Universal Applications
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Universal Applications with Stepan Parunashvili OVERVIEW One of the largest issues with building rich client-side applications is the inevitable sharing of logic, as well as performance issues that arise after the initial beta phase is passed. We’ve done well to choose cohesion over a separation of technology with React, and we can go a step further with building Universal Applications (also called ‘Isomorphic Applications’). Here we will discuss building universal apps with React, Redux, and Node.js. From sharing small bits of logic, to sharing the entire application runtime, we will see first how to do it, and the benefits it has for engineering, reusability, performance and SEO. OBJECTIVE To show the watcher when and how to build universal applications. TARGET AUDIENCE Front-end or Full-stack engineers, with a background on React ASSUMED AUDIENCE KNOWLEDGE Medium understanding of Javascript, at least beginner understanding of React AUDIENCE MEMBERS WILL LEARN -What are Universal Applications When to build one — separating their actual benefits from the hype How to go about building a simple skeleton What the potential complexities are when sharing code between different environments
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“It’s all a matter of Perspective.” Incorporating Play to Help Solve Problems
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with Jessie Shternshus
Presented at FITC Toronto 2015
More info at www.fitc.ca
OVERVIEW
To encourage open-ended behaviour and flip perspective on a problem, it is important to incorporate play. Jessie’s learned a lot about how to infuse play into problem solving through a lifetime of doing and teaching applied improvisation, and through watching how her children look at the world. This interactive talk will be about her personal narrative at home and at work, and on how we can use play to be better problem solvers. Jessie will teach you a couple of techniques that you can employ after you leave FITC and get back to your desk.
OBJECTIVE
To understand how play can positively affect problem solving.
TARGET AUDIENCE
People looking for new creative problem solving tools.
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
How to infuse play into problem solving.
How to reframe problems.
How to change perspective.
The value of tapping into your childlike ways.
To ask ‘What if’?’
Goofy, Goodfellas and a Gardener: The Masters of Experience Design.
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See our upcoming events at www.fitc.ca
Goofy, Goodfellas and a Gardener: The Masters of Experience Design.
with Anthony Vitagliano
OVERVIEW
I’ve found that our best work, the experiences that move and stay with people, do two things: they blend the virtual and the actual, creating a kind of digital-physical alloy that people can interact with in profoundly surprising and intuitive ways; and they stay true to a set of bedrock principles, as old as storytelling. These principles have been set by the masters before us—a magician with boundless imagination, a filmmaker with fantastic eyebrows and an old man who yelled at people to get “ON” his lawn. I will explore the connection between these design heroes and the playful way Digital Kitchen interprets their philosophies. I might also explain why I have a slight obsession with revolving doors.
TARGET AUDIENCE
Experience designers.
THREE THINGS AUDIENCE MEMBERS WILL LEARN
How 19th century landscape architecture has influenced the digital landscapes of today
How a good storyteller always knows what to say, and what to leave unsaid
How feeling is more powerful than process
Pocket web gl sk
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with Chris Shankland
presented on September 17 2014 at
FITC's Web Unleashed Toronto 2014 Conference
WebGL is an adaptation of the OpenGL ES specification for usage within the context of HTML5. This allows for unprecedented control over hardware directly from JavaScript and can provide a significant performance boost for essentially any graphics intensive application. HTML5 games on mobile have been very limited in what they can achieve in terms of visual fidelity and performance, unless some kind of native extension was used. These native extensions significantly reduce the flexibility of the applications, both from a distribution point of view and from a cross-platform point of view. These reasons are a large part of the choice to use HTML5 in the first place, and any hinderance of them drastically reduces the value of HTML5 as a mobile platform for games. WebGL provides a standardized mechanism to overcome many of the performance issues that had previously crippled mobile HTML5.
In this session, Chris Shankland will be exploring how to get WebGL into your application, even if it’s just a 2D application. He will also explore some of the drawbacks that come with the additional control: mobile HTML5 games that use WebGL can be a double-edged sword. Additionally, he will give some examples of how this is the case and share some best practices. Finally, given that the field of 3D graphics and OpenGL is extensive, Chris will also share a number of resources for further learning and exploration.
OBJECTIVE
Understand what WebGL means for Mobile
TARGET AUDIENCE
Game developers with a focus on HTML5 related technologies
ASSUMED AUDIENCE KNOWLEDGE
Familiarity with JavaScript, HTML5 (what it is, what it isn’t), and a general understanding of what WebGL (or OpenGL) is. Any mobile development experience will be a big bonus, but not required.
5 THINGS LEARNED
How to get WebGL running from scratch
A sense of the significance of WebGL (performance comparison against 2D canvas)
Differences across platforms to be aware of
Common pitfalls
Performance best practices
Getting to Know Grunt By Writing Your Own Plugin
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Managing Responsive Design Projects
Managing Responsive Design ProjectsFITC Managing Responsive Design Projects
with Andrew Smyk
Presented on September 18 2014 at
FITC's Web Unleashed Toronto 2014 Conference
Please join Andrew Smyk in this session to learn and discuss how to:
Manage client expectations and get sign off for multi-screen, responsive projects with interactive mock-ups.
Move away from the traditional use of Photoshop for interface mock-ups for multi-device interface and interaction designs.
Incorporate client involvement for flexible decision making in responsive web design projects and building cost of devices into pricing models, guerrilla usability testing and project deliverables.
OBJECTIVE
Learn why you should be designing at the very end in the desired devices.
TARGET AUDIENCE
This session is for freelancers, account managers, project managers or anyone who produces deliverables for clients.
ASSUMED AUDIENCE KNOWLEDGE
Attendees should have a working knowledge of project workflows and deliverables.
AUDIENCE MEMBERS WILL LEARN
Wire-framing in the browser
Moving away from Photoshop mock-ups
Flexible decision making using dynamic mock-ups
Guerilla user testing
Building a device lab and device testing
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Why Everyone Should Own a Giant Robot Arm
Why Everyone Should Own a Giant Robot ArmFITC Why Everyone Should Own a Giant Robot Arm
with Biying Miao
Presented at FITC Toronto 2015
More info at www.fitc.ca
OVERVIEW
It started as an off-hours hobby, but when Biying and Matt (Co-Founders of Hot Pop Factory) began 3D printing and distributing a retail product right out of their home, their understanding of traditional manufacturing processes was completely altered. One year, several TV interviews, and a few art installations later, they had both quit architecture jobs to start their own design and fabrication workshop.
Come check out thir talk and learn everything you didn’t want to know about computational design and digital manufacturing processes like 3D printing, laser cutting, and CNC machining. These are the tools that will revolutionize the way physical products will be designed and made over the next 10 years.
