The document discusses Mari Carmen Ramirez's statement that art exhibitions represent individual and collective identities, whether intentionally or not. It analyzes Wifredo Lam's painting "The Jungle", which was included in the Museum of Modern Art's 1993 exhibition on Latin American art. The painting uses disjointed, multi-limbed figures against a backdrop of sugar cane to address the history of slavery in colonial Cuba and embody Lam's Cuban roots.