing
environment, designing the system with the most natural interactions capable for human. The
natural feel should allow the user to “expect output from the input”.
2. Organic, fluid look
An OUI must look flexible and malleable (non-planer) as much as it makes it natural to see and
use. The look of organic systems includes not only the shape, but the color, and texture as well.
Organic devices are bendable, rollable, stretchable, moldable or even wearable. The organic look
should be fluid enough to:
• take any shape allows the user to input natural interactions.
• change its shape (or at least contents) as means of visual feedback to users actions.
• Flow between states and never abrupt the user with sudden transitions.
3. Context-aware, calm design

56
An OUI must be designed -using the best suitable metaphor- to be ubiquitous and calm (in the
background) when not in use and aware of the context of use. In the same context, input actions
must always give same responses.
Moreover, we proposed design-specific guidelines for designing organic interfaces for each
interaction style in the SMaG interaction model (Speech, Manipulation and Gesture).
The OUI design-specific guidelines are:
A. Speech
When designing a speech-based organic system, take into consideration the below guidelines:
• Best use:
Speech is used as an input interaction style with large displays, home appliances, medical care
places requiring sterility.
• Avoid use:
Speech input is avoided in public places, multiuser systems and dangerous actions to avoid errors
of high impact.
• How to use:
Speech is captured either by voice recognition techniques or by sub-vocal speech recognition
directly from the user’s throat.
B. Hand Touch and Manipulation
When designing a touch-based organic system, take into consideration the below guidelines:
• Best use:
Hand Manipulations is used as an input interaction style with multiuser systems, home
appliances, public places, classrooms, offices, showrooms.
• Avoid use:
Hand Manipulations input is avoided in large displays, and medical care places requiring sterility.
• How to use:
Hand Manipulations is captured either by touch-sensing, or by image or video recognition
techniques based on the factors of: the manipulation type (deformational manipulations: bend,
roll, squeeze, pinch, ..etc, or non-deformational: rotation, translation, shift), the motion axis (x-
axis, y-axis, z-axis), motion speed and the motion direction. Touch is recognized by the factors of

57
touch type (tip, pad, nail, knuckle), number of simultaneous touch points, motion of the touch or
is it just a single tab, direction, shape, pressure, duration, distance, and location on the display.
• Consider to:
1. In 2D spaces, give at least 15mm size -in each direction- for touchable items and at least
5mm between them.[13]
2. In 3D spaces, use visual feedback (ex. depth) for all moveable elements to acknowledge
successful touch, except in systems that use depth (z-axis) in other purposes.[13]
3. Respond to every contact by immediate feedback with fluid transition with no sudden
transitions.
4. Enable basic manipulation (ex: single-finger drag & flick), direct manipulation rather
than controls (remove secondary controls whenever possible) , and inertia.
C. Air Gestures
When designing a gesture-based organic system, take into consideration the below guidelines:
• Best use:
Air Gestures are used as an input interaction style with large displays, home appliances, medical
care places requiring sterility.
• Avoid use:
Air Gesture input is avoided in public places, multiuser systems and dangerous actions to avoid
errors of high impact.
• How to use:
Air Gesture is captured either by image or video recognition techniques or by inaudible air
frequency shift. Gestures are captured based on the factors of: the gesture type (single hand, two-
handed, eye, face, body), the motion axis(x-axis, y-axis, z-axis), the motion direction and speed.
• Consider to:
1. Avoid time-based gestures as it delays expert users.
2. Make it clear how to start, continue and terminate a gesture.
3. Apply the gestures principles for a learnable and safe system (identity, negation,
inversion, commutativity)
4. Handle false gestures, both positive and negative.
6. CONCLUSION AND FUTURE WORK

58
In this paper we proposed an OUI framework for designing organic systems. We then used our
OUI framework to create an interaction model for OUI input styles in which we called the SMaG
model, referring to the three main types of organic user-input: speech, manipulations and air-
gestures. We further examined each interaction style of our proposed SMaG Model, presenting
the pros and cons of each of them. Finally, we proposed three main OUI design principles, in
addition to some design-specific guidelines for each category of our interaction model for organic
user interfaces in ubiquitous environments.
In our future work, we intend to apply our SMaG interaction model on some organic systems that
are designed in the proposed OUI framework and based on the design principles and guidelines
presented in this research paper.
REFERENCES
[1] Hiroshi Ishii, “Tangible Bits: Beyond Pixels”, Proc. Of the Second International Conference on
Tangible and Embedded Interaction (TEI'08), Bonn, Germany, Feb 18-20, 2008.
[2] Roel Vertegaal and Ivan Poupyrev, “Organic Interaction Technologies”, Communications of the
ACM, Volume 51, No. 6, 26-30 June 2008.
[3] David Holman and Roel Vertegaal, “Organic user interfaces: designing computers in any way, shape,
or form”. Communications of the ACM, vol. 51, New York, USA, June 2008.
[4] Brygg Ullmer and Hiroshi Ishii, “Emerging Frameworks for Tangible User Interfaces”, Human-
Computer Interaction in the New Millenium,” John M. Carroll, August 2001.
[5] A. Van Dam, “Post-WIMP User Interfaces”, Communications of the ACM, 1997.
[6] David Holman, Jonathan Diehl, Thorsten Karrer, Jan Borchers, “Organic User Interfaces”,
http://hci.rwth-aachen.de/organic, Media Computing Group, RWTH Aachen University, Germany,
2007.
[7] Arnout de Vries, “Multi-Touch Interaction Overview”, http://www.tno.nl/nui.
[8] Richard Yonck, “The Age of the Interface”, World Future Society, MD, USA, 2010.
[9] Chris Harrison, Julia Schwarz, Scott E. Hudson, “TapSense: Enhancing Finger Interaction on Touch
Surfaces”, ACM UIST’11, October 16–19, 2011, Santa Barbara, CA, USA, 2011.
[10] Sang-Su Lee Boa Kim, Sohyun Kim Xu Jia, Bopil Jin Daeeop Kim, Eunji Choi Kun-pyo Lee, “How
Users Manipulate Deformable Displays as Input Devices”, Proc. CHI 2010, ACM New York, USA,
2010.
[11] “In-Hand Manipulation Skills”, http://school-ot.com/
[12] Sidhant Gupta et al., “SoundWave: Using the Doppler Effect to Sense Gestures”, CHI’12, May 5–10,
Austin, Texas, USA, 2012.
[13] Daniel Wigdor and Dennis Wixon, “Brave NUI World: Designing Natural User Interfaces for Touch
and Gesture”, ISBN 978-0-12-382231-4, 2010.

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