OBJECTIVE
To show the fun and sometimes messy process in creating physical products with digital tools and to inspire young entrepreneurs with the true story of a successful business.
TARGET AUDIENCE
This talk is for anyone who wants to learn a little about design, digital manufacturing, and starting a business in the 2010s.
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
What is Hot Pop Factory?
What the heck is digital fabrication?
What is mass customization, and why should I care?
What types of design and manufacturing tools will be used to make physical products in the next 10 years?
How does anyone start a cutting-edge business these days?
CSS: A Slippery Slope to the Backend
CSS: A Slippery Slope to the BackendFITC Save 10% off any FITC upcoming event with discount code 'slideshare'. Details at www.fitc.ca
OVERVIEW
Think CSS isn’t important? Or just for girls? Or an afterthought like accessibility or security? Spoiler alert: you’re wrong (about all of those)! CSS has become the gateway drug for most novices and designers-turned-programmer; with preprocessors like LESS and SASS making it easier and easier for web developers to get further down the rabbit hole. In this talk, Kacey will cover a brief history of CSS and where it stands today, the difference between and how to use preprocessors, and where we can likely expect CSS to go in the future. If you’ve ever wondered why UX developers love LESS/SASS, why preprocessors are essential in todays tech stack, then this talk is for you!
OBJECTIVE
Attempt to explain/dismystify CSS as it stands today
TARGET AUDIENCE
Anyone working in, or interested in, web development
ASSUMED AUDIENCE KNOWLEDGE
Little to no web development knowledge needed
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
Why is CSS important
What preprocessors do
Some basic Sass mixins
How preprocessors make your life easier
How CSS is becoming more like JS
The Shifting Nature of FED Role
The Shifting Nature of FED RoleFITC FITC events. For digital creators.
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The Shifting Nature of FED Role
with Ron Edelen
OVERVIEW
Over the past few years, there has been more emphasis on the capabilities of a front-end “themer” who implements re-usable systems, over a front-end designer (FED) who challenges the norm and strives for something novel. The responsive design revolution has made the web increasingly more complex to design, forcing us to embrace standardization and find opportunities for reducing labour in order to increase profit. The resulting trend: front-end development is more effectively executed by a robot.
History shows us that automation leads to a shift in the nature of labour. Wether or not you share my belief in a robot take-over, I will share techniques that may change your current perception of the FED role. I will also show practical examples of rapid experimentation, giving you the unfair advantage moving forward. As soon as you label something, you stop thinking about what else it can be.
OBJECTIVE
A look at the state of the industry and how the future of FED requires us to provide more value than just arranging boxes and text on a screen.
TARGET AUDIENCE
Front-end developers, interactive designers, motion designers, UX designers, UI designers.
ASSUMED AUDIENCE KNOWLEDGE
Basic knowledge of FED best practices and frameworks.
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
The fast pass to badass is embracing automation of development tasks so that you can free up time to pioneer new challenges
Layout building skills is no longer a differentiator, how design is valued these days and the massive importance of animation
Learn how to recognize when we are too reliant on automation frameworks, e.g. responsive web design as your only mobile strategy is a waste of time
Walk away with techniques for using WebGL, WebVR, three.js and other frameworks to create rich, interactive content, shifting the role of FED from layout to content creation
Tools and tips for experimentation and re-invention, how to invent visual and interactive methodologies that have the potential to become new standards
Technolust: Kitbashing the Future
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Details at www.fitc.ca
Technolust: Kitbashing the Future
with Blair Renaud
OVERVIEW
Single developers and small teams around the world are creating entire digital worlds and setting the bar for the future of virtual reality. We’ll talk about how anyone with access to the internet can pillage asset stores, never write a single line of code and still create compelling virtual reality content. From Palmer Lucky’s garage to indie developers and AAA game studios, taking things apart and putting them back together in exciting new ways is the driving force of the new VR revolution.
OBJECTIVE
Blair will show how hackers and indies are defining what commercial VR will be in the future through the story of the last 2 years in VR.
TARGET AUDIENCE
VR content creators, game developers, mobile developers, VR enthusiasts.
ASSUMED AUDIENCE KNOWLEDGE
Minimal awareness of virtual reality technology
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
A little about Technolust and IRIS VR
How to create VR content with little to no funding
Creating believable worlds and people
What makes people sick and how to avoid it
Virtual locomotion and input solutions
Designing Interactive Experiences for Kids of All Ages with Mark Argo
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Learning from Science Fiction with Greg Borenstein
Learning from Science Fiction with Greg BorensteinFITC This document discusses the relationship between science fiction and technology. It contains quotes about how science fiction can predict issues like traffic jams rather than specific technologies. It also discusses the concept of design fiction versus science fiction and includes examples of design fiction works. The document advocates that technology should inspire storytelling and imagination rather than just prediction, and notes that science fiction is ultimately about understanding the present.
Putting your Passion into the Details
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Putting your Passion into the Details
with Erin Sarofsky
OVERVIEW
Depending on who you talk to, either God or “the devil” may be “in the details.” At Sarofsky Corp., they use animation, visual effects, computer graphics and live-action to collaborate with clients, from concept to delivery, producing work that aims to be visceral, innovative and diverse. That work crosses all platforms, including commercials, TV and film main title sequences and web efforts. In each and every studio collaboration, they must be the masters of details – but as they’ve learned (sometimes the hard way), those thoughtful realms that span from the tedious to the sublime are opportunities for awesomeness. In this presentation, this one-of-a-kind professional will highlight some of the more dramatic instances where attention-to-detail made her projects, her company and their collective work absolutely spectacular. Naturally, the keys include creative vision – and highly collaborative work environments.
TARGET AUDIENCE
Graphic design industry professionals, principals of graphic design, animation, VFX and production companies, and anyone who is or wants to be a creative industry professional.
SIX THINGS AUDIENCE MEMBERS WILL LEARN
To a creative director and designer, what are the types of project details that really warrant personal attention?
How do you optimize project planning to ensure that the important “broad strokes” work gets done, and that the details get attention at the right times?
What is the difference between A and A+ work, and how do you get clients and collaborators onboard to go the extra mile?
What should you look for in key project collaborators (producers, VFX supervisors, editors, interns) to help them embrace detail management?
What are some instances where attention-to-detail might very well land you the job (or project) of your dreams?
As a company owner or freelancer, how can you leverage an understanding of your simplest goals to make good, effective decisions?
Adapt or Die
Adapt or DieFITC Adapt or Die
with James Callahan and Andrew Jones
OVERVIEW
FutureDeluxe is an experimental creative studio driven by research, technology and the pursuit of new aesthetics and techniques. As a studio, 30% of their time is spent exploring different disciplines and developing new ways of working. This allows them to continually adapt and evolve their (and their clients) creative output.
