DIFFERENCE BETWEEN STORY AND
NARRATIVE
JOHN FISKE

‘story is the irreducible substance of a story, while
narrative is the way the story is related’
• Story is what happens
• Narrative is the way is the story is told
VLADIMIR PROPP
noticed that characters that perform a function in the 1920’s,
identifying a theory about characters and actions as narrative
functions
• The hero/heroin
• The villain

• The donor
• The dispatcher
• The false hero
• The helper
• The princess/prince
• Her father
ROLAND BARTHES
Barthes was a media theorist. He believed in negotiated meanings,
arguing that viewers produce ‘new meanings’ that are influenced by their
cultural context. Also suggested that threads that you pull on attempting
to unravel the meaning. He also came up with the ideas of the enigma
codes, these are hooks or elements of mystery in narrative that need to
be resolved, the audience recognises these hooks even if they don’t
know what the resolution is.
•

The main narrative codes;

•

Mystery Code or Enigma Code

•

The Semic Code

•

The Cultural Code

•

Code of Opposition
The main narrative codes;

Mystery Code or Enigma Code
•

To explain the narrative by controlling what and how much information is given to
the audience.

The Semic Code
•

This code is all about signs and meanings in a text and tells us about its narrative
and characters. E.g. horror film = dark place

The Cultural Code
•

Used in order for the narrative to make sense to a culturally and socially aware
audience. It makes references from the real world that audiences will recognise

Code of Opposition
•

This code refers to a narrative that relies on binary opposites e.g. black and
white, hot or cold, male or female etc.

Action Codes
•Audience will recognise an action code in a media text as it is used to indicate the
next logical step
•E.g. someone packing a bag frantically, means that they will be leaving wherever
they are

•E.g. someone starting up a car engine, means they are trying to get away

More Related Content

PDF
City of Conspiracy: How to turn Creative Passion into Revenue
PPTX
Conventions of electro pop genre
PPTX
Music Video Director
PPTX
Media Narrative Codes
PPTX
Narrative theory
PPT
4 narrative
PPTX
Barthes Narrative Codes
PPT
Media narrative codes update 2015
City of Conspiracy: How to turn Creative Passion into Revenue
Conventions of electro pop genre
Music Video Director
Media Narrative Codes
Narrative theory
4 narrative
Barthes Narrative Codes
Media narrative codes update 2015

Similar to Story & Narrative (20)

PPTX
Barthes narrative code
PPT
AS/Y1 Media Studies: Narrative
PPTX
Barthes narrative code
PPTX
Media theories
PPTX
Media theories
PPTX
Narrative structure ..
DOCX
Narrative theory
PPT
4 narrative
PPTX
Narrative theorists
DOCX
Audience theory
PPTX
Narrative presentation
PPTX
Genre and narrative threory booklet
PPTX
narrative
PPTX
ASY1 media narrative
PPTX
Narrative theorists
PPTX
Enigma code
PPTX
Task 9
PPTX
Narrative theories
PDF
Narrative theories
PPTX
Barthes 5 narrative codes
Barthes narrative code
AS/Y1 Media Studies: Narrative
Barthes narrative code
Media theories
Media theories
Narrative structure ..
Narrative theory
4 narrative
Narrative theorists
Audience theory
Narrative presentation
Genre and narrative threory booklet
narrative
ASY1 media narrative
Narrative theorists
Enigma code
Task 9
Narrative theories
Narrative theories
Barthes 5 narrative codes
Ad

Story & Narrative

  • 1. DIFFERENCE BETWEEN STORY AND NARRATIVE
  • 2. JOHN FISKE ‘story is the irreducible substance of a story, while narrative is the way the story is related’ • Story is what happens • Narrative is the way is the story is told
  • 3. VLADIMIR PROPP noticed that characters that perform a function in the 1920’s, identifying a theory about characters and actions as narrative functions • The hero/heroin • The villain • The donor • The dispatcher • The false hero • The helper • The princess/prince • Her father
  • 4. ROLAND BARTHES Barthes was a media theorist. He believed in negotiated meanings, arguing that viewers produce ‘new meanings’ that are influenced by their cultural context. Also suggested that threads that you pull on attempting to unravel the meaning. He also came up with the ideas of the enigma codes, these are hooks or elements of mystery in narrative that need to be resolved, the audience recognises these hooks even if they don’t know what the resolution is. • The main narrative codes; • Mystery Code or Enigma Code • The Semic Code • The Cultural Code • Code of Opposition
  • 5. The main narrative codes; Mystery Code or Enigma Code • To explain the narrative by controlling what and how much information is given to the audience. The Semic Code • This code is all about signs and meanings in a text and tells us about its narrative and characters. E.g. horror film = dark place The Cultural Code • Used in order for the narrative to make sense to a culturally and socially aware audience. It makes references from the real world that audiences will recognise Code of Opposition • This code refers to a narrative that relies on binary opposites e.g. black and white, hot or cold, male or female etc. Action Codes •Audience will recognise an action code in a media text as it is used to indicate the next logical step •E.g. someone packing a bag frantically, means that they will be leaving wherever they are •E.g. someone starting up a car engine, means they are trying to get away