2. ELEMENTS OF ART
LINE- An element of art defined by a point moving in space. Line may be two-or
three-dimensional, descriptive, implied, or abstract.
SHAPE- An element of art that is two-dimensional, flat, or limited to height and
width.
FORM- An element of art that is three-dimensional and encloses volume; includes
height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may
also be free flowing.
VALUE-The lightness or darkness of tones or colors. White is the lightest value; black
is the darkest. The value halfway between these extremes is called middle gray.
SPACE- An element of art by which positive and negative areas are defined or a sense
of depth achieved in a work of art.
3. ELEMENTS OF ART
COLOR- An element of art made up of three properties: hue, value, and
intensity.
• Hue: name of color
• Value: hue’s lightness and darkness (a color’s value changes when white or black is
added)
• Intensity: quality of brightness and purity (high intensity= color is strong and bright; low
intensity= color is faint and dull)
TEXTURE- An element of art that refers to the way things feel or look as if they might
feel if touched.
6. PRE-HISTORIC PAINTINGS
Pre-historic era includes all human existence before the
emergence of writing.
Their paintings were found inside the caves which may have
been their way of communicating with each other. It may also
be for religious or ceremonial purposes.
7. CAVE OF
LASCAUX
The dominant features in
the painting were large
animals native in the region.
It was discovered on
September 12, 1940 and
given statutory historic
monument protection. The
painting has nearly 2,000
figures composed mainly of
animals, human figures, and
abstract design.
8. PAINTINGS FROM ANCIENT EGYPT
The purpose of Egyptian paintings is to make the deceased afterlife place pleasant.
It emphasizes the importance of life after death and the preservation of the
knowledge of the past.
Most paintings were highly stylized, symbolic, and shows profile view of an animal
or a person. The main colors used were RED, BLACK, BLUE, GOLD, AND
GREEN derived from mineral pigments that can withstand strong sunlight without
fading.
A natural pigment is one that is found in nature that is ground, sifted, washed, and
in rarer cases, heated to create a desired hue.
9. PAINTINGS FROM
ANCIENT EGYPT
The paintings of the wall
on the tomb show events
of the life of the king
while he was still on earth
and the scenes he expects
to encounter in the
underworld after his
death.
SARCOPHAGUS OF TUTANKHUMEN
10. PAINTINGS FROM CLASSICAL GREEK ERA
Paintings during the classical era were most
commonly found in vases, panels, and tomb.
They depict natural figures with dynamic
compositions.
Most of the scenes were battle scenes, mythological
figures, and everyday scenes.
11. MOST COMMON METHODS OF GREEK PAINTING
FRESCO- method of painting water-based pigments
on a freshly applied plaster usually on a wall
surfaces. Colors are made of ground powder
pigments mixed in pure water, dried, and set with
plaster to become a permanent part of the wall.
Ideal for murals, durable, and has a matte style.
12. MOST COMMON METHODS OF GREEK PAINTING
ENCAUSTIC- developed by Greek ship builders,
who used hot wax to fill the cracks of the ship.
Pigments (colors) were added and used to paint a
wax hull.
13. JUDGEMENT OF PARIS
KERCH STYLE
- Also referred to as KERCH VASES, these are
red, figured pottery named after the place
where it was found.
Shapes commonly found are:
1. Pelike (Wine Container)
2. Lekanis (a low bowl with the two horizontal
handles and a low broad foot)
3. Lebes Gamikos (with high handles and lid
used to carry bridal bath)
4. Krater (bowl use for mixing wine and water)
14. Kerch Style
1. Pelike (Wine Container)
2. Lekanis (a low bowl with the
two horizontal handles and
a low broad foot)
3. Lebes Gamikos (with high
handles and lid used to
carry bridal bath)
4. Krater (bowl use for mixing
wine and water)
PELIKE
LEKANIS
LEBES GAMIKOS
KRATER
15. PANEL PAINTING
They are paintings on flat
panels of wood. It can be
either a small, single-
pieced or several panels
joined together. Most of
the panel paintings no
longer exist because of
their organic composition.
PITSA PANEL
16. TOMB/WALL PAINTING
Tomb or wall painting
was very popular during
the classical period. It
uses the method frescos
in either tempera (water-
based) or encaustic (wax).
TOMB OF THE DIVER
17. PAINTINGS FROM THE ROMAN ERA
Most of the paintings of this era were copied or imitated
from Hellenic Greek paintings.
Fresco technique was used in brightly colored
backgrounds.
Roman paintings have a wide variety of subjects, animals,
everyday life, still life, mythological subjects, portraits,
and landscapes.
18. Mosaic
It is an art process where
an image is created using
an assemblage of small
pieces of colored glass,
stones, or other
materials.
Head of Alexander
20. BYZANTINE PAINTING
The lively styles of paintings which had been invented
in Greek and Rome lived on in Byzantium but this
time for Christian subjects.
By the 11th
Century, the Greek and Oriental Styles
seem to blend together in magnificent, imposing
images, which adorned the churches in large and small
forms.
25. PAINTINGS FROM THE GOTHIC ERA
Paintings have been confined in the illumination of manuscript
pages and the painting of frescoes on the walls of churches in
cosmopolitan style, elegant mannered, and sophisticated.
29. Activity: Compare and contrast the two using the following indicators:
Name of Artwork
Period created
Materials used
Elements of Arts used
Characteristics of
artwork