OBJECTIVE
They’ll explore both the pros and cons of growing a creative studio with experimentation at its heart.
TARGET AUDIENCE
Industry professionals & students
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
Adapt or die
They don’t know what they want until you show them
Growing up doesn’t have to mean giving up
Inhale the good shit and exhale the bullshit
Go home and go home happy
Breaking The Broken Web
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with Kyle Simpson
OVERVIEW
The web is fundamentally broken in two deeply profound ways and unfortunately the only way we’re going to move forward is to painfully break from our past and present realities. First, we’ve got to break from the idealistic but untenable notion of unbounded backwards compatibility. Then we’re going to need to break from the notion of building sites/apps that assume fast and unmetered bandwidth, unlimited battery power, and users which want their devices completely maxed out in experience. Let’s stop building a broken Web and break it forward.
OBJECTIVE
To come to terms with the Web we’ve built broken by its very fundamental design, and break from this past to move forward.
TARGET AUDIENCE
Designers and Web builders.
ASSUMED AUDIENCE KNOWLEDGE
Basics of Web design and standards.
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
Why are there so many bugs in Web technology that never get fixed?
What is browser game theory and what does it mean to me?
Besides screen size/orientation, what other factors should come into play when deciding what experience to give a user?
What limitations do real users face which limit what experience they want or can “afford” on your site?
How can we wire user-choice into the fabric of what we build and the way users experience the Web?
! or ? with Chip Kidd
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I Heard React Was Good
I Heard React Was GoodFITC Presented at FITC Toronto 2016
See details at www.fitc.ca
There is no doubt React is here to stay, it’s popularity is on the rise. But if you are new to JS or new to JS frameworks you might be wondering WHY is it so popular. In this talk we will look at why we have React and what problems it solves. The concept of reusable components, their life cycles and the common terminology. We will also explore what the workflow for building a modern React app looks like, and where React can fall short. Learning React in 2016 will be an important step in your career, so lets dive in!
Objective
Break down the concepts behind React and make it easy for people to start building with it.
Target Audience
JavaScript developers or project mangers looking to get a better understanding of React.
Assumed Audience Knowledge
Intermediate understanding of JavaScript.
Five Things Audience Members Will Learn
Why do we have react, what problems does it solve
React components
Component life cycles
Common terminology
Where React falls short
Emergent Narrative: What We Can Learn From Dungeons & Dragons
Emergent Narrative: What We Can Learn From Dungeons & DragonsFITC Presented at FITC Toronto 2016
See details at www.fitc.ca
Interactive narrative hasn’t changed much in forty years – it’s still ruled by limited options and predestined outcomes. While digital RPG gameplay has become more sophisticated, the stories remain rather basic (albeit better disguised). Remarkably, we still haven’t matched the tabletop role-playing experience.
We need to approach interactive story from a different angle, one that’s natively digital and that takes full advantage of the new content platform paradigm. It won’t be easy, it’ll take a lot of time… but WE’RE WIZARDS, right?!
Objective
To explore the potential of a truly emergent narrative, and explain how playing tabletop role-playing games can get us there.
Target Audience
Storytellers, creators, writers, game developers, and gamers.
Five Things Audience Members Will Learn
An abbreviated history of interactive storytelling
Different approaches to interactive narrative; their pros and cons
Sneaky tricks good Game Masters use to get players invested in a game
How to convert player agency into dramatic agency (also great for GMs)
That they want to play a tabletop RPG (if they haven’t already).
Fitc whats new in es6 for web devs
Fitc whats new in es6 for web devsFITC Rami Sayar presented on ECMAScript 6 (ES6) features including block scoping with let and const, destructuring, modules and classes, and iterators and generators. ES6 aims to significantly update the JavaScript language and major engines are implementing features as the standard is targeted for ratification in mid-2015. Browser and Node.js support is increasing for many ES6 features through flags or transpilation with tools like Babel and Traceur.
Empowering the “Mobile Web” with Chris Mills
Empowering the “Mobile Web” with Chris MillsFITC Empowering the “Mobile Web”
with Chris Mills
“Mobile web” applications are often criticised for having inferior performance and a limited feature set, compared to “native” apps. To redress the balance, browser vendors are working on a number of technologies to grant them superpowers.
In this talk, Chris Mills will discuss the inherent historic problems with mobile apps and which technologies are stepping up to fill the holes. This includes device APIs such as Web Activities, Notification, Network Information and Vibration, offline apps, installable apps and performance enhancers such as asm.js and Emscripten.
Presented at FITC Toronto 2014 on April 27-29, 2014
More info at www.FITC.ca
Open Sourcing the Secret Sauce
Open Sourcing the Secret SauceFITC Presented at FITC Toronto 2016
See details at www.fitc.ca
Hear and walk away with the best open source libraries and tools Jam3 has produced out of its collection of over 100 repositories. Learn how an award-winning agency has gone from being closed source to sharing its “secret sauce” with the community while still staying sane and profiting.
Objective
Exploring some of Jam3’s open source gems
Target Audience
Web developers, digital agencies, creative coders.
Five Things Audience Members Will Learn
Why you should Open Source
Jam3’s Open Source tools and libraries
How to Open Source your company
How to manage over 100 Open Source repositories
How to create more reusable and modular code
The Working Dead
The Working DeadFITC The Working Dead
with Jason Theodor
Presented at FITC Toronto 2015
More info at www.fitc.ca
OVERVIEW
How to survive the plague of undead institutions and create a company that can kick ass and take brains.
Do you work for (or with) a Zompany? A Zompany is zombie company that has lost its humanity and is in a relentless, tunnel-visioned pursuit of profit (brains). It has no other purpose, and no regard for who or what gets in its way. We all know that 21st century creative companies cannot afford to operate in this manner.
Are you interested in starting your own venture, or making positive change within the company you work for? Become familiar with the 8 Value-Steps every entrepreneur should know, and inoculate yourself against the dead-end career apocalypse.
OBJECTIVE
Become familiar with the 8 core Value-Steps of 21st century creative companies.
TARGET AUDIENCE
Business Owners, C-Suite Executives, Entrepreneurs, Change Agents, Interns, Job Seekers.
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
How to identify a zombie company.
The 8 Value-Steps of creative companies.
Companies often get their priorities backward.
With great responsibility comes great power.
Examples of companies doing it right.
Web unleashed 2015-tammyeverts
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How Slow Load Times Hurt Your Bottom Line
with Tammy Everts
OVERVIEW
There are many compelling arguments why companies need to care about serving pages faster to their users. Countless studies have found an irrefutable connection between load times and key performance indicators ranging from page views to revenue. This talk will cover the reasons why you need to care about web performance and what you can do to make your pages faster.
