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Music of Mindoro.pdf567809-0-4321467980090-
- 2. GEOGRAPHICAL BACKGROUND Mindoro is an island located in southwestern Luzon It is composed of two provinces: OCCIDENTAL MINDORO and ORIENTAL MINDORO.
- 5. CULTURAL BACKGROUND Tagalog is the main language of Mindoro, though some parts are greatly influenced by the native Visayan and Mangyan languages. Hanunuo language is the language spoken by the Mangyans.
- 6. MANGYAN
- 7. INDIGENOUS TRIBES 1. RATAGNON -A tribe occupying the southernmost tip of Mindoro. 2. ALANGAN - A group that occupies the northern part of both Oriental and Occidental Mindoro. 3. IRAYA -A group of people based in the upland part of Northwest Mindoro.
- 8. VOCAL MUSIC IN MINDORO Vocal music in Mindoro is based on their different social functions.
- 9. TYPES OF VOCAL MUSIC • IYAYA – Lullaby • AYUNG or NGAYUNG – Ritual chant igway • MARAYAW – Spirit song • PAMUYBUYEN (Legend) – It means fear of water
- 10. REPRESENTATIVE SONG/ GENRE AMBAHAN - is one of the indigenous vocal music of Mindoro. It is a rhythmic poetic expression with seven-syllable lines with rhythmic end-syllables. It is often presented as a chant and inscribed in bamboo tubes called luka.
- 11. ELEMENTS USED IN AMBAHAN •Rhythmic poetic lines •Monophonic •Distinct melody •Meter with seven syllables
- 14. TRIVIA: IGWAY – is the word used by the Mangyan for “song”.
- 15. EXAMPLE:
- 17. LANTOY • A tiny flute that can be played either by nose or mouth.
- 18. BANGSI • A type of aerophone. An external pipe flute.
- 20. PITUH • A flute that is diatonically tuned, has fingerholes but no thumb hole. A type of aerophone.
- 21. KALUTANG • This percussion stick played in pairs to produce harmonies on second, thirds, and fourths. A type of idiophone.
- 22. AGUNG ENSEMBLE • Consists of two light gongs played two men squatting on the floor. A type of idiophone.
- 23. SOLO INSTRUMENT
- 24. GITGIT • A three-stringed indigenous violin with human hair for strings. A type of chordophone.
- 25. music of PALAWAN
- 26. GEOGRAPHICAL BACKGROUND • Palawan is one of the largest provinces in the Philippines in terms of land areas. • It is the home of the seven wonders of the world, the Puerto Princesa Underground River. • It is the place where the fragment of the Tabon man was found about 20,000 years ago.
- 29. PUERTO PRINCESA UNDERGROUND RIVER
- 30. TABON CAVES
- 31. EL NIDO
- 32. SMALL AND BIG LAGOON OF EL NIDO
- 33. INDIGENOUS GROUPS OF PALAWAN • TAGBANWA – people from Northern and central part of Palawan. • PALWANO – Native lowland dwellers and occupy the Southern Palawan. • AGUTAYEN – From the Central Island of Cuyo and considered as the elite among Palawan Tribes.
- 34. • TAAW’T BATO – Means “people of the rock”, they reside in the mouth of an extinct volcano. • BATAK – called “mountain people of Palawan” who live in the Northern part of Palawan. • CUYONEN – Indigenous group.
- 36. VOCAL MUSIC OF PALAWAN • SANDAW – a lullaby; used either pentatonic or diatonic scale. • CANCION SONG – popular serenade • KOIRDAS DI LA BORBON – song sung during wake • PA HESUS – song about death
- 37. INSTRUMENTAL MUSIC OF PALAWAN • BATUNGTUNG – Bamboo slit drum • PALAKUPAN – stick with bamboo clappers • SUBING – Jew’s harp • LANTOY - Nose flute
- 38. ENSBEMBLES OF PALAWAN • TIPANU BAND – A fife and drum • DE-KWERDAS – String band • TIPANU CORE – two drums and four to seven transverse mouth flutes with six finger holes.
- 39. music of VISAYAS
- 40. • Most Visayan songs or music are written in duple or triple meter with a simple melody that is easy to sing.
- 41. MUSIC FOR DIFFERENT OCCASIONS AND GATHERINGS • CHILDREN SONGS – Ilo ng Bata; pinalangga ko • Debate song – Balitaw • Serenade song – Matud Nila • Epic Song – Kandu • Farie’s sacred song – Portino • Christmas song - Dagon
- 42. BALITAO • Is an old Visayan folk song and dance where a man and woman engage in a debate in song. They dance with each other keeping time with the music, until one of the parties sing their part is more than sang than danced. It uses lyrics that are ideally humorous and performed spontaneously to a preconceived theme.
- 43. ANUGON-ANUGON
- 44. REPRESANTATIVE SONGS/GENRE DANDANSOY – Is a Visayan song that depicts the story of a woman who goes home to payao or a farm house. The woman tells the man she loves to follow her in case he misses her.
- 45. DANDANSOY
- 46. PASTORES • Is a poetic play and dance describing the story of the shepherd’s search for the baby Jesus. Pastores de Sibonga is one of the known Christmas plays in Visayas. It started in the 1920’s.
- 47. INSTRUMENTAL MUSIC OF VISAYAS • RONDALLA – is an ensemble of string instruments played with pick. It originated in Spain and it became most popular in Philippine folk music • TULTUGAN – Is an indigenous term for “bamboo drum”. It originated from Hiligaynon (Panay, Negros,) and Kiniray-a (Antique). It is also a festival in the province and region that promotes the town’s bamboo industry.
