golden PPT 12.pptx
- 2. San Isidro College INTEGRATED BASIC EDUCATION Malaybalay City
- 3. How are you today? 1 2 3 4 5 6 7 8
- 5. Our Father in Heaven, once again we thank you for giving us another opportunity to come together as a class to learn again. Deep in our hearts, we also ask sorry for our sins and seek for your guidance and wisdom so that we could understand our lessons well. Lord, bless our minds and help us to become more attentive and responsible in doing our task especially in this subject. This we pray in Jesus name, Amen.
- 7. Philippine Folk Dance P H Y S I C A L E D U C A T I O N
- 8. Why is it important to study and learn our Philippine folk dances?
- 9. TRIVIA ! • As early as 1921 to 1923, Francisca began her search for folk dances to use in classes while a Student Assistant in Physical Education. • She traveled to remote barrios (rural communities) in Central and Northern Luzon. In 1924, she became an Assistant Instructor. She quickly saw that, with further impact of Western culture, many dances would be lost or extensively modified.
- 10. TRIVIA ! • She continued gathering folk dances, songs, and games for her master's thesis at the University of the Philippines in 1926. • She revised her work in 1927, and published it as Philippine Folk Dances and Games. In this and later collections, the great diversity of dance type, tempo, and music reflected a many-faceted Filipino character.
- 11. WHAT IS DANCE? - a form of expression of oneself through rhythmic movement
- 12. So, what is FOLK DANCE - the oldest form of dance and the earliest form of communication - the traditional dance of a given country which evolved naturally and spontaneously with everyday activities
- 13. So, what is FOLK DANCE • It is handed down from generation to generation • It has more or less a fixed movement in their pattern, but may differ in various areas or provinces
- 14. 5 Major Classifications of Philippine Folk Dances 1. Cordillera Dances 2. Spanish Influenced Dances 3. Muslim Dances 4. Tribal Dances 5. Rural Dances
- 15. Cordillera Dances • Bontoc, Ifugao, Benguet, Apayo, & Kalinga tribes • a people whose way of life existed long before any Spaniard or other foreigners stepped foot on the Philippines • Gongs, ganza Dances reflects rituals which celebrate their daily lives - a good harvest, health, peace, war, and other symbols of living
- 16. Cordillera Dances Bontoc – “Pattong” Kalinga – “Banga”
- 18. Spanish Influenced Dances Dances reflects Christianity, and European art and culture Philippine aristocrats created Filipino adaptations of European dances jotas, fandanggos, mazurkas, waltzes danced by young socialites to the stringed music of the rondalla
- 20. “Habanera”
- 21. Muslim Dances Influenced by Malay, Javanese & Middle Eastern Traders (Islam) mysticism, royalty, and beauty Uses intricate hand & arm movement the fingers express feelings & emotions Uses shimmering costumes
- 22. Muslim Dances Maranao – “Singkil” Tausug – “Pangalay”
- 24. • intricate craftsmanship in metal, clothing, and jewelry • reflects rituals & animals, belief in “spirits” & shamans, nature – “anito” • animal sounds, human singing, indigenous materials Tribal Dances Also known as Ethnic dances; Ethnic minorities found in different parts of the Philippines (T’boli, Bilaan, Manobo, Bagobo, etc.)
- 25. T’boli – “Madal Tahaw” Tribal Dances Manobo – “Bangkakaw”
- 27. RURAL DANCE
- 28. RURAL DANCES • Shows laughter, festivities • Performed in fiestas to honor patron saints • give homage to the barrio's namesake for a good harvest, health, & perseverance • Indigenous materials, clapping, rondalla, percussion instruments Reflects the simple life of the people in the barrio Depicts common work, daily activities of the peasants
- 29. MAGLALATIK
- 30. The Maglalatik (also known as Manlalatik or Magbabao) is a folk dance from the Philippines performed by male dancers. The name of the dance means "latik-maker", from latik, a coconut product that is used in Filipino cooking. The dance is also a war dance depicting a fight between Moros and Christians over the latik. The dancers perform the dance by hitting one coconut shell with the other; sometimes the ones on the hands, the ones on the body, or the shells worn by another performer, all in time to a fast drumbeat. MAGLALATIK
- 31. OASIWAS
- 32. • origins coming from the fishing town of Lingayen in Pangasinan. Following their good catch, • fishermen will usually celebrate by drinking wine and dancing, and by swinging and circling with the lighted lamps on the hands of the dancers. • The graceful & lively moves of the dancers gave the name ‘Oasiwas‘ which in the local dialect is known as ‘swinging‘. OASIWAS
- 33. SAUT SA RARUG
- 34. SAUT SA RARUG • Salut sa Rarug is dance portraying the uses of a bamboo container, primarily in fetching water. • discovered by dance researcher Romulo P. Bugna in Agtambo, Passi, Iloilo. It was later presented during the 2008 National Folk Dance Workshop in Olongapo City last May 2008.
- 35. Lets check your understanding!
- 36. What type of dance reflects rituals which celebrate their daily lives-a good harvest, health, peace, war, and other symbols of living? Cordillera Dance
- 37. This dance refers to the way Philippine aristocrats created Filipino adaptations of European dances. Spanish Influenced Dances
- 38. This dance was influenced by Malay, Javanese, and Middle Eastern traders (Islam). -Muslim Dance
- 39. What type of dance that reflects rituals and animals, belief in “spirits” and shamans, nature – “anito”? Tribal Dance
- 40. What type of dance reflects the simple life of the people in the barrio? Rural Dance
- 41. How does Folk Dance reflect the life of every Filipino?
- 42. How can we preserve our Folk Dance nowadays?
- 43. How does a Folk Dance differ from other forms of dance?
- 44. The end !
- 46. San Isidro College INTEGRATED BASIC EDUCATION Malaybalay City
- 47. San Isidro College INTEGRATED BASIC EDUCATION Malaybalay City
- 48. REFERENCES • 2010. Catacutan, Allen. Fundamentals in Philippine Folk Dance + Filipino Cultural Communities. 5 October 2010. http://www.scribd.com/doc/38738236/Fundamenta ls-in-Philippine-Folk-Dance-Filipino-Cultural- Communities • 2008. Philippine Folk Dance Society, Cultural Center of the Philippines. A Classic Collection of Philippine Folk Dances Series III, 28th National Folk Dance