OBJECTIVE
Attendees will take away an understanding of why improving load times is critical to delivering better user experiences, and how to fix performance leaches on their pages.
TARGET AUDIENCE
Designers and front-end developers who want to understand why and how to deliver faster user experiences.
THINGS AUDIENCE MEMBERS WILL LEARN
User expectations through the ages (or at least the past 40 years)
The psychology of web performance
The impact of load time on business metrics (revenue, conversions, bounce rate, user satisfaction/retention)
The cost of slow time versus downtime
The insidiousness of “page bloat”
Mobile performance
16 things you can do to deliver a faster user experience
Design that’s easy on the brain
Design that’s easy on the brainFITC Design that’s easy on the brain
with Ryan Coleman
Presented on March 07 2015
at FITC's Spotlight UX/UI
More info at www.fitc.ca
It’s one thing to make design that’s easy on the eyes – but how about designs that are easy on the brain? How we see the world is incredibly complex – very little of the world is in focus at any one time, and our brain is required to do a lot of the heavy lifting to let us see what we see. Have you ever wondered why certain colours work together better than others? how irritating it is when two things aren’t perfectly aligned? or why yours eye goes straight to that flashing icon in the bottom of the screen? To take in the vast amount of information our eyes provide to our brain it’s had to come up with some quick shortcuts that let it make sense of what we’re seeing – In this session we’ll dive into those shortcuts and examine how we can improve our designs by using them to our advantage.
OBJECTIVE
Help design professionals understand the way we process what we see in the world and how designing to appeal to our base visual processes can result in better overall designs.
TARGET AUDIENCE
Anyone responsible for creating visuals, documents or images that other people will look at
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
A deeper understanding of how we process the world around us
The difference between what we see and how we see
How to train your viewers brain to understand your designs more efficiently
Easy to remember rules for creating brain pleasing designs
Why Waldo is so damn hard to find.
FSE'08 Doctoral Symposium
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Back To The Future
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Y U NO CRAFTSMAN
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Fashion & Luxury Masterclass 28th Oct 2014 - Acquia: Rise of experience web
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Technolust: Kitbashing the Future
with Blair Renaud
OVERVIEW
Single developers and small teams around the world are creating entire digital worlds and setting the bar for the future of virtual reality. We’ll talk about how anyone with access to the internet can pillage asset stores, never write a single line of code and still create compelling virtual reality content. From Palmer Lucky’s garage to indie developers and AAA game studios, taking things apart and putting them back together in exciting new ways is the driving force of the new VR revolution.
OBJECTIVE
Blair will show how hackers and indies are defining what commercial VR will be in the future through the story of the last 2 years in VR.
TARGET AUDIENCE
VR content creators, game developers, mobile developers, VR enthusiasts.
ASSUMED AUDIENCE KNOWLEDGE
Minimal awareness of virtual reality technology
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
A little about Technolust and IRIS VR
How to create VR content with little to no funding
Creating believable worlds and people
What makes people sick and how to avoid it
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Designing Interactive Experiences for Kids of All Ages with Mark Argo
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Learning from Science Fiction with Greg Borenstein
Learning from Science Fiction with Greg BorensteinFITC This document discusses the relationship between science fiction and technology. It contains quotes about how science fiction can predict issues like traffic jams rather than specific technologies. It also discusses the concept of design fiction versus science fiction and includes examples of design fiction works. The document advocates that technology should inspire storytelling and imagination rather than just prediction, and notes that science fiction is ultimately about understanding the present.
Putting your Passion into the Details
Putting your Passion into the DetailsFITC FITC events. For digital creators.
Save 10% off ANY FITC event with discount code 'slideshare'
See our upcoming events at www.fitc.ca
Putting your Passion into the Details
with Erin Sarofsky
OVERVIEW
Depending on who you talk to, either God or “the devil” may be “in the details.” At Sarofsky Corp., they use animation, visual effects, computer graphics and live-action to collaborate with clients, from concept to delivery, producing work that aims to be visceral, innovative and diverse. That work crosses all platforms, including commercials, TV and film main title sequences and web efforts. In each and every studio collaboration, they must be the masters of details – but as they’ve learned (sometimes the hard way), those thoughtful realms that span from the tedious to the sublime are opportunities for awesomeness. In this presentation, this one-of-a-kind professional will highlight some of the more dramatic instances where attention-to-detail made her projects, her company and their collective work absolutely spectacular. Naturally, the keys include creative vision – and highly collaborative work environments.
TARGET AUDIENCE
Graphic design industry professionals, principals of graphic design, animation, VFX and production companies, and anyone who is or wants to be a creative industry professional.
SIX THINGS AUDIENCE MEMBERS WILL LEARN
To a creative director and designer, what are the types of project details that really warrant personal attention?
How do you optimize project planning to ensure that the important “broad strokes” work gets done, and that the details get attention at the right times?
What is the difference between A and A+ work, and how do you get clients and collaborators onboard to go the extra mile?
What should you look for in key project collaborators (producers, VFX supervisors, editors, interns) to help them embrace detail management?
What are some instances where attention-to-detail might very well land you the job (or project) of your dreams?
As a company owner or freelancer, how can you leverage an understanding of your simplest goals to make good, effective decisions?
Adapt or Die
Adapt or DieFITC Adapt or Die
with James Callahan and Andrew Jones
OVERVIEW
FutureDeluxe is an experimental creative studio driven by research, technology and the pursuit of new aesthetics and techniques. As a studio, 30% of their time is spent exploring different disciplines and developing new ways of working. This allows them to continually adapt and evolve their (and their clients) creative output.
OBJECTIVE
They’ll explore both the pros and cons of growing a creative studio with experimentation at its heart.
TARGET AUDIENCE
Industry professionals & students
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
Adapt or die
They don’t know what they want until you show them
Growing up doesn’t have to mean giving up
Inhale the good shit and exhale the bullshit
Go home and go home happy
Breaking The Broken Web
Breaking The Broken WebFITC Presented at Web Unleashed on September 16-17, 2015 in Toronto, Canada
More info at www.fitc.ca/webu
Breaking The Broken Web
with Kyle Simpson
OVERVIEW
The web is fundamentally broken in two deeply profound ways and unfortunately the only way we’re going to move forward is to painfully break from our past and present realities. First, we’ve got to break from the idealistic but untenable notion of unbounded backwards compatibility. Then we’re going to need to break from the notion of building sites/apps that assume fast and unmetered bandwidth, unlimited battery power, and users which want their devices completely maxed out in experience. Let’s stop building a broken Web and break it forward.