- 48. TULTUGAN FESTIVAL— MAASIN,ILOILO | KASADYAHAN FESTIVAL 2019
- 50. ISLAMIC MUSIC • Mindanao is one of the largest islands in the Philippines. It is surrounded by four seas namely: Sulu sea to the west, Philippine Sea to the East, Celebes Sea to the South, and Mindanao Sea to the North. • This is the region that has the greatest variety of development. It has mountains and volcanoes that are complex in structure that attracts tourists.
- 51. ELEMENTS OF MUSIC IN MINDANAO • Rhythm – fast, moderate, or slow in tempo. • Timbre – head voice (light), chest speaking voice(throaty), guttural voice. • Melody - narrow range, moderate, wide range. • Meter – regular and irregular meter. • Form – syllabic and melismatic phrasing
- 52. • Texture – monophony, homophony, polyphony, heterophony (variation on a single melody line). • Harmony – major and minor tonality, pentatonic scale modal.
- 53. TYPES OF VOCAL MUSIC IN MINDANAO • Chanting is making melodic sounds with the voice only. There are epics in Mindanao transferred from one generation to generation to the next through their oral tradition, with the use of chanting.
- 54. The indigenous Philippine folklore is characterized by sacred rituals and practices and are made more eager and animated by the music that accompanies them. The kind of texture that they are showing is a monophonic texture.
- 55. EX. CHANTS • MIMINSAD – is a dance and also chanted as people walk before the altar. The wedding feast is another celebration where music plays an important role. Most of the Muslim groups play music using small and large kettledrums as their accompaniment to dancing.
- 56. • DARANGEN – Is an epic song which includes a wealth of knowledge about the Maranao people living in the Lake Lanao region of Mindanao. The elders refer to the time-honored text in the administration of customary law meaning: to narrate a song in the Maranao language. It is infrequently performed because of the present lifestyle of the people of Mindanao.
- 57. •ULAGING – is the most important type of vocal music. It recalls the adventure of the main hero Agyu and his brother and sisters. This is sung at nighttime for at least some hours, in some cases up to several nights.
- 58. INSTRUMENTAL MUSIC OF MINDANAO • KULINTANG – Is a counterpart of the Malaysian – Indonesian gamelan. There are no wind or string instruments played to accompany it. It is the principal eight gong series used to play a variety of meaningful compositions.
- 59. • GANIDINGAN - is a set of four large hanging gongs which is played as part of the kulintang ensemble of Maguindanao. • Agung – is one or two suspended gongs. • Dabakan – is a single-headed Philippine drum that looks like a goblet used by the Maranaos. • Babandil – is a single, narrow- rimmed Philippine gong used as the timekeeper of the Maguindanao kulintang ensemble.
- 60. BAMBOO INSTRUMENTS OF MINDANAO • KUBING – is made of bamboo. It is held horizontally with the bamboo tongue in front of the opened mouth. It can be played in solo or in an ensemble (aerophone). • SULING – is also called the ring flute. It is the smallest bamboo flute of Maguindanao. The sound is produced when the air passes through the hole found at the bottom of the instrument while the pitch is controlled through the five finger holes at the top and one finger located at the bottom.
- 61. • PALENDAG – is a lip-valley flute and one of the most common aerophones of the Maguindanaons. • KAGUL – is a Maguindanao bamboo scrapper gong or slit drum with a jagged edge on one side.
- 62. OTHER INSTRUMENTS OF SOME TRIBES IN MINDANAO • GADDING – Drums. • TUNGALLAN – Large gongs. • DUWAHAN – a set of two paired gongs.
- 64. WHAT IS LUMAD? • Lumad is a Visayan word for “native” or “indigenous”. • It refers to the non-Christian and non-Muslim ethnic groups of Mindanao. • The music of Lumad includes a wide repertoire of sounds performed for various occasions. • They also make use of a general array of musical instruments that includes agong.
- 65. TRIBES OF LUMAD IN MINDANAO • SUBANON – is the biggest group of Lumad of Zamboanga del Norte and Zamboanga del Sure. • Their vocal music is characterized by the ff.: • Chants • Different types of songs like • Donli - love song • Buwa – Lullaby • Giloy - Funeral
- 67. SUBANON TRIBE
- 68. SUBANON MUSICAL INSTRUMENTS INCLUDE • Agong • Kulintang • Durugan
- 69. MANOBO TRIBE They are from Sarangani Island, Davao region, Agusan Province, and Bukidnon. Their vocal music include the ff. • Ritual songs • Narrative songs • Lullabies • Songs of nature
- 70. MANOBO TRIBE
- 71. T’boli Tribe • Is the name of one of the tribes of South Cotobato. They perform different songs from different occasions and sentiments, like weddings and fishing. And when they are joyful or sad. They reflect their closeness to nature through the imitation of natural sounds.
- 72. T’boli Tribe
- 73. MANSAKA • It is one of t he tribes from the provinces of Davao del Norte and Compostela Valley. Their musical forms include saliada that is similar to ballad and bayok on or songs of love and adventure.
- 74. MANSAKA TRIBE
- 75. ASSIGNMENT • RESEARCH THE DIFFERENT FESTIVALS OF LUZON, VISAYAS, AND MINDANAO. ENCODE THE HISTORICAL BACKGROUND OR STORY BEHIND EACH FESTIVAL. EACH OF YOU IS REQUIRED TO 3 FESTIVALS EACH.