OBJECTIVE
To come to terms with the Web we’ve built broken by its very fundamental design, and break from this past to move forward.
TARGET AUDIENCE
Designers and Web builders.
ASSUMED AUDIENCE KNOWLEDGE
Basics of Web design and standards.
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
Why are there so many bugs in Web technology that never get fixed?
What is browser game theory and what does it mean to me?
Besides screen size/orientation, what other factors should come into play when deciding what experience to give a user?
What limitations do real users face which limit what experience they want or can “afford” on your site?
How can we wire user-choice into the fabric of what we build and the way users experience the Web?
! or ? with Chip Kidd
! or ? with Chip KiddFITC This document appears to be a book cover or magazine spread featuring summaries and images promoting various books. It includes summaries and images for books by Chip Kidd, David Rakoff, Oliver Sacks, James Ellroy, Gina Barnett, Robert Gates, Haruki Murakami, and Tsukuru Takami. The document also includes brief quotes or questions about clarity versus mystery and features Chip Kidd's website at the bottom.
I Heard React Was Good
I Heard React Was GoodFITC Presented at FITC Toronto 2016
See details at www.fitc.ca
There is no doubt React is here to stay, it’s popularity is on the rise. But if you are new to JS or new to JS frameworks you might be wondering WHY is it so popular. In this talk we will look at why we have React and what problems it solves. The concept of reusable components, their life cycles and the common terminology. We will also explore what the workflow for building a modern React app looks like, and where React can fall short. Learning React in 2016 will be an important step in your career, so lets dive in!
Objective
Break down the concepts behind React and make it easy for people to start building with it.
Target Audience
JavaScript developers or project mangers looking to get a better understanding of React.
Assumed Audience Knowledge
Intermediate understanding of JavaScript.
Five Things Audience Members Will Learn
Why do we have react, what problems does it solve
React components
Component life cycles
Common terminology
Where React falls short
Emergent Narrative: What We Can Learn From Dungeons & Dragons
Emergent Narrative: What We Can Learn From Dungeons & DragonsFITC Presented at FITC Toronto 2016
See details at www.fitc.ca
Interactive narrative hasn’t changed much in forty years – it’s still ruled by limited options and predestined outcomes. While digital RPG gameplay has become more sophisticated, the stories remain rather basic (albeit better disguised). Remarkably, we still haven’t matched the tabletop role-playing experience.
We need to approach interactive story from a different angle, one that’s natively digital and that takes full advantage of the new content platform paradigm. It won’t be easy, it’ll take a lot of time… but WE’RE WIZARDS, right?!
Objective
To explore the potential of a truly emergent narrative, and explain how playing tabletop role-playing games can get us there.
Target Audience
Storytellers, creators, writers, game developers, and gamers.
Five Things Audience Members Will Learn
An abbreviated history of interactive storytelling
Different approaches to interactive narrative; their pros and cons
Sneaky tricks good Game Masters use to get players invested in a game
How to convert player agency into dramatic agency (also great for GMs)
That they want to play a tabletop RPG (if they haven’t already).
Fitc whats new in es6 for web devs
Fitc whats new in es6 for web devsFITC Rami Sayar presented on ECMAScript 6 (ES6) features including block scoping with let and const, destructuring, modules and classes, and iterators and generators. ES6 aims to significantly update the JavaScript language and major engines are implementing features as the standard is targeted for ratification in mid-2015. Browser and Node.js support is increasing for many ES6 features through flags or transpilation with tools like Babel and Traceur.
Empowering the “Mobile Web” with Chris Mills
Empowering the “Mobile Web” with Chris MillsFITC Empowering the “Mobile Web”
with Chris Mills
“Mobile web” applications are often criticised for having inferior performance and a limited feature set, compared to “native” apps. To redress the balance, browser vendors are working on a number of technologies to grant them superpowers.
In this talk, Chris Mills will discuss the inherent historic problems with mobile apps and which technologies are stepping up to fill the holes. This includes device APIs such as Web Activities, Notification, Network Information and Vibration, offline apps, installable apps and performance enhancers such as asm.js and Emscripten.
Presented at FITC Toronto 2014 on April 27-29, 2014
More info at www.FITC.ca
Open Sourcing the Secret Sauce
Open Sourcing the Secret SauceFITC Presented at FITC Toronto 2016
See details at www.fitc.ca
Hear and walk away with the best open source libraries and tools Jam3 has produced out of its collection of over 100 repositories. Learn how an award-winning agency has gone from being closed source to sharing its “secret sauce” with the community while still staying sane and profiting.
Objective
Exploring some of Jam3’s open source gems
Target Audience
Web developers, digital agencies, creative coders.
Five Things Audience Members Will Learn
Why you should Open Source
Jam3’s Open Source tools and libraries
How to Open Source your company
How to manage over 100 Open Source repositories
How to create more reusable and modular code
The Working Dead
The Working DeadFITC The Working Dead
with Jason Theodor
Presented at FITC Toronto 2015
More info at www.fitc.ca
OVERVIEW
How to survive the plague of undead institutions and create a company that can kick ass and take brains.
Do you work for (or with) a Zompany? A Zompany is zombie company that has lost its humanity and is in a relentless, tunnel-visioned pursuit of profit (brains). It has no other purpose, and no regard for who or what gets in its way. We all know that 21st century creative companies cannot afford to operate in this manner.
Are you interested in starting your own venture, or making positive change within the company you work for? Become familiar with the 8 Value-Steps every entrepreneur should know, and inoculate yourself against the dead-end career apocalypse.
OBJECTIVE
Become familiar with the 8 core Value-Steps of 21st century creative companies.
TARGET AUDIENCE
Business Owners, C-Suite Executives, Entrepreneurs, Change Agents, Interns, Job Seekers.
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
How to identify a zombie company.
The 8 Value-Steps of creative companies.
Companies often get their priorities backward.
With great responsibility comes great power.
Examples of companies doing it right.
Web unleashed 2015-tammyeverts
Web unleashed 2015-tammyevertsFITC FITC events. For digital creators.
Save 10% off ANY FITC event with discount code 'slideshare'
See our upcoming events at www.fitc.ca
How Slow Load Times Hurt Your Bottom Line
with Tammy Everts
OVERVIEW
There are many compelling arguments why companies need to care about serving pages faster to their users. Countless studies have found an irrefutable connection between load times and key performance indicators ranging from page views to revenue. This talk will cover the reasons why you need to care about web performance and what you can do to make your pages faster.
OBJECTIVE
Attendees will take away an understanding of why improving load times is critical to delivering better user experiences, and how to fix performance leaches on their pages.
TARGET AUDIENCE
Designers and front-end developers who want to understand why and how to deliver faster user experiences.
THINGS AUDIENCE MEMBERS WILL LEARN
User expectations through the ages (or at least the past 40 years)
The psychology of web performance
The impact of load time on business metrics (revenue, conversions, bounce rate, user satisfaction/retention)
The cost of slow time versus downtime
The insidiousness of “page bloat”
Mobile performance
16 things you can do to deliver a faster user experience
Design that’s easy on the brain
Design that’s easy on the brainFITC Design that’s easy on the brain
with Ryan Coleman
Presented on March 07 2015
at FITC's Spotlight UX/UI
More info at www.fitc.ca
It’s one thing to make design that’s easy on the eyes – but how about designs that are easy on the brain? How we see the world is incredibly complex – very little of the world is in focus at any one time, and our brain is required to do a lot of the heavy lifting to let us see what we see. Have you ever wondered why certain colours work together better than others? how irritating it is when two things aren’t perfectly aligned? or why yours eye goes straight to that flashing icon in the bottom of the screen? To take in the vast amount of information our eyes provide to our brain it’s had to come up with some quick shortcuts that let it make sense of what we’re seeing – In this session we’ll dive into those shortcuts and examine how we can improve our designs by using them to our advantage.
OBJECTIVE
Help design professionals understand the way we process what we see in the world and how designing to appeal to our base visual processes can result in better overall designs.
TARGET AUDIENCE
Anyone responsible for creating visuals, documents or images that other people will look at
FIVE THINGS AUDIENCE MEMBERS WILL LEARN
A deeper understanding of how we process the world around us
The difference between what we see and how we see
How to train your viewers brain to understand your designs more efficiently
Easy to remember rules for creating brain pleasing designs
Why Waldo is so damn hard to find.
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More info at www.fitc.ca/webu
Andréa Crofts
League
Overview
Examining our responsibility as creators to design for disconnection.
The “restore connection” alert isn’t just for devices– it applies to people too. And it’s more important now than ever before.
Digital creators, we need to talk. The rise in mental health as a result of situational stress is a prevailing theme in today’s society, and some of the products we’re building are the root cause. But we have the power to change this. As creators of digital products, how might we enable our users to be more present in their lives? How might we invest in features like Instagram’s activity timer, despite the fact that they’re fundamentally counterintuitive to the usage metrics most behemoth tech companies are driving towards?
We have a responsibility as creators of digital products to enable others to disconnect …and re-connect with themselves, physically and mentally. This intersection is an emerging category Andrea likes to call digital health, and it’s something we can create together.
Objective
To share actionable strategies, principles and considerations for designing with digital health top of mind. Andrea will get into some #realtalk about how we can collectively create more balance and presence for the humans using our products.
Target Audience
Designers and digital creators of all kinds – especially those building digital products at scale!
Level
Open to audience members of any skill level (this is a more high-level talk)
Five Things Audience Members Will Learn
Tips and best-in-class examples of designing for digital health
Design guidelines and principles for designing with digital health in mind
Evidence-based practices to ground your future design decisions
Strategies for re-framing the success metrics of digital products
Design ethics resources
Profiling JavaScript Performance
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Overview
JavaScript’s popularity has exploded over the last decade, taking it from a laughable scripting language to one that powers much of the web today. Because it’s so flexible and so easy to learn, it’s extremely popular with new developers looking to cut their teeth in programming. However, these strengths are also weaknesses, as it’s incredibly easy to write bad JavaScript without even knowing it.
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Objective
To help developers understand how to better make use of the JavaScript profiler.
Target Audience
Any JavaScript developers
Assumed Audience Knowledge
Basic JavaScript
Level
Beginner / intermediate
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Javascript inner-workings
Profiling concepts
Identifying bottlenecks
Profiling node applications
Tooling
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For more info see https://fitc.ca/event/webu19/
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Every developer has faced the difficult choice of deciding what tech stack they should use for a new project. Should you use the latest tech or something that everyone knows? Which framework is the best for your team? To survive your tech stack, developers must make trade-offs with developing on new tech stacks and the ability to maintain and scale their applications.
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More info at www.fitc.ca/toronto
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Overview
In this talk, Bushra Mahmood will explain how to articulate and pitch augmented reality as a viable medium to help solve problems. Learn about what makes an AR application come together on both mobile devices and headsets. Uncover different tools and methodologies for problem-solving and making a compelling story.
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Learn the tools and techniques required to pitch an augmented reality project.
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Designers, product managers, product stakeholders.
Assumed Audience Knowledge
An understanding of product design and an awareness of AR
Five Things Audience Members Will Learn
The right language to use when explaining ‘spatial’ design
The different requirements and considerations for scoping an AR project
The tools that are currently available for AR authoring
Insights into what the near and far future will hold for this medium.
An example of an AR application pitch
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More info at www.fitc.ca/toronto
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RBC Royal Bank of Canada
Overview
Over the past number of years companies have adopted the idea of customer-centricity. People across functions can fluently talk about the importance of paying special attention to end-user needs and overall customer experience.
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Target Audience
Designers, researchers, strategists, product managers, and technology leads
Three Things Audience Members Will Learn
Methodologies and tools to form insights out of a holistic understanding of customer challenges
How to synthesize data to form a vision of the better future
How to break the vision into manageable chunks that drive value for the business and the customer at every launch
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More info at www.fitc.ca/toronto
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Overview
During dailies as an intern at Imaginary Forces, Alan’s director, Karin Fong, would follow her animation feedback with one of the scariest and empowering questions of his career, “what do you think?” Over the last eight years, Alan’s transition from technician to creative director came from a dramatic shift in how he approached and answered that question. By examining larger conceptual principles to practical application in commercial and tv/film design, such as HBO’s Vinyl and Netflix’s Anne with an E, he will share hard-learned lessons that can empower you, whether in Photoshop, behind a camera, or pitching to clients, in developing and selling your creative voice.
Target Audience
Visual communicators eager to become more evocative storytellers
Five Things Audience Members Will Learn
‘Method branding’ in a selfie culture
O.C.D. (observe, collect, dissect) & the imagination
The resuscitating power of rearrangement
Pertinence vs pipeline: the crippling cage of routine
Less pitching, more poetry
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Everyday InnovationFITC Everyday innovation is defined as a daily process of introducing new ideas, devices, or methods through small improvements. There are different types of innovation, including empowering, sustaining, efficiency, and disruptive innovation. Everyday innovation focuses on making incremental improvements through collaboration, identifying opportunities by listening for user needs, and building habits of innovation. Effective collaboration and feedback are important to driving everyday innovation, with feedback working best when it is specific, goal-oriented, organized, relevant and timely.
HyperLight Websites
HyperLight WebsitesFITC Presented at FITC Toronto 2019
More info at www.fitc.ca/toronto
Chris Zacharias
imgix
Overview
The average website loads over 1.5MBs of content per page, making over 75 requests. Many popular websites are serving over 5MBs just to load their homepages. And these numbers represent measurements taken AFTER compression is applied. The full weight of many popular websites is pushing 20+ MBs these days. In an era where performance truly matters to the end user experience, web developers need techniques to help curtail this bloat in data down the wire.
No matter how well you optimize, there is no better way to than to delete things you do not need. How does one determine what is essential to the user experience and what is not? One answer Chris posits is to develop a hyper-lightweight version of your website which will provide critical insights into your specific performance priorities. This is a process that he has leveraged on many projects, in particular at YouTube to reduce the size of the video watch page from 1.5MBs to 100KBs. In this talk, Chris will take real-world web pages and show techniques for dramatically reducing their page weight and for identifying areas to optimize, while outlining the key steps to doing this well.
Objective
Learn a process for building a hyper-lightweight version of your website for establishing reasonable performance budgets, grounded in reality, to work from.
Target Audience
Web developers
Assumed Audience Knowledge
HTML, CSS, Javascript, some server-side awareness.
Level
Intermediate
Five Things Audience Members Will Learn
How to analyze a web page for performance issues
A holistic approach to deconstructing an existing website
A clear process for building a hyper-lightweight version of your website
Translating your findings into real performance priorities
Establishing a realistic performance budget
Everything is Terrifying
Everything is TerrifyingFITC Presented at FITC Toronto 2019
More info at www.fitc.ca/toronto
Michael Fullman
VT Pro Design
Overview
An exploration of the process of creation. We live in a time where technology and inspiration are more readily available and accessible than ever before. That being said we also live in a time that mostly highlights the successes of projects and process. In this particular talk Michael wants to touch on the process of creation with technology at VT Pro, to further explore a full circle approach to inspiration and creation where often times our next project is inspired by something learned in the process of creating something else.
By exploring what went wrong and what went right in a number of different projects he’s created, Michael will touch on points where inspiration can be found in this world of seemingly endless technology; the importance of collaboration; what can be learned from the moments that don’t necessarily go as planned; and how often projects come close to failure than the audience ever knows. Lastly he wants to touch on the process of finding personal inspiration to inspire an audience, and the momentum to push further that comes from their energy.
Objective
Things often don’t go as planned, but often that’s the fun part.
Target Audience
Creative technologists and experience designers
Five Things Audience Members Will Learn
Collaborative process
Giving personality to a piece of technology
How to learn from the unexpected
We all start somewhere (the journey is just as important as the destination)
Everything is possible now
Post-Earth Visions: Designing for Space and the Future Human
Post-Earth Visions: Designing for Space and the Future HumanFITC Presented at FITC Toronto 2019
More info at www.fitc.ca/toronto
Sands Fish
MIT Media Lab
Overview
Today, the environments that humans occupy in space are designed for survival. Humans are carefully shuttled to and from space, and during their relatively short stays, they are provided with minimum supplies to remain alive and able to perform experiments. As we begin to plan less for short visits and more for life in space (such as a six to eight month trip to Mars and beyond) the question becomes: What does human culture look like in space?
This talk will explore how human culture, design, and creativity might evolve as we begin to live in space, and the unique environmental conditions that might guide us in certain directions, just as the environment on Earth has. It will discuss space tourism, living in zero gravity, and some experiments in art and design that hint at future aesthetics.
Objective
Convey what opportunities exist at the outset of a more democratized New Space age, and call out the aesthetics, ethics, and cultural frontiers we find ourselves faced with at the end of the second decade of this century.
Target Audience
Those interested in the future of human life in space
Five Things Audience Members Will Learn
The history of human culture in space
Unique design constraints and considerations when designing for zero gravity
The experience of flying in a zero-g flight
The aesthetics at play in human spacefaring — (what has been)
New forms, new materials, new ideas — (what might be)
The Rise of the Creative Social Influencer (and How to Become One)
The Rise of the Creative Social Influencer (and How to Become One)FITC Presented at FITC Toronto 2019
More info at www.fitc.ca/toronto
Lindsay Munro
Adobe XD
Overview
Your social network could be more valuable than the work you’re doing today, because it could (and should) lead to the opportunities you get tomorrow. Your next post could result in your next recommendation, job, collaboration, exhibit, and next level experience.
In this session, you’ll learn how to hone and build your online social media presence to attract brands and engage in the modern-day endorsement deal. Get a behind-the-scenes perspective on the things brands look for in creative profiles and the rules of engagement.
Objective
Teach the ins and outs of what it means to be a creative social influencer.
Target Audience
Creatives looking to up level their social media presence and strike brand partnerships.
Things Audience Members Will Learn
How to set yourself up for “success” on social media
The importance of working with the right brands
Figuring out compensation and negotiating contracts
The ins and outs of disclosure and liability
How to not mess it up
East of the Rockies: Developing an AR Game
East of the Rockies: Developing an AR GameFITC Presented at FITC Toronto 2019
More info at www.fitc.ca/toronto
Amelie Rosser
Jam3
Overview
For the past two years Jam3 worked alongside Joy Kogawa and the NFB to create East of the Rockies, an augmented reality storytelling experience.
East of the Rockies is the first interactive AR game of its kind. The story takes users through a piece of Canadian history where Japanese Canadians were forced to leave their homes and live at internment camps during WWII.
This talk will cover the creation of the game: from concept and storyboarding, to the development process in Unity and various challenges and questions to consider from a creator’s perspective.
Objective
To let the audience in on the behind the scenes of developing an AR experience like East of the Rockies.
Target Audience
For those interested in Augmented Reality storytelling and game development.
Five Things Audience Members Will Learn
AR techniques using Unity
Storytelling in AR
Prototyping interactions in AR
Game state management using Unidux
Game optimization techniques in Unity
Creating a Proactive Healthcare System
Creating a Proactive Healthcare SystemFITC The Knowledge Society: Three Talks About the Future
Futurism Innovation Science
Isabella Grandic
The Knowledge Society
Overview
Join three incredible, young, and brilliant minds as they present their findings on topics that we’ll all have to deal with in the not so distant future. This series of talks will explore how exponential technologies like synthetic farming, nanotechnology, and quantum computing can be used to solve some of the world’s most difficult problems.
The speakers are all students of The Knowledge Society (TKS), a human accelerator for high school students designed to help them impact billions. TKS encourages students to take risks and think big.
Ayaan Esmail‘s talk will cover creating a proactive healthcare system
World Transformation: The Secret Agenda of Product Design
World Transformation: The Secret Agenda of Product DesignFITC R.C. Woodmass
Crescendo
Overview
The reports are in: how we relate to technology directly affects how we relate to other humans, to our environments, and to ourselves. Are we headed for a technological dystopia, where robots are in charge and empathy is just a word for the history books? Not necessarily! Learn how the interfaces we interact with can teach us how to be better communicators, increase our understanding of each other, and how product design might be the key to building a positive future for all.
Objective
Directly address fear and skepticism about technology, inspiring all who design and build tech to think more empathetically when building UX and UI.
Target Audience
Product designers, HR specialists, and anyone skeptical about technology
Three Things Audience Members Will Learn
How to create user interfaces that are flexible enough to include everyone, even if they can’t keep up with all the different identities and new labels that people are using
What is conversation design, and how it has the power to teach people how to communicate
How AI has the potential to be more inclusive than previous data analysis systems, if we leverage its weaknesses to the human advantage
The Power of Now
The Power of NowFITC This document discusses various topics related to video games and digital media including the power of now, video games from PlayStation and PC demos, games editors, live events featuring popular musicians, current uses of augmented reality, and real-time ray tracing technology. It features various images related to the topics.
High Performance PWAs
High Performance PWAsFITC Hasan Ahmad
Aquent DEV6
Overview
PWAs are a newly emerging delivery format for web, desktop apps. The fact that they can be installed on a client device and behave like natively installed apps means that special care should be taken when designing and building these types of apps, above and beyond a typical browser-only web application. One of the most important (potential) differentiators in the user experience of a PWA app vs a traditional web app is the ability to provide a high-performance UI because of their ability to do things like cache resources offline, including entire pieces of Web UI code, and the use of background services. In this talk we are going to do an exhaustive overview of the entire landscape of building PWAs from a performance-first perspective.
Target Audience
Web development teams
Assumed Audience Knowledge
Web Development fundamentals
Objective
Large enterprise applications
Five Things Audience Members Will Learn
Why PWA’s require performance engineering
What tools are available to measure performance metrics
Offline caching strategies
Host device considerations: desktop and mobile
Taking advantage of background code: Service Workers
Rise of the JAMstack
Rise of the JAMstackFITC The document discusses the rise of the JAMstack, which stands for JavaScript, APIs, and Markup. It describes how the JAMstack architecture uses static sites, content managed by headless CMSes, and APIs to provide performance and security benefits compared to traditional monolithic frameworks. Key advantages of the JAMstack include faster load times, higher security since there are fewer moving parts, and easier scalability using CDNs. The document outlines the various ingredients that make up the JAMstack like static site generators, hosting providers, and serverless functions, and provides examples of how popular sites have benefited from adopting this architecture.
From Closed to Open: A Journey of Self Discovery
From Closed to Open: A Journey of Self DiscoveryFITC Midge “Mantissa” Sinnaeve
Mantissa
Overview
Midge will be speaking about his experience of switching to open source applications for his freelance work. From ditching expensive software subscriptions to going down the linux rabbit hole, he’ll take you along for the ride and show you some cool stuff along the way.
It’s an in-depth look at what happens when your digital tools become an extension of yourself and how that can in turn inspire you to get better as an artist and find your style.
Objective
Taking a critical look at how you work and why.
Target Audience
(Motion) designers, 3D & VFX artists
Four Things Audience Members Will Learn
Open Source Design Tools
Self-criticism
Inspiration
Letting go
Projects Ain’t Nobody Got Time For
Projects Ain’t Nobody Got Time ForFITC This document discusses several art projects including 42 SKULLS which offers limited edition prints, THE LIGHTS, and SOFT BOTS. It also mentions UWATELA's new materials and presentation as well as AMERDAHL.
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Universal Applications
- 6. 6
- 7. 7
- 8. 8
- 9. Isomorphic 9
- 10. Universal 10
- 11. 11
- 12. ...2015 12
- 13. ...2014 13
- 14. ...2013 14
- 15. ...2012 15
- 16. ...2011 16
- 17. ...2010 17
- 18. ...2009 18
- 19. 2008 19
- 20. 20
- 21. 21 v2.2.2
- 22. 22
- 23. 23
- 24. 24 javascript?
- 25. 25 javascript
- 26. 26
- 30. 30
- 31. 31
- 32. 2009... 32
- 33. 2010 33
- 34. 34
- 35. 35 v0.1.0
- 36. 36
- 37. 37
- 38. 38
- 39. 39
- 42. 42
- 43. 43
- 44. 44
- 45. is it just the way things are? 45
- 46. 46
- 47. 47
- 49. 49
- 50. 50 what if we made our own representation of the dom...
- 51. ...React! 51
- 54. win 3: SEO 54
- 55. Can we build this? 55
- 57. 57 server.js
- 58. 58 server.js
- 59. 59 server.js
- 60. 60 server.js
- 61. 61
- 62. 62
- 63. 63 server.js
- 64. 64 server.js
- 65. 65 server.js
- 66. 66
- 67. Time to react 67
- 68. 68 components.js
- 69. 69 server.js
- 70. 70 server.js
- 71. 71 server.js
- 72. 72 server.js
- 73. 73
- 74. 74 components.js
- 75. 75 components.js
- 76. 76 components.js
- 77. 77
- 78. 78 server.js
- 79. 79 server.js
- 80. 80 server.js
- 81. 81 load client side react client.js
- 82. 82
- 83. ...Now the views are shared 83
- 85. build tools (webpack, babel & family) 85
- 86. Time to route 86
- 87. 87 client.js
- 88. ReactRouter 88
- 89. 89 server.js
- 90. 90 server.js
- 91. 91 components.js
- 92. 92 load client side react components.js
- 93. 93 load client side react routes.js
- 94. 94 load client side react client.js
- 95. 95 load client side react client.js
- 97. 97
- 98. 98
- 99. disable js 99
- 100. 100 server.js
- 102. show it working 102
- 103. How about data fetching? 103
- 104. 104 api.js
- 105. 105 api.js
- 106. 106 components.js
- 107. 107 server.js
- 108. 108 server.js
- 109. 109 server.js
- 110. 110 server.js
- 111. 111 server.js
- 112. 112 client.js
- 113. 113 client.js
- 114. 114 client.js
- 115. 115 client.js
- 116. ...but there's a library for that 116
- 117. react-resolver 117
- 118. is it all rosy? 118
- 119. not really 119
- 120. but the payoff? 120
- 121. 121
- 122. 122
- 123. 123
- 127. that's it : ) 127
- 128. Questions? 128